Tag Archives: poem

Cloudscapes

Cloudscapes

Once upon a time, the English poet and, I would argue, cartoonist, William Blake once said, “You look at the sky and see clouds, while I see the assembled heavenly host!”  This is why my literature class in college about the Romantic Poets of his day made him out to be a certifiable nutcase who probably belonged in in a mental institution.  (And back then, in the 1800’s, the sanitarium was a place where inconveniently crazy people went to die.)

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Look at a couple of my cloudscapes.  Do you see angels?

Cloudscapes (a poem)

Blue and white and filled with light…

The cloudscape burns with angels…

And wholly bought with grace unsought…

I long to fly with angels…

Are they really there in the cloud-filled air?

I see them there, they’re angels!

So, there you have it.  I’m a loon.  I don’t even have the excuse of being a Romantic Poet and well-known for my poetry as a defense against the loony bin.  But as the matter stands, I am fully willing to accept the consequences.  Creativity has its price.  And, while you may not agree that I am somewhat creative, I am swimming in a vast ocean of perceived revelations that enriches me and fulfills me at the very same moment that it drains all the energy from my soul.  If that is not what it means to see angels… then I do not know anything of use to anyone but me.

The word “angel” (according to Wikipedia, the source of all true knowledge) comes to English via Late Latin and the word “angelus” which the Romans stole from the Greek  ἄγγελος ángelos,  The ángelos is the default Septuagint’s translation of the Biblical Hebrew term mal’ākh denoting simply “messenger” without specifying its nature.  (Notice, I am giving full credit to Wikipedia because it is far more all-knowing than I.)

I have many atheistic and agnostic notions in my ultimate belief systems, but still, I claim to be a Christian and believe in God Jehovah… within limits.  I still communicate with God on a daily basis, and while I don’t publicly pray anymore (a notion promoted by the Biblical Jesus) I find answers to my questions and solutions to my problems from the observable universe around me.. the messengers of God.  So, now that I have fully rationalized being crazy as a loon, I am going to tell you where that craziness is taking me.  I started a new Paffooney for one of the books I am working on.  Here is the pencil sketch;

pencil sketch

 

This will be a picture of Valerie Clarke and her Daddy, the farmer Kyle Clarke.  In my fiction, Kyle loses his farm to the bank (in the Family Farm Crisis of the 1980’s) and believing himself incapable of any longer supporting his family, kills himself.  But the thing is, the love of his daughter transcends death for Kyle.  She is able to reconnect with him time and again because the angels work for her as well as for Kyle.  I may be loony and ill in real life, facing the Angel of Death myself, but I am not done doing God’s work… not yet… not for a long time to come.

The finished picture.

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Swansongs and Chess with the Reaper

The folktale is that a dying swan, though it probably never sang a single note in its lifetime that wasn’t a car-horn-like honk will sing an absolutely beautiful song before succumbing to death. I am nowhere near as beautiful as a swan, but I probably sing better than they do. I have never heard a clear B flat or high C from a Swan. Their actual singing is more like a cow dying. But who knows? Maybe they do achieve a miraculous melodiousness as they step from one world into the next. And I have been feeling the need to compose my own swansong of late. No man lives forever. And I am much closer now to the end than I am to the beginning.

I may not be able to sing a beautiful swansong, but there are other acts I can commit whose commission leads to great beauty. And I am doing my best to make use of those actions and skills before I pass from this reality.

Why am I so fixated on this idea that I am dying? My dog has cancer, a hideous tumor that I do not have the money to undertake to cure. And if I did have the money, she’s an old dog and the surgery would probably kill her rather than cure her. My father died just a few short years after his beloved dog passed away. There’s a symmetry at play in this outcome. I think the messages from Fate are clear.

As my myriad of unfortunate health conditions leave me in more and more pain with each passing day, the weight of years is pressing on my soul. Better to look forward to the next great adventure than to suffer overlong in the last act of this mortal production of a play by the great poet in the sky. The final curtain will close and the concluding overture has its last beautiful notes. Perhaps a celestial swan will sing it.

