Tag Archives: art

July 4, 2026 · 12:32 am

“That Night in Saqqara I Was Taken By Surprise”

Life is never quite like the way it is in your head. Things you don’t believe are true will constantly surprise you with the reality they belt you over the head with at the most inopportune of times.

Today’s colored-pencil Paffooney masterpiece is a case in point. I never believed it was possible to take this good of a picture of it. It is a horror movie to try to light this picture so I can snap it with a camera and get a result with no fades or reflected glare. It was created in 1992, when I was really at the height of my colored-pencil cartoonist super-powers. The subtle lighting is so much better than I can convey with the arthritic turkey-claw hands I now use for such artwork. Torchlight in a pyramid is a hard thing to convey. And over time, this picture’s colored-pencil patina has become glossy and difficult to photograph without glare. It has subtle waves in the paper that photograph as shadowy valleys and reveal the two-dimensionality of the piece. You can still see them if you look closely. But it is far better than any previous photo. Go back and check my archives if you don’t believe me… or you wish to be bored to death with old posts that you have somehow managed to dodge before now.

But like Tanis in the Tomb, things always turn out to be surprisingly different in their reality than they were in your little mind’s eye when you went into that dark hole in the ground.

We were discussing this at lunch, my kids and I. We were talking about how Sims 3 portrays reality and how really surprising it can be when you realize that the game has got it right. When I walked all the way to the bottom of the stairs this morning before realizing that I had forgotten my shoes upstairs, I had to turn around and go all the way back upstairs. This, I am told, is exactly how it works in Sims 3. A character in the game cannot turn around on the stairs. If you change your mind halfway down, the character. or avatar I think they like to call them, must go all the way to the bottom to turn around and go back up. So obviously this morning, God was playing Sims 3 and using me as an avatar.

Now, I don’t really like to believe God plays video games with reality… but my son Henry brought up the Rolling Stones as proof. It is common knowledge that Keith Richards is an undead creature, having so completely altered the biochemical make-up of his entire body with drugs that he died in 1988 and still goes on tour because his brain has not yet fully registered the fact that he is dead. My son pointed out that in Sims 3 you can make your avatar all gray or green and zombie-looking and then play the game with your avatar walking around and doing all sorts of stuff without realizing he or she is dead. So, not only Keith Richards, but the entirety of the Rolling Stones, who are all skeletal old druggies who should’ve passed half a century ago, goes to prove that God is playing Sims 3 with the universe. My gasted is totally flabbered! And I hope this glimpse into the unholy truth has not ruined your day.

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Filed under horror movie, humor, Paffooney

Tagged as action figures, art, books, colored pencil, food, goofiness, horror movie, humor, Mummy, paffooney, photography, Rolling Stones, surprising facts, travel, undead, video games

June 19, 2026 · 12:08 am

Homely Art – Part Two – Paul Detlefsen

Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen. Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables. He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys. Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her. I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”. And Grandma was easily scandalized when we were kids. She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical. She didn’t like for people to be naked, except for bath time, and maybe not even then. She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”. http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm

Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues) One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here. They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher. And there were a lot of them. Here is another;

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Grandma had this in puzzle form also. We put the puzzle together, glued it to tag board, and framed it. It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s. My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day. Detlefsen is not known as a great artist. He was a humble painter who painted backdrops for films for over 20 years. In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home. I believe I saw his paintings in all these forms in one place or another. According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.” That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw. Let me share a few more of his works, and see if you recognize any of these;

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Filed under art criticism, art my Grandpa loved, artwork, homely art, oil painting

Tagged as art, art criticism, artist, artwork, creativity, exhibitions, history, homely art, Oil Painting, painters I love and admire, painting, Paul Detlafsen, writing

June 10, 2026 · 12:12 am

Something Creative Goes Here

Sometimes the creative brain gets a little too hot and needs time to cool. That means I need a meaningless filler post to maintain my every-day posting. So, I give you a picture of Mike Murphy carrying his girlfriend, Blueberry Bates’ books home from the bus stop on a country road in Iowa. And, of course, they happen to meet an alien named George Jetson, whose father named him after a character on his favorite Earther TV show from the 60’s. It is a strange thing to have your brain over-heat from too many creative neurons firing at the same time. But it can lead to notions of intergalactic peace and cultural exchange… or racist comments like, “Tellerons have heads that look like giant boogers!” But I should be able think more rationally tomorrow. I hope that turns out to be a good thing.

