(This old post from 2016 comes from a time when I owned a laptop with keys that would stick in place, especially with the zoom keys and delete key. It took me months to learn how to correct the problem.)
My computer is wearing out. It blew up the WordPress posting sight on my screen to where the letters in the title are once again an inch tall. The chances that it will suddenly wipe out everything I have typed and save a blank post over the whole thing almost instantly is making me tired. To combat the problem, I must constantly keep a backup copy on Microsoft Word, which may also grow or shrink for no apparent reason. It gets frustrating, and I am old, ill, and quite tired. But I am also only a month away from two entire years of posting every single day, a feat I am not ready to fail at this close to the end. So let me show something from my cartoon collections stolen from the internet at large.
From the Lola Bunny file;
From Movie Art;
From Hanna-Barbera Toons;
And these are all things I could’ve written a 500-word post about with unique and possibly yawn-inducing Mickian insights, but today I would rather not. Today I take the “picture is worth a thousand words” thing and give you 17,000 thousand words worth of not having to listen to me.
Catch a Falling Star 
Why We Doo
I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.
Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)
One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.
And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.
Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.
There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.
And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.
And that is why we do the Doo!
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Filed under autobiography, cartoon review, cartoons, commentary, humor, monsters, Uncategorized
Tagged as books, hanna-barbera, horror, movies, Netflix, review, reviews, Scooby Doo, writing