Tag Archives: books

Mickey’s Commencement Speech

Before you go into panic mode, let me clearly state: No college or high school was actually foolish enough to invite Mickey to give the commencement address to its graduates. So, don’t worry about a generation of our youth actually taking to heart the advice Mickey is about to give and ruining our world for the next twenty years. This is just the insane drivel that Mickey would say if some superintendent, principal, or college dean were actually stupid enough to ask.

This is not Mickey. It is either George Applebee, or it is Red Skelton pretending to be George, depending on how literal or gullible your brain is.

The most impressive commencement speech I remember from my life in education was given in 1974 by my favorite high school English teacher, Mr. Sorum. He was a gifted speaker and told a mean joke whenever a joke was needed to make the point.

He talked for forty-five minutes about “Taking the next bite of the hot dog.”

Of course, he was talking about a metaphor where the hot dog was a life of being a good citizen and living in service to the greater good. High school graduation, in this speech, was the first bite of the hot dog. Some of us were listening to what Mr. Sorum was actually saying. My second bite of the hot dog was to get an English degree from Iowa State University. My third bite was a teaching degree from the University of Iowa. The fourth was choosing a life of service by being a public school English teacher. So, I followed his advice.

Most of my class, though, took that speech to mean life was all about eating hot dogs. Was I wrong? Do I need to rethink my life?

This is not Mickey either. This is Boris Karloff in makeup having a cigarette, or possibly being Frankenstein’s monster.

If I am going to give advice to today’s graduates, the advice I would have to give is, “For God’s sakes, don’t choose to be a public school teacher! Do you have any idea how hard that job is for how little reward (practically none of it in money?)”

So, what advice do I have for actually doing something with your life that helps with the common good?

The most important one; “After you go to the bathroom, flush! Gol dangit! And afterwards, wash your danged hands!

You wouldn’t believe what kind of bacteriological nightmares are being placed in your hand daily if you have a job where you are supposed to regularly shake hands.

This is Mickey. Or possibly a two-eyed cyclops giving the world the ultimate stink-eye.

Another key recommendation;; “Stop being so gosh-darned ugly!”

Of course, you know that this is not a matter of whether you have a pretty face or you scare rats in dark rooms. This is a matter of behavior. A matter of how many people you hate and treat with scorn and injustice, as well as who you routinely hate, and why you hate them. Hating anyone for any reason is not good for their health and is even worse for yours.

And a final thought about how to improve the world; “Figure out what and who you love in this world. Everyone needs to have something and someone to love and work at sharing your life energy with.” People need other people and they need a purpose, even if they have to forge that purpose out of cardboard, imagination, and thin air.

If, by chance, you can already handle all of these things that idiot Mickey is lecturing you about, especially if these things come naturally to you, then totally ignore that first dumb thing Mickey said. Think seriously about becoming a teacher. What you have we desperately need more of. And with your expertise passed on to others, we might just be able to make more of it.

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Life as a Humor Blog

Writing, as I have repeatedly said in this blog, is necessary for life to me. I would not still exist today if I couldn’t put words to paper (I mean metaphorically, of course, since I wrote this on my malfunctioning laptop.)

But I don’t mean in any way to imply that it is any kind of “normal human life” to be a blogger. It is, in fact, a rather bizarre and chaotic life where you have to juggle a multitude of wacky, crazy, depressing, unruly, and downright ugly things that happen at random to any and every human being (I was going to say, “living human being.” But the fact is, it happens like that for the dead ones too.) As a blogger, you are trying to take all that chaotic nonsense and organize it into words and paragraphs that makes it all into a reasonably sensible thematic something that people are tempted to actually read. (“Tempted” here probably means lured in to find out what this mass of typing is really all about by the naked fairy-girl that is in the lead illustration.) (You would be surprised at how often my penchant for drawing nudes draws in people looking for porn and gets them to stay and read the story that goes with the picture.)

Technically this is a book blog. It was established for me as an author’s blog by I-Universe Publishing for my traditionally-published novel Catch a Falling Star, which is what this blog is named for. It is supposed to be an effective marketing tool for selling books and getting people interested in finding out more about my books, and about me, and especially about clicking on the ads that appear in this blog-space.