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Filed under aliens, artwork, blog posting, conspiracy theory, goofiness, Paffooney, self pity

Tagged as art, artwork, books, creativity, filler post, food, goofiness, humor, photography, travel

June 9, 2026 · 12:08 am

Homely Art – Part One – Thomas Kinkade

These images can be found at http://thomaskinkade.com/

I honestly have a thing for artists that critics hate and common folk like my parents and grandparents loved. Norman Rockwell is a bit like that. He enjoyed commercial success as a magazine illustrator. That is about as far from avant garde art as you can get. But what can I say? I don’t call myself an artist. I am a cartoonist and all around goofball. I don’t do serious art. So the questions surrounding Thomas Kinkade bounce off my tough old non-critical hide like bullets off the orphan of Krypton. I love his pictures for their gaudy splashes of color, his way with depicting puddles and water of all sorts (splashes of splashes), and his rustic homes and landscapes of another era. This is a man who does lovely calendar art and jigsaw puzzle art. He is roundly criticized for factory production of “original” oil paintings which are actually a base he created and made a print of painted over by an “assistant” artist or apprentice. But I don’t care . I like it. And you used to be able to see his originals without going to museums, in art stores at the shopping mall. He is unfortunately dead now. For most great artists, that makes their work more valuable and more precious. Kinkade’s art hangs in so many homes around the country already that his fame has probably already reached its peak. Look at these works that he did for Hallmark and Disney and various other mass-market retail outlets. I dare you not to like it.

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Filed under art criticism, oil painting, Thomas Kinkade

Tagged as art, art criticism, Art my Grandpa loved, homely art, Oil Painting, Thomas Kinkade

June 6, 2026 · 11:51 pm

Homely Art – Amos Sewell

Still being under the weather and filled with sinus head-pain, I decided to go back to a subject I love so much that the post will simply write itself. You know I love Norman Rockwell and his art, and I fervently believe that kind of mass media oil-painting does not put him in a lesser category than Rembrandt or Michelangelo or Raphael or any other painter with a ninja turtle namesake. He is a genius, and though he is not a realist in so many ways, his work is more truthful than practically any other kind of painting. If you are taken by surprise and didn’t know I had this passionate obsession, maybe you should go back and look at this post; Norman Rockwell

Now that I got that out of my system, here is another Saturday Evening Post artist that is often confused with Rockwell. His name is Amos Sewell.

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Sewell was an amateur tennis player who was talented enough to win tournaments. He was an employee of Wells Fargo who was headed towards anything but an art career until he decided to make a leap of faith in 1930. He started as an illustrator for Street and Smith pulp fiction, and soon caught the notice of the big-time magazine markets for his art. He published art for Saturday Evening Post, Country Gentlemen Magazine, and Women’s Day.

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Like Rockwell, he was able to find the funny in everyday scenes, like the dance party to the right. That young man at center stage is trying so hard not to step on the feet of the red-headed girl, that you want to laugh, but can’t because it’s obvious how embarrassed he would be, and the charm of the picture leads you to shun the thought of interrupting. The scene is so real the boy would hear you laughing as you looked at the Post cover.

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More expert on this kind of art than I am is the Facebook site that I first got turned on to Sewell by. Children in Art History

They can also be found on WordPress. Children in Art History (WordPress)

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There is no doubt that Amos Sewell belongs in the same pantheon of artists as Norman Rockwell, Thomas Kinkade, or Paul Detlafsen. They are all artists who achieve in their work exactly what I have always striven for. I want to be able to hold the mirror up to our world the way they did. I want to capture both the fantasy and the reality in the subject of everyday family life. I also want to share this work with you because I cannot stand the idea that such artistic ambrosia could one day be forgotten in archives where no one ever looks at it and feels the message in their heart.

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Tagged as Amos Sewell, art, art criticism, artwork, homely art, humor, life, Norman Rockwell style, philosophy, Saturday Evening Post, writing

June 4, 2026 · 12:26 am

The Care and Feeding of a REALLY BIG DOG

My neighbor, Wendy Wackyname, is the owner of a really big dog. I asked her how she managed a dog that was bigger than a moose and weighed more than an elephant.

“You have to be able to solve problems you never thought you could have,” she said.

“Problems like what?” I stupidly asked.

