I was originally planning to have AeroQuest 4 published by now and AeroQuest 5 well underway as my regular novel-writing segment on Tuesdays. The manuscript for 4 is written and formatted, awaiting only a final edit. And half of 5 is already written. It is only the expanded first part of this manuscript that has yet to be written.
But since finishing the manuscript for 4, all I have managed to do is work on other projects. I have added nothing to it since February.
My Fairy stories have taken over my writing time.
The Education of PoppenSparkle has taken over the Tuesday slot in my supposedly structured blogging week. I am enjoying writing it, yet, it is only happening on Mondays every week. The last-minute nature of that writing style is producing a lot of adrenalin and obsession with deadlines, but it is also draining the creativity out of writing time every other day of the week. I haven’t failed to post something for my daily blog, but even the writing I do get done lacks the luster of older posts.
I need to get back to writing on my main work-in-progress, He Rose on a Golden Wing. That book continues to grow and get more complicated as it marinates in the creative juice of my overly juicy mind.
So, there it is, me writing about something I was not supposed to write about on this Memorial Day. I am not suffering from writer’s block, for I am writing every day. But I am suffering from doldrums with the sailboat of progress not having any wind in my sails. How do I get the wind back? I will find a way.
I am now in the final phase of publishing The Bicycle-Wheel Genius. I am merely waiting for Amazon to object to whatever ridiculously minute formatting error I may still have going. And I once again had to publish without benefit of a beta reader or an editor of any kind. You learn things about yourself that you really don’t want to know.
What I have learned;
I can’t depend on my wife to be a beta reader and comment on my work. She tried once and told me, “Your writing is like dog poop. It is full of weird stuff, smells bad, and is impossible to get off your shoe once you step in it.” To be honest, I ironed out that metaphor just a bit. She was actually quibbling about my proofreading style and basically ignored all the content of the story. That’s the way English teachers are about prose.
I can too easily fall into the habit of introducing characters on a fashion model runway. The first time the character enters the narrative I tend to give a head to toe rundown of how they look, what they are wearing, and how they have done their hair. I know better than that, but I still do it.
I… use… ellipsis… marks… toooo… much…!
My creative spellings tend to drive the spellchecker insane. In this novel I had trouble over the spellings of blogwopping, interbwap, and dillywhacking. To be fair two of those words are from the language of the Tellerons, a space-faring race of frog people who happen to ineptly invade the earth. (Oh, and the other is a euphemism used by young boys for something very private. Don’t tell anybody about that one.)
Time travel plots can be laboriously difficult to follow through mobius-strip-like contortions of time, space, and history.
Sometimes my jokes are not funny. Seriously… that can be a problem.
And my characters often act on weird impulses and do things for no rhyme or reason… or rhythm either for that matter… see what I mean about ellipsis marks? Of course, one can always explain that that is exactly how people really are. I myself never do that. There is always a rhyme to be snatched from the ether in the very nick of time… randomly.
And at the end of the novel, when I am tying up the loose ends of the plot in a Gordian Knot, I have strings left over. Maybe enough to knit a shirt with. So I end up picking them up and starting another novel with them.
It is basically heck to be a divergent thinker. You try to make a list of things, and by the time you get to number 9, you have forgotten what the list was about, and you even forgot to number things, so you have to go back to the first one and count. Now what was I talking about?
Oh, yeah. I edited the book all by myself. And now it’s done. Time to start a new novel and make all the same mistakes over again.
If you’ve read any of the crap that Mickey wrote about before in this goofy blog, you probably already suspect that Mickey’s mind does not work like a normal mind. The road map above is just one indicator of the weirdness of the wiring that propels Mickey on the yellow brick road to Oz and back. He just isn’t a normal thinker.
But having a few bats in the old belfry doesn’t prevent the man from having a plan. If you read all of Mickey’s hometown novels, you will discover he hasn’t written them in time order. Main characters in my 2016 novel weren’t even born yet in my 2017 books. If you look at them in chronological order rather than the order written, you will see characters growing and changing over time. A shy kid in one novel grows into a werewolf hunter in the next. A girl who loses her father to suicide in a novel not yet completed, learns how to love again in another novel.
Multiple Mickian stories are totally infected with fairies. The magic little buggers are harder to get rid of than mosquitoes and are far and away more dangerous. And there are disturbing levels of science-fiction-ness radiating through all of the stories. How dare he think like that? In undulating spirals instead of straight lines! He doesn’t even use complete sentences all the time. And they used to let that odd bird teach English to middle school kids.
