There is a reason why anything in my artwork starting with a rabbit is assumed to be autobiographical. I raised rabbits as a 4-H project from about the age of 10 and we kept rabbits in pens until I was finishing my undergraduate degree. (Rabbit chores fell to my little brother when I was away from home.) In many ways, I was a rabbit-man. My personal avatar as a school teacher was Reluctant Rabbit.
The panda known as Mandy in my cartoon world is an avatar of my wife, an immigrant from the Pandalore Islands.
There is often an exaggerated sense of adventure in my cartoonally weird Paffoonies, the very name of which is a fantasy word.
I have been known to actually believe gingerbread can be magical enough for gingerbread men to come to life once baked. It is the reason I bite the legs off first, so they can’t run away.
I have been known to see elves, fairies, and numerous other things that aren’t really there. In fact, a whole secret hidden kingdom of them inhabited the schoolyard in Iowa where I attended grades K through 6. They were all mostly three inches tall. The biggest ones, like dragons reaching only about six inches tall at their largest.
Of course I am afraid of death, evil, and… (shudder) mummies.I think of art and story-telling as a form of music. I am a troubadour whose songs (like this one) are often completely silent.My fantasy art tends to be more “comic book” than “art gallery”.
Going through my old drawing portfolio, I found my children’s book project from my undergrad college years. I have no idea now looking at the illustrations what the story was even about. I lost the actual story, and I never made a cover for it. But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…
I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.
I always loved this song. When I was a boy, it was the song I would sing when I was alone in the darkness. It made me feel better, able to march toward home in spite of potential spooks and brain-eating zombies. The weight of the invisible future world could not drag me down if this tune was in my head, filling it with helium and good spirit; it allowed me to fly.
And when I listened to it playing on the radio… I always paused and listened to at least a couple of verses no matter what I was doing… I never once thought of Johnny Nash as a black man. I didn’t know he was black until I first saw a picture of him. But even then I didn’t think, “Oh, he’s a black man.” I thought, “Oh, he’s a man like me.” But, I, of course, am not black. I’m not really white either. I am a kind of pale pink to mauve mottled color with dark pink psoriasis spots in random places all over me. It is the man on the inside that is like Johnny Nash, full of uplifting things, and goofy grins, and… hopefully, hope.
But when I was young it wasn’t only singing “I Can See Clearly Now…” in my goofy farmboy voice that filled my head with air and allowed me to float away from the troubles of the world. I also learned to draw Manga style, in the tradition of Osamu Tezuka’s Astroboy , filtered through hours of practice copying Walt Kelly’s Pogocharacters and various Disney cartoons.
I copied the over-large eyes and big-headed cutsieness that informed the Japanese idea of the world after the atom bombs fell on Hiroshima and Nagasaki. I tried to capture innocence and wonder and adventure in drawings that took my mind off the terrible things of my childhood, being sexually assaulted, the assassinations of JFK and his brother RFK, and Martin Luther King Jr, the Viet Nam War, and Nixon with Watergate. You can reclaim innocence and peace of mind, if you get the lines just right, and the proportions are good, and the character has just the right expression on their sweet little faces.
Okay, maybe not always so sweet and innocent. This is not the Dorothy I would want to mess with. This girl is cocky, sure of herself, and more than a little impish. A destroyer of wicked witches, that one.
But that’s what Manga Art is all about. You whistle away the darkness one drawing at a time. And there’s plenty of darkness to whistle away anymore, isn’t there? What with Tronald Dump taking on the NFL over the American Flag and National Anthem, Tronald Dump taking on Jim Kong Oon in an insult war backed up by ICBMs, and Congress busily trying to take away all our access to health care. (I know I misspelled some names there, but I am tired of talking about that guy that Dorothy told me I should call the “orange-faced poop sack.” No, Dorothy, I can’t call him that. Using language like that robs my head of its helium.) So, what do I do now about the state of the world? Well, here is the Manga Art I drew last night.
Catgirl and White-haired Snow White with a ping pong ball in her mouth.
The cartoon portrait exaggerates and calls attention to things that are not ordinarily something to be proud of. MAGA Man’s defiance, Doofy Fuddbugg’s toothless grin, or Dorothy’s threatening presence can all make us laugh and enjoy the funny thing that no one else can give us.
Evil EddyThis portrait has two faces. Which one is the girl’s real persona?And which of the two faces is really the persona of the boy?I can do me funny too.Some people are just naturally part Mr. Bean.He is so bald for a smart man.
This is actually a writer’s literary site meant to promote novels, and one day possibly earn money from writing instead of simply filling my closets with prose and old manuscripts (along with the wife’s many, many shoes). But since I am also an amateur artist of the irradiated subspecies known as “cartoonist”, I also have many visuals to share. I think in pictures as often as I think in words. So one of the features of this blog is that I tag artwork with a made-up word I coined myself. It allows the curious (or those immune to nightmares) to get an almost instant idea of how afflicted I am with cartoon-ism.