“Well, a dog that big not only chases cars, but he often catches the littler ones like yours. It became a real problem when he finished chewing on them and wanted to bury them in the back yard. When we lived in Oklahoma, our back yard just wasn’t big enough, and the local police kept wondering about what might be buried there. I guess they had a lot of missing persons cases.”

“Oh, that does sound bad.”

“Yeah, but moving here solved that problem. We now live next to this nice big park with lots of room for a dog to bury stuff.”

“So he isn’t cured of chasing cars?” I asked nervously.

“No. But that isn’t the worst problem. Feeding him is really expensive. We have to buy a truckload of dog food every week. That problem has gotten worse since we left Oklahoma. There used to be a cattle ranch nearby. At least until the last of their stock mysteriously disappeared.”

I decided I should probably change the subject a bit.

“How do you walk a dog that big?” I asked.

“Oh, I don’t. I climb up on his neck and hang on to the collar as hard as I can, and we go for a run. We ended up in Waxahachie, Texas, last week.”

“Does your mother ever let the dog in the house?”

“Oh, no. Foozy is an outside dog. If he wags his tail indoors, he breaks all the furniture in the room. Besides, the doors in this new house aren’t big enough for him to fit through.”

“Wendy, did you ever read those kids’ books about Clifford the Big Red Dog?”

“Oh, sure. But life with Foozy is nothing like that. Giant dogs are a much harder pet to take care of than people think.”

I remembered then how my little dog somehow managed to make five poops a day. Did Foozy do that, too? And how did poor little Wendy go about bagging it and depositing it in the trash? I finally decided I didn’t want to know.

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Filed under goofy thoughts, humor, Paffooney, pen and ink, pen and ink paffoonies, satire

Tagged as art, books, Clifford the Big Red Dog, dog owners, dogs, exaggeration, food, humor, life, photography, travel, writing

June 3, 2026 · 12:59 am

The Secret Gallery in Grandma’s Closet

After years of being stored away, I discovered that my mother had hidden a hoard of my old artworks in the upstairs closet in Grandma Aldrich’s house (now my parents’ house).

This oil painting was done on an old saw blade at the request of my Grandpa Aldrich. He wanted a farm painting on it, like the one he’d seen in a restaurant during a fishing trip in Minnesota. I chose as the subject Sally the pig. Sally was a hairlip piglet that had to be bottle fed and raised in a box by the stove until later in life she became a favorite pet. Believe it or not, pigs are smarter than the family dog. She became a pig you could ride. And Grandma had taken a precious old photo of my mother and Uncle Larry riding the pig. I used that photo to make this painting. It was also the painting I wanted to find on this trip to Iowa. Searching for it led to finding all the others.

These two are among the earliest paintings I did. They were both done on canvases that I stretched over the frame myself in high school art class. The purple one is a scene from Shakespeare’s Midsummer Night’s Dream. The blue one doesn’t have a title, but you can see what it is. It is an ancient shibboleth water monster lurking under a dock, fishing for young boys to eat.

This drawing was done on the front porch in the house in Rowan. It would be years before mom framed it. It is another example of what I could do as a high school kid. In fact, I composed it from art-class sketches I did my senior year in school.

The Boy in the Barn was painted on the remains of an old chalkboard that my sisters, brother, and I had used in grade school.

Grandma Aldrich asked for this picture to hang over the sofa in the farmhouse living room. It stayed there for many years.

Great Grandma Hinckley passed away in 1980. I created this portrait from a combination of photos and memory. It was too good. It was never hung anywhere because it always made her daughter, my Grandma Aldrich, tear up.

This pencil drawing won a blue ribbon at the Wright County Fair in the late 70’s.

This picture is called First Years are Hard Years. It was painted in 1982 after my first year of teaching at the junior high school in Cotulla, Texas. I painted mostly the good kids. The girl on the lower right would later go on to become a teacher for our school district. I can’t claim to be the one who inspired her, but she did make straight A’s in my class.

This is called Beauty. It is done in oil crayon on canvas. I did it for my mother to hang in the hallway in the house in Taylor, Texas.

So, it turns out, I unearthed art treasures by searching for the one painting.

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Filed under artwork, colored pencil, homely art, humor, oil painting, old art, Paffooney

Tagged as art, family, life, painting, writing

May 17, 2026 · 12:02 am

Paffooney Stories and Toony Cartoons

Here is a page for collected stories that I mean to build on and expand. It is my intention to file cartoons here and edit them and add more pages via posts. So for a first attempt let me use an old cartoon that was rejected once by Heavy Metal magazine in the early 1980’s and rejected a second time by a cartoon magazine that no longer exists and I can’t even remember the name of… I am thinking they had very poor taste in cartoon art anyway.

