It came to an end for Justice Ginsberg after 87 years. It will come to an end soon for my father too. He is in hospice care at 88 years and eleven months. Her turns 89 in October. But he is deteriorating every day now. The final destination can’t be too much farther down the road for me either.
Life is not a Disney movie with Bambi in it. My mother made it out of the meadow alive when I was small.
But, when you think about it, after a cute and funny childhood, there was that moment behind the car tires when trauma struck, at age ten, and after that I had to grow up faster than should have been necessary. And in my youth and in my prime, I had to struggle to prove myself. Against other bucks, and hunters with guns, and… at the end of the movie, it seems like the whole world is on fire.
So, maybe life is like a Disney movie with Bambi in it. And maybe I have to make my own happy ending.
Perhaps Bambi is my spirit-animal. The one who protects my family. My patronus. My guardian angel.
No matter how I take it on, it has been a long and wearying road to follow. And the journey now is nearly complete. But the last few miles are always the hardest to bear. Still, I know the journey has been worth it. And there will be rest to be had in that last meadow. RGB already knows it. Soon my father will too. Peace be upon us, for we have earned it.
Meet Harker Dawes. He’s a ne’er-do-well businessman, a fool, a bungler, a clown, and his job is comedy relief as a support player in multiple novels of my Hometown Novels Series. I would contend that he is the kind of character I can’t write a good story without. And why does he have a name like Harker? Well, it’s Charles Dickens’ fault.
What do I mean by that? Well, if you’ve never read a novel by Charles Dickens… Why the heck not? I mean seriously… A Tale of Two Cities is one of the best novels ever written by anyone. The history, themes, and tightly woven plot threads of that novel… pale in comparison to some of the funny names Dickens uses to tell that tale. Jerry Cruncher, porter for Tellson’s Bank, is also a grave-robber in his spare nights. He is constantly losing his temper with Mrs. Cruncher for “flopping against him” (which is how he characterizes how she prays for him). He is an essential clown in that narrative. Prim and proper Miss Pross is Lucie Manette’s hand maiden who is so fiercely loyal she ends up taking out the vengeful villain of the tale, Madame Defarge, for threatening her precious Miss Lucie.
And that notation is just the beginning of the long list of silly names used for critical supporting characters in his books. There is a wealth of them in every book you pick up; Uncle Pumblechook, Herbert Pocket, Abel Magwitch, and Joe Gargery in Great Expectations… certainly not leaving out Philip Pirrip (Pip) the narrator and main character of the tale.
Wackford Squeers is the perfect name for the abusive headmaster of Dotheboy’s Hall in Nicholas Nickleby.
A Christmas Carol not only contains Ebenezer Scrooge and Tiny Tim Cratchit, but also Old Fezziwig, a former boss who loves to dance at the Christmas parties he throws.
David Copperfield has wonderful character names like Edward Murdstone the evil stepfather, Wilkins Micawber the ne’er-do-well surrogate father figure (based on Dickens’s real father), jovial Mr. Dick, and the slimy, villainous Uriah Heep.
The multi-syllabic names he uses are not only comical or sinister or both, but uniquely descriptive of the characters themselves, defining for us in nonsense syllables what those characters seem to be all about.
So, that is why his name is Harker Dawes. It stands in for, “Hark, there will be guffaws.” The perfect moniker for a very imperfect man.
In the same book as Harker, you can find heroic Agnes Brikkleputti the social worker who chases four orphan runaways from Chicago to Norwall, Iowa and risks death in a blizzard to bring the orphans their medications. She is the putty that holds those four bricks together.
So, you should not be surprised if you read something Mickey has written and you run across a silly name. It is evidence that he might be Dickens reincarnated.
The thing about being an artist that I can’t seem to really explain, if I even am one, is “Why?” I mean why am I an artist? I am not a camera. You look at my imperfect drawings, and you can see it is a drawing. Even if I did photo-realistic drawings, I would still have to wonder “Why?” Why go to all that work if we have cameras for that?