Yes, I tested it out. If you do a picture search on Google using the words “Beyer Paffooney” you get a free gallery of my artwork, the good, the bad, and the ugly. You might even find my picture of Clint Eastwood… but beware, he shoots first if you try to “make his day”. If you are brave… or foolish enough to try it, it should come up something like this;
So, there you have it. A cheap and easy 200-word post from a bad idea that’s still out there working.
“My name is Michael Beyer, and I am an amateur cartoonist.”
“Hi, Michael!” says the entire group of CA group-therapy participants.
(CA stands for Cartoonists Anonymous.)
Doofy Fuddbugg
“I have to admit, I am guilty of giving in to the urge to draw cartoons. I know how it can fill lives with slapstick pain and derisive laughter, and I give in to the urge anyway.”
“So, what did you draw that you have to be ashamed of now?” asked one mad-eyed cartoonist with a pencil lodged behind each of his large ears.
“I made a very unfortunate video to post on YouTube that was supposed to be How-to-draw Cartooning. But everything went wrong. You couldn’t see my drawings in the video. It was not adequately lit. I look like a doofus (which probably can’t be cured) in the video. And instead of thinking twice or editing it, I posted it anyway.”
“Wow!” said a rather ugly cartoonist lady, “that is really bad. You have a seriously bad case of cartoonity.”
“Cartoonity?” I responded stupidly.
“The condition of needing love for your cartoons so bad that you will risk anything to make people look at them and like them,” said the wise group therapist (who looked an awful lot like Chuck Jones, though I am fairly sure Chuck Jones is now dead).
“Yes, I suppose that’s about the size of the problem,” I said. “I have been posting pages from my graphic novel, Hidden Kingdom, and I really haven’t seen more than one comment about it. Do people actually read cartoons and comics nowadays? Or is it just me that gets ignored?”
“You have to focus on how much you love drawing and doing it just for that reason, and nothing beyond that,” said the wise therapist. “Cartooning should be done for its own sake, and nothing more than that. Craving attention and approval for it can get seriously infected and become a bad case of cartoonititis. How do you think I dealt with it when I was still alive?”
At that point, my eyes popped out of my head in disbelief and my lower jaw fell all the way to the floor. Could he really be…?
And so I must end today’s blog post since it is hard to keep typing when your eyeballs are rolling around on the floor.
I continue to believe bankers, health insurance companies, and corporate leaders are all pirates. The gentleman of the sea dressed all in red in this picture is Black Timothy, bombastic and barely comprehensible leader of the pirates of Fantastica.
The truth is I am a bit of a cartoonist. Don’t worry. It is not a completely horrible and detestable thing to be. Not like being a pirate… or a banker… or worse, a pirate banker. It leads me to do cartoons like you will find in my vault, here…
It is a basically incurable disease, and yet… I can live with it. It will not kill me like some of my other incurable diseases eventually will.
So today’s post, keeping alive an unbroken string of daily posts that now goes back 16 months, is a picture post. I hope you like it, but if you don’t, another one will come along soon enough.
“My name is Michael Beyer, and I am an amateur cartoonist.”
“Hi, Michael!” says the entire group of CA group-therapy participants.
(CA stands for Cartoonists Anonymous.)
Doofy Fuddbugg
“I have to admit, I am guilty of giving in to the urge to draw cartoons. I know how it can fill lives with slapstick pain and derisive laughter, and I give in to the urge anyway.”
“So, what did you draw that you have to be ashamed of now?” asked one mad-eyed cartoonist with a pencil lodged behind each of his large ears.
“I made a very unfortunate video to post on YouTube that was supposed to be How-to-draw Cartooning. But everything went wrong. You couldn’t see my drawings in the video. It was not adequately lit. I look like a doofus (which probably can’t be cured) in the video. And instead of thinking twice or editing it, I posted it anyway.”
“Wow!” said a rather ugly cartoonist lady, “that is really bad. You have a seriously bad case of cartoonity.”
“Cartoonity?” I responded stupidly.
“The condition of needing love for your cartoons so bad that you will risk anything to make people look at them and like them,” said the wise group therapist (who looked an awful lot like Chuck Jones, though I am fairly sure Chuck Jones is now dead).
“Yes, I suppose that’s about the size of the problem,” I said. “I have been posting pages from my graphic novel, Hidden Kingdom, and I really haven’t seen more than one comment about it. Do people actually read cartoons and comics nowadays? Or is it just me that gets ignored?”
“You have to focus on how much you love drawing and doing it just for that reason, and nothing beyond that,” said the wise therapist. “Cartooning should be done for its own sake, and nothing more than that. Craving attention and approval for it can get seriously infected and become a bad case of cartoonititis. How do you think I dealt with it when I was still alive?”
At that point, my eyes popped out of my head in disbelief and my lower jaw fell all the way to the floor. Could he really be…?
And so I must end today’s blog post since it is hard to keep typing when your eyeballs are rolling around on the floor.
Going through my old drawing portfolio, I found my children’s book project from my undergrad college years. I have no idea now looking at the illustrations what the story was even about. I lost the actual story, and I never made a cover for it. But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…
I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.
