I often get criticized for talking to people who are basically invisible, probably imaginary, and definitely not real people, no matter what else they may be.
The unfinished cover picture is from the novel The Bicycle-Wheel Genius which I just finished the final rewrite and edit for. All of the characters in that book are fictional. Even though some of them strongly resemble the real people who inspired me to create them, they are fictional people doing fictional and sometimes impossible things. And yet, they are all people who I have lived with as walking, talking, fictional people for many years. Most of those people have been talking to me since the 1970’s. I know some of them far better than any of the real people who are a part of my life.
This slideshow requires JavaScript.
These, of course, are only a few of my imaginary friends. Some I spend time with a lot. Some I haven’t seen or heard from in quite a while. And I do know they are not real people. Mandy is a cartoon panda bear, and Anneliese is a living gingerbread cookie. I do understand I made these people up in my stupid little head.
But it seems to me that the people in the world around us are really no less imaginary, ephemeral, and unreal. Look at the current Presidentumb of the Disunited States. He is an evil cartoon James Bond villain if there ever was one.
Animated cast of OUR CARTOON PRESIDENT. Photo: Courtesy of SHOWTIME
People in the real world create an imaginary person in their own stupid little heads, and pretend real hard that that imaginary person is really them in real life. And of course, nobody sees anybody else in the same way that they see themselves. Everybody thinks they are a somebody who is different from anybody else who thinks they are a somebody too, and really they are telling themselves, and each other, lies about who somebody really is, and it is all very confusing, and if you can follow this sentence, you must be a far better reader than I am a writer, because none of it really makes sense to me. I think everybody is imaginary in some sense of the word.
So, if you happen to see me talking to a big white rabbit-man who used to be a pet white rabbit, but got changed into a rabbit-man through futuristic genetic science and metal carrots, don’t panic and call the police. I am just talking to another fictional character from a book I just finished writing. And why are you looking inside my head, anyway? There’s an awful lot of personal stuff going on in there. Of course, you only see that because I wrote about it in this essay. So it is not an invasion of privacy. It is just me writing down stuff I probably should keep in my own stupid little head. My bad.
If you have come to my blog in hopes of gleaning some key advice about how to write novels or tell a story, then the wisest advice I can give you is, “Do not take any advice Mickey gives seriously.” He used to be a writing teacher in public schools. That is true. But he is also the writer of weird surrealistic novels full of purple paisley prose. And he is not a successful novelist like Steven King or J.K. Rowling. His writing advice is probably only worth ca-ca poo-poo.
So, let me tell you how NOT to write a novel.
Each of the novels I have written and displayed here took me more than twenty years from the moment I conceived of the idea, through plotting, rough drafts, revisions, re-plotting, expanding the story, to finally publishing them in 2017, 2018, and 2019. I developed the stories from real people, real events, and real themes that were a part of my life and added to each of the stories as time passed. So, obviously, you should never take too long a time writing a story. It is true that Snow Babies is the best novel I have ever written, and I count Sing Sad Songs, The Baby Werewolf, and When the Captain Came Calling among my best work. And I only spent one year in the writing of Aeroquest, which is, ironically, the worst thing I have ever written. So, you can see that following any advice Mickey might give you about taking your time with writing is obviously worthless. I took too long writing and publishing my best books, and that is why I will die a penniless, unknown writer.
But I admit to having even more bad advice to warn you not to take. More, I think, than I can put into this one post. So, I will Part-Two this particular essay and take up the topic again in the very near future. Or forget all about it completely. It has to be one of those.
Tom Sawyer without the straw hat, as created by Lois Beyer
You may already know about my doll-collecting mania. You may have already called the mental health people to come take care of the problem, and they just haven’t arrived at my door yet with the white coat that has the extra long sleeves. But you may not know that my mother is a doll-maker and has something to do with my doll-collecting hoarding disorder.
