Yes, I read this book. Yes, it scared the poop out of me. Yes, it made me cry. This is a uniquely horrific horror story that is so realistic that you know that it has actually happened in real life somewhere, sometime. Only the names of the characters would be different.
I have a deep abiding respect for Richard Peck as a writer. He earned that with his books A Year Down Yonder and A Long Way from Chicago. Those books made me laugh so hard it blew chocolate milk out of my nose. And, yes, I was drinking chocolate milk at the time. They are so realistic because the people in those stories are real people. I know those people personally. Of course, they have different names in real life.
But Are You In the House Alone? is a very different book from those other two masterpieces. It tears your heart out and eats your liver because it is a first person narrative in the voice of a high school girl being stalked by a sexual predator. Everything that happens to Gail in the high school, at home, and at the house where she babysits is hyper-real with horror movie levels of attention to detail. I don’t wish to be a spoiler for this well-written book, but the narrator does not die in the book and it definitely does not have a happy ending. For anyone who has the amount of empathy I do, and in many ways becomes the narrator-character by reading, reading a book like this can physically hurt. A teacher like me has lived through horrible things like this happening to students before, it even happened to me as a boy, and it adds the slings and arrows of those things being re-lived as you read.
This is not the only book that has ever done this sort of damage to my heart strings. I remember the pain from the conclusion of Dickens’ The Old Curiosity Shop. You root for Little Nell and boo Daniel Quilp. But the bad guy wins. No happy ending can linger in the harp-strings of your memory-feeling song as long as a tragic outcome does. I was there with Scout in that ridiculous costume in the dark when Bob Ewell was attacking her brother Jem in Harper Lee’s To Kill a Mockingbird. That story was filled with wise and laughable things, but the stark horror of that climactic moment nearly wiped all the good feelings away, if not for the heroics of ghostly Boo Radley whose timely intervention brings it all back before the novel ends. It horrifies me to admit it, but I was there, too, in the moment when the boys all turn on Simon on the beach with their sharpened sticks in William Golding’s Lord of the Flies. They mistook him for the monster. I still haven’t fully recovered from that reading trauma.
The thing about books that hurt to read which makes it essential that I never try to avoid them, is that they can add more depth and resonance to your soul than any light and fluffy piece ever could. Life is much more like Lord of the Flies than it is Chitty Chitty Bang Bang. I am sadder but wiser for having read Are You In the House Alone? I am recommending it to other readers like me who don’t so much live to read as they read in order to live. Not because it is easy and good to read, but because it is hard and essential to read. It will hurt you. But it will leave you like it leaves its narrator, damaged, but both alive and purely resolved to carry on.
Lynn Johnston’s For Better or Worse is also an old friend. I used to read it in the newspaper practically every day. I watched those kids grow up and have adventures almost as if they were members of my own family. So the mashed potatoes part of the meal is easy to digest too.
Holy Bagumba!
I have just finished reading a wonderful book. It is a young adult novel bordering on being a children’s book. It won the 2014 Newbery Medal for best work of children’s literature. But it is a book of so many dimensions that it totally defies categories. Librarians with butterfly nets who want to pin this book down on their library shelves will be pointlessly waving their nets at it like they believe it’s a butterfly, but it will soar away from them like an eagle.
Flora & Ulysses (the Illuminated Adventures) is a combination book of many different things. G. K. Cambell’s cartoony paffoonies add to and amplify the story to the point that sometimes it becomes a graphic novel.
Flora herself is a comic-book lover and follower of the adventures of a comic-book superhero named Incandesto. Ulysses the squirrel is run over by a rogue vacuum cleaner and the accident graces him with super powers (the ability to fly and throw cats and write poetry). And Flora rescues and befriends this newly minted superhero and sets him on a path that pits him against the only super-villain available, Flora’s own mother.
At certain points, through metaphor, elegance, and supreme focus, the story itself becomes poetry. But, of course, when the poem ends with a line about the squirrel being hungry, it becomes humorous poetry, simply by the juxtaposition of the sublime with the ridiculous.
As a writer, Kate DiCamillo is a master of everything I want to be. She is as much a masterful story-teller as Mark Twain, Ernest Hemingway, or William Faulkner. But many people will be put off by the fact that she is a children’s author. They will ignore her stories because how could a children’s author affect their lives in any way? But if you are a reader who can think and feel about things in a book, she will make you laugh and make you cry and make you not afraid to die… for love of a good book.
Let me also suggest a few of her other wonderful, wonderful books;
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Filed under book reports, book review, commentary, good books, humor, metaphor, poetry, reading
Tagged as book review, Flora & Ulysses, Kate DiCamillo