But there is a method to his utter madness. He started with the simpler stories of growing up and learning about the terrors of kissing girls when you are only twelve. And then he moved on into the darker realms of dealing with death and loss of love, the tragedy of finding true love and losing it again almost as soon as you recognize its reality. Simple moves on to complex. Order is restored with imagination, only to be broken down again and then restored yet again,.
And, of course, we always listen to Mr. Gaiman. He is a powerful wizard after all. The Sandman and creator of good dreams. So Mickey will completely ignore the fact that nobody reads his books no matter what he does or says. And he will write another story.
It is called Sing Sad Songs, and it is the most complex and difficult story that Mickey has ever written. And it will be glorious. It also rips Mickey’s heart out. And I will put that ripped-out heart back in place and make Mickey keep writing it, no matter how many times I have to wash, rinse, and repeat. The continued work is called Fools and Their Toys. It solves the murder mystery begun in Sing Sad Songs. This re-post of an updated statement of goals is the very spell that will make that magic happen. So, weird little head-map in hand, here we go on the writer’s journey once again and further along the trail.
This is an old re-purposed post from 2016 to kill some time so that this blog doesn’t kill me.
Life is hard here in the Kingdom of Paffoon where you labor hard at a labor of love and try to give birth to something eternal that ends up going nowhere… stacks of old writing litter my closets, and the prospects of being published grow dimmer and dimmer. My book Snow Babieshas a contract with a publisher, but, apparently they are not going to be able to publish it after all. I am at the very least going to have to find another publisher for the rest of my books, both finished manuscripts and works in progress.
I do intend to follow through and get published, though. I can no longer teach, but I feel a powerful force pushing me towards the sheer precipice of authordom. One way or another I am going to make it over the edge and plummet to the bottom of that cliff. I am compelled by the need to tell stories, and I have a captive audience every school day no longer.
I used to tell my classes that doing impossible things was like trying to pull chicken teeth with pliers. You know, impossible things like getting a book published or teaching a mostly Spanish-speaking student how to read in English… every-day-sort-of impossible things.
“But, Mr. B, chickens don’t have teeth,” some bright-eyed student would say after realizing that “chicken” was the English word for “pollo”.
“Exactly!” I would say. “That’s what makes it so challenging!”
And now I must put on my chicken-catching socks, find my tooth-pulling pliers, and get ready to make more novels happen. After a brief bout of consternation and depression, I actually feel a bit better about the whole fiasco. There are other publishers, and publishers seem to like my writing, even if they can’t publish it. And I have waited two years to get Snow Babies published, all apparently for nothing. It is time to stop wasting time. And maybe to stop repeating repetitions too.
I would like to here note that I now have 21 books published, all but one of which is self-published on Amazon and fully under my control. My other book, the award-winning novel from I-Universe, Catch a Falling Star, continues to be little-purchased and less read, though I discovered they pay all my royalties to my wife’s bank account. That was unexpected. Chicken teeth where they can’t be reached by me.
I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.
This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.
I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”
I simply nodded.
Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”
The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”
I rolled my eyes at the dark ceiling.
On the chalkboard I wrote out. Today’s Lesson Is…
“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”
“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”
“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”
“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.
“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.
“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.
I agreed with all three of me. I nodded and smiled.
“But you are Death, aren’t you?” asked middle-aged Mickey.
“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.
“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.“
Like many writers, I have a plethora of weird voices in my head, constantly criticizing me, making jokes out of me doing ordinary things like brushing my teeth with the old brush my daughter used to scrub mud off her sneakers, characters who have actually come to life in my head and are constantly telling me stories about themselves… Good golly! Maybe many writers don’t hear these voices and I am simply nearly insane.
But, this is to be expected. I am a Baby Boomer. A child of the ’50s. So, I was raised by the black-and-white television. “I Love Lucy“, “My Three Sons“, and “The Munsters” taught me morals and an ability to laugh at myself. I learned about History, Politics, and the World from Walter Cronkite, the ultimate neutral news commentator. I also learned a lot about story-telling from old movies on Saturday afternoon. Television gave me empathy, knowledge of the world, and a boost to my imagination that I wouldn’t have had if I had been a child a generation earlier. Of course, I know it would also have been very different if I had been an internet child like my own children are. There is presently such a flood of free facts available that our information-soaked little brains are often drowning.
So, why am I talking about television today?
This coming week is a week spent alone. I was left behind with the dog as the rest of my family took a trip to Florida. It was my own choice. I am not capable of sitting in a car for long enough to make the car trip from North Texas to Central Florida. And I did not want to keep them from going. Days of good health are long ago and fading from memory.
So, I am left behind with time to write and time to watch whatever I want to on Netflix.