In the early 1990’s my mother and I put our money together and bought a kiln while we were visiting my sister’s family out in California. It wasn’t the most expensive model, but it wasn’t the cheapest, either. We both had enough experience with ceramics that we didn’t want to buy a burning box that was merely going to blow our porcelain projects to kingdom come. Mother had doll-making friends in Texas who taught her about firing greenware and glazing and porcelain paint and all the other arcane stuff you have to know to make expensive hand-made dolls. Now, honestly, at the start we could’ve made some money at it selling to seriously ill doll collectors and other kooks, but we were not willing to part with our early art, and by the time we were ready to do more than just have an expensive hobby, everyone who would’ve paid money for the product was making their own. So dreams of commercial success were supplanted by the hobbyist’s mania that made more and more charming little things to occasionally display at the county fair.
The two dolls I have left to share on my blog from that era were both crafted by my mother. She lovingly fired the porcelain body parts, painted the faces by hand, and created the wardrobe on her Singer sewing machine. I made some dolls too, but never with the wondrous craft and care that made my mother’s dolls beyond compare.
Tom Sawyer was originally a boy doll who was supposed to be able to hold a model train in his hands. My mother had the pattern for the little engineer’s uniform and hat that she would use on another doll instead. He is named after the Tom Sawyer clothing pattern that my mother bought and sewed together to dress him in. He has a cloth and stuffing body underneath his clothes together with porcelain head, hands, and bare feet.
The other doll I have left to brag unctuously about is a doll named Nicole after the niece my wife and I have who this doll bears a striking resemblance to. She displays a beautiful little girl’s sundress with quilted accent colors that my mother sewed from escratch with the help of a pattern she was truly fond of and used more than once.
These dolls were gifts to my wife and I, presented shortly after my mother bought out my share of the kiln when she retired and moved back to the frosty land of the Iowegians. I haven’t kept them as thoroughly dusted and cobweb-free as they deserve because I have been a somewhat lazy and slovenly son… but I do love them almost as much as (and sometimes more depending on recent behavior) my own children. (After all, porcelain kids rarely make a mess, overspend allowances, or hog the television too much.)
This is a story about an innocuous piece of furniture in Great Aunt Minnie Efram’s house. It was a little brown loveseat with carved wooden monster feet.
As the story begins, the little loveseat was sitting in the parlor in front of the small black and white television. During the monthly Efram family card party, the love seat was the only place for the two of them to spend the evening. But he was ten and he hated girls. He had a reputation with the guys at school as a girl hater, and he couldn’t have it known that he was sitting on a loveseat with Uncle Henry’s stepdaughter, the one the guys all said they had seen eating her own boogers.
She was also ten, and in his class at school. She liked to watch him more than any of the other boys. But she didn’t know why. She liked unicorns and the color pink, but she also kinda liked the way boys looked at her when she wore shorts. And she liked seeing him in PE class at school, wearing shorts. He was athletic and often won games in PE.
After two years of monthly card parties happening during at least three different months every year at Aunt Minnie’s place, he had discovered that girls didn’t actually smell bad, and this one actually listened when he talked about playing football, and how it made him feel when he scored the seventy-five-yard touchdown. In fact, the more he talked about football, and the closer they sat to each other, the better she seemed to smell. He liked that smell.
She liked that he didn’t only pay attention to her at the card parties anymore. He actually said, “Hi” in public. And she liked his smile, even when he got braces. He let her pick the shows they watched on the old black and white television while seated on the loveseat. She actually worked up the nerve to tell him that she had told Jane at school to ask him if he liked her, and stupid Jane had completely forgotten to ask him, or maybe Jane was just too chicken to ask him and used the excuse that she forgot.
He said that if she liked him, he liked her. But if she didn’t, he didn’t either. “Like” her, he meant. Which he did because she did.
After two more years and six more card parties worth of scootching behinds closer together on the old loveseat, something different had happened. And it was about time too. Aunt Minnie had bought a puppy, and that not only was a bad thing for the seven cats that lived with old Minnie, but it was hard on the loveseat too. One of the little couch’s monster feet was lost, and the numerous instances of terrified cat claws digging in were beginning to have an effect on the upholstery. And that danged dog wizzled everywhere. The loveseat had one purpose in life, and it didn’t want to give in to wear and tear before achieving that purpose.
But the very next year brought disaster. He apparently told the members of the freshman football team that something had happened on that old love seat that really hadn’t happened. The football team was impressed because they all thought she was pretty hot stuff, and he was generally thought of as a lame-o dweeb. She heard about it from Jane who heard about it from Nanette’s boyfriend who was on the team. And she got mad. How dare he say something like that when it wasn’t true?
