“Lately Mickey hasn’t been doing much of any writing on his work in progress. I, a professional Professor of knowing practically everything and knowing most of it wrongly, am here to give the hopeless goofy guy some much needed advice. Of course, I shall offer that advice incognatively… err, incontranatively… err… anonymously because Disney enjoys suing schoolteachers and other criminals who misuse their intellectual property.”
“But I can’t help myself when it comes to giving opinions on stuff that ain’t really my business but fascistinates… err, fusstinates… err… highly interests me. So, here goes.”
“Write about something Over the Rainbow. I mean your imagination is really garganteelian… err… gigantickingly… err… really pretty big. You can make up something being about made-up worlds, witches who fly around in soap bubbles and other such nonsensical things. Maybe talking scarecrows and heartless metal guys and really big kitty cats… make a story with something beautiful and imaginative, though maybe not as beautiful as that Judy Garland chick… she was really georgeous… err… magnifical… err… really hot-looking! But she is so old she is dead now. So, you can’t put her in the film version of what you write.”
“Or you could write something extra creepy. Something totally like the Addams Family. You’ve got a talent for writing stuff that seems extra morbeedious… err… mackahbreebrious… err… extra spooky. You can turn peoples’ stomachs inside out and make them feel all gooey in their courageousness because of weird evilness and dark happenstances… err… murderiferous scenarios… err scary stuff. It helps that you can be funny here and there when you scare us. You can be totally spooky-ooky in your stories and sometimes you make us sharpen wooden stakes and make necklaces of garlic. Do an Uncle Fester shtick. Of course, Jackie Coogan is so old he is dead now, so you can’t use him in your film version.”
“Or there is always the absolutely romantical… like a story about a three hour cruise where funny guys get shipwrecked on a desserted island with girls that wear bikinis where you don’t see the cutie’s belly button. And “desserted” is the right word because the dessert is actually coconut-cream pie. But you are good at writing about faskinating… err… interesstrial… err… attention-requiring young women and really dorky guys and how they can fit together like puzzle pieces that you don’t even have to use scissors to make them fit together. Romantical comedy is a thing you can do too. So, we don’t even need to talk about Dawn Wells who played Mary Ann. You couldn’t cast her in the movie version because you’re still sad about Covid having taken her away in 2020.”
“But anyway, you got no excuses now, Mickey! You know you can write It’s just getting anybody to read the danged thing you can’t do. So, write something!!!”
I have been working on compiling good essays from this blog into book form. It is becoming a sort of obsession. The problem is, I am likely running out of time. My health is getting worse in the middle of a pandemic that is killing thousands of people just like me. I have been having problems with passing out during the midmornings repeatedly for several days in a row. I fear I may be headed towards heart failure or a stroke. And if it comes down to an ambulance ride, I can’t afford it, and I will not economically survive it. And all the intensive care units around here in North Texas are swamped with COVID patients. It is important for me to finish and publish this book of essays. It is part of me as a writer that I simply must leave behind.
“Why are essays important?” you may ask. And here’s where I would normally insert a joke answer. I try hard not to take myself too seriously. It is the only way I can deal with what has been a very serious life. And at the point in my essay book where I will insert this essay, I will not need to review what those things are that are so serious. (Being a teacher and shaping young minds. Being a sexual assault survivor. Helping teenagers to live through suicidal depressions. I know, I know, I should’ve resisted the urge to list them.)
But I have spent a lifetime teaching kids to write four-and-five-paragraph essays. And I am also a serious reader of essays. I have read and thoroughly studied Loren Eiseley’s The Invisible Pyramid, Henry David Thoreau’s Walden, Collected Essays by H.L. Mencken, selected essays by James Thurber, Life as I Find It: A Treasury of Mark Twain, Charles Lamb’s Essays of Elia, and parts of John Ruskin’s The Stones of Venice. I also thoroughly loved and used as a teacher All I Really Need to Know I Learned in Kindergarten by Robert Fulghum. So, I do not claim without reason that I do know something about how to write an essay. (Although you are welcome to disagree based on numerous bits of evidence in this goofy blog,)
At this point I am obligated to define for you what I believe an essay should be and what its potential uses are. An essay, simply put, is a pile of a fool’s best thinking put down on paper in prose rather than being distilled down into lines of poetry or embroidered and expanded with lies to make it into fiction. At its best it can open reader’s mental eyes and change societies, if not the entire world. At its worst it can incite violence, stir hatreds, and generally muck everything up. My essays land somewhere between, in the realm of mildly-amusing purple paisley prose that can really waste your time.
An essay, because it is based on truthful observations, can rip away the costumes and masks that authors put on to write fiction and make that educated fool of an author metaphorically naked in front of the reader. After blogging like this since 2013, I admit to having no real secrets left that I have not at least mentioned in my blog somewhere. I am less naked when being a sometime-nudist than I am in the sentences and paragraphs of these essays.
Now that I have thoroughly convinced you that you made a big mistake by reading this far through my essay compilation, I will reveal the fact that I have put this essay somewhere closer to the end of the book rather than near the beginning. Like all essayists, I am a fool (hopefully in the Shakespearean wise-fool sense), but I am not stupid. So I won’t laugh at you for falling for my tricks, but I can’t promise not to be at least a little bit amused. But time is short. So, on to the next essay!
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