Drawing nudes is a risky business. People judge you more harshly when you draw a nude and don’t explain the context. What a pervert you must be. They forgive you a little when you explain that you are an artist and once you took an anatomy drawing class in college where you were drawing from actual nude models. But understand, artists probably take classes like that because they are perverts to begin with.
And you have the added complication of being a victim of sexual assault as a child, so you have a PTSD-sort-of fear of nudity and physical contact while at the same time having all the natural urges that flesh is heir to.
The nude above was drawn actually from a photograph, a Polaroid. The griffon (who represents the fear in your PTSD-inspired dreams) did not want to pose nude in real life. So, you were given a photograph in which she was actually holding on to her boyfriend’s shoulder. Oh, wait! You mean “he” not “she”. The griffon was a boy. But she smiled when she saw the picture. And she asked why there was an eagle in it.
“But that’s not an eagle, it’s a griffon,” you said. “It represents being afraid of being nude.”
Obviously you did not give her the version of the picture with the “eagle” in it. She was happier with the nude you did give her, though it wasn’t drawn as well as this one.
And you are always a little leery of posting nudes you have drawn over the years on your blog, but somehow they get more views than anything else you post, and while you have to wonder why these pictures are so popular among judgmental people who have told you that you are probably a pervert, you secretly know the real reason.
This picture of Karla gets lots of views. You have posted it three or four times before. (Of course, that is not Her real name.)
It is kinda the thing that started the college nude drawings. She was your roommate’s girlfriend, and she was looking at your drawings because Bill told her about your artworks and she was curious. She challenged you to draw her. It was the first nude model you ever drew outside of class. Bob sat in the room with the two of you and watched you draw. (Oh, wait. You called him Bill before. Change that. Bob Bill. There, that’s better.) You drew in pencil.
You did two versions of it. The pen and ink that you drew of it in 1996 was made from the one that you kept.
If you had never done that picture of Karla, the one of the griffon wouldn’t exist either. She had to go and show her picture off to her friends. After all the great cartoons you drew over the years, you might know that the biggest reputation you ever got as an artist came about because of a pencil drawing of a smiley nude girl. And she had a big mouth… both figuratively and literally. But she was nice, and you couldn’t be mad at her. She and Bob Bill got married, and she probably still has that picture in its little frame somewhere in her house.
There was a time in my life, in fact, for a majority of my life, that all these things were pretty much secrets that I kept to myself. I didn’t show the nude pictures to others. I kept them in a portfolio in a closet. I never would’ve admitted to being a nudist at heart either. Or anything about being assaulted as a boy. Or told anyone about any of it in a blog post like this. I can only do that now that I am old and know that none of my sins are really that awful and need to be kept secret. There is a certain beauty in that. You don’t even really need to keep doing it in second person point of view, confusing the audience into thinking it’s about them and not about you. Sorry about the meta-messaging. I just find it funny that I can be completely open at the end of the essay of life, and no longer feel the need to hide all the things that we hide under our clothing. Sometimes there is beauty to be found in the depths of a risky picture.
