Tag Archives: book review

April 13, 2026 · 1:20 am

Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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April 9, 2026 · 12:05 am

Philip K. Dick

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There is a major drawback to being so smart that you can perceive the edges of infinity.  It makes you bedbug crazy.  I love the science fiction that populated the paperback shelves in the 50’s and 60’s when I was a boy.  I love the work of Philip K. Dick.  But it leads you to contemplate what is real… what is imaginary… and what is the nature of what will be.

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the robot Philip K. Dick who appeared at Comic Con and answered questions

There are numerous ways to investigate life.  But it is in the nature of imaginary people to try to find ways to make themselves real.  When the replicants in Bladerunner try to make themselves into real people, they must try to create memories that didn’t exist.  They try to mirror human life to the extent that they can actually fool the bladerunner into letting them live.  Of course, it doesn’t work.  They are not real.  (Bladerunner is the movie name of Do Androids Dream of Electric Sheep).

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It is like that for me as well.  Being an imaginary person is difficult.  You have to constantly invent yourself and re-invent yourself.  By the time you finally get to know yourself, you have to change again so that the anti-android factions don’t destroy you.  Although, I think I may not actually be an android.

Does that sound a bit crazy?  Well Philip K. Dick’s life story may in fact have led him down the path to really crazy.  In 1971 he broke up with his wife, Nancy Hackett.  She moved out of his life, and an amphetamine-abuse bender moved in.  In 1972, ironically the year I began reading Dick’s work, he fell in love at the Vancouver Science Fiction Convention.  That was immediately followed by erratic behavior, a break-up, and an attempted suicide overdosing on the sedative potassium bromide.  This, of course, led directly to his 1977 novel A Scanner Darkly.

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The story is about a police detective who is corrupted by a dangerous addictive drug that takes him down the rabbit hole of paranoia, and being assaulted by the perception of multiple realities simultaneously.  His novel Ubik from 1969 is a story of psychics trying to battle groups of other psychics even after they are killed by a bomb.  The crazy seems to have been building for a while.

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In 1974 he had a transcendental experience when a lady delivering medicine to his door wore a fish-shaped pendant which he said shot a pink beam into his head.   He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent.  He would later admit to believing he had been reincarnated as the prophet Elijah.

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Imagination has its dangers.  It is a powerful thing able to transform reality.  Science fiction writers often use their imagination to shape what the future will actually make come into being.  But it can also turn your mind inside out.  A great science fiction writer like Philip K. Dick can contemplate the nature of reality and turn his own reality inside out.  It is a lesson for me, a lesson for all of us.  Wait, is that a pink beam of light I see?  No, I just imagined it.

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March 27, 2026 · 12:07 am

Do Not Go Gentle Into That Good Night…

The title is taken directly from the poet Dylan Thomas. He was thinking about the death of his father. But, even though my father cannot last much longer either, it is my own mortality that has been weighing heavily on my mind.

I have been thinking a lot about death of late. I am now three years farther along in my retirement than I believed I would be when I retired in 2014. I honestly believed I would not live beyond 2017 with my six incurable diseases. Especially when Banco Americo sued me over medical bills and won, forcing me into bankruptcy, and leaving me unable to pay for insulin for my diabetes or mental health services for family members who needed them as a matter of life or death.

So, I suppose I can be forgiven for reading a lot of life-or-death stories lately, especially the kind that don’t have a happy ending.

The Road, Cormac McCarthy’s 2006 post-apocalyptic novel, ripped a good half to three-quarters of my soul out. It is about two characters making their way along a road after some unnamed disaster has blasted away most of life on Earth, and that which is left is dying. There is no miracle nor any life-saving solution at the end of the novel. The only grace the reader is allowed is that the character who dies at the end lived as long as possible, motivated only by love, and, by dying, allowed the beloved other character to live beyond him. It is a hard, terrible story to read. But it achieves its goal. It touches your hopeless heart in ways only an award-winning novel can.

The book I just finished reading was a story I originally had to read for an Iowa State University class on Existentialism in Literature. The Nobel Prize-winning author, Albert Camus’s book, The Stranger, is no easier to read than The Road. In fact, it may be even more depressing and dark than the first novel I mentioned. The main character lives as a stranger in a meaningless world and is sentenced to death by a jury because he didn’t cry at his mother’s funeral. The story devastates your compassionate heart and shakes your belief in a benevolent God. And I read it the first time long before I was an atheist who believes in a different form of god. The story is itself cruel. But in the long view, it grants you a certain melancholy sort of peace that can only be had by coming to terms with your place in all of existence.