And if we draw something that never was, but might have been… if only we were made like gods and could control everything around us completely… why is that worth doing? Just to see things through my eyes? I have weird eyes. They see skateboards with flaming Bart Simpsons on them saying, “Eat my shorts!” What is the value of that?
Perhaps this sort of “Seeing through someone else’s eyes” gives us a perspective that we could get no other way. I know I love art museums, art books, and art collections even more than I like looking at my own art. I love looking at the world as other people see it.
Maybe artwork, in one form or another is the closest we can come to truly sharing what’s inside us with other human beings, mind to mind, heart to heart, liver of blood-curdling revelation to liver of blood-curdling revelation… wait, you mean not everyone has a liver like that?
So, not everyone lives life the way I do, or knows what I know, or remembers the sweet, sad things I remember, or sees things the way I see them. Is that, then, the reason why for being an artist? Or cartoonist if you believe that I am not a real artist?
If I truly am an artist… and I am not convinced that I truly am, then I don’t answer the why questions. It is the job of the scientist to do that. I only ask the questions. And I do it by drawing the next inexplicable thing.
Being a child of the ’60s and also being fifty percent raised by the television set, it was my privilege to witness and learn from the master comedian of self-deprecating humor and ultimate humiliation. And there is no better preparation for becoming a Texas public school teacher than to learn how to be laughed at from Don Knotts.
I have spent a goodly number of hours during our recent COVID quarantine watching old DVDs of Don Knotts movies. The last four nights I viewed, The Ghost and Mr. Chicken, The Shakiest Gun in the West, The Reluctant Astronaut, and The Love God. If you have never seen them, they come with the highest of Mickian recommendations, “They made me laugh so hard I cried.”
Of course, my favorite Don Knotts movie of all time is The Incredible Mr. Limpet.
Knotts always seems to play a character put upon by life in general, yet always believing that he has the inner something to make himself into a huge success. Every time he gets knocked down he quivers with frustration and throws a punch at his tormentors that invariably hits nothing unless he hits himself. In Mr. Limpet, we find a man so frustrated in his inability to help in the war effort that he throws himself into the sea, turning himself into a fish… a fish that helps defeat German U-boats. He makes himself into a hero, He even finds love among the fishes.
Knotts found the perfect comic partner in Tim Conway as they made The Apple Dumpling Gang and its sequel, The Apple Dumpling Gang Rides Again. Slapstick antics and serious battles against the laws of physics somehow manage to win out over real bad guys with real guns and horses.
I guess the thing that makes Don Knotts such an important part of my television-sourced education is how much I identify with him. Life is a never-ending parade of humbling defeats and blush-inducing humiliations. I have spent most of my life being one with the little-guy within me, the put-upon fellow who has never quite overcome all the little hurts incurred by a desire to overcome the gravity holding me down.
And in a Don-Knotts world, based on a Don-Knotts movie script, things eventually turn out all right in the end. Mr. Chicken is proved right. Abner Peacock ends up marrying the beautiful girl who is the perfect one for him. The dentist who is mistaken for a gun-fighter still gets to be the hero in the end. So, there are worse things than living a Don Knotts sort of life.
Rest in peace, Don Knotts. For though you are no longer with us, you will always live on in my heart… and the hearts of many other Don Knotts wannabes.
Yes, I am saying the world I live in is a low-budget commercial movie made without literary or artistic pretensions. You know, the kind where movie makers learn their craft, taking big risks with smaller consequences, and making the world of their picture reflect their heart rather than the producer’s lust for money.
Mostly what I am talking about are the movies I remember from late-night Saturday TV in black and white (regardless of whether or not the movie was made in Technicolor) and the less-risky as well as more-likely-good Saturday matinees on Channel 3. Movies made in the 1950s, 1960s, and early 1970s. They were perfect, of course, for the forbidden Midnight Movie on the show called Gravesend Manor. I had to sneak downstairs to watch it on Saturday nights with the volume turned way down low. (Not that Mom and Dad didn’t know. Well, maybe they didn’t know how many of those I watched completely naked… maybe.)
