Let me begin by reminding you that the only head I have to explore as an example of what I am talking about in this essay is my own stupid head.
So, this is not an insult post. This is self-deprecating humor. And therefore, the contents of your own stupid head are completely safe.
Now, there is considerable evidence in the books already that Mickey is not, and has not been, particularly stupid for a large portion of his time on earth. He got college scholarships based on his ACT and SAT scores to get his undergraduate degree for free (in the 1970’s when it was significantly cheaper than now). And he has been both a teacher in a gifted program and the middle-school coordinator of that same gifted program. So, Mickey has effectively fooled everybody into thinking he is not stupid. But consider for a moment where the laughs come from when watching Stephen Urkel on TV, or the four nerds from Big Bang Theory. Smart people do stupid things and are very awkward at times, proving that, no matter how smart they are, smart people are capable of being quite stupid.
What, then, is the stupid thinking in Mickey’s stupid head?
Well, there are a number of things. Mickey is, as you may know if you read any of his nudity blogs, obsessed with nakedness. He was assaulted as a child in a way that caused him to be afraid of nudity and slow-developing in sexuality. As he grew older, he had to compensate for this lack of natural development. So, he has reached an age where his brain stupidly rejects guard-rails when talking about nudity and sex. He has convinced himself that he wants to be a nudist, and writes about nudity constantly, as evidenced by this very paragraph. When Mark Twain was in his seventies, he did leave the house without remembering to wear clothes more than once. The neighbors did not compliment him for doing that. That and worse is probably in Mickey’s near future.
And sex, as a subject sloshing around in a brain awash with hormones and other nightmare chemical imbalances, leads to a rash of stupid decisions. Of course, Mickey is old and has had chronic prostatitis long enough to eliminate the possibility of making a stupid decision about infidelity since those body parts don’t actually work anymore, but it leads to buying numerous things sold by marketers using sex as a way to sell things. Cabinets full of hair gel and cologne and Herbalife products that can never be used up is the result. And the wife is frustrated with the foods Mickey is constantly addicted to. “Why so much chips and salsa, Mickey?” Chips and salsa? Hubba hubba!
And Mickey’s old brain, full of a vast quantity of useless trivia-type knowledge, random wisdom floating around in a disconnected fashion, and prejudices formed by a bizarre obsession with things like nudism, Disney movies, comic books, model trains, and doll-collecting, becomes strangely creative. He begins to believe weird things.
For example, he thinks rabbits, if they were suddenly transformed into people, would make better people than people ever do. They are mostly quiet most of the time. They eat an all-vegetable, healthy diet. And they don’t vote Republican.
He obsessively also thinks about how his mind is working and how thinking about thinking is likely to improve thinking. He even realizes that the map of his head, provided above, doesn’t accurately reflect the many branching corridors and dead-end hallways of his actually-complicated-yet-stupid mind. He thinks that thinking too much about thinking makes you stupid.
I have illustrated this entire piece without uploading any new art… What a stupid thing is that?
And finally, Mickey is left with a sense of wonder about how it is entirely possible that everybody is stupid at least part of the time. And he wonders what possible things that you, dear reader, are thinking about that you consider at least somewhat stupid? You are welcome to tell him in the comments. But remember, this post is about stupid thoughts in Mickey’s head. You are perfectly free not to worry about your own stupidity.
What is the use of Kartoon Kops? I mean, why do we possibly need cartoon policemen with rubber whack-bats, squirting ink guns, and face pies? Why, to control cartoon misbehavior, of course.
If I work on the roof of the house because the shingles are weather-damaged, and then I walk off the end of the roof, and I just stand there in the air because I know better than to look down, I am breaking the law of gravity. I deserve a strawberry pie to the face for that crime. (Not blueberry pie, though. I’m allergic to blueberries.)
If I run in place and my legs go faster and faster until they look like blurred leg-colored circles, and then I take off, faster than a speeding bullet, leaving only poofy clouds behind, I am breaking the law of acceleration and inertia. I deserve a blast of black ink in my face for that.
And if I put an extremely hot towel on my face, and Bugs Bunny is my barber, my face will come off in the towel and leave the space on the front of my head blank. I will be breaking the law of… of… well, keeping my face on in public. Rubber whack-bat bruises are in my future for that.
“But, Mickey!” you say to me, “The real world doesn’t work that way!”
“Well, duh! Didn’t I tell you this was about cartoons from the start?”
I am aware that nobody who looks at my blog ever clicks on my videos. This one, however, would be very useful if you are really going to read and engage with this essay. This self-reflection came into being as a response to watching this video. The video talks about how most people can’t stand to actually sit alone in a room with only themselves. And it has an impact. I have claimed in the past to being a devotee of the Theodore Roethke maxim, “Being, not doing, is my first love.” But how does one go about becoming truly self-aware? How does one enumerate the concept of “being”? I believe I can do it, but it requires a bit of self-examination. How do I do it?