So, I admit it. I have been obsessing about the end of life far too much. The current pandemic that has us all on the ropes in the boxing match of life has brought me to grips with the fact that, even though the end of life is far closer to now than its beginning, living life is what still matters. I have been spending my shut-in days writing novels about life, and love, and laughter. I have also been talking to relatives by phone and connecting with people through social media, all of which can be done without risk of viral infection. Well… maybe a computer virus.

But I am alive now. And I am living in every manner I can still manage. For now. Because I can. And because it is the right thing to do.

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March 15, 2026 · 12:12 am

Mickian Artistical Nonsense

The word for it is Paffooney.  I know that is not a real word.  It is a Mickian word.  Kinda like the word “Mickian”.  It is entirely made up gibberish, made up by Mickey, and used to mean an artwork made by the hand of Mickey.  So I can’t really explain it.  I have to show you what it basically is.

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This is a Paffooney.  It is inspired by the incredibly unbelievable time in Mickey’s life when they let Mickey be a teacher in Texas.  It has no other relationship to reality.  Chinese girls in Texas generally do not have manga eyes and blue hair, and while Hispanic girls have been known to eat pencils, they never bring their own notebook paper to class.  They always borrow.  So there is the basic formula.  Colored-pencil nonsense drawn by Mickey and attached somehow to a story.

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This Paffooney has a self-explanatory story embedded in it.  It is obvious this is the story of an average family car trip in Texas.  Notice how they demonstrate the Texas State highway motto of, “Drive friendly”.

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And this Paffooney is a Mickian recurring nightmare about a duck with teeth.  Silly Mickey, ducks don’t have teeth in real life!

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And moose bowling is a Paffooney that needs no explanation… or does it?  Well, never mind.  I have forgotten what it is for anyway.

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And this oil-painting Paffooney speaks volumes about a philosophy of life.  See the pilot giving the viewer a thumbs up? And that isn’t a parachute on his back.  They didn’t have parachutes in World War I.  It is a message pouch with German war plans in it.  I even painted it with a bratwurst sandwich inside for the pilot’s lunch.  Don’t I do great detail work?  But he will have to eat it quickly before he reaches the ground.

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And this is me teaching an ESL class.  When you teach English to non-English speakers in Texas, you get to hold the big pencil.  And it helps to be a big white rabbit.

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And this is a science fiction Paffooney, although the science is questionable.  Don’t doubt that the flower-people of the planet Cornucopia are real, though.  And Mai Ling, the psionic space ninja really can elongate her arm to get maximum thrust into her left-handed karate chops.

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And we end for today with the Paffooney of a stupid boy.  He’s not really me.  Not really.  And I don’t even know who gave him the black eye.  So it can’t be me.  So maybe he is not so stupid.  You can’t say that about somebody you don’t know and is not even you.

So, now do you know what a Paffooney is?  No?  Me neither.  But if you Google images with the words “Beyer Paffooney” you can see a lot more of them.  Nobody else uses that word but little ol’ me.

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March 10, 2026 · 12:01 am

Three Books at Once

No, this isn’t some kind of multiple-book book review.  This is an ungodly silly claim that I can actually read three books at once.  Silly, but true.

Now, I don’t claim to be a three-armed mutant with six eyes or anything.  And I am relatively sure I only have one brain.  But, remember, I was a school teacher who could successfully maintain a lesson thread through discussions that were supposed to be about a story by Mark Twain, but ventured off to the left into whether or not donuts were really invented by a guy who piloted a ship and stuck his pastries on the handles of the ships’ wheel, thus making the first donut holes, and then got briefly lost in the woods of a discussion about whether or not there were pirates on the Mississippi River, and who Jean Lafitte really was, and why he was not the barefoot pirate who stole Cap’n Crunch’s cereal, but finally got to the point of what the story was really trying to say.  (How’s that for mastery of the compound sentence?)  (Oh, so you could do better?  Really?  You were in my class once, weren’t you.)  I am quite capable of tracking more than one plot at the same time.  And I am not slavishly devoted to finishing one book before I pick up the next.

I like reading things the way I eat a Sunday dinner… a little meatloaf is followed by a forkful of mashed potatoes, then back to meat, and some green peas after that…  until the whole plate is clean.

Treasure Island by Robert Louis Stevenson is the meatloaf.  I have read it before, just as I have probably had more meatloaf in my Iowegian/Texican  lifetime than any other meat dish.  It’s pretty much a middle-America thing.  And Treasure Island is the second book I ever read.  So you can understand how easy a re-read would be.  I am reading it mostly while I am sitting in the high school parking lot waiting to pick up the Princess after school is out.

fbofw1Lynn Johnston’s For Better or Worse is also an old friend.  I used to read it in the newspaper practically every day.  I watched those kids grow up and have adventures almost as if they were members of my own family.  So the mashed potatoes part of the meal is easy to digest too.

