Category Archives: commentary

Stuff That Works

What makes people visit your blog and maybe even click “like”?  I should tell you up front, I have no idea how best to navigate the crazy internet.  I want to.  I have a book to promote.  I have ideas and experiences to share.  I am a writer and I would like to make something more than excessive heartache out of being one.  But how you actually go about it is still a mystery.

Ima mickey

I know what I surf the internet for.  I like artwork, especially original artwork.  That is why I try to post as much of my own stuff as I can.  I am an amateur artist, self-taught with a little bit of college art classes, contact with real artists, and a lot of TV Bob Ross.  I surf to find other artists whose stuff catches my eye.  I post about artists like Loish, Maxfield Parrish, Paul Detlafsen, and Norman Rockwell.  I go to sites like DeviantArt (Example at this link) and follow artists like James Brown and Shannon Maer on Facebook.  I help promote their work by sharing as often as I can.  Do I worry about copyright violation with my artwork?  No.  I am long past the point of making a profitable career as an artist.  I like having people see my work and if someone decides to claim they are the artist instead of me, I have the real originals and even some pictures of work in progress.  The Big Eyes thing will not happen to me.

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So sharing pictures seems to matter.  I got lots of hits from the monster picture post because I used a lot of monster-movie images that people normally search for on the internet.  Pictures of pretty girls work too.  It doesn’t seem to matter if I drew them or if they are a picture of a relative, those pictures pull people in too.

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Pictures of photogenic nieces aid my blogging popularity in a rather noticeable way.

Yes, I do believe I have just intimated that Minnie Mouse is my niece, a daughter of my sister-in-law.  Lying is part of blogging.  You have to put spin on things and make people understand the things they want to understand more than you need them to see what is really true in the empirical sense.

Jungle Girl

Being able to put the words “nude” or “naked” in titles or in the tags brings in more views too.  Those words get lots of hits on search engines and some of the people who visit my blog looking for that actually read what’s posted.  Just because an idea is a little bit naughty, it doesn’t mean only perverts and bad people respond to it.

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This is a picture of Rowan Atkinson as Mr. Bean. It is NOT a picture of me.

And it doesn’t hurt to be a little funny now and then.  Humor is something I look for in the posts of others.  I try to be funny in my posts too… though whether they are hah-hah funny or merely eeuw! funny is debatable.  Much of my humor is only intended to raise a smirk or half a smile.  I am most satisfied when I make you think, “heh, that’s right, isn’t it.”

Millis

This is Millis, not me. He was an actual rabbit that was turned humanoid by a scientist’s experiment with alien technology.

So why is this post called Stuff That Works if, as I am claiming, I really don’t know anything about how blogging works?  I may have been a little less than truthful when I made claims.  Or maybe I was claiming with a little bit of “tongue in cheek”?  I hope I have demonstrated that I do know how.  The thing I have yet to wrestle with is WHY.  So now I have to get busy and work on that.

 

 

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Filed under artwork, autobiography, blog posting, commentary, humor, nudes, Paffooney, surrealism

Why We Doo

I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.

Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)

One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.

And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.

Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.

There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.

And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.

Give us your creepiest or goofiest smile, guys!

And that is why we do the Doo!

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Filed under autobiography, cartoon review, cartoons, commentary, humor, monsters, Uncategorized

Old and Grumpy

Suppose being grumpy was a super power, and we could, as a grumpy old brotherhood of geezers, coots, and conservative uncles, could change things just by complaining about them.

No woman would ever leave a toilet seat down again. The Dunkin’ Donuts on Frankford Road would magically reopen and never run out of donuts again. And liver spots and wrinkles would suddenly be attractive to beautiful young women whether they were linked to fortunes or not.

But what if, in order to make better use of this unexplainable super power, we start telling old coots like the fool in the picture that they have to prove they will use this super power only for good, or we will raise their taxes? Or we would forbid them from ever eating bacon again? Either of those things would definitely motivate them.

