What you may not know is that, although I have three grown children, and the oldest has found the love of his life, I have no grandchildren, and according to my children, I will not have any for years yet, if any at all.
This saddens me. Because I am old. And I have serious health issues. And I probably don’t have years yet to wait.
Ariel is three feet tall, fully jointed. Her eyes no longer close. She is made of plastic on a metal armature.
But, as with the majority of the bad things in my life, my imagination creates solutions even when there are not real problems.
My imaginary granddaughter is an entirely imaginary little girl that lives in my head. She is merely a voice. She talks to me and I talk to her. I project her personality onto Ariel, my largest doll. (I bought her from the internet, from a professional restorer of collectible dolls. She is meant to be as realistic and poseable as possible though her ankle joints don’t work. So, she’s easy to almost see as a real child. Though my mother gave me some porcelain dolls that look slightly more alive… though not poseable.)
Nicole is two and quarter feet tall. But she is not poseable.
The thing that makes Ariel the usual repository for my imaginary granddaughter is that Mona Lisa smile of hers. Sometimes it is a subtle smile. Sometimes it is a pout. And sometimes she looks like she is about to cry. Of course, that’s all in my stupid head.
I constantly listen as my imaginary granddaughter tells me what I am doing wrong, how I should do things better, and how I should be happy when I follow her advice and make a good choice in life. She tends to be very prudish and conservative when she tells me what to think. But the things she tells me are usually the things I need to hear. She keeps me on the right path.
And I know what you are probably thinking. She’s my Jiminy Cricket to my own Pinocchio. She’s my conscience, and I’m her wooden-headed, lying boy. Well, I guess that can work too.
By telling you about this secret mental problem I have, I am demonstrating more of what I call naked thinking. As a nudist, I am showing you more than merely what’s under my underwear. I am showing you some of the crazy gears, wind-up springs, and clockworks of my goofy old mind. You can’t really get more naked than that.
One really weird thing that teachers do is think about thinking. I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes? Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least. Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?
This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns. Don’t worry, though. I didn’t actually cut Mickey’s head in half to be able to make this map. I used the magical tool of imagination. Some folks might call it story-telling… or bald-face lying.
Now, a brain surgeon would be concerned that my brain maps out in boxes. He would identify it as a seriously deformed brain. It is not supposed to be all rectangular spaces and stairs. It probably indicates a severe medical need for corrective surgery… or possibly complete amputation. But we are not going to concern ourselves with trying to save Mickey from himself right now. That is far too complex a topic to tackle in a 500-word daily post. We are just discussing the basics of operation.
You see the three little guys in the control room? They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version. (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years. Seriously, that job can do a bit of damage.) The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy. They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these). They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.
I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic. I have no earthly idea how either of them function, or what in the heck they are supposed to do. But there they are. The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind. They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times. It is also a good idea for them to avoid the lizard brain of the limbic system in the basement. It is easily angered and might eat them.
So now you should be able to fully understand how Mickey thinks. (Or not… a qualifier I was forced to put in by Checkerbob.)
This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.
This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.
But don’t get me wrong, strawberries are a critical part of every healthy mental diet.
You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.
She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.
And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.
But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)
And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.
She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.
My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.
One really weird thing that teachers do is think about thinking. I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes? Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least. Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?
This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns. Don’t worry, though. I didn’t actually cut Mickey’s head in half to be able to make this map. I used the magical tool of imagination. Some folks might call it story-telling… or bald-face lying.
Now, a brain surgeon would be concerned that my brain maps out in boxes. He would identify it as a seriously deformed brain. It is not supposed to be all rectangular spaces and stairs. It probably indicates a severe medical need for corrective surgery… or possibly complete amputation. But we are not going to concern ourselves with trying to save Mickey from himself right now. That is far too complex a topic to tackle in a 500-word daily post. We are just discussing the basics of operation.
You see the three little guys in the control room? They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version. (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years. Seriously, that job can do a bit of damage.) The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy. They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these). They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.