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So that brings me to the green peas.  Green peas are good for you.  They are filled with niacin and folic acid and other green stuff that makes you healthier, even though when the green peas get mashed a bit and mix together with the potatoes, they look like boogers, and when you are a kid, you really can’t be sure.  Terry Pratchett and Stephen Baxter wrote this book The Long War together.  And while I love everything Terry Pratchett does, including the book he wrote with Neil Gaiman, I am having a hard time getting into this one.  Parts of it seem disjointed and hard to follow, at least at the beginning.  It takes work to choke down some of it.  Peas and potatoes and boogers, you know.

But this isn’t the first time I have ever read multiple books at the same time.  In fact, I don’t remember the last time I finished a book and the next one wasn’t at least halfway finished too.  So it can be done.  Even by sane people.

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January 31, 2026 · 1:27 am

My Bookish Journey (Finale)

by Maxfield Parrish

Like every real, honest-to-God writer, I am on a journey. Like all the good ones and the great ones, I am compelled to find it…

“What is it?” you ask.

“I don’t know,” I answer. “But I’ll know it when I see it.”

“The answer?” you ask. “The secret to everything? Life, the universe, and everything? The equation that unifies all the theories that physicists instinctively know are all one thing? The treasure that pays for everything?”

Yes. That. The subject of the next book. The next idea. Life after death. The most important answer.

And I honestly believe that once found, then you die. Life is over. You have your meaning and purpose. You are fulfilled. Basically, I am writing and thinking and philosophizing to find the justification I need to accept the end of everything.

Leah Cim Reyeb is me, Michael Beyer written backwards.

And you know what? The scariest thing about this post is that I never intended to write these particular words when I started typing. I was going to complain about the book-review process. It makes me think that, perhaps, I will type one more sentence and then drop dead. But maybe not. I don’t think I’ve found it yet.

The thing I am looking for, however, is not an evil thing. It is merely the end of the story. The need no longer to tell another tale.

When a book closes, it doesn’t cease to exist. My life is like that. It will end. Heck, the entire universe may come to an end, though not in our time. And it will still exist beyond that time. The story will just be over. And other stories that were being told will continue. And new ones by new authors will begin. That is how infinity happens.

I think, though, that the ultimate end of the Bookish Journey lies with the one that receives the tale, the listener, the reader, or the mind that is also pursuing the goal and thinks that what I have to say about it might prove useful to his or her own quest.

I was going to complain about the book reviewer I hired for Catch a Falling Star who wrote a book review for a book by that name that was written by a lady author who was not even remotely me. And I didn’t get my money back on that one. Instead I got a hastily re-done review composed from details on the book jacket so the reviewer didn’t have to actually read my book to make up for his mistake. I was also going to complain about Pubby who only give reviewers four days to read a book, no matter how long or short it is, and how some reviewers don’t actually read the book. They only look at the other reviews on Amazon and compose something from there. Or the review I just got today, where the reviewer didn’t bother to read or buy the book as he was contracted to do, and then gave me a tepid review on a book with no other reviews to go by, and the Amazon sales report proves no one bought a book. So, it is definitely a middling review on a book that the reviewer didn’t read. Those are things I had intended to talk about today.

But, in the course of this essay, I have discovered that I don’t need to talk about those tedious and unimportant things. What matters really depends on what you, Dear Reader, got from this post. The ultimate McGuffin is in your hands. Be careful what you do with it. I believe neither of us is really ready to drop dead.

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January 29, 2026 · 1:14 am

My Bookish Journey (Part V)

Creating myself as an author meant making some conscious choices at the beginning. I made some very clear ones. First of all, I intended to write as much about my real life as I possibly could. Accepting, of course, the fact that my real life was infested with imaginary people and events. There was the faun that slept in my bed with me every night in the form of a large, black pillow my sister made for me as a 4-H project. There were the three-inch-tall fairies that had a complete underground empire that surfaced at the roots of the old willow tree by the Rowan school building and community center. There was the gryphon that circled the skies looking constantly to swoop down and eat me at any opportunity. So, it wasn’t as much about realism as it was surrealism. It was necessary to protect my traumatized psyche from the damage I sustained as a ten-year-old.

Of course, I had literary heroes and inspirations to go by. I read some key books as a college student that deeply influenced how I wanted to write.