Of course, the biggest problem with geezers, old coots, and conservative uncles that no one wants to sit next to at Thanksgiving is that they don’t generally get smarter and nicer with age. It is probably not wise to give them a super power that can alter reality. Yes, they are generally quite literally mean-spirited and unqualifiably dumb. And it isn’t really a matter of whether they could ever actually have a super power like that. The real problem is that they already have it. They proved it in 2016 when they elected a gigantic orange-faced Pillsbury Doughboy with mental flatulence to lead our government. And it wasn’t the dumb part that did it. It was the literally mean part. Trump is a walking, talking old coot-complaint given to us by mean old men to tell us, “We are unhappy geezers, coots, and conservative uncles who would rather blow up the government than lift a single tax dollar (especially from a rich dude) to try and fix it”.

What we truly need to do is harness a bit of that grumpy-old-man complaining power, a truly misunderstood and misused super power, to tackle problems like making public schools better, cleaning the environment, and electing smarter leaders (not the stupid ones who actually represent the majority of us). But of course, we will first have to turn off the spigots in the brewery of prejudice and ignorance that is Fox News, and brand all the greedy and stupid people with a red letter “R” for Trumpian Republican. That way, knowing who to vote for to make things better will become easier to the point that even us geezers, old coots, and conservative uncles can do it right.

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Filed under angry rant, commentary, goofy thoughts, humor, oldies, Paffooney, satire

Finding My Voice

As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies.  The novel is written in third person viewpoint with a single focus character for each scene.  But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.

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Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.

In Canto Two, Valerie Clarke, the central main character of the story, is the focus character.  Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head.  Canto Three is focused through the mind of Trailways bus driver Ed Grosland.  Canto Four focuses on Sheriff’s Deputy Cliff Baily.  And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane.  Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.

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The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.

That kind of fractured character focus threatens to turn me schizophrenic.  I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them.  How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people?  Especially when some of your characters are stupid people with limited vocabularies and limited understanding?

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The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.

I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself.  That is considerably less schizophrenic than the other book.  But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.

The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view.  That is even more of an exercise of losing yourself inside the head of a character who is not you.  One of the first person narrators is a girl, and one is a werewolf.  So, I have really had to stretch my writing ability to make myself into someone else multiple times.

I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world.  But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.

 

 

 

My best novel is free to own in ebook form for today and tomorrow. Buy it now with the link above. The offer is good until the end of the day on 12/14/2021.

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Filed under commentary, goofiness, humor, insight, NOVEL WRITING, photo paffoonies, self portrait, strange and wonderful ideas about life, writing, writing humor

Sunday with Salvador

Today I am waxing on about the wonderful, mad, mad, mad genius of surrealist art, Salvador Dali. He was born in 1904 and died in 1989. And that’s really about all that I want to tell you about the physical parameters of his boundlessly creative life. He was alive in this world until I was already thirty-three. So, I got to see him on television and watch video biographies of him and his incredible artwork. Ones that included interviews. And if I get into his public persona, that will eat up the rest of his essay. Instead, I need to talk about his art, and how it modifies and magnifies what I am meant to be.

The Persistence of Memory

His most famous painting is the one that most clearly burned the image of melting clocks into our collective memory. He claimed, and others pretend to see it too, that it is a reaction to Einstein’s Theory of Relativity. But when I look at it with the melting mask of Dali himself in the center, I see the artist’s perception of time in the spaces within which creativity moves. Time melts and has no meaning when you are painting and writing from an endless roiling flow of new ideas and notions. Time becomes as irrelevant in that context as the ants on the pocket-watch or the dead tree from which one deflated clock-skin hangs, There is no past or future, only the creative now.

And in that creative now, the artist sees himself. But if you look too closely, the self vanishes into the picture, the currently considered, fascinating work of art.

You see the boy with the hoop and wearing a sailor suit? That symbol, he always claimed, was his lost brother, the one who died before he was born. The one whose death made his parents decide to have another child. Without that brother, Salvador would probably never have existed at all.

