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Category Archives: writing
Writing with Power
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Filed under humor, Paffooney, writing, writing teacher
The Bottle Imp Implementation
I gave you a list of places where my ideas for fiction come from, and in the end, I failed to explain the thing about the bottle imp. Yes, I do get ideas from the bottle imp. He’s an angry blue boggart with limited spell powers. But he’s also more than 700 years old and has only been trapped in the bottle since 1805. So, he has about 500 years of magical life experience to draw from and answer my idea questions. Admittedly it would be more helpful if he were a smarter imp. His name is Bruce, and his IQ in human terms would only be about 75. But, then, I don’t have to worry about misfired magic. If I asked him to, “Make me a hamburger,” he wouldn’t immediately change me into a fried, ground-beef patty because he is not smart enough to do that high of a level of magic spell.
But he is just barely intelligent enough to tell me a truthful answer if I asked him a question like, “What would happen if I put an alligator’s egg in a robin’s nest as a joke, and the robin family decided it was their own weird-looking egg and then tried to hatch it?” The answer would be truthful according to his vast knowledge of swamp pranks. And it would also be funny because he’s too dumb to know better. In fact, he told me about a mother robin who worked so diligently at hatching an alligator egg that a baby alligator was hatched. She convinced it that it was actually a bird. And when it came time for the baby birds to learn to fly, the baby alligator couldn’t do it… until she talked it into flapping madly with all four legs. Then, a mother’s love and faith in her child got an alligator airborne.
Yeah, that hasn’t proved to be a very useful story idea. I put it into a story I was writing during my seven years in high school, and then lost the manuscript. (I was a teacher, not a hard-to-graduate student.) But it was proof that you can get your writing ideas from a bottle imp.
So, if you decide to use bottle imps as an idea source for fiction, the next step is to find and acquire the right sort of bottle imp. I got mine from Smellbone, the rat-faced necromancer. I bought it for an American quarter and three Canadian loonies more than a dozen years ago. I found it at his Arcana and Horse-Radish Burger Emporium in Montreal. But I am not sure how that information helps you. Smellbone died in a firey magical-transformation accident involving an angry Wall-Street financier and a dill pickle. The whole Emporium went to cinders in an hour.
If you are going to try to capture the bottle imp yourself, which I strongly do not recommend, you are going to need a magical spell-resistant butterfly net, a solid glass jar, bottle, or brass urn. A garlic-soaked cork to fit the bottle. A spell scroll ready to cast containing at least one fairy-shrink spell. And an extremely limited amount of time to actually think about what you are doing.
Now I have told you how I get writing ideas from a bottle imp. Aren’t you glad I did not include this idea in the post about where ideas come from? After all, I am a fiction writer. I get my jollies from telling lies in story form. And bottle imps, especially angry blue bottle imps named Bruce, or Charlie, or Bill, are more trouble than they are worth. They can curse you with magical spells of infinite silliness and undercut your serious nature for a lifetime.
The Writing Imperative
I am a writer because I write.
I write because I have to.
I have to because somebody has to control the words.
People are made of words. Their identity, their inner self, their reason for existence… all made of words. The very thoughts in their heads are… words.
If I want to control the words I am made of, then I must be the writer who writes his own story.
I don’t want anyone else to write the words that essentially become me. Do you?
Of course, authors create characters. Even autobiographers create characters. Carl Sandburg could no more make his words into Lincoln than a bird can make its tweets into a cat. Sandburg can, however, help us to understand Lincoln as Carl Sandburg understands the words that are Lincoln.
Lincoln probably did not have the words for “bikini girls” in his head when he wrote those words in the second quote. But somebody thought that the picture would help us understand the words. By all accounts, Lincoln was not a particularly happy man leading a particularly happy life. But he showed us the meaning of his words when he stood firm against the strong winds of harsh words and bad ideas in a terrible time. And he was as happy about it as he made up his mind to be.
I, too, have not lived a particularly happy life. But I was always the “teacher with a sense of humor” in the classroom, and students loved me for it. Funny people are often not happy people. But they make themselves out of funny words because laughter heals pain, and jokes are effective medicine. And so I choose to write comedy novels. Novels that are funny even though they are about hard things like freezing to death, losing loved ones, being humiliated, being molested, and fear of death. Magical purple words can bring light to any darkness. I am the words I choose to write in my own story. The words not only reveal me, they make me who I am. And it is up to me to write those words. Other people might wish to do it for me. But they really can’t. The words are for me alone to write.