And this is useful because… well, I am a child of good television. I can work on my two WIP projects at once with Netflix series and movies in between word-munching sessions. I can be totally immersed in the writing act. I can write naked anywhere in the house (with the windows closed) without hearing complaints or distress from my non-nudist wife and my embarrassed-by-their-parents kids. It is almost as good as being well enough to go with them.
And Netflix (as well as, soon I hope, Disney Plus) affords me a chance to select exactly what I want to watch in ways that television on three networks, the way it used to be, could not provide. It is a chance to time-travel, to explore, to reach new levels of laughter and understanding… as well as tears. And I can watch TV too.
I have significantly slowed down in my production of fiction. Not so much because I don’t have any ideas to write about, but because my eyes are limited in function by glaucoma that I am treating with eye drops. And also because my fingers on the keyboard are slowed by arthritis and the repeated need to make corrections from hitting so many of the wrong keys.
I currently have four novel projects where I have started writing and begun to fill pages. AeroQuest 5 : It Ain’t Over Yet continues the slogging rewrite of my first published novel, Aeroquest. It was simply a matter of following the story arcs set up in books 3 and 4. I have about six chapters done with absolutely no idea how many more are yet to come.
I have had a sudden-inspiration novel hit my brain, and I am also well into the story of The Haunted Toy Store.
The biggest project I have going is the novel I have been working on since 2021. He Rose on a Golden Wing is about teen depression and using imagination and a tight circle of friends to overcome it. The novel draws together story threads that began in four previous novels. And it dovetails with another story, Kingdoms Under the Earth, that deals with a health problem that overcomes a group of younger characters that is happening at the same time. Kingdoms does not exist on paper, or in computer file, at all yet. That story is merely percolating in my head as the prior writing continues to involve cross-over points and story links
This picture is inspired by Disney’s Fantasia, and so will not be used in any of my books. I do not wish to be copyright-sued by Disney.
The novella seen to the left is about two chapters from being finished. But it got caught up in the need to reformat it as I transformed it from a document on my Chromebook to the more friendly word-processor on my HP laptop.
I have almost completely lost the momentum on finishing that… which should have been finished six months ago.
While all of this is on my to-do list, I have also begun planning and doing drawing for a book I will call Naked Thinking, a non-fiction meditation on being a nudist, drawing and painting nThouude figures, and baring my soul in the books I write (Though I do not plan to bare my own naked body in the process… probably… at least not in a photo.)
So, with all of this nonsense going on in my writing life, you can see why I always seem to be arguing that I do not have writer’s block.
An infinite number of monkeys with and infinite number of word-processors will supposedly eventually type out everything I have ever written and everything I am going to write… As well as everything I will ever write with a random word misspelled or replaced with the wrong word. It would be an infinite mess. After all, infinite monkeys and infinite word-processors would fill infinite space and leave no room for infinite bananas. The monkeys would all starve after the initial typed manuscripts are completed, and any surviving monkeys that randomly evolved an ability to eat word-processors would die from exposure to infinite rotting monkey corpses. The whole thing gets gruesome after a while.
But let’s get serious for a moment. (Something that is generally difficult for Mickey.) Monkeys with type-writers will not solve my essential problem. I will not run out of stories before I run out of time for story-telling. And I find it totally creditable that my time is almost gone.
I am ill again, with a viral infection that gives me headaches, low-grade fever, and a wicked cough. I feel horrible. I had chest pains last night that led to a serious debate yet again. If it had been a heart attack, that would’ve been the end. I cannot survive economically another hospital bill. So, I have to go on the theory that since the last heart-attack scare was only arthritis in the ribs and the strange effect that has on EKGs, this one must also be the same. I can’t afford any other conclusion. And since I am still alive to write this, it was obviously the correct conclusion to draw.
The titles I have listed above, still in my stupid old head, are eleven more books I will add to my growing list. This is, of course, entirely dependent on how much longer I have before the darkness claims me for all time. I have writing to do. No more days off. And if I get five more years of two books a year, I just might make it. But last night convinced me that the effort may end at any time. So, though I am sick, I better get busy and write something.
When choosing whose picture to publish of all the many made-up people that live in my head and my fiction, I often wonder, do I have an accurate sense of who is important and who is merely minor? I offer now some characters I don’t feel comfortable leaving out.
Mazie Haire
One of the Haire Sisters, rumored to be a witch, and proud to prove it to you, Mazie is a severe and highly focused individual with a knack for seeing and convincing you of the truth. So, maybe she really is a witch.
She appears in;
Snow Babies
When the Captain Came Calling
Milton John Morgan (Milt)
I can’t tell you about the witch without mentioning the wizard. Milt Morgan is the Merlin of the Norwall Pirates (an adventuring gang and 4-H softball team).