In January of that year, Aunt Minnie passed away in her sleep. The loveseat was sold at auction to a farmer who liked to do re-upholstery as a hobby. It got re-done in red velvet and leather with wheels replacing the wooden monster feet and sold to a car dealer in Des Moines who placed it in the lobby show-room for customers to sit on.
But the story has a happy ending. She would later make his locker room lie into the truth on Prom Night (fortunately with protection) and then went on to marry him when they both were sophomores in college. Of course, it wasn’t always, “They lived happily ever after,” because they didn’t. They got divorced once and got re-married shortly after… to each other. They had three kids. And the loveseat didn’t ever learn any of that. Because it was a loveseat. You didn’t really think loveseats could know anything, did you?
The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.
When I was in Iowa last, and had a chance to see the younger of my two sisters, Mary Ann, she told me flat out that she really liked my most recent blog posts and that I should give up all together on my gloomy pessimistic ones. This, of course, was confusing to me because all my blog posts are relentlessly gloomy and never make anyone smile, so I did not know for certain what she was responding to.
As I have shared on more than one occasion, I suffer from six incurable diseases and am a cancer survivor. I don’t plan on living more than decade further at my most optimistic, and I told you recently that I am a confirmed pessimist. At worst, I could be dropping dead from stroke or heart attack as soon as I post this silly sour old post. I will be absolutely delighted to live long enough to finish another novel or two and maybe even see them published. I keep close track of my remaining hours because each one is rare and precious to me, even the ones that are quite painful and hard. So gloomy is as gloomy does. I am constantly celebrating that I have lived this long already. How depressing is that? … the celebrating every day thing, I mean?
And of all the people who suspect I might be a fish sticks and custard sort of person, Mary Ann is not one of them. She watches Doctor Who and knows that that is exactly what I am. I am goofy and scatter-brained and a barely contained barrel of weird energy and misplaced enthusiasm. I do stuff like fill my bedroom Barbie shelf with bizarre and kitschy little 12-inch people.
The Barbie Shelf
I appreciate melancholy and being blue, because the hollows of the valleys of depression make you appreciate the giddy heights so much more. And I do realize that I am stringing big words and goopy metaphors together to sound all literary and brooding… but that’s what real geniuses whom I am trying to emulate do to reach the highest heights. They run down through the valley at the fastest possible pace to build up enough speed to shoot up the side of the mountain on the other side. It is a Wiley Coyote trick for using cartoon physics in your own favor. It is the reason I am still tending the flower wagon, trying to coax zinnias into blossoming during the depressingly renewed Texas drought. It is the reason I keep adding to my collection of sunrises. The dark blue pieces of the puzzle of life provide the contrast that help you define the puzzle picture of the brightest sunshine and light.
The blossoms in the flower wagon reached a new record number today, despite the heat.
Sunrise on a school day when I don’t have to go to school because I am retired.
Yes, I read this book. Yes, it scared the poop out of me. Yes, it made me cry. This is a uniquely horrific horror story that is so realistic that you know that it has actually happened in real life somewhere, sometime. Only the names of the characters would be different.
I have a deep abiding respect for Richard Peck as a writer. He earned that with his books A Year Down Yonder and A Long Way from Chicago. Those books made me laugh so hard it blew chocolate milk out of my nose. And, yes, I was drinking chocolate milk at the time. They are so realistic because the people in those stories are real people. I know those people personally. Of course, they have different names in real life.
But Are You In the House Alone? is a very different book from those other two masterpieces. It tears your heart out and eats your liver because it is a first person narrative in the voice of a high school girl being stalked by a sexual predator. Everything that happens to Gail in the high school, at home, and at the house where she babysits is hyper-real with horror movie levels of attention to detail. I don’t wish to be a spoiler for this well-written book, but the narrator does not die in the book and it definitely does not have a happy ending. For anyone who has the amount of empathy I do, and in many ways becomes the narrator-character by reading, reading a book like this can physically hurt. A teacher like me has lived through horrible things like this happening to students before, it even happened to me as a boy, and it adds the slings and arrows of those things being re-lived as you read.