I watched this one when I was twelve, late night on an October Saturday. I had a bed-sheet with me to pull over my head at the scariest parts. Frankenstein was a crashed astronaut brought back to life by the magic of space radiation. He was uglier than sin, but still the hero of the movie, saving the Earth from invading guys in gorilla suits and scary masks (none of which looked like the movie poster.)
This one, starring James Whitmore, a really good B-Movie actor, was about giant ants coming up from the sewers and the underground to eat the city.
I would end up watching it again twenty years later when I was wearing clothes and not alone in the dark house lit only by a black-and-white TV screen.
I realized on the second viewing that it was actually a pretty good movie in spite of cheesy special effects. And I realized too that I had learned from James Whitmore’s hero character that, in times of crisis, you have to run towards the trouble rather than away from it, a thing that I used several times in my teaching career with fights and tornadoes and even rattlesnakes visiting the school campus looking to eat a seventh-grader or something (though it was a bad idea for the snake even if it had been successful.)
This one, of course, taught me that monsters liked to carry off pretty girls in bikinis. And not just on the poster, either. But it was the hero that got the girl, not the monster. This movie taught me that it sucks to be the monster. Though it also taught me that it was a good movie to take your pajamas off for and watch naked when you are thirteen.
But not all B-movies had to be watched late night on Saturdays. This movie was one of the first ones that I got to go to the movie theater to see by myself. (My sisters and little brother were still too young and got nightmares too easily to see such a movie.) It came out when I was in my teens and Mom and Dad began thinking of me as an adult once… or even possibly twice in a month.
And not all B-movies were monster movies, gangster movies, and westerns. Some, like a lot of Danny Kaye’s movies, were movies my Dad and my grandparents were more than happy to watch with me. I saw this one in both black-and-white and color. And I learned from this that it was okay to take advantage of happy accidents, like a case of mistaken identity, and using your wits, your creative singing ability, and your inexplicable good luck to win the day for everybody but the bad guys armed only with your good sense of humor.
And some of the best movies I have ever seen, judging by what I learned about movies as literature from Professor Loring Silet in his Modern Film Class at Iowa State University, are by their nature B-movies.
I am using movie posters in this blog post only from movies I have personally seen. (And I admit that not all of them are strictly “good” movies according to Professor Silet, but I like them all.)
Feel free to tell me in the comments if you have seen any of these movies yourself. I am open to all opinions, comments, and confessions.
I live in a B-movie world. The production values around me are not the top-dollar ones. But the stories are entertaining. The real-life heroes still run towards the problem. And it still sucks to be the monster. But it has always been worth the price of the ticket. And during my time on Earth here, even in 2020, I plan on staying till the end of the picture. I go nowhere until I see the Best Boy’s name in the end credits. And maybe not even then.
It began for me in 1977 with this wrap-around cover illustration. I knew there were a lot of this guy’s books on the shelves of the college bookstore along with works by Robert E. Howard, Roger Zelazney, and Theodore Sturgeon. And I knew this guy had also written paperback books under the name “Andrew North”, a name I had seen on the twenty-five cent novels in the drugstore where you could buy the really good pulp fiction novels only slightly used.
I had never before bought one of his books. And the book money I had for the fall quarter at Iowa State was supposed to all go towards the book-list given to me as a Junior-level English major. But the naked kid on the cover had a wired-up collar around his neck. And I had only recently recovered long-suppressed memories of being a victim of a sexual assault. I had to have it. I had to know what that illustration had to do with the story inside.
So, I bought a book that I judged by its cover.
And it was not the wrong thing to do.
