Category Archives: strange and wonderful ideas about life

O Mio Babbino Caro

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This beautiful song, an operatic aria by Puccini, is from the comic opera Gianni Schicchi.  But, more important than that is what the song actually means in context.

In the opera, Gianni Schicchi is a con man intent on swindling a family out of their inheritance and knowing all along that he will be destined to go to hell when he dies.  The family is gathered for the reading of the rich man’s will, which is, because this is a comic opera, lost for the time being.  Their main concern is for the money, which rumor has it has all been willed to the church.  But one among them is actually worthy of inheriting the money, Rinuccio the son of the rich man’s cousin.  And, as luck would have it, as it always does in comedies, Rinuccio is the one who, during the manic and desperate search for the will, actually finds it.  And assuming he comes out well in the will, he secures a promise from his mother that if he inherits money, he can marry Schicchi’s beautiful daughter Laurretta whom he truly loves.

But when he reads the will, he is devastated.  The money all goes to a monastery.  He begs Schicchi to help him convince the family that he should marry Laurretta anyway.  This Gianni Schicchi tries and finds it harder than turning water into wine.  So Schicchi is about to give up when Lauretta finally speaks up for herself through the song,

O Mio Babbino Caro (My Beloved Father)

At this point Schicchi is moved by the beautiful song and even more beautiful love his daughter has surprised him with.  He not only agrees to help, but executes a bizarre plan, hiding the rich man’s body and pretending to be him come back to life to rewrite the will.  Now the will favors Rinuccio, and over the protests of the family, he inherits the money and marries his true love, Schicchi’s daughter.  The opera ends with Schicchi singing his case to the audience, telling them in song that going to hell is worth it to aid true love.

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And this, then, is the truth of O Mio Babbino Caro.

Love, expressed through the surprise of hidden talent suddenly revealed, is the most persuasive argument there is.

Whether it is the love in the music suddenly discovered in the overwhelming voice of a little girl like Jackie Evancho or Amira Willighagen, or the late great Maria Callas who also sang the role, or even the singer of Puccini’s greatest work who is yet to perform it and make silly old men like me weep for beauty’s sake, the song is the most persuasive argument there is in favor of true love.

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That is a thing I desperately want to capture in the novel I am writing now, Sing Sad Songs.  Love expressed in music.  Love that reverses loss.  Love that heals all things.  And Love that moves all people.  The love that is masterfully sung in O Mio Babbino Caro.

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That book is now published and available on Amazon.

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Followed by a Moon Shadow

Moonshadow by Cat Stevens

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I first heard this song as a freshman in college.It struck me that it was hauntingly beautiful… but maybe I wasn’t entirely sure what it meant.

The song is about losing body parts and being okay with that.

That can actually be kinda creepy, right?

It is probably a song about gradually dying.

But that’s not really what it’s about.

I am there now.  Peeling, cracking, drying out… my life has reached the downhill run toward the finish line.  But I am not worried and not afraid.  Life is so much more than hands and eyes and legs and feet.  I can lose those things and have no regrets.  I am so much more than merely the sum of those physical things.

My spirit soars.  And my life is bound up in words and meanings that are now written down, and are at least as imperishable as paper.  And may, in fact, be written on a few human hearts here and there.

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Flying the Magic Flying Carpet

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There are many ways to fly.  Airplanes, bird wings, hot air balloons, bubble-gum-blowing goldfish… well, maybe I am really talking about flying by imagination.  The more my six incurable diseases and old age limit my movement, my ability to get out of bed and do things, the more I rely on reading, writing, and the movie in my head to go places I want to be.

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Sometimes the wings I use to fly come from other writers.  I get the flight feathers I need not only from books, but also from YouTube videos, movies, and television shows.

This magic carpet ride in video form is by the thoughtful creative thinker Will Schoder.  In it he carefully explains how Mister Rogers used the persuasion techniques of Logos, Ethos, and Pathos to talk to elephants and convinced a congressman intent on cutting the budget to actually give Public Television more money for educational programming.  This is a video full of warmth and grace and lovingly crafted magic flight feathers that anybody can use to soar across new skies and blue skies and higher skies than before.  I hope you will watch it more than once like I did, to see how beautifully the central explanation spreads its wings and gives us ideas that can keep us aloft in the realm of ideas.