This is not the only book that has ever done this sort of damage to my heart strings. I remember the pain from the conclusion of Dickens’ The Old Curiosity Shop. You root for Little Nell and boo Daniel Quilp. But the bad guy wins. No happy ending can linger in the harp-strings of your memory-feeling song as long as a tragic outcome does. I was there with Scout in that ridiculous costume in the dark when Bob Ewell was attacking her brother Jem in Harper Lee’s To Kill a Mockingbird. That story was filled with wise and laughable things, but the stark horror of that climactic moment nearly wiped all the good feelings away, if not for the heroics of ghostly Boo Radley whose timely intervention brings it all back before the novel ends. It horrifies me to admit it, but I was there, too, in the moment when the boys all turn on Simon on the beach with their sharpened sticks in William Golding’s Lord of the Flies. They mistook him for the monster. I still haven’t fully recovered from that reading trauma.
The thing about books that hurt to read which makes it essential that I never try to avoid them, is that they can add more depth and resonance to your soul than any light and fluffy piece ever could. Life is much more like Lord of the Flies than it is Chitty Chitty Bang Bang. I am sadder but wiser for having read Are You In the House Alone? I am recommending it to other readers like me who don’t so much live to read as they read in order to live. Not because it is easy and good to read, but because it is hard and essential to read. It will hurt you. But it will leave you like it leaves its narrator, damaged, but both alive and purely resolved to carry on.
This is a post about every evil thing that Mickey has done and kept secret (or things that Mickey has been accused of even if he didn’t really do them.) he
Starting with the Werewolf lie. Mickey (as the teacher known as Mr. Beyer, Mr. B, the Batman, and Mr. Gilligan’s Island) is not now, nor has ever been… a werewolf. The excessive growth of facial hair, especially around the full moon, is just an inherited family trait. NOT LYCANTHROPY! Mickey has never eaten a student, not even the bad ones who disappeared from our school. (They were removed by law enforcement and continued their education in prison.)
Emmalina, pictured above, was not really a werewolf either. She did not eat her boyfriend when he tried to dump her. She never threatened to bite Mickey if he didn’t give her A-plusses in English class. She never bit Mickey trying to turn him into a werewolf too. She’s a character in a fiction story. She doesn’t really exist. And the the real girl Mickey based the character on was not a werewolf either… at least, not that Mickey can prove.
Mickey is also a liar. He lies every time he sits down to his computer to work on his W.I.P.. He tells extensive lies that last between 15,000 and 75,000 words, but average around 35,000 words. He tells these lies about real people that he has known, though he lies about their names and calls them something way different than their real names. And the events he says happens to them in these extended lies didn’t really happen. So, basically, these are all fiction. In fact, their technical designation is either novella or novel.
Mickey does have some things to confess. He really is a horrid little goody-two-shoes who has always been too timid to actually ever commit a crime of any kind. He has been known to tell some lies that were not merely fiction. The big lie when he was a kid was, “I’m fine. Really, nothing is wrong.” If you have read much of this blog, you probably already know why that is a big lie.
Mickey does not have a very good marriage. He has been married for 31 years. That is really five good years, twenty-three tepid and kinda boring years, and three really bad years. Religious differences were the first problem that made it not great to be married. Mickey had great difficulty accepting that he was evil and detestable in God’s eyes. Mickey’s wife pointed out specific Bible verses to prove it. And somehow the verses in Proverbs that explained how a good wife acted were always invisible whenever Mickey looked them up during family Bible study.
Mickey is now an atheist who believes in God. Mickey understands that to mean he is a Christian Existentialist. His wife understands that to mean he is going to Hell when he dies… if only Jehovah’s Witnesses believed in Hell. But the reward ultimately is that she won’t have to share household space with him in Paradise, since he won’t be there.
But Mickey isn’t upset about any of that. The two of them have three wonderful kids who were all terribly bad in some way or other growing up, but now that they are responsible adults, they generally do good things… even if the good things they do somewhat resemble the way their evil dad taught them to be.
Mickey has one imaginary granddaughter. She’s imaginary because she didn’t make it all the way to the point where she would’ve become a real granddaughter… or grandson. But that’s also okay. It could’ve been worse. We could’ve lost two instead of one. And Susu is a lovely imaginary granddaughter.
