I was born in Mason City, Iowa (the original River City of Meredith Wilson’s Broadway musical, The Music Man). But my parents didn’t hold with no big-city Ioway sort of life, so we eventually moved to my mother’s hometown, Rowan, Iowa. It was roughly about 275 people (if you count the squirrels… which a lot of the townsfolk were… qualified squirrels). My two maternal uncles and my grandparents were busy maintaining the family farm there, and though I lived in town because Dad was an accountant for a seed corn company instead of the farmer he grew up as… I got more than my fair share of farming-type opportunities. You know the stuff… shoveling pig poo… cow poo too… I got to help feed the chickens (and get chased by roosters, and get pecked by hens when we checked their nests for eggs, and watch the rooster rodeos as revenge for all the chasings… because roosters don’t lay eggs and the only thing they are really good for in an egg farming setting is lopping their heads off, and watching them flop around like rodeo bulls with no heads for fifteen minutes until they finally figured out they were dead, then plucking ’em and watching Grandma Aldrich cook ’em). I got to drive a tractor, although they didn’t trust me to do more than the simplest of tractor-driving jobs like pulling the hay rake. I got to shovel chicken poo out of the hen house and out of the brooder house. (Notice how a lot of the world of the lowly farm boy centers somehow on poo?) It was a rustic rural life reminiscent of Norman Rockwell… although he depicted mostly town life and not as much of the fields and animal pens (and poo) that are central to Iowegian farm culture.
Growing up a farm boy has a few advantages to go along with the many drawbacks. First off, you learn young where babies come from. Piglets and calves and puppies and kittens are not born in secret. And it doesn’t take much spying out on farm life to learn how those baby animals are made either. There is ample opportunity to learn what you are not supposed to learn at a young age from farm girls too… but we were gentlemen… and extremely embarrassed by the fact that baby people are made in the same grisly, awful way that baby animals are out in the barn.
You also learn to be somewhat self-sufficient. I learned how to tend a garden. I learned how to fix a flat. I learned how to repair a roof and build a rabbit pen. Hammer, pliers, screwdriver, saw… I learned to use them all and make stuff. Crude stuff, sure… smashed-finger-with-hammer-stuff too. I made a bookshelf in shop class that had a bit of Michael blood built into it. But I learned things that boys should know, and really don’t anymore.
So, I guess I am claiming that because I am an Iowa boy… a farm boy… and despite my many shortcomings and short-changings, my life has been good and worthwhile… being a farm boy is good. And one of the greatest shames of the modern world is this… There just aren’t many farm boys anymore.
Catch a Falling Star 
The Real Magic in that Old Home Town
Rowan, Iowa… Not the place I was born, but the place where I got to be a stupid kid, and have the lessons of the good and god-fearing life hammered into my head hard enough to make a dent and make it stay with me for more than half a century. I got to go to grade school there. I learned to read there, especially in Miss Mennenga’s third and fourth grade class. Especially in that old copy of Treasure Island with the N.C, Wyeth illustrations in it, the one Grandma Aldrich kept in the upstairs closet in their farm house. I got to see my first naked girl there. I learned a lot of things about sex from my friends there, and none of them were true. I played 4-H softball there, and made a game-saving catch in center field… in the same game where my cousin Bob hit the game-winning home run. But those were things kids did everywhere. It didn’t make me special. There was no real magic in it.
Being a farm-kid’s kid taught me the importance of doing your chores, every day and on time. If you didn’t do them, animals could get sick, animals could die, crops could be spoiled, the chickens could get angry and petulant and peck your hands when you tried to get the eggs. Cows could get grumpy and kick the milk bucket. Cats could vow revenge if you didn’t direct a spray or two at their little faces as they lined up to watch you milk the cows. And you never knew for sure what a vengeful cat might do to you later, as cats were evil. They might jump on the keyboard during your piano recital. They might knock the turkey stuffing bowl off the top of the dryer when Mom and Grandma and several aunts were cooking Thanksgiving Dinner. And I know old black Midnight did that on purpose because he got to snatch some off the floor before it could be reached by angry aunts with brooms and dustpans. And all of it was your fault if it all led back to not doing your chores, and not doing them exactly right.
But, even though we learned responsibility and work ethic from our chores, that was not the real home-town magic either. I wasn’t technically a real farm kid. Sure, I picked up the eggs in the chicken house at Grandpa and Grandma Aldrich’s farm more than once. And I did, in fact, help with milking machines and even milking cows by hand and squirting cats in the faces at Uncle Donny’s farm. I walked beans, going up and down the rows to pull and chop weeds out of the bean fields at Uncle Larry’s farm. I drove a tractor at Great Uncle Alvin’s farm. But I didn’t have to do any of those things every single day. My mother and my father both grew up on farms. But we lived in town. So, my work ethic was probably worth only a quarter of what the work ethic of any of my friends in school was truly worth. I was a bum kid by comparison. Gary G. and Kevin K, both real farm kids and older than me, explained this to me one day behind the gymnasium with specific examples and fists.
Being a farm kid helped to forge my character. But that was really all about working hard, and nothing really to do with magic.
I truly believe the real magic to be found in Rowan, Iowa, my home town, was the fact that it was boring. It was a sleepy little town, that never had any real event… well, except maybe for a couple of monster blizzards in the 60’s and 70’s, and the Bicentennial parade and tractor pull on Main Street in 1976, and a couple of costume contests in the 1960’s held in the Fire Station where I had really worked hard on the costumes, a scarecrow one year, and an ogre the next, where I almost won a prize. But nothing that changed history or made Rowan the center of everything.
And therein lies the magic. I had to look at everything closely to find the things and strategies that would take me to the great things and places where I wanted to end up. I learned to wish upon a star from Disney movies. I learned about beauty of body and soul from the girls that I grew up with, most of them related. And I invented fantastical stories with the vivid imagination I discovered lurking in my own stupid head. I embarrassed Alicia Stewart by telling everyone that I could prove she was a Martian princess, kidnapped and brought to Earth by space pirates that only I knew how to defeat. And I learned to say funny things and make people laugh… but in ways that didn’t get me sent to the principal’s office in school. Yes, it was the magic of my own imagination. And boring Iowa farm towns made more people with magic in them than just me. John Wayne was one. Johnny Carson was one also. And have you heard of Elijah Wood? Or the painter Grant Wood? Or the actress Cloris Leachman?
Yep. We were such stuff as dreams were made on in small towns in Iowa. And that is real magic.
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