No, I am not calling you an idiot, dear reader. I am the one providing the guidance material.
This idiot is not actually me… This is Doofy Fuddbugg. He is not overburdened with book-learning, but he can fix practically anything around the house or in the car. He can also tell a story pretty well that makes you laugh.
So, if I were to try to explain art day in an Idiot’s Guide aimed at explaining the essence of it to Doofy Fuddbugg, one idiot trying to educate another, I would explain that I am lazy on Saturdays. All I want to do is post pictures and not have to write a lot of heavily-thought-out words and ideas in the usual droning idiot’s essay of 500 words or more. So, I go through my WordPress picture file and find interesting pictures to post without having to draw or paint anything new.
I confess that I do not merely select pictures at random. I try to get pictures I haven’t used in a good while. This double portrait of Gretel Graymalkin, and what she looks like naked in the moonlight, hasn’t been used in a post since last year. And there is a bit of rhyme and reason to it too. Gretel is an idiot.
And this is a picture that any idiot can tell is a real picture of fairies in the park discussing the building of a new fairy circle after it finally started raining heavily again in Texas after almost a decade of drought. Of course, it has to be an idiot to tell that. Most people would recognize this as a pen-and-colored-pencil drawing photo-shopped over a photograph. Even the mushrooms are not real. I have it on good authority from fairy-kind that they are actually pixies in disguise.
And then there is this rare bird I drew a couple of years back. He is a surrealistic peacock who thought of auditioning for NBC before he learned they don’t still do those “Now in Living Color…” ads anymore. He’s surrealistic in that he could not possibly be real, unless he were really just a bowling pin and lady’s fan put together by a deranged painter with a mental disorder that makes him do decoratively dippy drawings on things you really shouldn’t be drawing upon in the middle of a bowling tournament.
And who can forget this idiot, an avatar of me as a purple Mickey in the style of the late great Don Martin of Mad Magazine fame? He’s the whole reason you get foolish lazy-Saturday posts like this at all, There has got to be a cure for that somewhere in the multiverse.
Catch a Falling Star 
Mickey Makes Manga Art
I always loved this song. When I was a boy, it was the song I would sing when I was alone in the darkness. It made me feel better, able to march toward home in spite of potential spooks and brain-eating zombies. The weight of the invisible future world could not drag me down if this tune was in my head, filling it with helium and good spirit; it allowed me to fly.
And when I listened to it playing on the radio… I always paused and listened to at least a couple of verses no matter what I was doing… I never once thought of Johnny Nash as a black man. I didn’t know he was black until I first saw a picture of him. But even then I didn’t think, “Oh, he’s a black man.” I thought, “Oh, he’s a man like me.” But, I, of course, am not black. I’m not really white either. I am a kind of pale pink to mauve mottled color with dark pink psoriasis spots in random places all over me. It is the man on the inside that is like Johnny Nash, full of uplifting things, and goofy grins, and… hopefully, hope.
But when I was young it wasn’t only singing “I Can See Clearly Now…” in my goofy farmboy voice that filled my head with air and allowed me to float away from the troubles of the world. I also learned to draw Manga style, in the tradition of Osamu Tezuka’s Astroboy , filtered through hours of practice copying Walt Kelly’s Pogo characters and various Disney cartoons.
I copied the over-large eyes and big-headed cutsieness that informed the Japanese idea of the world after the atom bombs fell on Hiroshima and Nagasaki. I tried to capture innocence and wonder and adventure in drawings that took my mind off the terrible things of my childhood, being sexually assaulted, the assassinations of JFK and his brother RFK, and Martin Luther King Jr, the Viet Nam War, and Nixon with Watergate. You can reclaim innocence and peace of mind, if you get the lines just right, and the proportions are good, and the character has just the right expression on their sweet little faces.
Okay, maybe not always so sweet and innocent. This is not the Dorothy I would want to mess with. This girl is cocky, sure of herself, and more than a little impish. A destroyer of wicked witches, that one.
But that’s what Manga Art is all about. You whistle away the darkness one drawing at a time. And there’s plenty of darkness to whistle away anymore, isn’t there? What with Tronald Dump taking on the NFL over the American Flag and National Anthem, Tronald Dump taking on Jim Kong Oon in an insult war backed up by ICBMs, and Congress busily trying to take away all our access to health care. (I know I misspelled some names there, but I am tired of talking about that guy that Dorothy told me I should call the “orange-faced poop sack.” No, Dorothy, I can’t call him that. Using language like that robs my head of its helium.) So, what do I do now about the state of the world? Well, here is the Manga Art I drew last night.
Catgirl and White-haired Snow White with a ping pong ball in her mouth.
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Filed under artists I admire, artwork, autobiography, cartoons, cartoony Paffooney, commentary, goofiness, goofy thoughts, humor, Paffooney, strange and wonderful ideas about life
Tagged as manga-style art, Osamu Tezuka, Walt Kelly