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It is important to stay in the air of fresh ideas and new thinking.  The magic carpet ride that takes you there is the product of vivid imagination, cogent thinking, and the accurate connection of idea to better idea.  So instead of falling from the sunlit sky into the darkness that so easily consumes us on the ground, keep imagining, keep dreaming, and keep flying.  You won’t regret having learned to fly.

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True Treasures Take Time

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I now have six good books and one embarrassing one published.  They represent stories I have been crafting, revising, telling, and retelling for over 40 years.  They represent things that happened to me in real life and people I have known and loved in real life that have all been transformed in the wizard’s crucible and witch’s cauldrons of my bizarre imagination.  They contain some of my best magic spells and some of my most worthwhile wordsmithing, by which I mean writing in ways that give the spellchecker fits.

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I tried to tell you this story about telling stories yesterday, but my computer glitched and burped and spontaneously deleted more than half of what I wrote just as I was finishing it to publish it.  So the complex part I had planned to  explain this Paffooney was lost and the resulting tantrum I threw kept me from remembering and rewriting.

But it was fortunate that I delayed the repair of this post until today.  Because last night my daughter finished her end-of-the-year art project for school, and the snafu-demons have inadvertently given me the opportunity to include it here.

It is a soft sculpture dragon made of felt and hand-sewn.  She didn’t tell me what his name is, or even that it is a him, but one can imagine that it must be something like Rumple-Tum Sneezer,  or something equally awkwardly foolish like that.  One can imagine it because one has a slightly off-kilter and Disney-demented imagination.  But the whole project took a boatload of time, and you can see she crafted it with great care and skill.

Treasure takes time to create.  We who attempt to create it in the red-hot forges of our stupid little creative heads put all the skill we have acquired over time into it.  And the endeavor renders something of value almost every time.  Time… time… time… Treasure takes time.  And now I need to hurry and publish this before the computer tries to fart it all away again.

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500 Words

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When I started this whole blogging-every-day thing, I decided the rule had to be 500 words written in a day.  And I meant to hold myself to writing 500 words somewhere in the writing day, whether it was my blog post or the novel I was working on, or a combination of both.  I followed that rule religiously through more than 1,500 blog posts and five first draft novels.  I found it easier and easier to surpass 500 words on a daily basis.  There are all sorts of bits of time available and I collect ideas faster than a rich kid generates empty candy wrappers.  The more I call on the well of words for more words, the more words are available.  Now, it seems, writing only 500 words is the trick.

I suppose I have become an Old Man of Words.  I know both the rules and the exceptions.

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Knowing that I can write more than 500 words easily, then the question becomes, why don’t I?  Well, the cardinal rule is “Say it short.  Say it simple. And say it sweet.”  That rule can generate a lot of wonderful writing, full of juicy ideas that splash with flavor when you bite into them.  Ernest Hemingway knew that rule.  Every poet knows it.  Readers generally prefer the easily accessible idea expressed with elegance.

Now, I also have to admit a guilty pleasure in perpetrating purple paisley prose.  That is the style of writing in which I generally write convoluted sentences with complex ideas that fold back in on themselves and over-use alliteration to criminal degrees.  Charles Dickens liked to do that with descriptive details.  Paragraphs about the boarding schools of London, the streets filled with child chimney sweeps and flower girls, and dingy mind-dulling workhouses could take up two or three pages per paragraph.  And two pages further on, he layers more details on the same setting.  Piles and piles of words and wordplay fill the pages of William Faulkner, James Joyce, and Marcel Proust.  And if you haven’t read at least something from each of those gentlemen, you will never know what you are missing.  But you can prune your paragraphs like a greenhouse master florist with limited space will do to his orchids, and you can actually end up fitting great beauty and powerful content into something even more limited than a 500-word essay.  In fact, if you take your ideas and distill them, and keep distilling them, over and over, you will eventually have pared the words down into poetry.

So, there you have it.  The reason my essays are about 500 words.  This one is four hundred and forty one words.

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Lessons From Tchaikovsky

I used to be a classroom storyteller.  As an English teacher for middle school kids, I often would give brief biographical insights into famous people we were talking about at the time.  I told them about Crazy Horse of the Sioux tribe, Roger Bacon the alchemist and inventor of chemistry as a science, Mark Twain in Gold Rush California, and many other people I have found fascinating through my life as a reader and writer of English.