The main character was a boy named Jony, the naked boy on the cover of the book. He is taken by alien beings as a study specimen along with his mother, the pregnant woman on the back of the wrap-around illustration. The story starts with Jony in a cage, treated like an animal. His mother, also a study specimen has been mated to a Neanderthal-like humanoid specimen who cannot speak, and she has given birth to twins, a boy, and a girl. They are kept in separate cages by their inhuman captors.
Jony manages a mass escape, taking his mother and his younger siblings with him, and releasing as many of the other study specimens as he can. Luckily they escape onto a very earth-like planet. But unluckily, the mother is in very poor health and dies soon after escaping. Jony is then responsible for his little brother and sister in a wilderness that is not empty of others. Luckily, the others they first run afoul of are the bear-like ursine aliens who share their need to not be recaptured by the zoo-keeper aliens.
It was a perfect novel for me. I identified strongly with the main character, who had been violated in a very personal way by monsters. And then had to build a new life in a world full of potential other-monsters. Andre Norton shared my pain and helped me overcome it.
But she also fooled me big-time. She was not a he.
She was a librarian and editor of pulp fiction who wrote enough sci-fi and fantasy in the 50’s, 60’s, and 70’s to finally become a full-time author.
She was already on book number 29 when she retired from being a librarian to write full time.
And I would go on to own and read several of her other books, which were good, but never quite lived up to that first one I read. Of course, that may have been because of the timing and circumstance that led me to a book that I actually needed to read. That book set me on the road to recovery from my personal darkness. And it may have sparked in me the need to eventually become a nudist. And more important than that, it may have led me to a lifelong need to teach reading.
Andre Norton was a real writer. And she made me one too. Though I never knew who she really was until after I bought that book because of the picture on the cover. And I never got around to properly thanking her for all of that… Until this very moment.
Teachers are not supposed to fall in love with students. Of course, when the school district tells you that, at the beginning of the year, they are talking mostly about high school students, and they are talking exclusively about romantic love. I have never had a real problem with that rule. Romantically, little half-brained and totally immature middle school students are downright icky. Especially the walking, talking, and sometimes farting middle school boys.
But schools, even though they can’t really say it, and some administrators don’t believe they want it to be so, they want teachers to have “teacher love” for students. That means, in a vaguely defined way in administrative brains compatible with the real meaning of “fully funded,”that they want teachers to become surrogate mothers and fathers to students, the kind of love you have for an orphan you have adopted because you can plainly see they need someone… anyone… to love them and care for them… no matter how ugly they might be on the outside.
“To be a good teacher, you gotta learn to love ugly,” Head Principal Watkins said to us all for the two years he managed to love our faculty. And he meant it. I was not the only teacher I heard him tell, “You are a wonderful teacher because you care about kids.” And he meant it. Not like most principals.
But when you see a picture of David, the way he was back then, you can see he was not ugly. Just his situation was ugly.
He was one of six kids that lived with his single mother in the housing project for low-income families. His mother had, at the time the principal called me into his office, been cited by authorities twice for neglect of her children.
“Mike, I know you have mentored and helped several kids outside of school. And we have a boy coming into your seventh grade class that we would like for you to help out however you can. We know you went through the whole social-services and foster-parent training from San Antonio. And David Gutierrez could really use a bit of a boost from you,” the Head Principal told me behind closed doors.
Boy, was that ever an understatement. I was spending considerable time hanging out with the pretty blond reading teacher. The first time I cooked for her, fried hamburgers and instant mashed potatoes, David had a plate already at the tiny table in my little apartment. And, skinny little thing that he was, he ate three quarters of all the food I had badly cooked. Annabel didn’t mind. And not because the burgers were burnt and the potatoes were runny… I am still not a great cook. She would become David’s second mom for those next three years. She gave him as much if not more “teacher love” than I did.
He was not a good student in any of his classes. But he was an adequate reader, and he actually improved noticeably in the time he was hanging out with us.
