If you have seen any of my numerous posts about dolls or old books or even, you guessed it, Pez dispensers, you know how badly I am gifted with hoarding disorder. You know the disease. Every old string-saving grandpa or scrap-booking maiden aunt you had as a kid had it. Piles and piles of useless and pointless things all neatly stacked and sorted somewhere in the house, or possibly garage… lurking like a monster of many pieces waiting to take over the whole house.
I can’t help it. Collections have to be completed. If you see it and you don’t already have it, you must possess it. Twenty-seven cents short of the full price with tax included? Go out to the car and dig in the cup holder. Oops! Can’t part with those particular State Quarters. Will they take that many pennies? Have to try.
Lately I have been victimized by a combination of my disorder and the fact that Toys-R-Us is a convenient restroom stop on the rush-hour drive along I-35 to pick up the Princess at her high school in Carrollton, Texas and my son Henry at his school in Lewisville, Texas. It is a killer two hours and I need to go potty at the halfway point. And I can’t make my way to the restroom without passing the Pez dispenser display. And I can’t pass the Pez dispenser display without… well, you know.
What can I say? I’m diabetic. I have to visit the restroom frequently.
And they do look good on my bookshelves with a lot of the other junk I collect.
And not all of these are new, bought some time this school year. In fact, not most of them.
And they only cost a couple of dollars each.
And I do resist the urge to buy one once in a while… honest, I really do.
And see here? Only Minnie Mouse and Pluto on this shelf are new. And how could I leave this collection without Minnie and Pluto?
And it’s not like butterfly collecting, which I shamefully admit I did as a kid. You don’t kill and mount Pez dispensers. Although I admit, I really don’t know for sure how their factory works.
But I also have to admit, Pez dispensers aren’t the only thing that turns my collecting urge up to the highest possible settings.
So don’t hate me for hoarding. If you’re worried, all of these things are available in stores too. And I have worked on my photographicalizing skills a bit to share them with you. And who knows where these treasures will end up when I pass on to the cartoonist’s paint box in the sky? My daughter has vowed not to let them end up in a landfill somewhere. Somebody will play with them and love them when I’m finally done. MAYBE EVEN FUTURE GRANDCHILDREN. There is a possibility, you know… always a possibility.
Catch a Falling Star 
Sunday with Salvador
Today I am waxing on about the wonderful, mad, mad, mad genius of surrealist art, Salvador Dali. He was born in 1904 and died in 1989. And that’s really about all that I want to tell you about the physical parameters of his boundlessly creative life. He was alive in this world until I was already thirty-three. So, I got to see him on television and watch video biographies of him and his incredible artwork. Ones that included interviews. And if I get into his public persona, that will eat up the rest of his essay. Instead, I need to talk about his art, and how it modifies and magnifies what I am meant to be.
His most famous painting is the one that most clearly burned the image of melting clocks into our collective memory. He claimed, and others pretend to see it too, that it is a reaction to Einstein’s Theory of Relativity. But when I look at it with the melting mask of Dali himself in the center, I see the artist’s perception of time in the spaces within which creativity moves. Time melts and has no meaning when you are painting and writing from an endless roiling flow of new ideas and notions. Time becomes as irrelevant in that context as the ants on the pocket-watch or the dead tree from which one deflated clock-skin hangs, There is no past or future, only the creative now.
And in that creative now, the artist sees himself. But if you look too closely, the self vanishes into the picture, the currently considered, fascinating work of art.
You see the boy with the hoop and wearing a sailor suit? That symbol, he always claimed, was his lost brother, the one who died before he was born. The one whose death made his parents decide to have another child. Without that brother, Salvador would probably never have existed at all.
And do you see the disappearing bust of Voltaire? Or when you look closely at the slave market in the background, is it simply no longer there? Things that disappear… things that become other things… tricks of perception, the fooling of the viewer’s eye… These are what the artist actually wants you to see. Not the well-portrayed physical reality, but the ghost of the shadow of an idea that’s hard to define.
And then there is the idea of war. Two world wars that took place in the prime of his painterly life.
Life does crazy things to the sensitive, suffering artist, and it shows in his work if not in his public personality.
And consider the artist’s notion of birth and life and death. Narcissus suffers for the sin of love of himself. He becomes petrified with age, a narcissus flower growing from his head, now an egg, the symbol of birth and rebirth.
And here is an exploded portrait of his beloved wife Gala.
All the elements float eternally in the air.
And you can see inside each thing.
Inside the home is the wife and mother.
Inside the mother is the child.
Inside the child is the loaf of bread that keeps him alive.
Does the bread, then, stand in for God himself?
Dali and his work is not simple. It is deeply, incongruously complex. But that is surrealism. That is how it works. Without getting into other complex symbols and such Dali-esque puzzles like burning giraffes, eggs, and Venus De Milo with bureau drawers in her torso, that is how Salvador spends his Sunday with me. An artist beyond time and space, long dead, but still speaking to me. And teaching me beautiful, untold things and stories of things.
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Filed under art criticism, artists I admire, artwork, autobiography, commentary, surrealism
Tagged as art, dali, painting, Salvador Dali, surrealism