And Mickey is also a nudist. He writes stories about naked people. And he visits places where naked people gather. This embarrasses the rest of the family. They choose not to remember when the children were younger and we had a pool and we did skinny-dipping at night with the underwater lights on in the pool. It was fun. And their embarrassment about it is still fun.
So, Mickey has lived a terrible, sordid life. It is a shame that he deeply regrets… with only a little laughter in the background.
Anita Jones is a character in several of my books, but she also represents a girl from my own childhood who was as much of a regret for me as she was for poor old Charlie Brown.
Anita Jones, of course, is not her real name. You can’t even look at the picture and tell by what she looks like who I am secretly portraying. But the thing is, she was definitely real to me. And I would still be horrified to have her find out how I really felt about her.
She was not my first crush. I mooned over the beautiful Alicia Stewart (also not a real name) from second grade through sixth grade. But Anita was always right there. Often right behind me and to my left whenever I turned around on the playground. Not looking me in the eye, but probably looking at me until I began to turn. I know I looked at her whenever she wore dresses or shorts. She had beautiful peach-colored legs.
There was a time when, in Music class, the boys were forced to ask a girl to be a dance partner in the square dancing lessons that Miss Malik was giving us. My best friend Mark had asked Alicia to dance with him, so my number one choice was already taken. And when it was my turn, Anita looked at me with those wonderful brown eyes and heart-shaped face. And I… was too embarrassed to pick her. Then everyone would know how I really felt about her. So, I picked my cousin instead. My heart was lodged in my left shoe for three days after the look I saw on her face. Not my cousin’s face. The brown eyes and heart shape.
Then later, when I was on the high school bus to Belmond, Mickey Schmidt (we never called him Michael because I was Michael) made a joke that embarrassed me.
“Have you ever been caught masturbating in the bathtub?”
“No,” I told him, in disgust. Anita was in the seat across the aisle listening.
“It’s a good place to do it in, then, ain’t it.”
I turned as red as any maple leaf ever managed in late fall. She was smiling at me.
“I would’ve liked to have seen that,” she said. “I bet you even have a lot of hair down there.”
I would’ve laughed if I hadn’t been so embarrassed that my head might’ve caught fire.
But thinking about that humiliating moment on the bus later, I realized that she had actually been brave enough to admit she was thinking about my genitals. I had never asked her on a date or sat beside her in Art Class as I should have. My life might’ve been very different if I had. Even if I had asked her to dance.
But somewhere in the Multiverse, a parallel me is probably married to a parallel Anita. And I bless them for what might’ve been. At least, it’s lovely to think so now.
The criminal was led into the courtroom in chains and forced to sit in a box made of metal bars so his influence would not reach out and harm anyone by drawing their sympathy in.
“Mr. Prosecutor,” said the learned judge, “what terrible crime has the perpetrator been charged with?”
“The alleged perpetrator!” objected the defense attorney, a mousy old man who looked like a cross between Santa Clause and Robert E.Lee because of his white beard, stern face, and a twinkle in his eye.
“Shut up please, Mr. Badweather. You will have your turn to speak.” The judge banged his gavel smartly to emphasize the shut-up-ness of his overruling.
“Your honor,” said the prosecutor, “Mister Pennysnatcher Goodlaughs stands accused of being a clown.”
“The people of the State of Texas, home of the free, land of the brave, and place where cowboys can hang their hat on the antlers of a moose they shot in Canada, will prove that Mr. Goodlaughs did willfully, and with malice of forethought, commit acts of supposed humor in order to make people laugh. And we will further prove that in a time of very serious things, he intentionally made light of very serious matters and the very serious men who try to turn those serious things to their exclusive… err, sorry, I mean… everyone’s benefit.”
“Your honor,” said the defense attorney, looking like a cross between Mark Twain and Colonel Sanders, “I would like to request a new venue for this trial. My client will not get a fair trial here.”
“Sir, your stupid request is rejected on the grounds that Mr. Goodlaughs cannot get a fair trial anywhere. We are all conservatives, and are therefore incapable of having a sense of humor. Continue, Mr. Prosecutor.”