But I am apparently terrible at using it for what it was meant for. There is absolutely no correlation between this book blog and book sales. Through I-Universe I have made about $16,00 (really, sixteen dollars! since 2013, and they haven’t even sent that money to me yet, because the threshold for sending a check in the mail is $25,00,) They have made a lot more money off of selling me marketing services than they ever have off of my award-winning book (Really, again, the Editor’s Choice Award and the Rising Star Award, both together worth precisely diddly-squoot.) My blog itself costs me $98.00 a year, and I have only made back $10.00 on ads revenue. So, being an author is only going to make me a millionaire very, very, very slowly.

But what I do get from this blog is a couple of critical things.

It is a place where my artwork and story-telling skills can see the light of day outside of a middle-school classroom. I learned to fascinate people with my cartoons on a chalkboard and stories that begin with things like, “One time the former President of the United States, John Quincy Adams, was skinny-dipping in the Potomac River while…” (Yes, that one could’ve gotten me fired if kids had told their grandmothers what they were learning in Mr. Beyer’s class when they got home from school, but they laughed so hard that they forgot everything they learned in class.) (Unfortunately, they mostly forgot Math Class and Science Class as well.)

And I get some feedback about how well or how poorly my writing comes across to the reader. (I can get a “LOL” in the comments, or a good “What the hell was that supposed to be about?”) It gives me an idea about what to keep and what to change when I do it all again the next day.

People are actually reading this blog, and my books as well. Yesterday I got 204 views and 21 likes on WordPress and there was only one naked girl in the pictures I used with the blog post. Just today I got a very insightful five-star review on my book Sing Sad Songs. So, I am getting read and being successful as a writer. ($3.75 in royalties from Amazon was paid to me on Friday. So, I could almost claim to be a professional… if I cut down on expenditures quite a bit.)

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True Treasures Take Time

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I now have six good books and one embarrassing one published.  They represent stories I have been crafting, revising, telling, and retelling for over 40 years.  They represent things that happened to me in real life and people I have known and loved in real life that have all been transformed in the wizard’s crucible and witch’s cauldrons of my bizarre imagination.  They contain some of my best magic spells and some of my most worthwhile wordsmithing, by which I mean writing in ways that give the spellchecker fits.

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I tried to tell you this story about telling stories yesterday, but my computer glitched and burped and spontaneously deleted more than half of what I wrote just as I was finishing it to publish it.  So the complex part I had planned to  explain this Paffooney was lost and the resulting tantrum I threw kept me from remembering and rewriting.

But it was fortunate that I delayed the repair of this post until today.  Because last night my daughter finished her end-of-the-year art project for school, and the snafu-demons have inadvertently given me the opportunity to include it here.

It is a soft sculpture dragon made of felt and hand-sewn.  She didn’t tell me what his name is, or even that it is a him, but one can imagine that it must be something like Rumple-Tum Sneezer,  or something equally awkwardly foolish like that.  One can imagine it because one has a slightly off-kilter and Disney-demented imagination.  But the whole project took a boatload of time, and you can see she crafted it with great care and skill.

Treasure takes time to create.  We who attempt to create it in the red-hot forges of our stupid little creative heads put all the skill we have acquired over time into it.  And the endeavor renders something of value almost every time.  Time… time… time… Treasure takes time.  And now I need to hurry and publish this before the computer tries to fart it all away again.

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Cutting Losses

Sometimes going forward will set you too far back.  Sometimes the only direction you can take is down and out.  I am not at that point yet.  But it is now on the horizon.

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Am I sounding suicidal?  I hope not.  I was glooming about publishing and books that I am trying to make live.  I have paid Page Publishing practically all the payments I stupidly agreed to, and yet, I am stuck in an endless loop of editing where they ignore my emails and appear to be proceeding without me.  The clueless case manager sends me an email saying, “Go ahead, take all the time you need to edit” after I have already emailed them the final instructions and requested the process continue to the next step.  I re-sent that email and asked them if they have gotten my last email.  No responses, though.  What the hell am I paying them money for?  I’m editing the book myself.  Their proof-reader makes changes that I have to change back to the original, and then they don’t even want to take the next step?