But he gave us a turn during that first fall when he got sick. He had the seventh grade History teacher first period every morning. And one day in October he reported to class all listless and red-eyed, And Mrs. Finch was a sharp and capable teacher, knowing what drug problems looked like, and what they didn’t look like. She sent him to the nurse. It was a fever of one-hundred-and-three degrees. The parent was called, but the parent didn’t answer. So, immediately after school Annabel and I took him directly from the nurse’s office to the doctor. And after it was determined he had a bad sinus infection, we took him to my place and put him in the spare bedroom (all apartments on North Stewart Street were two-bedroom, but there was only one of me.) Annabel stayed with him while I filled the prescription for antibiotics. We got him dosed and rested at least before his mother returned from her cleaning job in Laredo, sixty miles south. We told her everything that happened. And she took him home. His two older sisters took over nursing duty.
But when the school contacted the doctor, it was explained that the infection was severe mainly because David was malnourished and dangerously anemic. Of course, that was evidence of neglect and had to be reported.
In order to avoid having to give up custody to the State his mother moved him to Laredo, closer to her work. Both of the older sisters, Bunny and Bea had advised their Mom to give him to Annabel and me. But, of course, we were not married and in no position to become his actual parents.
So, David spent two months in Laredo, calling me every night from a pay phone. His grades in school tanked. He was miserable and lonely.
The problem was worked out in David’s family. His older brother sent money every month to his two older sisters. And Bunny had a job and kept the apartment in Cotulla for herself. So, as a compromise, since Bea was already living there with Bunny to attend high school, David came back to live with them, along with his younger sister. They returned to the school where all their friends were.
Through the rest of David’s seventh grade until the end of high school he was like a son to me. He was constantly at my place, playing computer games, watching VHS movies, and charming my girlfriend. (Annabel had the apartment next door for three of the next four years.) I played games with him. I fought with him about getting his homework done. I basically did the Dad-thing for him, something no other man had ever been bothered to do. In later years he would work as a substitute teacher for me. He would introduce me to new girlfriends. And the last time I saw him, in Uncle Moe’s Mexican Restaurant, he introduced his pregnant wife to me and my wife.
In Hebrew, the name David means, “Beloved.” Hence, that’s the only part of his name in this essay that is real.
My father is in hospice care as I write this. He is in the late stages of Parkinson’s Disease and probably has experienced multiple strokes in the last two months of Summer 2020. He is ninety years old. And in many ways, he is already gone. I mean he is living in his past now. He is recalling his time in the Navy during the Korean War. At times he doesn’t know my mother, and he doesn’t remember that he ever had a family. Of course, this essay will not be a happy-go-lucky, full-of-jokes-and-humor essay. We can’t even visit him because of positive tests for COVID in his current care facility. And I am stuck here in Texas while he’s still in Iowa because the pandemic precludes travel between hot-spot States. But neither is this going to be a tear-fest. My father’s life was not a sad thing to reflect upon. My father was a domestic hero.
My father was born into an Iowan farm family in Nora Springs, Iowa. There my Grandfather, Arthur Beyer, worked the land for raising corn and beans, and together with my Grandma, Mary Beyer, raised a family of three, Raymond Beyer, who is my father, Aunt Jean Beyer, and Uncle Roger, better known as Skip Beyer.
Being the oldest, Dad was the most responsible for helping on the farm with chores and odd jobs during the depression in the 1930’s, and during wartime in the 1940’s. He learned a work ethic that involved doing the next thing right away so that you can get a head start on the thing after that. Never put off until tomorrow what you could’ve done yesterday. Stay ahead of the weeds and bad weather. Prepare for the worst and be happy when you don’t get it. But also grit your teeth and pitch in when you do get it. As his oldest son, he taught all of this to me. I hope I never disappointed him as his student.