Winesburg, Ohio is the first major influence that affected the stories I began writing in my college years. Sherwood Anderson was writing about his own hometown in this short-story cycle, basing Winesburg on his home town of Clyde, Ohio in the very early 1900s.

Arguably he wrote stories about real people from his renamed home town. Thus, I renamed Rowan, my home town, Norwall, mixing up the letters from Rowan and adding two letter “L’s.” His stories were all themed about the loneliness and longings of a small Midwestern town. I would make mine about breaking out of the cages loneliness builds with the people who surround you.

I also determined that like Mark Twain, I would give my characters a sense of realism by basing them on real people from Rowan, Belmond (where I went to high school), and Cotulla, Texas (where I would teach for 23 years.) And I would change some basically minor physical details to hide their true identities behind names I found in the Ames, Iowa phone book from 1978. But I always tried to give them their authentic voices, though that often meant translating Texican and Hispanish into Iowegian.

And like Twain vowed to write stories only about the 19th Century, I decided to only set my stories in the last half of the 20th Century.

Of course, imagination is not easily limited, so I had to also accept that some of my stories of the science-fiction persuasion would be set in the 56th Century in the Orion Spur of the Sagittarius Spiral Arm of the Milky Way Galaxy.

And even before I discovered the genius of David Mitchell through his spectacular novel, Cloud Atlas, I had begun to explore how stories could be expanded and connected and revisited through shared characters, shared histories, and shared places, all of which develop, grow, or deteriorate over time. All things are connected, after all. Anita Jones from that first picture, and Brent Clarke in the last picture were both in the first novel, Superchicken, set in 1974, and Anita appears as an adult in Sing Sad Songs set in 1985, while Brent appears in the last novel in my timeline, The Wizard in his Keep, set in 1999.

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January 28, 2026 · 12:55 am

My Bookish Journey (Part IV)

Once I settled into a publishing plan where I was basically in control of the whole process, the center of my world became the execution of my overall plan to commit acts of actual literature. I had to decide what I wanted to write and the reasons why I was going to write it.

Surrealist Reasons for the Season.

I began the most serious part of my journey into authorship once I was fully retired from my last teaching job. And the darkest part of that truth is that if I weren’t ill enough to be forced to leave teaching, I would still be doing that. It is what God made me for, if there is a God. But since I am stuck in this retirement reality, I really have to use fiction for what fiction-writing is for.

And let me assure you, I know what writing fiction needs to mean for me. I need to rewrite the story of my life in the surreal reality of perceived truth. And what does that mean in simple words? I have to lie a lot. Because fiction is lying in order to reveal the truth.

Two of the most important books I wrote tell the same story for the same purpose.

The Two Stories are really One Story.

I had a childhood full of monsters. And who I became in adult life was not done in spite of what those monsters did to me, but because of it. I was sexually assaulted as a ten-year-old. What he did to me was not pleasurable in any way. He tortured me because causing pain turned him on. I was severely traumatized by the experience. So much so that I experienced PTSD-induced amnesia for a while. These two books are about my fear of monsters and evil, and the deeply embedded fear that when directly faced with evil, I would not know what it really was.

Things in the two novels are not exactly what they seem.

Torrie Brownfield, the Baby Werewolf, is not a monster. He is a boy who suffers from a genetic hair disorder called hypertrichosis, the same disorder that caused the star of Barnum’s freak show, Jojo the dog-faced boy, to have excessive hair growth.

He looks like a monster, but he is really the sweetest, most innocent character in the story.

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The Cobble Sisters, both Sherry and Shelly, are nudists. That is a detail that was both kinda true about the real twin girls that inspired the characters, and true enough about these characters in the story to make fans of my fiction from real nudists I befriended on Twitter.

Nudism, however, symbolizes innocence and truthfulness. Sherry labors in both books to get the other members of the Pirates’ Liars’ Club to accept nudism and try it for themselves. Sherry tells them repeatedly that nudists are more honest than other people because they don’t hide anything about themselves.

The ultimate villain of both novels is, ironically, one who hides everything and manipulates from the shadows.

Grandma Gretel is the main character of Recipes for Gingerbread Children. She is a storyteller who has to come to terms with her own monsters from the past. She is a survivor of the Holocaust during WWII. She lost her entire family to the monsters of the Third Reich.

Ironically, she is the one who, through stories and her own keen perceptions, reveals the ultimate villain and his evil. She also, through stories, is coming to terms with her own trauma and loss.