But I am not depressed and maudlin. I have lived a good life. And not all the good things in it are now only available in memories. Not while I can still draw and tell a story. I am slowing down in every way, but there are still stories in me.

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How to be a Truly Terrible Poet

I can’t tell you how to write a good poem.

As a poet, I am pretty terrible myself.

So, I can’t really tell you how to do it.

I am, however, an expert on how NOT to write a good poem.

A truly terrible poem might begin with an over-extended metaphor.

It might begin by saying, “A poem is like a fairy tale, filmed in black and white on 35 mm film stock, with Orson Wells as the director.”

And for the meat of the poem, you use details about the fairy acrobats having an accident on the trapeze, and the circus train derails and has a terrible accident, and the clown never takes his makeup off because he’s on the run from the police… and you totally forget that the movie “The Greatest Show on Earth” was directed by Cecil B. DeMille and filmed in color.

And you have a tendency to “squinch” the rhymes, rhyming “good” with “food” and “dud” with “odd,” and at the same time you put trochaic warts all over the iambic pentameter because as a poet you are not William Shakespeare, and you are not even Buddy Rich because the rhythm sounds more like banging trashcan lids than drumbeats.

In the middle of the poem somewhere it suddenly becomes free verse without a rhyme scheme or reason for the change. And the theme circles back on itself and does a pretzel twist with no logic to salt it with.

And you are a terrible poet like Mickey because, when you write a poem you don’t realize;

the gemstone at the center of your poem must go from your mind, to pen, to paper, to eye of the reader, to mind… and finally to heart…

And the blaze of its beauty must be strong enough to resonate…

and be able to SHAKE THE BONES OF THE UNIVERSE.

And you can’t do it because you don’t even get the irony of that rule.

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Filed under fairies, humor, irony, Paffooney, poetry

Metaphor and Meaning

Image

 

In this week’s Paffooney remix, I have pictured the little boy crooner Francois Martin on the main street of Norwall.  Why have I done such a foolish thing?  Why have I drawn a boy singing silently a song that only I can hear in my silly old head?  In fact, why do I label them Cantos instead of Chapters?  Of course, the answer to these rhetorical questions is metaphorical.  I look at my writing as being poetry, or, more accurately, as music rather than mere prose.  It is a metaphor central to my being, writing is putting the inner music of my mind down on paper.

Here is a secret to powerful writing.  Connect ideas with metaphors.  A metaphor is a direct comparison of two unlike things to create an analogy, an echo of an idea that gives resonance to a notion.  Sorry, I’m an English teacher.  It’s in my genes.  But metaphors can serve as the essential connections, as glue to put paragraphs and scenes together.

Let me show you a metaphor.  Here is a short poem, the natural environment where many metaphors live;

                                                The Cookie

Once I had a cookie… But every time I took a bite, It became smaller and smaller…

                With each bite I had less and less cookie left.

But when it was gone, the sweet taste of it…

                Lingered on… as memory.

 

The central metaphor of this poem is comparing the cookie to my life.  I am getting older.  I have six incurable diseases, some of them life threatening.  I have been thinking about mortality a lot lately.  So what is the point of the poem?  That even when the last bite is taken, and there is no more cookie… when I am dead, there is the memory of me.  Not my memory.  The memory of me in the minds of my family, my children, my students, and other people who have come to know me.  That memory makes whatever goodness that is in me worth living for.

Okay, a metaphor explained is kinda like a bug that’s been dissected for a science fair.  Its innards are revealed and labeled.  The beauty is gone.  It’s kinda icky.

What works better, is a metaphor that the readers can readily grasp on their own.  The beauty has to be discovered, not dissected and explained.  Let me try again;

 

                                                The Boy and the Boat

                The boy looked to the horizon where wild and wooly white-caps roiled upon the sea.