He came from difficult times. He was still a boy during World War II, but when he came of an age to serve, he enlisted in the Navy, a family tradition, and served aboard Aircraft Carriers during the Korean conflict. Of course, he never saw actual combat. But aboard the USS Bennington, there was a terrible war-time accident. A boiler-room explosion killed the young sailor who had relieved Dad from a duty station in the blast area only a couple of hours before. But for a matter of luck, I might never have been born. Or, more properly, for the Grace of God…
And though it was a difficult time, in many ways it was also a simpler and more innocent time.
My father not only forgave me for the skinny-dipping incident at Randy’s birthday party, he laughed about it when I told him. And I had wisely not finished getting naked for it even before we knew the girls were spying on us. So, I didn’t have to be totally embarrassed by it when he laughed. My father didn’t laugh at everything, but when he laughed, he laughed well.
During the tornado in Belmond in 1966, he was something of a hero… to my way of thinking at least. He was the last one down into the cellar as the fertilizer company’s office building blew apart. Being at the top of the stairs, a shard of something clipped the scalp on the top of his head as the storm leveled the place where he worked as an accountant. So, he was bleeding when he helped everyone emerge from the wreckage. And he continued to let it bleed as he assisted storm victims all the way down Main Street, working his way towards the hospital where Mom worked as an R.N. He found her in the miraculously untouched hospital, and she quickly got him patched up and un-bloodied. We four children had a miserable night at Uncle Larry’s place, knowing that both of our parents had been in the tornado, but not knowing if they survived. It was Dad who was able to pick us up and take us home the next day. If nothing else makes you a hero in life, surviving because your children need you to certainly does.
I would not be who I am if not for my father. I owe to him everything in life I don’t owe to my mother. I wish love could be enough to cure him. He’s still alive at this point, but his mind is lost in the past… reliving the events on the Bennington, reliving the tornado, and somehow not able to remember the good things in life… and remember us, his children and grandchildren. If love were enough, I could cure him so well, he would be young again, and able to live it all over again. But I guess, that is really God’s job now. And who am I to argue with my father’s father’s father?
I write novels that I think of as being basically humorous. But I have had readers ask of me after reading them, “What the hell makes you think these stories are funny?”
And besides the fact that they are invoking the name of the Norse goddess of the underworld, they do have a point.
My stories have unsavory things in them. I have stories where the plot is driven by the conflicts caused by physical and emotional child abuse, a pornographer who becomes a murderer when denied the opportunity to make kiddie porn, a father abandoning his wife and daughter through suicide, fools causing others to freeze to death in a blizzard, murderous robot hit-men, space pirates that kill a quarter of the population of a high-population planet, and lizard people from outer space that eat human flesh and each other. (Of course, one could argue the last few things are dark humor created by gross exaggeration and random bizarre details.)
But not everything in a comedy is a laugh line. I would argue that a perfect example of a comic novel with dark things in it is The Adventures of Huckleberry Finn. That novel begins with a slave running away from a kind mistress because he is to be sold away from his family., and a boy who narrowly escapes death by the rages of his drunken father and runs away to protect not only himself, but the kind widow who took him in after the events of the previous novel, The Adventures of Tom Sawyer.
In the course of the novel Huck sees his young friend, Buck Grangerford, killed during a pointless family feud between the Grangerfords and the Shepherdsons. He comes upon the body lying in a creek, and no laughter is generated by the scene.
Further, two snaky old con men, the King and the Duke, try to steal away everything from three girls, newly orphaned, by posing as two uncles come to take them back home to England. Huck is forced to aid them as his friend Jim is held hostage and threatened with a return to slavery. There is plenty to laugh at, but not until Huck manages to do the right thing and commit the King and the Duke to their well-earned tar and feathers.
Comedies, I would argue, have to have conflict, and some of the best comedies have terrible things in them that the characters you learn to love and laugh with have to overcome. It is in overcoming hard things with love and laughter that a comedy is made different than a tragedy. The comedy does not depend on the laugh lines. In fact, some of the hardest-hitting tragedies have laughter scattered throughout.
I am not trying to educate you. I am merely offering excuses for why I call my stories humor when they often horrify and upset readers. (How dare he write about naked people!!!) But if you learned something, I won’t be terribly disappointed.