I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic. I have no earthly idea how either of them function, or what in the heck they are supposed to do. But there they are. The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind. They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times. It is also a good idea for them to avoid the lizard brain of the limbic system in the basement. It is easily angered and might eat them.
So now you should be able to fully understand how Mickey thinks. (Or not… a qualifier I was forced to put in by Checkerbob.)
This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.
This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.
But don’t get me wrong, strawberries are a critical part of every healthy mental diet.
You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.
She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.
And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.
But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)
And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.
She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.
My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.
The voices in my head never stop mumbling. For the past year I have been having trouble with passing out while trying to write or draw or watch TV. And yet, scenes play out vividly in the theater of my mind while I am briefly unconscious. I’ve been to the doctor about it. But there is no cure for the yammerings of an unquiet thought-mill. The word-weavers keep weaving new sentences. The cloth-cutters keep snipping out patterns and themes. And the prose-sewers keep making essays and shirts and jeans. How did my mental-breakdown voices get stuck inside a garment mill?
The mutterings this morning have been about writing success. Do I dare think any of that has my name associated with it?
Well, my blog views have been up this week. And this morning my prayers have been answered for my book Sing Sad Songs. A reviewer defended my book as a legitimate 5-star novel, and refuted the charges that my book is somehow child-pornography. I have been needing some validation that my book, the product of my darkest secrets and the affirmation of my victory over personal pain, is worthy of being seen as a good book.
And, of course, I have been thinking a lot about the talking-dog story, the one about Horatio who smokes an imaginary meerschaum pipe and talks only to Bobby Niland, and solves murders committed on chickens by the evil Dr. Rattiarty, a really evil real rat.
I have been discussing it endlessly with my dog on our walks in the park for her to take care of her pooping in public. We argue endlessly about how to make the tale believable.
She says, “The thing you don’t seem to understand is that, in real life, dogs can’t talk.”
And I say, “Then how is it that we are even arguing at the moment?”
And she answers, “It’s all because you insist on listening continually to the voices in your head.”
And there is a considerable discussion going on in the faculty lounge of my mental monkey house about the fact that for so many years I had numerous opportunities to be a practicing nudist, and I ran away from it as something I should not do… Until I grew old and weak and gave in to the desire to become a naked man amongst socially nude naturists and now I am unable to physically do it in any way but in my imagination.
“You simply lack the resolve, Michael, to take the bull by the horns and tackle it,” said the Dean of Brain Studies.
“Well, of course he can’t do that!” exclaimed the Professor of Inappropriate Thoughts. “Mickey has no Moo-Wrestling muscles to manage the kind of bull fighting you suggest. The kind where he wrestles with bull-puckie.”
“Mike is a man who can make up his own mind,” said the Associate Professor of Metaphor Mixing. “He just has to stop listening to us.”
“Can you all just SHUT UP!!!” said the Teaching Assistant of Pragmatic Prattle. “We are just a Monkey-House faculty incapable of making any sense.”
So, I am taking the Teaching Assistant’s advice now, and I am closing this essay immediately.
The voices in my head never stop mumbling. For the past year I have been having trouble with passing out while trying to write or draw or watch TV. And yet, scenes play out vividly in the theater of my mind while I am briefly unconscious. I’ve been to the doctor about it. But there is no cure for the yammerings of an unquiet thought-mill. The word-weavers keep weaving new sentences. The cloth-cutters keep snipping out patterns and themes. And the prose-sewers keep making essays and shirts and jeans. How did my mental-breakdown voices get stuck inside a garment mill?
The mutterings this morning have been about writing success. Do I dare think any of that has my name associated with it?
Well, my blog views have been up this week. And this morning my prayers have been answered for my book Sing Sad Songs. A reviewer defended my book as a legitimate 5-star novel, and refuted the charges that my book is somehow child-pornography. I have been needing some validation that my book, the product of my darkest secrets and the affirmation of my victory over personal pain, is worthy of being seen as a good book.