And so it is imperative that I write my words in the form of my novels, my essays, and this goofy blog post. I am writing myself to life, even if no one ever reads my writing.
Filed under humor, Paffooney, wordplay, writing, writing humor
Wisdom From a Writer’s Life
Don’t get too excited. I searched every box, trunk, bag of tricks, safe, closet, and jelly bean jar that I have in my rusty old memory. I didn’t find much. In fact, the old saying is rather applicable, “The beginning of wisdom is recognizing just how much of a fool you really are.” The little pile of bottle caps and marshmallows that represent the sum total of my wisdom is infinitely tiny compared to the vast universe of things I will never know and never understand. I am a fool. I probably have no more wisdom than you do. But I have a different point of view. It comes from years worth of turning my ideas inside out, of wearing my mental underwear on the outside of my mental pants just to get a laugh, of stringing images and stupid-headed notions together in long pointless strings like this one.
Mason City, Iowa… where I was born. River City in the musical “The Music Man“.
One thing I can say with certainty, nothing makes you understand “home”, the place you grew up in and think of as where you come from, better than leaving it and going somewhere else. Federal Avenue in Mason City looks nothing now like it did when I was a boy in the 1960’s going shopping downtown and spending hours in department stores waiting for the ten minutes at the end in the toy section you were promised for being good. You have to look at the places and people of your youth through the lenses of history and distance and context and knowing now what you didn’t know then.
Grandpa Aldrich’s farm in Iowa is now Mom and Dad’s house. It has been in the family for over 100 years, a Century Farm.
The only thing that stays the same is that everything changes. If I look back at the arc of my life, growing up in Iowa with crazy story-telling skills inherited from Grandpa Aldrich, to going to Iowa State “Cow College” and studying English, to going to University of Iowa for a remedial teaching degree because English majors can’t get jobs reading books, to teaching in distant South Texas more than a thousand miles away, to learning all the classroom cuss words in Spanish the hard way, by being called that, to moving to Dallas/Fort Worth to get fired from one teaching job and taking another that involved teaching English to non-English speakers, to retiring and spending time writing foolish reflections like this one because I am old and mostly home-bound with ill health. I have come a long way from childhood to second childhood.
If “what doesn’t kill you makes you stronger” is really true, I should be Superman now. I look like I’ve seen a lot of Kryptonite, don’t I?
Six incurable diseases and being a cancer survivor since 1983 have left their marks upon me. Literally. Little pink bleedy spots all over me are the mark of psoriasis. The fuzzy-bad photo of me spares you some of the gory details. The point is, I guess, that life is both fleeting and fragile. If you never stop and think about what it all means then you are a fool. If you don’t try to understand it in terms of sentences and paragraphs with main ideas, you are an even bigger fool. You must write down the fruit of your examinations and ruminations. But if you reach a point that you are actually satisfied that you know what it all means, that makes you the biggest fool of all.
If I have any wisdom at all to share in this post about wisdom, it can be summed up like this;
- Writing helps you with knowing, and knowing leads to wisdom. So take some time to write about what you know.
- Writing every day makes you more coherent and easier to understand. Stringing pearls of wisdom into a necklace comes with practice.
- Writing is worth doing. Everyone should do it. Even if you don’t think you can do it well.
- You should read and understand other people’s wisdom too, as often as possible. You are not the only person in the world who knows stuff. And some of their stuff is better than your stuff.
- The stuff you write can outlive you. So make the ghost of you that you leave behind as pretty as you can. Someone may love you for it. And you can never be sure who that someone will be.
So by now you are probably wondering, where is all that wisdom he promised us in the title? Look around carefully in this essay. If you don’t see it there, then you are probably right in thinking, just as I warned you about at the outset, “Gosh darn that Mickey! He is a really big fool.”
What the Heck is this Blog About?
I read a lot of other people’s blogs for a lot of reasons. Â As an old writing teacher and retired Grammar Nazi, I love to see where writers are on the talent spectrum. Â I have read everything from the philosophy of Camus and Kant to the beginning writing of ESL kids who are illiterate in two languages. Â I view it like a vast flower garden of varied posies where even the weeds can be considered beautiful. Â And like rare species of flower, I notice that many of the best blossoms out there in the blogosphere are consistent with their coloring and patterns. Â In other words, they have a theme.