“We will show numerous instances of Mr. Goodlaughs putting paint on his face to hide his true features or assume the identity of a character not his own. He has repeatedly used false noses, large shoes, and floppy hats to exaggerate his flaws and scare young children. He repeatedly wears polka-dotted clothing to simulate terrible taste and ridiculous lack of fashion-sense. He employs pratfalls and slapstick humor in his performances, things that, if any school-age child would imitate the behavior, might lead to serious injury or even death. And he has even dared to make fun of our glorious leaders, implying that they make mistakes and may even have hurt people. That they act without thinking about anything but their own pocketbooks. In other words, this clown has knowingly made jokes in order to get people to not take things seriously.”
“Your honor, I object to this jury. I object to the fact that it is made up of fifty percent rednecks and fifty percent kangaroos! My client demands a new, more impartial jury!” cried the defense attorney, looking like a cross between Captain Kangaroo and Ronald Reagan.
“Has anybody noticed?” asked the judge, “that this attorney looks like he could influence this jury unfairly? He looks like two people who could lead the two halves of this jury to the wrong conclusion. Bailiff! Take the defense attorney out back and execute him by firing squad.”
After the entire courtroom heard the gunshots go off, the judge then turned to the prisoner.
“It seems, Mr. Goodlaughs, that the defense’s opening statement is now entirely up to you. Do you have anything to say in your own defense?
“I do, your honor. Ladies and gentlemen, kangaroos and Reagan Republicans of the jury, I submit to you that I have never actually been a circus clown, or wore face paint. Not that I wouldn’t if the opportunity presented itself. I merely claim the right to laugh at anything I think is funny… or can be made funny. Whether I am being what you call a clown, a humorist, a cartoonist, a comedian, a fool, a village idiot, or a witty fellow, I believe I have the right to make light of anything. Life is always better when you can laugh. Especially if you can laugh at yourself.”
“I’ve heard enough,” said the judge. “What say you, jury?”
“Guilty!”
“Yes. And I preemptively waive the prisoner’s right to appeal. Sir, you are guilty, and you shall be executed immediately.”
Everyone in the courtroom breathed a long-awaited sigh of relief.
I have never been an attention-seeker. In the Elysian Fields of modern society, I have never really been the honeybee. I have always been the flower. I had a reputation in high school for being the quiet nerd who ends up surprising you immensely in speech class, at the science fair, or at the art show. I was the one they all turned to when everybody in the conversation had already had their chance to strut and pontificate and say dumb things, and they were finally ready to get the solution to the problem being discussed, or the best suggestion on where to begin to find it.
When I became the teacher of the class instead of the student, I had to make major changes. I had to go from being patient, quiet, and shy to being the fearless presenter, forceful, sharp as an imparter of knowledge, and able to be easily understood, even by the kids whom you couldn’t legally call stupid, but were less than smart, and not in a pleasant Forrest Gump sort of way.
Shyness is only ever overcome by determination and practice. The standard advice given is to picture your audience naked so that you are not intimidated by them. But if your audience is seventh graders, you have to be extra careful about that. They are metaphorically naked all the time, ready at a moment’s notice to explode out of any metaphorical clothing they have learned to wear to cover the things that they wish to keep to themselves about themselves. And while you want them to open up and talk to you, you don’t want the emotional nakedness of having them sobbing in front of the entire class, or throwing things at you in the throes of a mega-tantrum over their love-life and the resulting soap operas of betrayal and revenge. And you definitely don’t want any literal nakedness in your classroom. (Please put your sweat pants back on, Keesha. Those shorts are not within the limits of the dress code.) Calling attention to yourself and what you have to say, because you are being paid to do so, is a critical, yet tricky thing to do. You want them looking at you, and actually thinking about what you are saying (preferably without imagining you naked, which they will do at any sort of unintentional slip or accidental prompting.) The ones who ignore you are a problem that has to be remedied individually and can eat up the majority of your teaching time.
I trained myself to be fairly good at commanding the attention of the room.
But now that I am retired, things have changed. I can still command attention in the room, which I proved to myself by being a successful substitute teacher last year. But I no longer have a captive audience that I can speak to five days a week in a classroom. Now my audience is whoever happens to see this blog and is intrigued enough by the title and pictures to read my words.
