When choosing whose picture to publish of all the many made-up people that live in my head and my fiction, I often wonder, do I have an accurate sense of who is important and who is merely minor? I offer now some characters I don’t feel comfortable leaving out.

Mazie Haire
One of the Haire Sisters, rumored to be a witch, and proud to prove it to you, Mazie is a severe and highly focused individual with a knack for seeing and convincing you of the truth. So, maybe she really is a witch.
She appears in;
Snow Babies
When the Captain Came Calling

Milton John Morgan (Milt)
I can’t tell you about the witch without mentioning the wizard. Milt Morgan is the Merlin of the Norwall Pirates (an adventuring gang and 4-H softball team).
He is one of the founders of the gang and the one who got them into the most trouble in the 1970’s.
He appears in;
Superchicken
The Baby Werewolf
The Boy… Forever!
The Wizard in his Keep

Torrie Brownfield
Torrie is the hair-everywhere boy with hypertrichosis, the werewolf-hair disease. He was genetically doomed to life looking like a werewolf. He was discovered living in hiding in Norwall by the Pirates’ gang who decided they simply had to make him a member.
He is, of course, the main character of;
The Baby Werewolf
And also appears in;
Recipes for Gingerbread Children

Harker Dawes
Harker is a clown-character based on a real person living in the real town of Norwall. He buys the local hardware store and runs the business into bankruptcy. He is not only a ne’er-do-well, but he also is a truly loveable fool.
He plays a key role in;
Snow Babies
He is also in the upcoming novel;
Fools and Their Toys

Dilsey Murphy
Dilsey is Mike’s slightly older sister who seems to be in a lot of my stories. She is a tomboy and a Daddy’s girl. She is also beloved by her irascible Grampy, Cudgel Murphy. Mike Murphy both hates her and loves her, but mostly just depends on her.
She is in;
Magical Miss Morgan
The Bicycle-Wheel Genius
and a large number of upcoming stories

Sean “Cudgel” Murphy
Grampy of the Murphy Clan, Cudgel is the meanest old man you’d ever want to meet. He is excellently suited to the job of teaching kids to swear. And he only drives his Austin Hereford, “The finest car made anywhere in the whole goddam world in 1954!”
He appears in;
Snow Babies
The Bicycle-Wheel Genius

Francois Martin
Francois, the French orphan, is the main character in my novel,
Sing Sad Songs.
He paints his face in clown paint and sings beautifully enough to save his Uncle’s business. I am halfway finished with this new novel.
So, now I feel like I have exhausted myself in character introductions and will probably eschew a “Part 4”. But with Mickey, there are no guarantees.




























Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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