And do you see the disappearing bust of Voltaire? Or when you look closely at the slave market in the background, is it simply no longer there? Things that disappear… things that become other things… tricks of perception, the fooling of the viewer’s eye… These are what the artist actually wants you to see. Not the well-portrayed physical reality, but the ghost of the shadow of an idea that’s hard to define.

And then there is the idea of war. Two world wars that took place in the prime of his painterly life.

Soft Construction with Boiled Beans

Life does crazy things to the sensitive, suffering artist, and it shows in his work if not in his public personality.

Metamorphosis of Narcissus 1937, Salvador Dali, 1904-1989, Purchased 1979 http://www.tate.org.uk/art/work/T02343

And consider the artist’s notion of birth and life and death. Narcissus suffers for the sin of love of himself. He becomes petrified with age, a narcissus flower growing from his head, now an egg, the symbol of birth and rebirth.

Detail from “the Madonna of Port Lligat”

And here is an exploded portrait of his beloved wife Gala.

All the elements float eternally in the air.

And you can see inside each thing.

Inside the home is the wife and mother.

Inside the mother is the child.

Inside the child is the loaf of bread that keeps him alive.

Does the bread, then, stand in for God himself?

Dali and his work is not simple. It is deeply, incongruously complex. But that is surrealism. That is how it works. Without getting into other complex symbols and such Dali-esque puzzles like burning giraffes, eggs, and Venus De Milo with bureau drawers in her torso, that is how Salvador spends his Sunday with me. An artist beyond time and space, long dead, but still speaking to me. And teaching me beautiful, untold things and stories of things.

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Filed under art criticism, artists I admire, artwork, autobiography, commentary, surrealism

Nutzy Nuts

Things are not what they seem. Life throws curve balls across the plate ninety percent of the time. Fastballs are rare. And fastballs you can hit are even rarer. But if Life is pitching, who is the batter? Does it change the metaphor and who you are rooting for if the batter is Death?

If you think this means that I am planning on dying because of the bird flu pandemic, well, you would be right. Of course, I am always planning for death with every dark thing that bounces down the hopscotch squares of the immediate future. That’s what it means to be a pessimist. No matter what bad thing we are talking about, it will not take ME by surprise. And if I think everything is going to kill me, sooner or later I have to be right… though, hopefully, much later.

I keep seeing things that aren’t there. Childlike faces keep looking at me from the top of the stairs, but when I focus my attention there, they disappear. And I know there are no children in the house anymore since my youngest is now legally an adult. And the chimpanzee that peeked at me from behind the couch in the family room was definitely not there. I swear, it looked exactly like Roddy McDowell from the Planet of the Apes movies, whom I know for a fact to be deceased. So, obviously, it has to be Roddy McDowell’s monkey-ghost. I believe I may have mentioned before that there is a ghost dog in our house. I often catch glimpses of its tail rounding the corner ahead of me when my own dog is definitely behind me. And I am sure I shared the facts before that Parkinson’s sufferers often see partial visions of people and faces (and apparently dogs) that aren’t really there, and that my father suffers from Parkinson’s Disease. So, obviously it is my father and not me that is seeing these things… He’s just using my eyeballs to do it with.

But… and this is absolutely true even if it starts with a butt… the best way to deal with scary possibilities is to laugh at them. Jokes, satire, mockery, and ludicrous hilarity expressed in big words are the proper things to use against the fearful things you cannot change. So, this essay is nothing but a can of mixed nutz. Nutzy nuts. And fortunately, peanut allergies are one incurable and possibly fatal disease I don’t have. One of the few.

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Filed under commentary, feeling sorry for myself, goofy thoughts, humor, Paffooney, satire, wordplay

Being a Child for More Than 60 Years

When I was young and a child in Iowa…

Yes, in some ways, I have Peter Pan syndrome. I have never truly grown up. But not in the ways that really matter in life.

As a writer of fiction, I put all my effort into writing young adult novels. My main characters are mostly children from roughly around eight years old to teens who are almost adults.

But it is not as G-rated as Nancy Drew. I have issues that creep in to become the monster under the bed. My childhood was not all naked innocence and sunshine.

