Okay, so on the synesthesia tests I didn’t score as a synesthete on the music/color test. But I was extremely synesthetic on the tests for color/months/days of the week. I was a little over the mark on letter/number/colors synesthesia too, but it was more a problem with manipulating the color-selector device when I don’t have a mouse to use on my laptop. The test for music did not test the way I see colors with music. They wanted me to respond to what color each individual note seemed to be, and that isn’t even close to the way I experience it. For me, the perfect description of how synesthesia works for me is Bach’s Tocata and Fugue in D minor as it is depicted in Fantasia.
I was shocked when I first saw it. The colors are wrong for this piece, but the visual experience is almost exactly how I experience music, especially wordless instrumental music. The only problem with this piece is that the overall color schemes are wrong. But this comes about because every synesthete sees the colors differently. And I have no doubt that at least one of the artists who created this had synesthesia. If there were more reds, yellows, and magenta in the opening and more indigo contrasted with silver later, this interpretation would be perfect.
Music synesthetically works in two directions for me. The picture above, called The Wings of Imagination, makes me think of La Mer by Claude Debussy.
If you listen to the piece, don’t look at the YouTube illustration, look at my picture if you want to see the music the way I do. The following song, Don’t Worry, Be Happy, is a multicolored song that I can best express with the colors in the picture I call Rainbow Peacock.
The full range of primary colors together in one picture, or one song, always means completeness, fullness, and happiness to me. If there is absence of one or more of the basic colors from the color wheel, the mood and emotion present in the song or picture is altered to something other than happiness. The Firebird Suite by Igor Stravinsky goes from the indigo and navy blue of fear and confusion to instances of angry red and feverish orange. It would look something like this in the theater of my imagination;
And one of my favorite instrumental pieces of all times, Prelude to the Afternoon of the Faun by Claude Debussy, is full of melancholy and sexual tension, deeply felt vibrations in the depths of my stomach, and would look like my picture Sleeping Beauty with its teal and blue melancholia juxtaposed with candle-lit yellows and wood brown mixed feelings of joy and anxiety.
Now, if you have waded through all of this goofy color-and-music analysis from a source whose sanity is questionable at best, you probably have no earthly idea what any of it has to do with anything. But if you have that aha!-moment and see it all clearly too, then I suspect you probably are a synesthete too. Poor you. It is not a treatable condition. But it is also not a burden. Learn to enjoy it. It resonates in your very soul.
A Night at the Symphony
Last night my wife took us to the Dallas Symphony Orchestra for a performance of Gustav Mahler’s Das Klagende Lied (The Song of Lamentation). So, you can bet we were in for a happy night just based on the title of the piece. As you might’ve detected from the post title’s similarity to the Marx Brother’s movie A Night at the Opera, I took along my wacky mental versions of the Marx Brothers… whom I call the Snarcks Brothers. They are Scarpigo, Cinco, and Zero Snarcks. Think Groucho, Chico, and Harpo, and then my mental fartgas won’t prevent you from understanding quite as easily.
Jaap Van Zweden, conductor of the DSO, and aspiring impersonator of Grumpy from the Seven Dwarfs
Scarpigo, Cinco, and Zero Snarcs… so to speak…
Now, don’t get me wrong, I love classical music and I like Mahler okay. But his music tends to be depressing and sad. I don’t mean merely depressing and sad, but deep down at the bottom of the canyon with hill giants tossing boulders at your head in the midst of a thunderstorm symphonic sort of depressing and sad. It could really bum me out, so I was prepared to have Scarpigo lean over the balcony rail numerous times to shout “Booga-booga!” at the concert goers. And the Blues lost to the Sharks in the Stanley Cup playoffs already this past week.
Fortunately the DSO often adopts the old movie theater tactic of cartoon shorts before the feature film… the same way Pixar does for Disney now. They chose Aaron Copland’s Clarinet Concerto as the cartoon short. Now this is also supposed to be sad music, a single clarinet, a single harp, and a single piano… surrounded by violins, the gushing tears of every symphony orchestra. But it is Copland, my fourth favorite composer of all time, behind only DeBussy, Motzart, and Beethoven. As a synesthete, I can tell you that Copland’s music is always no bluer than silver, and tends to be more vermilion, rosy pink, yellow-orange and carmine red… more happy and passionate than depressing. Then too, Cinco Snarcks whispered in my ear that since I have this Van Zweden/ Grumpy thing going on already in my head, I should look carefully at the clarinet soloist. Yep, bald head, white hair and slight white beard and glasses… Doc! And the pianist, bald head and big ears… Dopey! The night would be Gustav Mahler and the Seven Dwarfs. Zero Snarcks was thinking about squeezing off a toot or three from his little horn and maybe using light cords hanging from the ceiling for an impromptu trapeze act, but he took one look at the elegant, swan-like harpist and fell too much in love to interrupt.
The main show, however, was everything I thought it was going to be, and worse. They had a translator screen hung from the cords Zero wanted to go for a swing on, that took all the incomprehensible choir-crooned lyrics and translated them from German into English. The story of Das Klagende Lied is taken from the Grimm Fairy Tale, The Bone Flute. It tells the tale of two knightly brothers, one good and one evil, who set out to win the hand of a very self-centered but beautiful queen. She can only be won by the finding of a special red flower that grows under a willow tree. The knights agree to split up and search the enchanted forest for the flower. Naturally, the good knight finds it and plucks it, putting it in the band of his hat. And just as naturally, the good knight flops down stupidly under the willow tree to take a nap. The evil brother finds his brother sleeping and sees the flower in his hat. So, like any evil knight would, he kills his brother and takes the flower.
Scarpigo’s comment on this particular story.
The evil brother then rushes off to the queen’s castle. A minstrel wanders past the willow tree, finds a gleaming leg bone, and immediately thinks, “I have to make that into a flute!” And when he does, the only song the flute will play is the lament about how the evil brother made meat pie out of his good brother and stole the flower. Then, naturally enough, the flute forces the minstrel to go play at the wedding.
I’m sure you know how it goes from there. The queen hears the bone flute’s enchanted song and flops down dead, apparently a heart-attack from shock. And if the queen dies, then the castle has to magically fall down on the new king, the minstrel. and all the wedding guests. A gruesome, terrible time is had by all.
So, I had a good time after all. Scarpigo leans over to whisper to me, “That was more fun than a barrel of monkeys smoking crack, wasn’t it?” Yes, purple, blue, blue-violet, and indigo music, and I am left depressed as hell. But when my wife asked how I liked it, I put on a happy face and said, “That’s the silliest thing I ever heard!”
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Filed under commentary, Depression, flowers, foolishness, goofy thoughts, humor, music, review of music
Tagged as Copland, Dallas Symphony Orchestra, goofiness, humor, Mahler, seven dwarfs, synesthesia