I hardly ever have a day now where I am not going through some kind of suffering. I have just been through rainy days that make my arthritis sore to crippling levels of hurting-ness. Okay, that’s not a real word, so let’s say hurtyness… not a real word either, but funnier sounding. I have been through a number of months of budget-squeezing economic pain, not making enough to afford medicine the doctor orders, or even enough for the doctor’s visit so he can tell me what expensive medicines (like insulin) that I may need to stay alive and yell at me for not taking the medicine I used to be on and couldn’t afford anymore. The news is unrelenting with pandemic infections out of control and death tolls rising while the criminal we elected in 2016 screams that it is all the fault of radical ANTIFA Democrats like me (ANTIFA meaning anybody against fascism) and we are entirely to blame for everything, and we better be opening schools soon or he will cut education funds again… and even more… and make us put up Betsy DeVos posters in our bedrooms so she can watch us sleep and make us have nightmares about schools because we had the audacity to be educators and pro-public-school advocates.
So, maybe, you think, I am bitter and hate my life. Ha! No! If I had it all to do over again, I would not change a thing!
Two times in my life I have had a job that I hated. Both were teaching jobs. Each of them only lasted for one year. The first time, my very first teaching job, I came back the second year to a new principal and mostly new kids. I worked really hard and turned it into a job I loved for the next 23 years. The second time was a job for a principal who was decidedly dictatorial and hated by most of the staff. She ended up firing me because I liked black and brown kids too much, and it resulted in me finding a much better job which I loved for seven more years. I have never regretted becoming a teacher. In fellow faculty and the vast majority of over two thousand students, I encountered some of the most interesting and best people I have ever known. Including my wife. Now, when pain and suffering are lonelier things to deal with than the hubbub and struggle of daily school life, I have all of that to look back upon and remember and grin insanely about with high levels of life-satisfaction. Doing things you love to do is a key to happiness.
Another reason I am in love with life in spite of it all is the chance I had to be an artist and express myself through drawing, painting, coloring, and telling stories. As you can see by this blog, I have done a lot of doodling since I discovered I could draw at somewhere around the ripe old age of four. And because I rarely throw artwork away, I have a lot of it to share. Some of it I am very proud of. The stuff I am ashamed of that I have not trashed, I am only mildly ashamed of.
I claim to be humorist. Some of my best stories can make you laugh. And some of my drawings can too.
But not every part of the world of humor is about laughing, chortling, giggling, snickering, or full-blown donkey-like hee-haws. Some humor only makes you smile.
Some humor is gentle and thoughtful, even ironic.
And some of the best humor calls up truths and feelings that can bring you to tears.
But all of us “normal” human beans love to laugh (or even groan about that bean-pun) and laughter is good for us. Expressing yourself through art, especially if it makes us laugh, is another reason I love being alive.
Being dead, of course, makes it awful hard to laugh. This is why I generally try to avoid being dead. But thoughts of death can too easily become a way of life. That is why I try to put fear and anger and Republican Senators from Texas far away from me. They will not take me out of my laughing place while I am still alive.
And most important of all, you need to love life because of love itself. Now, I am not saying anything about sex here. Not that sex isn’t a good thing, and that it doesn’t pop into your old head every time you think about love, but that sex isn’t the most important part of love. It is possible to love everybody unconditionally. As much as Mark Twain and I both complain a lot about “That damned human race!” we both understand that the most wonderful thing about people is that, in spite of the fact that the word “people” is a little label on a very big thing… they are, in fact, an ever-expanding balloon of infinitely hilarious and detestable and cuddly things that threaten to pop at any moment and spew weird and wild personalities all over the damned universe. No matter how much you hate some people, or even if you hate people generally, loving people is the spicy Italian meat sauce on the spaghetti pile of your life. So, do some acts of pure gluttony upon it, and just be happy to be alive.