Don’t get me wrong. I had wonderful parents. And wonderful grandparents. And the little town of Rowan, Iowa, becomes the town of Norwall in all my Earthbound fiction. It was a very magical, if boring, place to grow up. I lived in town, but my uncles and grandparents lived on working farms. I knew farm life. I knew how you fed animals, trained animals, and helped them reproduce. I knew that farm animals die. And, sometimes, people die too. Even people who are important to you and whom you depend on.

And at the ripe old age of ten, I was sexually assaulted by an older boy. It is hard to talk about that even now, 52 years later. It wasn’t so much a sex act that I was forced to commit. It was more of a sexual torture thing. He took his pleasure from twisting my private parts, making me hurt intensely, telling me all the while not to scream or call out for help. I think I even passed out at one point. There was no pleasure in it for me in any way. In fact, once he let me go with more threats, I promptly turned it into a repressed memory for twelve years. It turned me from an outgoing, leader-of-the-gang type kid into a miserable wallflower. It made me contemplate suicide as a teen. It led to some self-harm that my parents never actually figured out, burning my lower back against the heater grate and making small burn scars on my arms and legs. It kept me from falling in love with a girl until my thirties. And it made me turn myself inside out through drawings, cartoons, and storytelling.

The Baby Werewolf

Some of the key stories I have turned into novels were created because of what happened to me, the horror at the center of my childhood. The monster in my novel, The Baby Werewolf, and the serial killer in Fools and Their Toys were both inspired by him, and were both a reaction to what he did to me.

And do you know what he means to me now? I have forgiven him. He passed away a few years ago of a heart condition. I avoided him and his family from when it happened until now. I never told anyone what he did to me. I never sought any kind of revenge or justice for his act. To this day I still haven’t revealed his name to anyone, though I have been able to talk about it in this blog since he died. He has paid his price. The scales are balanced. I am healed. That is enough.

What he gave me, though, was a gift of purpose and an ability to fight the darkness with a strategy of sharing every tactic I have learned about defending myself from predators, depression, and crippling self-loathing in novel form. I shared those tactics as well during my years as a teacher and mentor to kids who had problems like mine for which my solutions sometimes also served as answers. I was able to put into thematic form the positive answers to the question every kid asks themselves somewhere along the road to adulthood, “Am I a monster because of what I have done and what has happened to me?”

The answer, of course, is, “No, I am not a monster.” But kids like me desperately need someone to tell them that and give them reasons why it is true. Fiction can do that. At least, I believe that it can.

And so, I write YA novels, novels for kids trying to become adults. And what good does that do if nobody ever reads my books? Or even this blog post which some of you who actually read my blog posts have probably given up on as too hard to read several paragraphs ago? It keeps me young. At 62 I still think like a twelve-year-old. Admittedly a wise-beyond-his-years twelve-year-old. I have never grown up in my mind where it counts. And maybe it even makes me able to fly like Peter Pan. But no jumping off roofs to find out for sure.

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Messing Up With Mickey

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The way I handle the computer tends to be the way I handle life as a whole.  Thirteen tabs open at the same time, eleven of them not responding, and me cussing the machine for not working properly.

Spring has come.  In fact, Spring Break has come.  My daughter the Princess and I were planning to plant flowers in the yard where the pool used to be.  We started work yesterday spreading compost on the flower bed and churning the soil.  But we should’ve done it sooner.  It was too much for tired muscles to finish yesterday.  Then the rains came last night.  It would’ve been perfect to plant the seeds yesterday, then have God water them naturally at night.  But plans don’t go anywhere near perfectly.  Thirteen tabs are open and twelve are not responding.

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In my novel, The Baby Werewolf, the murderer is now unmasked and he has started on his final killing spree.  But as I was supposed to write the next Canto the last two nights, I found myself overwhelmed and overtired.  I got no further writing done.  I vowed to do it tonight, but the time change has left me no less tired and overwhelmed.  Thirteen tabs not responding.

So here I sit, paralyzed by entropy and worriedly contemplating the eventual heat death of the universe.  What to do?  What to do?