And, of course, I have been thinking a lot about the talking-dog story, the one about Horatio who smokes an imaginary meerschaum pipe and talks only to Bobby Niland, and solves murders committed on chickens by the evil Dr. Rattiarty, a really evil real rat.
I have been discussing it endlessly with my dog on our walks in the park for her to take care of her pooping in public. We argue endlessly about how to make the tale believable.
She says, “The thing you don’t seem to understand is that, in real life, dogs can’t talk.”
And I say, “Then how is it that we are even arguing at the moment?”
And she answers, “It’s all because you insist on listening continually to the voices in your head.”
And there is a considerable discussion going on in the faculty lounge of my mental monkey house about the fact that for so many years I had numerous opportunities to be a practicing nudist, and I ran away from it as something I should not do… Until I grew old and weak and gave in to the desire to become a naked man amongst socially nude naturists and now I am unable to physically do it in any way but in my imagination.
“You simply lack the resolve, Michael, to take the bull by the horns and tackle it,” said the Dean of Brain Studies.
“Well, of course he can’t do that!” exclaimed the Professor of Inappropriate Thoughts. “Mickey has no Moo-Wrestling muscles to manage the kind of bull fighting you suggest. The kind where he wrestles with bull-puckie.”
“Mike is a man who can make up his own mind,” said the Associate Professor of Metaphor Mixing. “He just has to stop listening to us.”
“Can you all just SHUT UP!!!” said the Teaching Assistant of Pragmatic Prattle. “We are just a Monkey-House faculty incapable of making any sense.”
So, I am taking the Teaching Assistant’s advice now, and I am closing this essay immediately.
Truthfully… for a fiction writer, a humorist, a former school teacher of junior-high-aged kids, telling the truth is hard. But in this post I intend to try it, and I will see if I can stand the castor-oil flavor of it on my tongue.
The simple truth is, I rarely tell the unvarnished truth. And I firmly believe I am not alone in this.
Yesterday I battled pirates. (While this is not literally true, it is metaphorically true.) They were the scurvy scum o’ the Bank-o’-Merricka Pirates who are suing me for over ten thousand dollars despite my efforts of the last two years to settle 40 thousand dollars worth of credit card debt.
I hired a lawyer, but in spite of what he told me, I expect to lose the lawsuit and be wiped out financially. I also believe Donald Trump will win as President.
I am a pessimist. And it helps me through life. I am always prepared for the worst, and I can only be surprised by happy and pleasant surprises.
My son in the Marines has developed an interest in survivalist gear and chaos-contingency plans. We are now apparently preparing for the coming zombie apocalypse.
I like to draw nudes. I have drawn them from real-life models who were paid for their participation. But no bad things happened. It was all done with professional integrity even though I am an amateur artist. Chaperones were a part of every session.
In high school I identified as a Republican like my father. In college I became a Democrat (Thanks, Richard Nixon) and voted for Jimmy Carter. I argued with my father for eight years of Ronald Reagan and four years of George H.W. Bush.
My father has now voted for Barack Obama twice and will vote for Hillary this fall if he is still able. We spent most of our conversations this summer exchanging “Can you believe its?” about Donald Trump.
I have been collecting pictures of sunrises for three years now. I stole the idea from my childhood friend who now lives in Florida and takes beautiful ocean sunrise pictures over the Atlantic. But I do it because I know I don’t have many more sunrises to go. I have six incurable diseases, including diabetes, hypertension, and COPD. I could go “BOOM! …dead” at any given moment. I believe in savoring it while I have it.
I was sexually assaulted when I was ten years old. I can only tell you this particular truth because the man who assaulted me and inflicted physical and emotional pain on me is now dead. It is liberating to be able to say that. But I regret forty years’ worth of treating it is a terrible secret that I could never tell anyone.
Telling that last truth made me cry. Now you know why telling the truth is not easy.