So, what I am saying about my bookish journey at this point is that I have to write the novels I am writing because they allow me to rewrite the world I live in and the facts of my past life in it. I am rewriting myself. I am becoming the me I need to be by writing.

Of course, I am not yet done talking about my bookish journey. Keep an eye out for Part V.

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January 22, 2026 · 1:18 am

Rest and Repair

Sometimes we all get a little tattered, a little weather-worn, especially during the winter.

I rescued the little Valentine Bear from the pile of items from my mother-in-law’s house, which was sold several springs ago. We still have all the rescued stuff on our patio, open to the weather, and the raccoons from the city park across the street.

I suspect he belonged to one of the two nieces who each lived for a time with Grandma. Sarooty Incaboody or Maroody Walladooty. One of them, though not both of them, and I haven’t given you their real names. Grandma had to move to San Antonio where there are more Filipino relatives to protect her from the weather. But less room for a lifetime of stuff that once belonged to her and my long-gone father-in-law. e lWell, she passed away too the winter before last

You can see his right ear is damaged and needs to be resewn with red thread. His fur is a little crusty from the rain this last week and the dirt blown by the cold winds from this week. He’s a mess, and I thought I better bring him in and fix him up before the park fairies do the whole Velveteen Rabbit thing to him. After all, we don’t need a baby polar bear wandering around the Dallas suburbs, do we? And someone once loved him enough to keep him. He deserves to be cared for in retirement as much as I do.

I myself am a bit tattered and weather-worn by this pandemic. Being trapped in the house all day every day deprives me of the physical activity that keeps my heart healthy and my diabetes under control. My mental health is a little ragged around the edges as well. In this house, we tend to get kinda snippy about money woes and unpaid bills. My wife and I now have separate finances. I was bankrupt, and she is counting on Armageddon to overcome her credit-card-debt monsters.

My answer to the crisis continues to revolve around books and writing and movies and documentaries. I retreat into stories and ideas, both in the form of fiction and well-researched nonfiction. I throw myself whole-souled into the promotion of my books by earning the necessary points from Pubby by reading and reviewing the books of others and spending the points on honest reviews from other writers reading my books. I have never reviewed so many books before. Especially new is the number of badly written books that I have to slog through and then review honestly in a way that doesn’t crush the spirit of the slow-learning writing masses. I think, so far, I have only driven one writer to quit the review exchange. And I have only received two cruel and unfair reviews of my work. Which is, of course, less than expected.

The least mind-bending activity I use to repair my psyche is fixing up and playing with dolls, as indicated by the photos I have used in this post.

In these pictures, you see five bargain-bin dolls and toys, two dolls purchased at Goodwill, and cleaned and dressed in a reclamation project. One repurposed aquarium decoration (the skull) and one Pinkie Pie that I bought with Christmas money at the full six-dollar price.

By doing these things, I have managed to avoid getting the flu and generally avoided depression and mental illness.

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January 18, 2026 · 2:02 am

Impending Darkness

I recently learned from the eye doctor that I may be at the doorstep of glaucoma, a disease that darkened my grandmother Beyer’s vision and connection to the light.

I am doing some serious editing now on my completed manuscript, Sing Sad Songs. There is serious foreshadowing going on in this novel. I think I mentioned once or twice before that I only rarely write a comic young adult novel without having some important character dying at the end. Death and dying and going blind are all on my mind.

News on the global warming front is increasingly bleak. Temperatures are rising faster than predicted. The date cited for the end of life on Earth is now 2030 (possibly within the scope of my lifetime if I get luckier than I have been on past health issues). The outlook is bleak and getting bleaker. Soon there has to be an absolutely miraculous technological or cultural revolution to help the optimists prove themselves right, a thing that they are totally not good at.

I wish I had a Steven Miller cartoon to place here, but he is much scarier and more evil than Stone, so maybe it is for the best that I only have the Stone head cartoon. It’s funnier than Racist Dracula.

The government seems increasingly incapable of helping with anything, even though some of us are paying increasingly large tax bills thanks to insane tariff programs, a form of sales tax, which, of course, we can’t afford. (I do realize some of you who are not on a fixed income actually got a small benefit from Republican tax cuts. Did that solve your financial problems?) It increasingly looks like the corrupt clown show currently in charge is blowing themselves up. We stand to get a whole new government soon that is marginally better at best. So, we are, as a society, marching forward into the darkness with neo-fascist, goose-stepping zeal.

I am not saying that I have no hope. My grandmother got help and never went completely blind. There are breakthroughs happening all the time in science and sociology. But the darkness in my personal future is growing ever closer. And I have less and less control over its advance.

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