“Today I thought I would tell you about Bruce Timm.”
“Bruce Timm? Who the heck is he?”
“You know. That artist with that style… you know, the Batman guy.”
“You mean he played Batman?”
“No. He designed Batman; The Animated Series.”
“Oh, that guy… the guy who draws girls really good.”
“Yes, that’s the one.”
“He gave all the DC heroes their modern, animated look… their style and flair. He made them angular, immediately identifiable, and powerful.”
“Yeah, I think he not only did the Batman cartoon, all film noir and retro-cool, but the Superman series that followed it, the Justice League, and all the cartoon series and movies that went along with those.”
“But that’s not all he did, either, is it?”
“No, there’s more. He wanted to be a comic book artist, but before he got into animation, Marvel and DC turned him down.”
“I heard he worked at Filmation for a while.”
“Yes, he got a chance to draw and design characters for Blackstar, Flash Gordon, He-Man and the Masters of the Universe, She-Ra; Princess of Power, and the Lone Ranger.”
“Dang! He was busy. But only superhero stuff?”
“In 1989 he went to work for Warner Brothers. He worked on Tiny Toon Adventures.”
“That Spielberg/Bugs Bunny thing? The one with Buster and Babs Bunny?”
“Yeah, that one, believe it or not.”
“Tell me more about the girls. I want to hear about him drawing girls. Wonder Woman in Justice League was hot.”
“Showing you is probably better than telling you. Be prepared to cover your eyes, though. He liked to draw the female figure nude and semi-naked.”
Betty and Veronica from the Archie comics.
“I like how he draws pretty girls.”
“You would.”
“He’s the artist you wish you could be, isn’t he?”
“Pretty much. He’s about four years younger than me. If I had gone the comic-book artist route instead of becoming a public school teacher, our careers might’ve been parallel.”
“Except he has talent.”
“Yeah, there’s that.”
Oh Brother, Where Art Thou? (a review by the Uncritical Critic)
I love musicals. What can I say? I am a surrealist as an artist, and so I am dedicated to combining the disjointed and bizarre to make something that makes you laugh, or makes you cry, or makes you go, “Huh? I wonder why?” So when, in the middle of a sometimes serious but mostly comic story of escaped convicts on the lam in the Great Depression Era South, people suddenly burst into song… I love it!
And this movie is filled with creative stuff and biting social satire about religion, politics, crime and punishment, love and sex, desire and disappointment, and, most of all, the need to escape from it all if only for a moment to share a good, old-fashioned song.
The main character is Ulysses Everett McGill (played by George Clooney), so naturally the sirens overpower him and turn one of his crew into a frog. This is because this story is based on the Odyssey by Homer. Only the Trojan War is replaced by a chain gang singing spirituals as they break rocks, the cyclops is a Bible salesman and Ku Klux Klan member with a patch over one eye, and when Ulysses returns to Ithica, he defeats his wife’s suitors with a song. How can you not love a story as creative as that?
The whole movie is shot in color-corrected sepia tones to give it an old-photograph, old-timey feel. John Turturro and Tim Blake Nelson are masterful in the role of McGill’s two idiot hayseed friends.
Again, I remind you, as a completely uncritical critic, I have no intention of trying to tell you what is wrong with this movie. I loved it. I will watch it again. I am writing this review only because I feel moved to tell you how much I loved it and why. So if you don’t approve of that, well, don’t shoot me. Put me on a chain gang and give me a chance to sing.
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