Sometimes going forward will set you too far back. Sometimes the only direction you can take is down and out. I am not at that point yet. But it is now on the horizon.

Am I sounding suicidal? I hope not. I was glooming about publishing and books that I am trying to make live. I have paid Page Publishing practically all the payments I stupidly agreed to, and yet, I am stuck in an endless loop of editing where they ignore my emails and appear to be proceeding without me. The clueless case manager sends me an email saying, “Go ahead, take all the time you need to edit” after I have already emailed them the final instructions and requested the process continue to the next step. I re-sent that email and asked them if they have gotten my last email. No responses, though. What the hell am I paying them money for? I’m editing the book myself. Their proof-reader makes changes that I have to change back to the original, and then they don’t even want to take the next step?


I admit that my illustrations for this rant are only pictures saved for other posts that never got used before. Like this cool Kingdom Hearts one;

But I am not ready to kill the project yet and hire a lawyer to sue the publisher to get my money back. I want to see this book, Magical Miss Morgan, live.
And I need to see Snow Babies live too.
But from here on we go with the cheapest possible options. Free if possible.
Here is another Wizard Donald to look at while I continue to stew about publishing problems;

I have always tried to make the best of what I already have. I have always lived by the idea that other people are all my equals, even the really stupid ones, and I have nothing that I am not obliged to share.
I have little left besides wit and wisdom. And I have tried hard to share that here. But I sometimes feel like I am alone and pointless.
But the captain always goes down with his ship. And if my ship is sinking, then at least I will soon know if there are mermaids down there willing to teach me to breathe underwater, or possibly not.




Lynn Johnston’s For Better or Worse is also an old friend. I used to read it in the newspaper practically every day. I watched those kids grow up and have adventures almost as if they were members of my own family. So the mashed potatoes part of the meal is easy to digest too.
























Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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