One bright boy in my gifted class remarked, “Mr. B, you always tell us these stories about people who did something amazing, and then you end it with they eventually died a horrible death.”

Yep.  That’s about right.  In its simplest form life consists of, “You are born, stuff happens, and then you die.”  And it does often seem to me that true genius and great heroism are punished terribly in the end.  Achilles destroys Hector, but his heel is his undoing.  Socrates taught Plato, and was forced to drink poison for being too good at teaching.  Custer was a vain imbecile and got what he deserved at the Battle of the Little Bighorn, but Crazy Horse, who made it happen, was pursued for the rest of his short life for it until he was finally captured and murdered.  Roger Bacon contributed immensely to science by experimenting with chemicals, but because he blew up his lab too often, and because one of his students blew himself up in a duel with another student, he ended his days in prison for practicing sorcery.

But if you have listened to any of the music I have added to this post, the music of Pyotr Ilyich Tchaikovsky, then you recognized it, unless you have lived your whole life under a rock in Nomusikvetchistan.  And why is that?  Because even though it is all classical music written in the 1800’s, it’s basic genius and appeal is immortal.  It will outlive all of us.  Some of it, having been placed on a record on the Voyager space craft may get played and appreciated a million years from now in the vicinity of Betelgeuse.  It will still be a work of pure genius.

And, of course, the horrible life and terrible death thing is a part of it too.  Tchaikovsky’s work took an incredibly difficult path to success.  He was criticized by Russians for being too Western and not Russian enough.  He was criticized in the West for being too exotic and basically “too Russian”.  He railed against critics and suffered horribly at their hands.  Then, too, his private life was far less private than it had any right to be.  He was a bachelor most of his life, except for a two year marriage of pure misery that ended in divorce.  And everybody, with the possibility of Pyotr himself, knew it was because he was a homosexual.  He probably did have that orientation, but in a time and a career where it was deemed an illegal abomination.  So whether he ever practiced the lifestyle at great risk to himself, or he repressed it his entire life, we will never know for sure.

But the music is immortal.  And by being immortal, the music makes Tchaikovsky immortal too.  Despite the fact that he died tragically at the age of 53, possibly by suicide.

So, this is the great lesson of Tchaikovsky.  The higher you fly, the farther you fall, and you will fall… guaranteed, but that will never make the actual flight not worth taking.  Some things in life are more important than life itself.  As I near the end myself, I cling to that truth daily.

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Finding My Voice

As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies.  The novel is written in third person viewpoint with a single focus character for each scene.  But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.

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Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.

In Canto Two, Valerie Clarke, the central main character of the story, is the focus character.  Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head.  Canto Three is focused through the mind of Trailways bus driver Ed Grosland.  Canto Four focuses on Sheriff’s Deputy Cliff Baily.  And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane.  Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.

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The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.

That kind of fractured character focus threatens to turn me schizophrenic.  I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them.  How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people?  Especially when some of your characters are stupid people with limited vocabularies and limited understanding?

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The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.

I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself.  That is considerably less schizophrenic than the other book.  But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.

The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view.  That is even more of an exercise of losing yourself inside the head of a character who is not you.  One of the first person narrators is a girl, and one is a werewolf.  So, I have really had to stretch my writing ability to make myself into someone else multiple times.

I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world.  But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.

 

 

 

My best novel is free to own in ebook form for today and tomorrow. Buy it now with the link above. The offer is good until the end of the day on 12/14/2021.

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Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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Pez Head

If you have seen any of my numerous posts about dolls or old books or even, you guessed it, Pez dispensers, you know how badly I am gifted with hoarding disorder.  You know the disease.  Every old string-saving grandpa or scrap-booking maiden aunt you had as a kid had it.  Piles and piles of useless and pointless things all neatly stacked and sorted somewhere in the house, or possibly garage… lurking like a monster of many pieces waiting to take over the whole house.

I can’t help it.  Collections have to be completed.  If you see it and you don’t already have it, you must possess it.  Twenty-seven cents short of the full price with tax included?  Go out to the car and dig in the cup holder.  Oops!  Can’t part with those particular State Quarters.  Will they take that many pennies?  Have to try.