So, do I have an over-all theme for my blog? Â It isn’t purely poetical like some of the poetry blogs I like to read. Â I really only write comically bad poetry. Â It has photos in it, but it isn’t anything like some of the photography blogs I follow. Â They actually know how to photograph stuff and make it look perfect and pretty. Â It is not strictly an art blog. Â I do a lot of drawing and cartooning and inflict it upon you in this blog. Â But I am not a professional artist and can’t hold a candle to some of the painters and artists I follow and sometimes even post about. Â I enjoy calling Trump President Pumpkinhead, but I can’t say that my blog is a political humor blog, or that I am even passable as a humorous political commentator.
One thing that I can definitely say is that I was once a teacher. Â I was one of those organizers and explainers who stand in front of diverse groups of kids five days a week for six shows a day and try to make them understand a little something. Â Something wise. Â Something wonderful. Â Something new. Â Look at the video above if you haven’t already watched it. Â Not only does it give you a sense of the power of holding the big pencil, it teaches you something you probably didn’t realize before with so much more than mere words.
But can I say this is an education blog?  No.  It is far too silly and pointless to be that.  If you want a real education blog, you have to look for someone like Diane Ravitch’s blog.  Education is a more serious and sober topic than Mickey.
By the way, were you worried about the poor bunny in that first cartoon getting eaten by the fox and the bear? Â Well, maybe this point from that conversation can put your mind at ease.
Mickey is tricky and gets good mileage out of his cartoons.
You may have gotten the idea that I like Bobby McFerrin by this point in my post. Â It is true. Â Pure genius and raw creative talent fascinate me. Â Is that the end point of my journey to an answer about what the heck this blog is about? Â Perhaps. Â As good an answer as any. Â But I think the question is still open for debate. Â It is the journey from thought through many thoughts to theme that make it all fun. Â And I don’t anticipate that journey actually ending anytime soon.
Writer’s Block
I have always contended that I don’t have writer’s block. But some days, especially if I am not feeling well, I have writer’s lethargy. I can be slow to come up with the next thing. Writing can become bogged down and I am easily distracted or lose focus and have to return to what I was trying to do previously.
There is evidence that I have often had that kind of problem frequently on this blog. One thing I do to overcome writer’s lethargy is suddenly start thinking about how you can overcome writer’s block. What are the strategies that help me overcome it?
I often resort to “kickstart statements.” These are surprising or deep-left-field items that give the old brain a shot of adrenaline. The picture of the girl with the message blackboard is that kind of kickstarter. I never could have used that thing in any kind of social-media post when I was still employed as a teacher. It has the potential to generate parent complaints and administrative thoughts about evaluations and contract cancellations. But there really are kids who have thoughts like that in your classroom, and I know because not only was I a kid like that myself, I used it as an optional journal topic for writing practice, and, boy! do they ever catch fire when they can write about something like that and they know only the teacher is ever going to read it. It is the way I learned how many of my students had ever been to a nude beach in Corpus Christi or Lake Travis (Hippy Hollow.)
I can also look around the room, or scroll through my media library on WordPress and find an image or an item that generates ideas, responses, and even stories. I scrolled through to find this image of the Gummi Bear, who was a brief internet sensation on YouTube a few years ago coming from German CGI cartoons that illustrated earworm music with dancing green gummy bears. There’s a lot a goofy writer like me can run away with inspired by a nonsense thing like that.
It is also possible to generate new ideas by deconstructing a metaphor in as humorous and convoluted a way as possible. This word-food thing is the result of writer’s lethargy of a while back.
Of course, there is always the ranting factor. This, I think, is a go-to method used by stand-up comedians. They will pick something that is deeply bugging them, like the rats that inhabit my attic and walls during a winter that hasn’t yet completely gone. And they start listing all the ways they can make funny stories about the time the rat appeared on the bathroom floor tiles while my daughter was on the toilet, or the time the dog killed a rat that was in the trap already, but not dead enough not to bite back with the dog’s nose conveniently within the reach of rat teeth. And then they can rant onward about how disgusting rats are. And how can anyone look at a rat face and think they are cute? You look at that evil, beady-eyed face and you don’t think Mickey Mouse, you think plague, disease, the Black Death, and how much the Bank of America lawyer who sued you looks just like that.