He is one of the founders of the gang and the one who got them into the most trouble in the 1970’s.
He appears in;
Superchicken
The Baby Werewolf
The Boy… Forever!
The Wizard in his Keep
Torrie Brownfield
Torrie is the hair-everywhere boy with hypertrichosis, the werewolf-hair disease. He was genetically doomed to life looking like a werewolf. He was discovered living in hiding in Norwall by the Pirates’ gang who decided they simply had to make him a member.
He is, of course, the main character of;
The Baby Werewolf
And also appears in;
Recipes for Gingerbread Children
Harker Dawes
Harker is a clown-character based on a real person living in the real town of Norwall. He buys the local hardware store and runs the business into bankruptcy. He is not only a ne’er-do-well, but he also is a truly loveable fool.
He plays a key role in;
Snow Babies
He is also in the upcoming novel;
Fools and Their Toys
Dilsey Murphy
Dilsey is Mike’s slightly older sister who seems to be in a lot of my stories. She is a tomboy and a Daddy’s girl. She is also beloved by her irascible Grampy, Cudgel Murphy. Mike Murphy both hates her and loves her, but mostly just depends on her.
She is in;
Magical Miss Morgan
The Bicycle-Wheel Genius
and a large number of upcoming stories
Sean “Cudgel” Murphy
Grampy of the Murphy Clan, Cudgel is the meanest old man you’d ever want to meet. He is excellently suited to the job of teaching kids to swear. And he only drives his Austin Hereford, “The finest car made anywhere in the whole goddam world in 1954!”
He appears in;
Snow Babies
The Bicycle-Wheel Genius
Francois Martin
Francois, the French orphan, is the main character in my novel,
Sing Sad Songs.
He paints his face in clown paint and sings beautifully enough to save his Uncle’s business. I am halfway finished with this new novel.
So, now I feel like I have exhausted myself in character introductions and will probably eschew a “Part 4”. But with Mickey, there are no guarantees.
It is getting harder and harder to climb the new day’s hill to get to the summit where I can reasonably get a good look at the road ahead. At almost-64, I can see the road ahead is far shorter and much darker than the highway stretching out behind me. It is not so much a matter of how much time I have spent on the road as it is a matter of the wear and tear the mileage has caused.
This weekend I had another depressing free-book promotion where, in five days, I only moved five books, one purchase, and four free books. I have made $0.45 as an author for the month of June.
I was recently given another bit of good advice from a successful author. He said that I shouldn’t be in such a rush to publish. He suggested taking more time with my writing. Hold on to it longer. Polish it and love it more. And now that I have reached sixteen books published on my author’s page, I have basically beaten the grim reaper in the question of whether or not he was ever going to silence me and my author’s voice. I can afford to live with the next one longer.
But the last one, A Field Guide to Fauns, practically wrote itself. It went fast from inspiration to publication simply because the writer in me was on fire and full of love and life and laughter that had to boil over into hot print exactly as quickly as it did. The additional writing time afforded me by the pandemic and quarantine didn’t hurt either. Once in print, my nudist friends loved it.
This next one has the potential to boil and brew and pop out of me in the same accelerated way as that last one did. Of course, it has been percolating inside my brain basically since the Summer of 1974. So, this is no rushed job. The Wizard in his Keep is a story of a man who tries to take the children of the sister of his childhood best friend to a place of safety when their parents are killed in a car wreck. But the only safe place he has to offer is in the world of his imagination. A world he has bizarrely made real. And that best friend comes searching for the children. And so does a predator who seeks to do them all grievous harm.
In many ways, it is a story already written.
So, I am rekindling the flame that keeps the story-pot boiling. And more of it is already cooking. And I am recovering from the cool winds of disappointment, as well as the dark storm clouds of the nearing future.
This is now actually a two-year-old post. Both of the books mentioned here are published and available from Amazon. As far as holding on to the books longer, there is no problem with that on Amazon. Editing, improving, and re-publishing a book is actually easier than publishing it the first time. Nothing about this old post has been made untrue by the passage of time. I am still probably the best author of books like these whose published books almost never get read.
Catch a Falling Star 
The Joys of Editing Yourself
I am now in the final phase of publishing The Bicycle-Wheel Genius. I am merely waiting for Amazon to object to whatever ridiculously minute formatting error I may still have going. And I once again had to publish without benefit of a beta reader or an editor of any kind. You learn things about yourself that you really don’t want to know.
What I have learned;
Oh, yeah. I edited the book all by myself. And now it’s done. Time to start a new novel and make all the same mistakes over again.
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Tagged as novel writing, the Bicycle-Wheel Genius