Now that I am retired and only speaking to the world at large through writing, I am ignored more than ever before. Being ignored is, perhaps, the only thing I do anymore. It is the new definition of Mickey. Mickey means, “He who must be ignored. Not partially, but wholly… and with malice.”
I put my blog posts on Facebook and Twitter where I know for a fact that there are people who know me and would read them and like them if they knew that they were there. But the malevolent algorithms on those social media sites guarantee that none of my dozens of cousins, old school friends, and former students will see them. Only the single ladies from Kazakhstan and members of the Butchers Union of Cleveland see my posts. Why is this? I do not know. Facebook and Twitter ignore me when I ask.
My books, though liked by everybody who has actually read and responded to them, are lost in a vast ocean of self-published books, most of which are not very good and give a black eye to self-published authors in general. I recently got another call from I-Universe/Penguin Books publishers about Catch a Falling Star, the one book I still have with them. They are concerned that my book, which is on their Editor’s Choice list, is not performing as well as their marketing people think it should. But to promote it, I would have to pay four hundred dollars towards the marketing campaign, even though they are already subsidizing it by fifty percent. They tell me they believe in my book. But apparently not enough to pay for 100% of the promotion.
I have decided to invest in a review service that will cost me about twenty dollars a month. But my confidence is not high. The last time I paid somebody to review a book, they reviewed a book with the same title as mine from a different author. That service still owes me money.
But the only reason it is a problem that I am being thoroughly ignored these days is that an author needs to be read to fulfill his purpose in life. Maybe pictures of pretty girls in this post will help. But, even if they don’t, well, I had their attention once upon a time. And since my purpose as a teacher is already fulfilled, perhaps that will be enough for one lifetime.
Catch a Falling Star 
Made-Up People
I often get criticized for talking to people who are basically invisible, probably imaginary, and definitely not real people, no matter what else they may be.
The unfinished cover picture is from the novel The Bicycle-Wheel Genius which I just finished the final rewrite and edit for. All of the characters in that book are fictional. Even though some of them strongly resemble the real people who inspired me to create them, they are fictional people doing fictional and sometimes impossible things. And yet, they are all people who I have lived with as walking, talking, fictional people for many years. Most of those people have been talking to me since the 1970’s. I know some of them far better than any of the real people who are a part of my life.
This slideshow requires JavaScript.
These, of course, are only a few of my imaginary friends. Some I spend time with a lot. Some I haven’t seen or heard from in quite a while. And I do know they are not real people. Mandy is a cartoon panda bear, and Anneliese is a living gingerbread cookie. I do understand I made these people up in my stupid little head.
But it seems to me that the people in the world around us are really no less imaginary, ephemeral, and unreal. Look at the current Presidentumb of the Disunited States. He is an evil cartoon James Bond villain if there ever was one.
Animated cast of OUR CARTOON PRESIDENT. Photo: Courtesy of SHOWTIME
People in the real world create an imaginary person in their own stupid little heads, and pretend real hard that that imaginary person is really them in real life. And of course, nobody sees anybody else in the same way that they see themselves. Everybody thinks they are a somebody who is different from anybody else who thinks they are a somebody too, and really they are telling themselves, and each other, lies about who somebody really is, and it is all very confusing, and if you can follow this sentence, you must be a far better reader than I am a writer, because none of it really makes sense to me. I think everybody is imaginary in some sense of the word.
So, if you happen to see me talking to a big white rabbit-man who used to be a pet white rabbit, but got changed into a rabbit-man through futuristic genetic science and metal carrots, don’t panic and call the police. I am just talking to another fictional character from a book I just finished writing. And why are you looking inside my head, anyway? There’s an awful lot of personal stuff going on in there. Of course, you only see that because I wrote about it in this essay. So it is not an invasion of privacy. It is just me writing down stuff I probably should keep in my own stupid little head. My bad.
Leave a comment
Filed under characters, colored pencil, commentary, goofy thoughts, humor, novel plans, NOVEL WRITING, Paffooney, rabbit people, strange and wonderful ideas about life
Tagged as books, characters, fiction, imagination, the Bicycle-Wheel Genius, writing