So, you can see that generating ideas is easy. And you can write something interesting even on days when you can’t think of anything … quickly. When you have, not writer’s block, but writer’s lethargy.
Filed under angry rant, autobiography, comedians, humor, insight, inspiration, Paffooney, writing, writing humor, writing teacher
Writing Myself To Life
I have been working on my novel The Baby Werewolf, and I am now in the final phase, working on the climax and crisis point. And I surprised myself. The killer monologues to the main characters who have now become his intended next victims. I have played this out over and over in the twenty-two years I have been writing this book. Last night, for the first time ever, the hero character laughs in this scene instead of the cringing fear that had always been there before.
How is such a thing possible? What changed? I have been writing and rewriting this story since 1996. But it goes much deeper and darker than that. This story went on my have-to-write list in 1966 when an older, stronger boy who lived near my home trapped me in a place out-of-sight of others and stripped me, gaining some horrible kind of pleasure by inflicting pain on my private parts. Recovery from that has taken half a century. The recovery itself probably explains why I struggled so long to pull this story together in a finished form.
There are things about my writing life that are undeniable. First of all, I have to write. There is really no other choice for me. My mind will never know rest or peace without being able to spin out the paragraphs and essays and stories that make it possible to know those things. Nothing is real if I can’t write it out. Secondly, I am a humorist. If I can never be funny at all, can never write a joke, then I will descend into madness. My sense of humor not only shields me and serves as my suit of armor, it heals me when I suffer psychic wounds. This book is a horror story, but like many of the best horror stories, it relies on humor to drive every scene and knit the plot together. And it was a breakthrough for me to have the hero character laugh instead of cringe in the critical scene. It allows me to live again. And love again. And the real monster that caused this book to be, is now forgiven. The world continues to turn. The picture is now complete. And soon, the novel will be too.
Illustrating in Novel Ways
I have just finished a novel project that I worked on for a year, from Spring of 2016 to Spring of 2017. And part of my personal project procedure involves using drawings to help me visualize the characters in the story and begin to view them as real people, even when they most certainly aren’t real. I even have this derfy Mickian idea that Paffoonies (those picture ideas that are inseparably fused to words) are essential to Mickian fiction. (Mickian fiction= another frighteningly goofy idea that needs to go unexplained.)
The book, Recipes for Gingerbread Children is about an old woman, a German immigrant and Holocaust survivor, who comes to a small Iowa town with a gift for story-telling and a gift for baking things, especially gingerbread cookies.
Grandma Gretel Stein, seen in the Paffooney on the left, is the main character of the story. She tells stories, mostly fairy tales, that have lessons about being true and faithful even in the face of great evil. The fairy in her hand is General Tuffaney Swift, an immortal Storybook fairy who leads the army of the local fairy kingdom called Tellosia. Gretel believes he is real Honestly, she gets so into story-telling that her fairy friends seem absolutely real to her. And who is to say that there aren’t little magical people living in a hidden kingdom among the cornfields in Iowa? Gretel convinced me that they were real. She even has a hand in making new fairies by the baking of gingerbread. She gets a magical recipe from the fairy Erlking, a wise and magical being, and uses it to create living gingerbread boys and gingerbread girls.
The gingerbread girl on the right is Anneliese, named after Gretel’s own daughter and decorated with frosting, food coloring, and gumdrops by the favorite story listener who constantly listens to Gretel’s stories and helps bake Gretel’s gingerbread, Sherry Cobble.
Sherry is a beautiful young eighth grade girl who reminds Gretel of her long-lost daughter. Sherry has a twin sister named Shelly and they are identical twins, but Sherry not only looks like Anneliese once did, she acts like her with the same confidence and enthusiasm for life that Anneliese once had before the war.
Sherry and Shelly are both part of the Cobble family, who have a reputation locally as wacky-pants loonies because they believe firmly in being nudists and engaging in nature completely naked while not actually wearing any wacky pants. I haven’t done any actual pictures of Sherry in the nude, but if you look carefully at the first picture of her above and see clothing, then you are seeing things that are not there. Yep, the girl bakes and decorates gingerbread men in the buff, wearing her pale pink birthday suit, even when the weather outside in Iowa makes that nonsensical.