I really do love and admire all things having to do with Disney. And when I was young, I really did want to find a picture of Annette naked. There was no internet back then. That quest helped me learn to draw the human form. I know how bad that sounds… but, hey, I was a normal boy in many ways. And I don’t draw her naked any more.
Finally, I have to say… in all honesty… I don’t know for sure that everything I have told you today is absolutely true. Truth is a perception, even an opinion. And I may be wrong about the facts as I know them. The human mind works in mysterious ways. I sometimes think I may simply be bedbug crazy.
(P.S.) Bedbugs are insects with very limited intelligence. They cannot, in fact, be crazy or insane. Their little brains are not complicated enough for that. But it is a metaphor, and metaphors can be more truthful than literal statements.
Sometimes we all get a little tattered, a little weather-worn. Especially during this pandemic.
I rescued the little Valentine Bear from the pile of stuff from my mother-in-law’s house, the one that was sold this last spring. We still have all the rescued stuff on our patio, open to the weather, and the raccoons from the city park across the street.
I suspect he belonged to one of the two nieces that each lived for a time with Grandma. Sarooty Incaboody or Maroody Walladooty. One of them, though not both of them, and I haven’t given you their real names. Grandma had to move to San Antonio where there are more Filipino relatives to protect her from the virus. But less room for a lifetime of stuff that once belonged to her and my long-gone father-in-law.
You can see his right ear is damaged and needs to be resewn with red thread. His fur is a little crusty from the rain this last week and the dirt blown by the cold winds from this week. He’s a mess, and I thought I better bring him in and fix him up before the park fairies do the whole Velveteen Rabbit thing to him. After all, we don’t need a baby polar bear wandering around the Dallas suburbs, do we? And someone once loved him enough to keep him. He deserves to be cared for in retirement as much as I do.
I myself am a bit tattered and weather-worn by this pandemic. Being trapped in the house all day every day deprives me of the physical activity that keeps my heart healthy and my diabetes under control. My mental health is a little ragged around the edges as well. In this house we tend to get kinda snippy about money woes and unpaid bills. My wife and I now have separated finances. I am bankrupt and she is counting on Armageddon to overcome her credit-card-debt monsters.
My answer to the crisis continues to revolve around books and writing and movies and documentaries. I retreat into stories and ideas, both in the form of fiction and well-researched nonfiction. I throw myself whole-souled into the promotion of my books by earning the necessary points from Pubby by reading and reviewing the books of others and spending the points on honest reviews from other writers reading my books. I have never reviewed so many books before. Especially new is the number of badly written books that I have to slog through and then review honestly in a way that doesn’t crush the spirit of the slow-learning writing masses. I think so far I have only driven one writer to quit the review exchange. And I have only received two cruel and unfair reviews on my work. Which is, of course, less than expected.
The least mind-bending activity I use to repair my psyche is fixing up and playing with dolls, as indicated by the photos I have used in this post.
In these pictures you see five bargain-bin dolls and toys, two dolls bought at Goodwill and cleaned and dressed in a reclamation project. One repurposed aquarium decoration (the skull) and one Pinkie Pie that I bought with Christmas money at the full six-dollar price.
By doing these things, I have managed to avoid getting Covid 19 and generally avoid depression and mental illness.
I was a child who grew to maturity holding a secret horror… a truly terrible secret, in my creative little brain. I was sexually tortured when I was ten. I know now that it sounds like I should blame my torturer for everything, that I should have reported him to the authorities to keep him from ever doing that to anybody else. But my mental defense system took over in ways that prevented me from ever seeking justice. Or what justice too long delayed becomes, simple revenge.
But I could never be that seeker of revenge. I had a Sunday-school faith that had to be strictly followed. First of all, although the thing that happened was never truly gone from me, my creatively evil little mind forced me to forget. Or at least bury the knowledge so deeply within that I could not answer the school guidance counselor in high school when he asked, “Michael, what is it that is causing this behavior, this debilitating fear?” I could only answer that I thought I might be going crazy. He told me that he could help if it was about something like having sexual feelings toward another boy. He was more progressive than most Iowans. But, at the time, I didn’t understand what he was suggesting. I wouldn’t really understand homosexuality as a thing until I was almost out of high school, so when we had that talk, and I was clueless at sixteen, and then he talked about it with my best friend Byron, he knew that it was not about that.