                “Lord help me,” he said, “the sea is so large, and my boat is so small…”

 

I can hear what you are thinking.  “That’s too simple and ordinary.  If it’s a metaphor, then it’s a really stupid one.”  Well, I heard someone thinking that, even if it was not you.

Let me add a bit of information to help you connect things as I do.  When I was ten years old, a fifteen-year-old neighbor boy sexually assaulted me.  I told no one.  I was so devasted by the event that I repressed the memory until I reached the age of twenty two.  In high school, my suicidal thoughts and darkest depressions were caused by this event even though I couldn’t even recall.  To this day I have not explained to mother and father what happened.  I can only bring myself to tell you now because my abuser died of heart failure last summer.  It was a life event of overwhelming darkness, pain, and soul scorching.  Now look at “The Boy and the Boat” again.  Has the meaning changed for you the way it does for me?

Now, I know that the last paragraph was a totally unfair use of harsh reality to make a point about metaphor and meaning.  So let me give you one last poem… a sillier one.  You can make of it whatever you will;

 

                                                The Grin

The wrinkly, bewhiskered old man

Had a smile like a plate of moldy spaghetti

In the afternoon sun.

 

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Little Red-Haired Girl (A Poem and Paffooney)

Little Red-Haired Girl

You never told her that you loved her, Charlie Brown

That little red-haired girl, so cute, so nice

You only looked and looked from afar

You never told her that you loved her, Charlie Brown

You could’ve held her hand

You could’ve walked her home from school

You never told her that you loved her, Charlie Brown

She never got your Valentine

At least, you forgot to sign your name

You never told her that you loved her, Charlie Brown

No hope of marriage now, nor children for old age

Happily ever after has now long gone

You never told her that you loved her, Charlie Brown

Now every love poem is a sad poem

And the world is blue and down

You never told her that you loved her…

You never told her that you loved her…

You never told her that you loved her, Charlie Brown

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Evil Poetry

Can a piece of poetry be truly evil?

Can you weaponize it to do things to readers they do not want you to do?

A lot of stupid people believe they can write a poem,

And so, a lot of stupid poetry gets written.

But there exist poets so bad… so terrible…

Like Mickey…

Maybe not the worst poet in the history of the world,

But on the list of the most infamous twenty-five,

Who can write a poem so completely vile…

That if the poet reads it aloud in his backyard…

A cat on the other side of the city…

Will vomit itself inside out and die…

Because it was used to its college professor owner…

Reading Robert Frost’s poems aloud in the drawing room…

And its highly developed nervous system…

Simply couldn’t take the shock.

A poem can force you to feel.

It can make you laugh, cry, and…

Shudder!

Make you think for yourself.

An Evil Poem can torture a metaphor…

Twisting, tormenting, tearing apart to reassemble…

Making that metaphor scream for mercy.

An Evil Poem means something…

And that doesn’t have to mean that it means…

Something good.

It can mean…

Something mean.

So, a poem can be evil because…

It forces you to discover…

What poetry’s purpose is.

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The Quiet One

She sat there behind her desk, looking at me, the teacher…

The Quiet One, I knew her well, we had had these discussions many, many times…

Saying nothing to each other.

“So, do you want to tell me about it now?”

She shook her head… Of course, not…

The Quiet One has so much going on in her head, that she cannot talk…

Unless she trusts you… Unless you are her friend… Then she hardly ever stops talking…

She’s funny and smart and full of stories and jokes and facts and memories…

But she only has one friend… And it is not me…

She’ll never ask for help… Even though I know she needs it…

She’d sooner die than talk about what is really bothering her…

And I know what it is… And it breaks my heart that I can’t help her…

I write her a sticky note. “I love you. I will help you if you need me to.

I push the note in front of her. She reads it.

She looks up at me. A shy smile. “I know, but it’s okay.”

I have to hold back tears. I know she will face it alone.

I know because I was once the Quiet One too.