I admit that my illustrations for this rant are only pictures saved for other posts that never got used before.  Like this cool Kingdom Hearts one;

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But I am not ready to kill the project yet and hire a lawyer to sue the publisher to get my money back.  I want to see this book, Magical Miss Morgan, live.

And I need to see Snow Babies live too.

But from here on we go with the cheapest possible options.  Free if possible.

Here is another Wizard Donald to look at while I continue to stew about publishing problems;

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I have always tried to make the best of what I already have.  I have always lived by the idea that other people are all my equals, even the really stupid ones, and I have nothing that I am not obliged to share.

I have little left besides wit and wisdom.  And I have tried hard to share that here.  But I sometimes feel like I am alone and pointless.

But the captain always goes down with his ship.  And if my ship is sinking, then at least I will soon know if there are mermaids down there willing to teach me to breathe underwater, or possibly not.

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How to Be a Wizard

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On Cartoon Network’s Looney Tunes show, Daffy Duck has decided he wants to be a wizard.  He even had business cards printed to be one. 

Being a wizard is almost as easy as that.  But becoming one is not what Daffy thinks it is.

wizard (n.) early 15th century., “philosopher, sage,” from Middle English wys “wise” (see wise (adj.)) + -ard. Compare Lithuanian zynyste “magic,” zynys “sorcerer,” zyne “witch,” all from zinoti “to know.” The ground sense is perhaps “to know the future.” The meaning “one with magical power, one proficient in the occult sciences” did not emerge distinctly until c. 1550, the distinction between philosophy and magic being blurred in the Middle Ages. As a slang word meaning “excellent” it is recorded from 1922.  http://www.etymonline.com

The word comes from wisdom.  Being one requires wisdom.  Being one requires you to look to the future and use your hard-won experience to predict how the future will unfold, and what you can do about it to benefit yourself and others.  You know, “magic”.

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But to become a wise-one, a wizard, requires hard experience.  It is possible that Daffy has acquired some over time.  He’s certainly been subjected to all sorts of slapstick cartoon injuries and insults over time.

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Remember this one?  Daffy swallows dynamite, drinks gasoline, this bottle of nitroglycerin, and then throws a match down his throat.  The results are spectacular, but Daffy has to admit that he can only do the act once.

So maybe he hasn’t become a wizard yet.  To be a wizard, you have to learn from your hard experience.  You have to gain knowledge in order to work spells and do magic.

For instance, my struggles to breathe from COPD have taught me to use magic potions like ginger tea and French onion soup to open my air passages wider and make breathing easier.   When the siding on the back of the house deteriorated to the point that the city wouldn’t tolerate it any more, and I couldn’t afford to pay a contractor to fix it, I googled spells for siding repair on the internet, using articles and YouTube videos to magically fix the damage myself.  I also consulted other wizards at Lowe’s and Home Depot, where they are happy to give you advice if you buy supplies from them.

Unlike Daffy, I think I do qualify as a wizard.  I have six incurable diseases and am a cancer survivor.  I taught in a public school for 31 years.  I taught middle school children.  I lived through the years of the Kennedy assassination, landing men on the moon, the Civil Rights Movement, Ronald Reagan’s trickle-down economics, and 9-11.  I lived through the Cubs winning a World Series.  And all those events and hard experiences have given me more wisdom than, perhaps, any sane person would want.  Of course, I’m not sure in all my years I have ever actually met a totally sane person.

Mike the Wizard

You may notice that I had to get a new magic hat.  My old black Walt Whitman hat flew out the window on Interstate 35 the other day.  This one is a fedora made of woven straw, a grandpa hat. Who knows?  I am not a grandpa yet technically, but maybe one day before I curl up my toes and go for a long dirt nap… and grandpas count as wizards too, don’t they?

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The Green World

It has been shown in a new study that there are actually more green leaves out there now as a result of industrial emissions of CO2.  The world is becoming greener.  This is not just Mickey telling stories.  You can find a corroborating article from the BBC Here!  So my war to keep my wife’s love of flowering plants from eating our house is not all in my head… mostly, but not ALL.

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This rake-eating wisteria had climbed, entwined, and imprisoned one of our rakes. I rescued it from being eaten when the other rake broke during my endless battles with live oak leaves.