So by now you can probably draw several conclusions about me as both a novelist and an illustrator. #1, There is definitely something a little bit off about me. #2, I haven’t said anything yet about this book having dead Nazis and a werewolf in it, even though I rarely talk about this book without throwing those things in somewhere. #3, Number 2 is actually taken care of in a backhanded way if you are reading this whole list carefully. #4, This story is probably about things that really aren’t just gingerbread recipes. #5, You should congratulate yourself if you read this far in this post. You have unusual amounts of patience and curiosity, and an extremely high tolerance for levels of goofy that put actual Goofy to shame.
Soliloquy
In college I took classes in oral reading and acting because I was nutty about drama and play-writing, even though I was much too terrified of being put on a public stage to ever try out for a part. Â But in Oral Reading 101 I was given the gift of a professor who actually was the head of the ISU Drama Department. Â One of the things he made us do was a soliloquy from a Shakespeare play. Â I was assigned the opening soliloquy from Richard the Third.
Good God! Â Is that man ever a villain and a monster! Â He’s more sinister and evil than Snidely Whiplash or Dick Dastardly… and certainly no less cartoonish. Â Here is the best I can still do to recreate my old college performance of “The Winter of Our Discontent” soliloquy.
To pull off this assignment (On which I received an A grade from a professor known for imperious F-giving) I had to do a lot of research on King Richard III to be able to walk around in his skin for three whole minutes.  I had to learn about him from books and articles and drama critiques.  I spent a couple of weeks in the library (There was no internet or Google in 1978).  I learned that he was a complex man involved in the deeply troubled time of the War of the Roses.  He was from the house of York, the House of the White Rose.  His elder brother, Edward, had been  victorious in both battle and royal intrigue, and, with Richard’s help had secured the throne of England that had been wrested from the hands of Richard II to begin the struggle between House Lancaster (the Red Rose) and House York… both of which had blood-relationship claims to the throne.  Once in the hands of Richard’s brother Edward IV, the crown did not really rest peacefully on Yorkish heads.  Edward became ill and died in 1483.  The crown was to then go to twelve-year-old Edward V who was placed under the care of Uncle Richard’s regency.  At the time of his coronation, the legitimacy of Edward IV’s marriage was declared null and void, making the boy no longer eligible to be king.  Richard seized the title.  Young Edward and his younger brother were taken to the Tower of London and they were never seen publicly again.  According to Shakespeare, Richard did, in fact, have them killed.  But, the crown did not stay on Richard’s head for longer than two years.  In 1485 Henry Tudor came back to England from France.  Richard was defeated at the Battle of Bosworth Field and died in battle there.
I do actually understand Richard in ways that are difficult to admit. Â I know what it feels like to be convinced you are unworthy by factors beyond your control. Â Richard was a hunchback, plagued with severe scoliosis of the spine. Â He lived his life in pain and was ridiculed for his deformity in a time where it was believed such things were a punishment from God for sins of the parents, or even sins the child himself was born with. Â I can relate. Â I was always so far above the other kids in my class at school that I was treated like a Martian, unloved and unlovable because I could not speak a language they really understood. Â And on top of that, I was secretly the victim of a sexual assault, a condition that I feared made me a monster. Â I could so easily have become a monster. Â I could’ve set my mind to it in the same way Richard did, because vengeance for his differences consumed him utterly. Â Thankfully, I did not choose a path of evil. Â Drawing and telling stories proved to be the pick and shovel I used to dig myself out of my own pit of despair.
Richard III’s long-forgotten grave was rediscovered in 2013, and a DNA match with relatives proved the skeleton with scoliosis was him in 2014.
The real Richard III may not have been the monster Shakespeare portrayed him as, either. Â He was demonized after his defeat and death by the Tudors to strengthen their shaky claim to the throne. Â There exists some evidence that he was a progressive king and a friend to his people, but horribly betrayed by some of his own followers, and certainly made the scapegoat by succeeding generations.
A recreation of what Richard III looked like based on the skull found and portraits from the time period.