The coach had seen the burn scars on my lower back and legs during P. E. But he only saw scars. I suggested to him that it was probably from playing with the large dog next door. He had big paws and untrimmed claws. And he believed me because he knew my parents, and he knew that they would never do anything like that. And he could tell that I was being truthful when I said I really didn’t know for sure how those scars had gotten there. I didn’t realize for sure how the scars happened until my more-mature twenty-two-year-old evil little brain decided I was burning myself against the heating grate to make sexual feelings and urges go away.
Radasha
I was seriously beginning to hate myself, be depressed without knowing why, and nearly killing myself at seventeen. All because of an event in my life that I really wasn’t able to admit to myself really happened.
Then, one snowy night in February of 1974, Radasha came tapping at my window.
I realize now that it had to have been a dream, but I knew even then that it couldn’t have been reality.
He was a black-haired, brown-eyed boy with goat horns on his forehead and a deer’s tail on his behind. He was completely naked, sitting on his haunches in the piling snow on the porch roof outside my bedroom window. He was grinning at me. No larger than my younger brother who was sound asleep in his bottom bunk in the room we shared. He indicated that I needed to open the window and let him in.
I should’ve realized that it was a dream then, because in real life I could not have opened the window like I did because of the winter storm-windows dad had put up before the first snowfall in October. But the scene played out according to dream logic.
“Aren’t you cold like that? You must be freezing your peeper off if you are outside naked like that.”
“Naw, I’m not real, Sharpie. I don’t feel cold because I’m a faun. I’m mythological.”
“Oh. then why did I have to let you in?”
“I’m Radasha. I am a part of you. You can’t keep me out. I should really be inside you instead of out here talking to you.”
“What? Are you my heart or something? Maybe one of my kidneys?”
“More like your love-life. I’m a part of you that shouldn’t’ve ever been detached. You need me to live a normal, healthy life.”
“Should I even be talking to you? What if my little brother wakes up and sees you?”
“Nobody can ever see me but you. I was born in your brain. I’m here because you need me back in your life.”
So, from that moment on I was a teenager with an invisible playmate. He reminded me of all the things I had learned about the birds and the bees from Reverend Aiken, the Methodist minister. We talked about what sex was, and the role it had to play in a normal human life. We talked about what to do about girls and how I felt about them. Without consciously realizing it, I stopped burning myself.
His advice got me slapped by a girl I thought I liked. He also helped me avoid three different girls that were sorta chasing me, at least in my evil little brain. In college he would get me into and out of trouble with girls I both wanted to chase and were chasing me when I didn’t want to be caught.
When I had the assignment to create a life-sized nude portrait for anatomy drawing class, he picked out the girl he wanted me to ask to pose for it, and almost goaded me into asking her. I, of course, ended up drawing my sister with all her clothes on. And I didn’t fail the assignment. He also got me to sign up to pose for the art class in the nude. But fortunately I got the flu the week I was suppose to sit in front of all those female art students in my birthday suit… the best ten-dollar modeling fee I never collected.
My invisible faun was a kind of self-therapy, I guess. He brought the sensual side of me back to life. He healed me and made me more whole.
I seriously thought I had a lifelong invisible friend. But once I started telling other people, real people, about the sexual assault, he kinda faded away.
I have now probably confessed something that makes me clinically schizophrenic, or technically crazy. But Ra is still real to me in so many ways. I used his story as part of my book, A Field Guide to Fauns. And for me he was an imaginative and necessary cure for a very real problem.
Catch a Falling Star 
Strawberry Fields
This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.
This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.
But don’t get me wrong, strawberries are a critical part of every healthy mental diet.
You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.
She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.
And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.
But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)
And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.
She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.
My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.
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