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Rainy Tuesday Blues (a poem about depression )

Blue Dawn

I must make a confession about crippling depression,

Cause today I have the blues.

It requires a concession of time for regression,

And dark days enveloping all views.

There is no progression in a working profession,

Cause clouds leave me missing all news.

I start the procession of blue notes in session,

And all melodies tend to be blues.

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Filed under Paffooney, pessimism, poem, Uncategorized

Chances Are…

Postable Paffoonies

Chances are… I could wear a foolish grin, like a Johnny Mathis Moon in the sky…

I could waltz… all alone in a dark room, never seizing on the chances to fly…

But there’s a time… meant to let the summer in…

And love songs… all make me wonder… Why?

Silly, I know.  But silly and surreal is how I go, how I deal with the time.  A song in my head leads to rhythm and metaphor and rhyme.  And it takes me from old winter and the waning of the moon… to the silly month of June… And my dancing shoes were never quite so spry.

Chances are… if you really read this, you will know I am depressed.

My life is all unfairly messed.

And I barely can get dressed…

To go tripping cross the floor, dancing awkwardly toward the door, ’cause I’m in need of so much more.

But in a poem I find it… the very reason that I rhymed it… like the crooning song that’s stuck in my old head…

I will catch it, and I’ll bind it, like a fool who hopes you’ll find it, and the treasure will be revealed before we’re dead…

Chances are… that you hear that silly tune, as it reels across the page in silent spread.  And the song will slowly stop, as I dance a final hop, and the answer is brightly shining in my head.

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Filed under Depression, feeling sorry for myself, finding love, healing, humor, magic, music, Paffooney, poetry

Art Self-Edited

I have been working at illustration and drawing for the majority of my life, but it took computer technology and digital photography to allow me to maximize the use of my abilities.  Let me go through a couple of case in points.

Red3redhair3

The Red-Haired Girl picture is a good example of what I can do.  I originally drew the picture to illustrate a Charlie Brown poem.   Here is the poem if you don’t remember it.  (A convenient excuse to re-post something and fill this post with words already written.)

Little Red-Haired Girl

You never told her that you loved her, Charlie Brown

That little red-haired girl, so cute, so nice

You only looked and looked from afar

You never told her that you loved her, Charlie Brown

You could’ve held her hand

You could’ve walked her home from school

You never told her that you loved her, Charlie Brown

She never got your Valentine

At least, you forgot to sign your name

You never told her that you loved her, Charlie Brown

No hope of marriage now, nor children for old age

Happily ever after has now long gone

You never told her that you loved her, Charlie Brown

Now every love poem is a sad poem

And the world is blue and down

You never told her that you loved her…

You never told her that you loved her…

You never told her that you loved her, Charlie Brown.

You may not see what I did without looking at the two pictures very closely.  The better, more brightly-lit photo is not the answer.  I originally created the Red-Haired Girl as a Charley-Brown-y creation complete with a bigger than natural head, a Charley-Brown head.10305044_602428713227020_8427155857664240183_n

I have ulterior motives for my evil cartoon manipulations.  I like this image I have created very much, in fact, one might say that I have fallen in love with it just a bit…  Pygmalion-like.  I wanted to use the image to illustrate Anita Jones, a character from my book Superchicken.  Anita is the fictional re-imagining of a girl that I had a deep and abiding crush on (possibly still existing today, though she is now a grandmother in real life.)  She is literally my little red-haired girl.  So what did I do?  Look closely.  I lovingly shrank her head.  Yes, like the headhunters of old, I used the paint program on my computer to shrink it, re-attach it, and make it more human-like.  Realistic proportions, though only a very slight change by actual percentages, make a realistic difference in how real the viewer perceives her to be.

I know you probably think I am full of goofy-gas to make such claims.  If you don’t see the difference in the first example, perhaps you will see it here.  Compare these two David Copperfield pictures carefully.  Look at Little Emily’s head.

David C David C2

You don’t have to believe me, but it does make a difference.

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