Let me count the ways…
I put myself down on paper, through drawing or writing in English and look at the way it portrays me.
I find myself in both the written characters I create and the cartoon characters I draw. In Hidden Kingdom, my graphic novel, the Mouse and young Prinz Flute are both me. I can see myself both as the reluctant romantic hero and the snarky child-thing with a dangerous little bit of wisdom.
I learn to know more about my secret heart and what I truly think about the world I live in and react to by writing about what I think and the things that happen to me, both for good and ill. This blog is all about learning about myself, just as your blog is a mirror of who you really are. Consequently, I have no secrets left.
I not only reveal myself in this blog, but I also attempt to sing about myself in much the same way that Walt Whitman did in his poetry.
I live most of my life in my own imagination. It is a silly Willy Wonka world of images, songs, music, and dreams. It can all blow away in a moment when the sun comes out. It can also keep me in a light-obscuring cloud wrapped and safe, well away from the things I fear and the things that worry me. I came to realize I was repressing the memory of being sexually assaulted when I was ten through a dream when I was nineteen, re-living the event in a dream from which I awoke with a blinding flash of realization. I came to grips with the horror that mangled my childhood and young adulthood first by facing the fact that the nightmare had been real, and then by finding ways to overcome it. I became a teacher of young people in large part as a way to protect them and prevent such a thing from ever happening again to someone else.
I use my fictional stories about the girl Valerie Clarke to examine my relationships with my own daughter and a couple of old girlfriends from my youth.
I often worry that I don’t see real people as being real people. I tend to think of them from the first meeting onward as potential book characters, walking collections of details and quirks, conflicts and motivations. But I recognize too that that way of seeing with the author’s eye is not incorrect. People really are those things. There are rules and generalizations that everyone falls under at some point. It is not so much that I see real people as book characters as it is that I realize that book characters are as real as any other purportedly “real” people.
I am myself both the subject of my cartooning and fictionarooning, and the cartoon character of myself as well.
Mickey is not a real person. He is a cartoonist persona, a mask, a fake identity, and the lie I tell myself about who I actually am.
In this essay, I have attempted to explain to you who I think I am spending time with when I am alone in a room with myself. He is not such a terrible person to spend time with, this Mickey. Or else he really is truly awful, and I am lying about me and who I think I am when I am alone with me and have no other options. But probably not. I have been getting to know me for about 562 years, only exaggerating by 500, and I am not finished yet.
Yesterday I had the most views in a single day for Catch a Falling Star that I have ever had. 126 different people looked at things 329 times on my blog. And that seems to be solely because of my Valentine’s Day post from a year ago in which I wrote about all the goofy, funny, and unintentionally inappropriate Valentines I remembered from my childhood in the 1960s. It didn’t get that kind of interest last year when I originally posted it. But this year, goofy and weird is apparently in vogue again.
So, that’s basically good news for me. I am a vast repository of goofy and weird.
If you don’t believe me, you could buy one of my books and prove it to yourself. In fact, if you are a member of Amazon Prime, you can get a Kindle version of a Mickey novel for free.
Sometimes a Mickey needs to take stock of where he is, where he is going, and what is going on in the world around him. I think this Mickey needs to make a list of bullet points and hope like hell that nobody gets shot.
Mickey is old. At 61-and-a-half he has six incurable diseases and has been a cancer survivor since 1983. In modern America, he can no longer afford medicines like insulin that may be necessary to stay alive. After paying out thousands of dollars in hospital bills and doctor bills, he’s gone bankrupt and probably will not go to the doctor the next time he needs to. So Mickey is probably right in considering himself temporary at best.
The diseases referred to are diabetes, arthritis, COPD, psoriasis, hypertension, and BPH. No laughing matter, Mickey knows, but not really a crying matter either. If the economy and the system of government don’t allow you to get real, necessary health care, well… laughter is the best medicine, isn’t it? And eating right, as much as you can afford to do it, counts for something.
Mickey’s car is in the shop. The goofer who rammed into the driver’s side door in the rain is definitely at fault in the accident. His insurance, however, holds Mickey 85% responsible because he didn’t have his lights on (although I am pretty sure he did) even though it was almost noon and headlights weren’t strictly necessary in what was merely a light rain.
The doors on Mickey’s car won’t open until both of them and the column between them, are both replaced. So, Mickey is stuck borrowing his nephew’s red car which has a dying battery, mysterious rumbling engine indigestion, and a cracked windshield.
Mickey has six good novels published; Catch a Falling Star, Stardusters and Space Lizards, Superchicken, Snow Babies, Magical Miss Morgan, and The Bicycle-Wheel Genius.