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Lately I have been victimized by a combination of my disorder and the fact that Toys-R-Us is a convenient restroom stop on the rush-hour drive along I-35 to pick up the Princess at her high school in Carrollton, Texas and my son Henry at his school in Lewisville, Texas.  It is a killer two hours and I need to go potty at the halfway point.  And I can’t make my way to the restroom without passing the Pez dispenser display.  And I can’t pass the Pez dispenser display without… well, you know.

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What can I say?  I’m diabetic.  I have to visit the restroom frequently.

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And they do look good on my bookshelves with a lot of the other junk I collect.

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And not all of these are new, bought some time this school year.  In fact, not most of them.

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And they only cost a couple of dollars each.

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And I do resist the urge to buy one once in a while… honest, I really do.

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And see here?  Only Minnie Mouse and Pluto  on this shelf are new.  And how could I leave this collection without Minnie and Pluto?

And it’s not like butterfly collecting, which I shamefully admit I did as a kid.  You don’t kill and mount Pez dispensers.  Although I admit, I really don’t know for sure how their factory works.

But I also have to admit, Pez dispensers aren’t the only thing that turns my collecting urge up to the highest possible settings.

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So don’t hate me for hoarding.  If you’re worried, all of these things are available in stores too.  And I have worked on my photographicalizing skills a bit to share them with you.  And who knows where these treasures will end up when I pass on to the cartoonist’s paint box in the sky?  My daughter has vowed not to let them end up in a landfill somewhere.  Somebody will play with them and love them when I’m finally done.  MAYBE EVEN FUTURE GRANDCHILDREN.   There is a possibility, you know… always a possibility.

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Philip K. Dick

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There is a major drawback to being so smart that you can perceive the edges of infinity.  It makes you bedbug crazy.  I love the science fiction that populated the paperback shelves in the 50’s and 60’s when I was a boy.  I love the work of Philip K. Dick.  But it leads you to contemplate what is real… what is imaginary… and what is the nature of what will be.

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the robot Philip K. Dick who appeared at Comic Con and answered questions

There are numerous ways to investigate life.  But it is in the nature of imaginary people to try to find ways to make themselves real.  When the replicants in Bladerunner try to make themselves into real people, they must try to create memories that didn’t exist.  They try to mirror human life to the extent that they can actually fool the bladerunner into letting them live.  Of course, it doesn’t work.  They are not real.  (Bladerunner is the movie name of Do Androids Dream of Electric Sheep).

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It is like that for me as well.  Being an imaginary person is difficult.  You have to constantly invent yourself and re-invent yourself.  By the time you finally get to know yourself, you have to change again so that the anti-android factions don’t destroy you.  Although, I think I may not actually be an android.

Does that sound a bit crazy?  Well Philip K. Dick’s life story may in fact have led him down the path to really crazy.  In 1971 he broke up with his wife, Nancy Hackett.  She moved out of his life, and an amphetamine-abuse bender moved in.  In 1972, ironically the year I began reading Dick’s work, he fell in love at the Vancouver Science Fiction Convention.  That was immediately followed by erratic behavior, a break-up, and an attempted suicide overdosing on the sedative potassium bromide.  This, of course, led directly to his 1977 novel A Scanner Darkly.

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The story is about a police detective who is corrupted by a dangerous addictive drug that takes him down the rabbit hole of paranoia, and being assaulted by the perception of multiple realities simultaneously.  His novel Ubik from 1969 is a story of psychics trying to battle groups of other psychics even after they are killed by a bomb.  The crazy seems to have been building for a while.

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In 1974 he had a transcendental experience when a lady delivering medicine to his door wore a fish-shaped pendant which he said shot a pink beam into his head.   He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent.  He would later admit to believing he had been reincarnated as the prophet Elijah.

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Imagination has its dangers.  It is a powerful thing able to transform reality.  Science fiction writers often use their imagination to shape what the future will actually make come into being.  But it can also turn your mind inside out.  A great science fiction writer like Philip K. Dick can contemplate the nature of reality and turn his own reality inside out.  It is a lesson for me, a lesson for all of us.  Wait, is that a pink beam of light I see?  No, I just imagined it.

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