There is also some evidence that Shakespeare wrote the play as a political diatribe against the hunchback in the royal court of his day. Â Sir Robert Cecil, 1st Earl of Salisbury was also a hunchback with scoliosis. Â And by his sometimes sinister-seeming machinations, he rose to power as Secretary of State for both Elizabeth I, and after her, James I. Â He had a part to play in making James the King after Elizabeth’s long reign, probably an instrumental part. Â He also uncovered the Gunpowder Plot of Guy Fawkes and friends, and rumors persisted that he had more to do with it than merely revealing and foiling it. Â Nothing was ever proven against him. Â Though Elizabeth called him “my pygmy” and James referred to him as “my little beagle”, he held power throughout his lifetime and foiled the work of his many enemies against him. Â In fact, it is the similarities between Shakespeare’s Richard III and Robert Cecil that first made me begin to believe that Shakespeare was actually someone other than the actor who owned the Globe Theater and never spelled his own name the same way twice. Â Knowing about Cecil surely needed to be the act of an insider in the royal court. Â I balked at first when it was suggested to me that Shakespeare’s plays were actually written by Francis Bacon… and I continued to doubt until I learned more about the Earl of Oxford, Edward deVere.
So what is the point of this soliloquy about the soliloquy of Richard III? Â Well, the point is that at one time I had to be him for a short while. Â I had to understand who he was (at least the character that Shakespeare created him to be) and think as he thought. Â That is what a soliloquy truly is. Â Sharing from the character’s mind to my mind… and back again if I am to perform him… or even write him in some future fiction.
Filed under autobiography, soliloquy, William Shakespeare, writing
The Bottle Imp Implementation
I gave you a list of places where my ideas for fiction come from, and in the end, I failed to explain the thing about the bottle imp. Yes, I do get ideas from the bottle imp. He’s an angry blue boggart with limited spell powers. But he’s also more than 700 years old and has only been trapped in the bottle since 1805. So, he has about 500 years of magical life experience to draw from and answer my idea questions. Admittedly it would be more helpful if he were a smarter imp. His name is Bruce, and his IQ in human terms would only be about 75. But, then, I don’t have to worry about misfired magic. If I asked him to, “Make me a hamburger,” he wouldn’t immediately change me into a fried, ground-beef patty because he is not smart enough to do that high of a level of magic spell.
But he is just barely intelligent enough to tell me a truthful answer if I asked him a question like, “What would happen if I put an alligator’s egg in a robin’s nest as a joke, and the robin family decided it was their own weird-looking egg and then tried to hatch it?” The answer would be truthful according to his vast knowledge of swamp pranks. And it would also be funny because he’s too dumb to know better. In fact, he told me about a mother robin who worked so diligently at hatching an alligator egg that a baby alligator was hatched. She convinced it that it was actually a bird. And when it came time for the baby birds to learn to fly, the baby alligator couldn’t do it… until she talked it into flapping madly with all four legs. Then, a mother’s love and faith in her child got an alligator airborne.
Yeah, that hasn’t proved to be a very useful story idea. I put it into a story I was writing during my seven years in high school, and then lost the manuscript. (I was a teacher, not a hard-to-graduate student.) But it was proof that you can get your writing ideas from a bottle imp.
So, if you decide to use bottle imps as an idea source for fiction, the next step is to find and acquire the right sort of bottle imp. I got mine from Smellbone, the rat-faced necromancer. I bought it for an American quarter and three Canadian loonies more than a dozen years ago. I found it at his Arcana and Horse-Radish Burger Emporium in Montreal. But I am not sure how that information helps you. Smellbone died in a firey magical-transformation accident involving an angry Wall-Street financier and a dill pickle. The whole Emporium went to cinders in an hour.
If you are going to try to capture the bottle imp yourself, which I strongly do not recommend, you are going to need a magical spell-resistant butterfly net, a solid glass jar, bottle, or brass urn. A garlic-soaked cork to fit the bottle. A spell scroll ready to cast containing at least one fairy-shrink spell. And an extremely limited amount of time to actually think about what you are doing.
Now I have told you how I get writing ideas from a bottle imp. Aren’t you glad I did not include this idea in the post about where ideas come from? After all, I am a fiction writer. I get my jollies from telling lies in story form. And bottle imps, especially angry blue bottle imps named Bruce, or Charlie, or Bill, are more trouble than they are worth. They can curse you with magical spells of infinite silliness and undercut your serious nature for a lifetime.
Catch a Falling Star 