Mickey’s inevitable answer… Mickey opens a new tab and keeps on writing.  Did you think he had an actual plan for the rest of his life?  Of course not.  He planned on retiring from teaching and writing for about three years, and then dropping dead from one of his six incurable diseases.  Guess what?  This June will be twelve complete years.  Who knows how many more?

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Filed under artwork, autobiography, commentary, daughters, feeling sorry for myself, goofy thoughts, humor, Paffooney

Milt Caniff

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My 1967 Captain Action Steve Canyon action figure.

I have always been a deeply devoted fan of the Sunday funnies.  And one of the reasons I read the comics religiously was the work of Milt Caniff.  His comic strips, Terry and the Pirates, Male Call, and Steve Canyon set a standard for the age of action comics and adventure strips.

I read his comics in the 1960’s and 1970’s and always it was Steve Canyon.  But this, of course, was not his first strip.  I would discover in my college years the wonders of Terry and the Pirates.  When Caniff started the strip before World War II, he set it in China, but actually knew nothing about China.  So he did research.  He learned about people who became oriental hereditary pirate families and organizations.  He learned to draw authentic Chinese settings.  His comedy relief characters, Connie and the Big Stoop, were rather racist parodies of Chinamen and were among the reasons that the original strip had to mature into his later work in Steve Canyon.  But perhaps the most enduring character from the strip was the mysterious pirate leader known as the Dragon Lady.

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Steve Canyon is a fascinating study in the comic arts.  When he left the Terry and the Pirates strip in 1946, it went on without him.  It was owned by the Chicago Tribune-New York Daily News distribution syndicate, not Caniff himself.  Steve Canyon would change that.  He created it and owned it himself, making Caniff one of only two or three comics artists who actually owned their own creations.  Canyon started out as a civilian pilot, but enlisted in the Air Force for the Korean War and would remain in the Air Force for the remainder of the strip.  Some of the characters in the strip were based on real people.  His long-time friend Charlie Russhon, a former photographer and Lieutenant in the Air Force who went on to be a technical adviser for James Bond films was the model for the character Charlie Vanilla, the man with the ice cream cone.  Madame Lynx was based on the femme fatale spy character played by Illona Massey in the 1949 Marx Brothers’ movie Love Happy.  Caniff designed Pipper the Piper after John Kennedy and Miss Mizzou after Marilyn Monroe.

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I am not the only cartoonist who was taken with the work of Milt Caniff.  The effects of his ground-breaking work can be seen to influence the works of comic artists like Jack Kirby, Bob Kane, John Romita Sr., and Doug Wildey.  If you are anything like the comic book nut I am, than you are impressed by that list, even more so if I listed everyone he influenced.  Milt Caniff was a cartoonists’ cartoonist.  He was one of the founders of the National Cartoonists’ Society and served two terms as its president in 1948 and 1949.  He is also a member of the Will Eisner Comic Book Hall of Fame.

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Filed under action figures, comic strips, commentary, inspiration

Gray Morrow

Comic book artwork grabs me constantly and makes me wonder about the lives behind the pen and ink.  Artists basically draw themselves.  Whether you are drawing Tarzan, Buck Rogers, or Flash Gordon… when you draw them, you are drawing yourself.  My first encounter with Gray Morrow was when he drew Orion in Heavy Metal Magazine (the English version of the French Metal Hurlant).

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He was capable of drawing both the grotesque and the beautiful.  Violent action juxtaposed with soft and romantic moments filled with subtle colors and complex emotion.  I began thinking that Gray Morrow must be a complex and interesting human being.  I was soon to discover his other selves.  He was the artist behind the Buck Rogers strip starting in 1979.  He and Marvel writer Roy Thomas co-created the muck monster Man-Thing.

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He also worked on Tarzan, Flash Gordon, and The Illustrated Roger Zelazny.  Unfortunately he died in 2001 at age 67.  Luckily an artist puts himself into his work, and for that reason we still have Gray Morrow with us.  It is a kind of immortality.

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This cover from Monsters Unleashed gives you an idea of how well Gray Morrow could draw.

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