The Fairies : Butterfly Children
In the background of several of my novels, there lurk little people with magic powers. In this modern age of science they still exist, but are reduced in size to about three inches tall for the adults. As I am now working on a book set in their world, I am therefore using today’s post to elucidate what they are and categorize them a bit.
Butterfly Children is a nickname for the winged fairies. And most fairies not only have wings, but don’t wear clothing because, not only do shirts, jackets, jerkins, and such interfere with wings, but they, like me, prefer to be nude if possible.
The Butterfly Children are not really made of flesh and blood, but rather coherent magical energy. That is the reason they rarely become spellcasters themselves, but can lend their energies to the spell-casting Sylphs; witches, wizards, sorcerers, warlocks, liches, and some Storybooks.
They refer to us as “the Slow Ones” because we are easily fooled into not seeing them for what they are. They use concealing glammers to convince us that we are seeing a bug or a bird or a glare of sunlight instead of what they actually are. They also have the ability to allow slow ones to see them if they choose to voice the necessary spells. Some rare slow ones are able to see through their glammers and view them in spite of their wishes.
Sylphs and Elves : The Man-shaped Fey
Once, long ago, the Fey Children who looked human could pass themselves off as slow ones. The Elves, of course, had pointed ears to hide. But they looked like what we would call “regular people” because they were our size. But human science developed things that stop magical energies like brass or drain magical energies like iron and copper. The Fey became smaller and smaller. Things like discarded nails and lost pennies decreased the places where they could live and build homes.
Eli Tragedy (in the middle above) is an example of both an Elf (with pointed ears) and a magic-using Sorcerer. His apprentices, Bob and Mickey, are both Sylphs. Like Butterfly Children, many Sylphs would rather not wear clothes. Magic-using Sylphs and Elves learn to wear clothes because garments can be invested with protective spells.
Mickey is different than other Sylphs in that he has been bitten by a wererat and has been infected by lycanthropy. Since he is now an uncontrolled wererat, he constantly looks like a boy with a mouse head and tail, a fur-covered boy’s body, and paws instead of feet.
Sylphs can occur in many different non-manlike forms. The Mouse from Cornucopia is a Sylph in the form of an anthropomorphic mouse. Radasha, also seen to the left, is a Faun. Pixies, Nixies, Boggarts, Gremlins, Centaurs, Minotaurs, and other magical creatures have gotten far smaller since ancient times when human beings added greatly to the magical energy loose in the world through their imaginations, faiths, fears, nightmares, and dreams.
All of those magical creatures have odd and sometimes horrific shapes. You can see that in the insect-like Pixie to the right.
Storybooks : Immortals Amongst the Fey
The other Fey Children that need a special mention are the Storybooks like Silkie pictured in the acorn beret and leaf dress to the right. These lucky Sylphs, Elves, or other Fey Children who’ve been singled out by slow ones in their slow-ones’ books and literature are made magically immortal by the power of stories told by humans, especially those preserved by print. They no longer die. They can no longer be killed or grievously wounded.
General Tuffaney Swift is another good example of a Storybook. He exists as an immortal because some of his early adventures, were overheard and written down in stories about Tom Thumb. He was instrumental in bringing Grandma Gretel and her daughter, Anneliese, into the Fey World. She is responsible through her magical baking skills for the entire races of Gingerbread Children and Cookie Monsters.
So, there’s a brief overview of the Kingdom of Tellosia and the World of the Fey Children.
The Real Magic in that Old Home Town
Rowan, Iowa… Not the place I was born, but the place where I got to be a stupid kid, and have the lessons of the good and god-fearing life hammered into my head hard enough to make a dent and make it stay with me for more than half a century. I got to go to grade school there. I learned to read there, especially in Miss Mennenga’s third and fourth grade class. Especially in that old copy of Treasure Island with the N.C, Wyeth illustrations in it, the one Grandma Aldrich kept in the upstairs closet in their farm house. I got to see my first naked girl there. I learned a lot of things about sex from my friends there, and none of them were true. I played 4-H softball there, and made a game-saving catch in center field… in the same game where my cousin Bob hit the game-winning home run. But those were things kids did everywhere. It didn’t make me special. There was no real magic in it.
Being a farm-kid’s kid taught me the importance of doing your chores, every day and on time. If you didn’t do them, animals could get sick, animals could die, crops could be spoiled, the chickens could get angry and petulant and peck your hands when you tried to get the eggs. Cows could get grumpy and kick the milk bucket. Cats could vow revenge if you didn’t direct a spray or two at their little faces as they lined up to watch you milk the cows. And you never knew for sure what a vengeful cat might do to you later, as cats were evil. They might jump on the keyboard during your piano recital. They might knock the turkey stuffing bowl off the top of the dryer when Mom and Grandma and several aunts were cooking Thanksgiving Dinner. And I know old black Midnight did that on purpose because he got to snatch some off the floor before it could be reached by angry aunts with brooms and dustpans. And all of it was your fault if it all led back to not doing your chores, and not doing them exactly right.
But, even though we learned responsibility and work ethic from our chores, that was not the real home-town magic either. I wasn’t technically a real farm kid. Sure, I picked up the eggs in the chicken house at Grandpa and Grandma Aldrich’s farm more than once. And I did, in fact, help with milking machines and even milking cows by hand and squirting cats in the faces at Uncle Donny’s farm. I walked beans, going up and down the rows to pull and chop weeds out of the bean fields at Uncle Larry’s farm. I drove a tractor at Great Uncle Alvin’s farm. But I didn’t have to do any of those things every single day. My mother and my father both grew up on farms. But we lived in town. So, my work ethic was probably worth only a quarter of what the work ethic of any of my friends in school was truly worth. I was a bum kid by comparison. Gary G. and Kevin K, both real farm kids and older than me, explained this to me one day behind the gymnasium with specific examples and fists.
Being a farm kid helped to forge my character. But that was really all about working hard, and nothing really to do with magic.
I truly believe the real magic to be found in Rowan, Iowa, my home town, was the fact that it was boring. It was a sleepy little town, that never had any real event… well, except maybe for a couple of monster blizzards in the 60’s and 70’s, and the Bicentennial parade and tractor pull on Main Street in 1976, and a couple of costume contests in the 1960’s held in the Fire Station where I had really worked hard on the costumes, a scarecrow one year, and an ogre the next, where I almost won a prize. But nothing that changed history or made Rowan the center of everything.
And therein lies the magic. I had to look at everything closely to find the things and strategies that would take me to the great things and places where I wanted to end up. I learned to wish upon a star from Disney movies. I learned about beauty of body and soul from the girls that I grew up with, most of them related. And I invented fantastical stories with the vivid imagination I discovered lurking in my own stupid head. I embarrassed Alicia Stewart by telling everyone that I could prove she was a Martian princess, kidnapped and brought to Earth by space pirates that only I knew how to defeat. And I learned to say funny things and make people laugh… but in ways that didn’t get me sent to the principal’s office in school. Yes, it was the magic of my own imagination. And boring Iowa farm towns made more people with magic in them than just me. John Wayne was one. Johnny Carson was one also. And have you heard of Elijah Wood? Or the painter Grant Wood? Or the actress Cloris Leachman?
Yep. We were such stuff as dreams were made on in small towns in Iowa. And that is real magic.
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