Mickey also has two completed manuscripts awaiting revision, editing, and publication; Recipes for Gingerbread Children and The Baby Werewolf.
And Mickey has reached 100 pages and 34,000 words on his current manuscript; Sing Sad Songs.
It should be obvious, then, that Mickey intends to write fictions furiously until he drops dead. Mickey hopes that you don’t hope that he will drop dead sooner rather than later. He promises that his fictions aren’t that bad.
Mickey has decided not to waste any more time making fun of the current criminal in the White House. That problem really seems to be coming to an end on its own.
It is probably also obvious that Mickey has been transforming his Paffoonies from grayish photographishes into clear and bright scannishes… er… scans.
And when Mickey writes Mickey Notes, he always intends to write something different than it turns out he has really written as he gets closer to 500 words and the end of the essay.
Oh, well, Mickey knows how it goes, I suppose, and so he is now done writing Mickey Notes… for today.
This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway throughFirestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.
Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.
If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.
Seriously, why would a writer publish personal thoughts and allude to personal tragedies? Especially when they are about things that once upon a time nearly killed him? (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should assume he is telling a lie and knows it.)
The answer is simply, writers write stuff. They have to. If they didn’t, they wouldn’t be writers.
It is really not something to do to earn fame and fortune. Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.
You write to get your head right about bad things that happen in life. You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system. Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfieldcharacter Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it. He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager. Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist). I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.
You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper. It isn’t necessarily real truth. Lots of idiots write things and post them in newspapers, blogs, and even books. And it is often true that their inner personal truth is complete hogwash. (But, hey, at least the hogs are cleaner that way.) Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.
And you truly do have to write. If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head. I do have structures in my head. My mind is organized in boxes that contain specifically sorted ideas and stories and notions. It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners. (That is how I picture Donald Trump’s mind. It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)
And so, I have done it again. I have set down my 500+ words for today and made a complete fool of myself. And why do I do it? Because Mickey is a writer, and so, Mickey writes stuff.
It is true that I am now only a month away from being 61. But this reflection is based on what happened to me while undergoing the year past. My fictional character, Valerie Clarke, took the selfie above of the two of us. She doesn’t have her own smartphone, after all, she’s a fictional character, so she used mine. It shows in the picture what she looked like at eleven and what I looked like at sixty years and eleven months, in other words, this morning.
So, what exactly does the picture reveal about us?
Well, for her, it is fairly obvious that she’s only an imaginary person. She was eleven in 1984, the year of the fictional snowstorm in Snow Babies. She’s a bright and vibrant young girl with hopes and dreams ahead of her. She’s also known tragedy, especially after her father’s suicide. But the fact that she’s fictional and based on more than one real person from my past does a lot to explain why this reflection is not about her.
For me, however, you get a look at a grumpy old man with a straw farmer’s hat, an author’s beard, and silvery Gandalf hair. More of my drawings are glimpsable on the wall behind me. I look like the kind of seedy old curmudgeon who yells at neighbor kids who walk on his lawn.
But I’m really not what I look like.
I am a writer. So I am full of experiences, ideas, and feelings. And I am also full of people. Valerie is only one of those. I create fictional people from the people I knew or knew about in my little Iowa town, Rowan, where I grew up. Kids that went to school with me. Their parents. Shopkeepers and business people and creepy old people that I sometimes encountered. Hot tempered people. Wise people. And stupid people who were often laughed at for good reason.
I can also draw on (and draw pictures of) all the people I knew as an educator. More than two thousand kids who passed through my classes in four different schools, some of whom I knew as well as I knew my own children, were available to pull details from to mix and match and make fictional characters from. Fellow teachers, some gifted with a natural way with students, some hopelessly lost in the wrong profession with the wrong sort of personality were also available to make characters from. Fools and idealists. Bullies and shrinking violets. Heroes that possible readers could look up to and love.
I am the kaleidoscope, the thing that you can look through to see the world and have it refracted and patterned to make it beautiful, even in its ugliness.
But all of this reflection is only that, the view in the mirror, the outward look of the man who is me. Mickey at sixty is many things, not all of them pretty, not all of them wise. But some of them are. And some even better than I think they are.
Being retired for health reasons and unable to work, I would be dead already without my writing and art endeavors to fill my time and keep me sane. I can do some work, as proven by my attempts to patch and repair the swimming pool this summer. But my limitations drive me crazy, as proven by the fact that I did about half of the work on the pool wearing only sunscreen and a hat. My kids are not married yet, and two of them are still in high school, but they are not much interested in toys any more. And I don’t yet have grandkids to spoil. So when I go the Resale Store or Goodwill to shop for old toys, I am basically buying them for myself.