Now, of course, this a finished four-page one-shot. It was intended for a magazine that sought this kind of full-color art and had an over-all science fiction and horror fantasy theme. I was too light and colorful with this short for their needs. Disney characters on the PJ’s might have been a legal problem too. So I am left with an unsaleable example of my best colored-pencil art, done when I was still pretty much a clueless kid and not yet a teacher. It was worth doing, but will never make me a single dime.

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Tagged as art, artwork, cartoon, cartoon stories, cartoons, colored pencil, drawing, goofiness, illustration, paffooney

May 5, 2026 · 12:02 am

Stuff That Works

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What makes people visit your blog and maybe even click “like”? I should tell you up front, I have no idea how best to navigate the crazy internet. I want to. I have a book to promote. I have ideas and experiences to share. I am a writer and I would like to make something more than excessive heartache out of being one. But how you actually go about it is still a mystery.

Ima mickey

I know what I surf the internet for. I like artwork, especially original artwork. That is why I try to post as much of my own stuff as I can. I am an amateur artist, self-taught with a little bit of college art classes, contact with real artists, and a lot of TV Bob Ross. I surf to find other artists whose stuff catches my eye. I post about artists like Loish, Maxfield Parrish, Paul Detlafsen, and Norman Rockwell. I go to sites like DeviantArt (Example at this link) and follow artists like James Brown and Shannon Maer on Facebook. I help promote their work by sharing as often as I can. Do I worry about copyright violation with my artwork? No. I am long past the point of making a profitable career as an artist. I like having people see my work and if someone decides to claim they are the artist instead of me, I have the real originals and even some pictures of work in progress. The Big Eyes thing will not happen to me.

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So sharing pictures seems to matter. I got lots of hits from the monster picture post because I used a lot of monster-movie images that people normally search for on the internet. Pictures of pretty girls work too. It doesn’t seem to matter if I drew them or if they are a picture of a relative, those pictures pull people in too.

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Pictures of photogenic nieces aid my blogging popularity in a rather noticeable way.

Yes, I do believe I have just intimated that Minnie Mouse is my niece, a daughter of my sister-in-law. Lying is part of blogging. You have to put spin on things and make people understand the things they want to understand more than you need them to see what is really true in the empirical sense.

Jungle Girl

Being able to put the words “nude” or “naked” in titles or in the tags brings in more views too. Those words get lots of hits on search engines and some of the people who visit my blog looking for that actually read what’s posted. Just because an idea is a little bit naughty, it doesn’t mean only perverts and bad people respond to it.

This is a picture of Rowan Atkinson as Mr. Bean. It is NOT a picture of me.

And it doesn’t hurt to be a little funny now and then. Humor is something I look for in the posts of others. I try to be funny in my posts too… though whether they are hah-hah funny or merely eeuw! funny is debatable. Much of my humor is only intended to raise a smirk or half a smile. I am most satisfied when I make you think, “heh, that’s right, isn’t it.”

This is Millis, not me. He was an actual rabbit that was turned humanoid by a scientist’s experiment with alien technology.

So why is this post called Stuff That Works if, as I am claiming, I really don’t know anything about how blogging works? I may have been a little less than truthful when I made claims. Or maybe I was claiming with a little bit of “tongue in cheek”? I hope I have demonstrated that I do know how. The thing I have yet to wrestle with is WHY. So now I have to get busy and work on that.

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Filed under artwork, autobiography, blog posting, commentary, humor, nudes, Paffooney, surrealism

Tagged as art, artwork, blog, blogging, goofiness, humor, life, nudes, paffooney, philosophy, writing

May 1, 2026 · 12:39 am

Aeroquest Art So Far

These are the pieces of art and illustrations that are going into the re-writing project of my novel Aeroquest.

I decided to totally rework the novel and illustrate it more fully because it was always supposed to be a science-fiction satire and parody that was more cartoonish than literary.

It is a story about a teacher conquering a space empire. It arose from a science-fiction role-playing game that filled my days in the 1980’s and early 90’s.

It parodies Star Wars, Star Trek, Flash Gordon, Buck Rodgers, Dune, and much more besides. And it includes many of my own wacky inventions about what the future might hold in store.