Texas weather in the month of May has been almost exclusively water from the sky.  It has rained more days than it has been sunny.   In fact, rainy days have been more than half the days in May.  This is a distinct change from the year-after-year drought pattern that we experienced every year we have lived in North Texas up until two years ago.

The ground under our house after shriveling up with drought for eight years is now swelling and moving with the flow of mud and clay.  That means the pool is cracked and unusable.  The foundation is also cracked and shifting.  If the plants don’t eat the house, the wet ground and the fracking earthquakes are going to knock it down.

The greening of our world is not entirely a good thing.  It is true that plants turn the carbon dioxide into breathable air.  And flowers are wonderful, even though the pollen they produce often makes my COPD chest pains ache and makes it harder to draw breath.  But it is also evidence that the whole pollute-for-profit thing that industrialists do without conscience, is destroying our world and making it possible for the planet to pull down our structures and buildings with storms and erosion and earthquakes and general entropy.

Being an Iowa farm boy, I am in favor or the world being green.  Even though, as Kermit always sings to us, it ain’t easy being green, if we can do it properly, being green will make our lives better.  But we need to do it intentionally.  We should not simply rely on the good graces of industrialists who make higher profits from not having regulations about how much green-house gas they can pump into the atmosphere per hour.  Let’s see if we can make green a good thing.

 

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Why We Doo

I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.

Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)

One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.

And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.

Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.

There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.

And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.

Give us your creepiest or goofiest smile, guys!

And that is why we do the Doo!

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Aeroquest Art So Far

These are the pieces of art and illustrations that are going into the re-writing project of my novel Aeroquest.

I decided to totally rework the novel and illustrate it more fully because it was always supposed to be a science-fiction satire and parody that was more cartoonish than literary.

It is a story about a teacher conquering a space empire. It arose from a science-fiction role-playing game that filled my days in the 1980’s and early 90’s.

It parodies Star Wars, Star Trek, Flash Gordon, Buck Rodgers, Dune, and much more besides. And it includes many of my own wacky inventions about what the future might hold in store.

Here is the original teacher in space and some of his first class of students.

Many of the main characters are based on the actual role-playing characters made up by the boys and young men who played the game with me. Many had to be re-named, however, because, like Tron Blastarr above, they often had movie-character names.

This important character was a parody of Professor X of the X-men, from the comic books and well before the movies.

It was a simple matter to give him psionic powers and transfer him into outer space. Oh, and get him out of the wheel chair too.

The character’s creator was the son of the local high school science teacher.

Ninja powers were a thing with teenage boys in the 80’s.

Combat is an important part of the role-playing game.

We became well-versed on weapons and tactics… and how to manipulate the rolls of the dice… by cheating if necessary.

How else do heroes overcome impossible odds?

Two more player characters that play a critical role in the novels.

Again with the parody characters that came from player-character ideas stolen from TV and the movies.

Aliens are necessary to this kind of story.

I am near to completing this third novel in the series.

The Nebulon aliens, though very human-like, are blue of skin. That is not easy to depict in a black-and-white drawing.

The initial idea for the fourth novel’s cover.

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Finding My Voice

As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies.  The novel is written in third person viewpoint with a single focus character for each scene.  But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.

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Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.

In Canto Two, Valerie Clarke, the central main character of the story, is the focus character.  Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head.  Canto Three is focused through the mind of Trailways bus driver Ed Grosland.  Canto Four focuses on Sheriff’s Deputy Cliff Baily.  And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane.  Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.

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The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.

That kind of fractured character focus threatens to turn me schizophrenic.  I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them.  How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people?  Especially when some of your characters are stupid people with limited vocabularies and limited understanding?

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The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.

I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself.  That is considerably less schizophrenic than the other book.  But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.

The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view.  That is even more of an exercise of losing yourself inside the head of a character who is not you.  One of the first person narrators is a girl, and one is a werewolf.  So, I have really had to stretch my writing ability to make myself into someone else multiple times.

I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world.  But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.

 

 

 

My best novel is free to own in ebook form for today and tomorrow. Buy it now with the link above. The offer is good until the end of the day on 12/14/2021.

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Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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