The Princess of the Korean Court Barbie was lying on the bargain shelf for $3.49. I bought the ceramic wishing well behind her for $5.00. So the bargain-hunting gene I inherited from Scotch ancestors was duly satisfied. But I had to do more with things like these than merely own them. Toys are for playing. And what does a 60-year-old man do with dolls when he is playing? Besides being a bit creepy, I mean? Well, this photo is the answer. I use my toys to create pictures and artwork.
Here’s a creation using the ceramic wishing well again. It is apparently, on closer inspection, actually a candle holder. But it serves to make my Walmart Clearance Sale Disney toys happy. Here you see the pony-brushing party held by Minnie Mouse with Daisy Duck and the gay snowman from Frozen.
Here you see the metal miniatures I got in a pack from Walmart as they visit the cardboard castle. Two of the lead figures on the ground are hand painted by me in days long ago. The entire cardboard castle was printed and glued on cardboard, cut out and put together entirely by me. Mickey, Minnie, Alice, Stitch, and Kermit are the metal miniatures not painted by me.
So, my days have not been overwhelmed by boredom and frustration and problems with city pool inspectors (he doesn’t even know about doing the repair work in the nude, so he can’t give me a ticket for that.) I have been filling my time with toys and creative play. I have been mostly a good boy… err… old man.
What Stupid People Think About
Let me begin by reminding you that the only head I have to explore as an example of what I am talking about in this essay is my own stupid head.
So, this is not an insult post. This is self-deprecating humor. And therefore, the contents of your own stupid head are completely safe.
Now, there is considerable evidence in the books already that Mickey is not, and has not been, particularly stupid for a large portion of his time on earth. He got college scholarships based on his ACT and SAT scores to get his undergraduate degree for free (in the 1970’s when it was significantly cheaper than now). And he has been both a teacher in a gifted program and the middle-school coordinator of that same gifted program. So, Mickey has effectively fooled everybody into thinking he is not stupid. But consider for a moment where the laughs come from when watching Stephen Urkel on TV, or the four nerds from Big Bang Theory. Smart people do stupid things and are very awkward at times, proving that, no matter how smart they are, smart people are capable of being quite stupid.
What, then, is the stupid thinking in Mickey’s stupid head?
Well, there are a number of things. Mickey is, as you may know if you read any of his nudity blogs, obsessed with nakedness. He was assaulted as a child in a way that caused him to be afraid of nudity and slow-developing in sexuality. As he grew older, he had to compensate for this lack of natural development. So, he has reached an age where his brain stupidly rejects guard-rails when talking about nudity and sex. He has convinced himself that he wants to be a nudist, and writes about nudity constantly, as evidenced by this very paragraph. When Mark Twain was in his seventies, he did leave the house without remembering to wear clothes more than once. The neighbors did not compliment him for doing that. That and worse is probably in Mickey’s near future.
And sex, as a subject sloshing around in a brain awash with hormones and other nightmare chemical imbalances, leads to a rash of stupid decisions. Of course, Mickey is old and has had chronic prostatitis long enough to eliminate the possibility of making a stupid decision about infidelity since those body parts don’t actually work anymore, but it leads to buying numerous things sold by marketers using sex as a way to sell things. Cabinets full of hair gel and cologne and Herbalife products that can never be used up is the result. And the wife is frustrated with the foods Mickey is constantly addicted to. “Why so much chips and salsa, Mickey?” Chips and salsa? Hubba hubba!
And Mickey’s old brain, full of a vast quantity of useless trivia-type knowledge, random wisdom floating around in a disconnected fashion, and prejudices formed by a bizarre obsession with things like nudism, Disney movies, comic books, model trains, and doll-collecting, becomes strangely creative. He begins to believe weird things.
For example, he thinks rabbits, if they were suddenly transformed into people, would make better people than people ever do. They are mostly quiet most of the time. They eat an all-vegetable, healthy diet. And they don’t vote Republican.
He obsessively also thinks about how his mind is working and how thinking about thinking is likely to improve thinking. He even realizes that the map of his head, provided above, doesn’t accurately reflect the many branching corridors and dead-end hallways of his actually-complicated-yet-stupid mind. He thinks that thinking too much about thinking makes you stupid.
And finally, Mickey is left with a sense of wonder about how it is entirely possible that everybody is stupid at least part of the time. And he wonders what possible things that you, dear reader, are thinking about that you consider at least somewhat stupid? You are welcome to tell him in the comments. But remember, this post is about stupid thoughts in Mickey’s head. You are perfectly free not to worry about your own stupidity.
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Filed under artwork, autobiography, commentary, feeling sorry for myself, foolishness, goofy thoughts, humor, Mickey, Paffooney, satire, strange and wonderful ideas about life
Tagged as Metacognition