Yes, I am saying the world I live in is a low-budget commercial movie made without literary or artistic pretensions. You know, the kind where movie makers learn their craft, taking big risks with smaller consequences, and making the world of their picture reflect their heart rather than the producer’s lust for money.
Mostly what I am talking about are the movies I remember from late-night Saturday TV in black and white (regardless of whether or not the movie was made in Technicolor) and the less-risky as well as more-likely-good Saturday matinees on Channel 3. Movies made in the 1950s, 1960s, and early 1970s. They were perfect, of course, for the forbidden Midnight Movie on the show called Gravesend Manor. I had to sneak downstairs to watch it on Saturday nights with the volume turned way down low. (Not that Mom and Dad didn’t know. Well, maybe they didn’t know how many of those I watched completely naked… maybe.)
I watched this one when I was twelve, late night on an October Saturday. I had a bed-sheet with me to pull over my head at the scariest parts. Frankenstein was a crashed astronaut brought back to life by the magic of space radiation. He was uglier than sin, but still the hero of the movie, saving the Earth from invading guys in gorilla suits and scary masks (none of which looked like the movie poster.)
This one, starring James Whitmore, a really good B-Movie actor, was about giant ants coming up from the sewers and the underground to eat the city.
I would end up watching it again twenty years later when I was wearing clothes and not alone in the dark house lit only by a black-and-white TV screen.
I realized on the second viewing that it was actually a pretty good movie in spite of cheesy special effects. And I realized too that I had learned from James Whitmore’s hero character that, in times of crisis, you have to run towards the trouble rather than away from it, a thing that I used several times in my teaching career with fights and tornadoes and even rattlesnakes visiting the school campus looking to eat a seventh-grader or something (though it was a bad idea for the snake even if it had been successful.)
This one, of course, taught me that monsters liked to carry off pretty girls in bikinis. And not just on the poster, either. But it was the hero that got the girl, not the monster. This movie taught me that it sucks to be the monster. Though it also taught me that it was a good movie to take your pajamas off for and watch naked when you are thirteen.
But not all B-movies had to be watched late night on Saturdays. This movie was one of the first ones that I got to go to the movie theater to see by myself. (My sisters and little brother were still too young and got nightmares too easily to see such a movie.) It came out when I was in my teens and Mom and Dad began thinking of me as an adult once… or even possibly twice in a month.
And not all B-movies were monster movies, gangster movies, and westerns. Some, like a lot of Danny Kaye’s movies, were movies my Dad and my grandparents were more than happy to watch with me. I saw this one in both black-and-white and color. And I learned from this that it was okay to take advantage of happy accidents, like a case of mistaken identity, and using your wits, your creative singing ability, and your inexplicable good luck to win the day for everybody but the bad guys armed only with your good sense of humor.
And some of the best movies I have ever seen, judging by what I learned about movies as literature from Professor Loring Silet in his Modern Film Class at Iowa State University, are by their nature B-movies.
I am using movie posters in this blog post only from movies I have personally seen. (And I admit that not all of them are strictly “good” movies according to Professor Silet, but I like them all.)
Feel free to tell me in the comments if you have seen any of these movies yourself. I am open to all opinions, comments, and confessions.
I live in a B-movie world. The production values around me are not the top-dollar ones. But the stories are entertaining. The real-life heroes still run towards the problem. And it still sucks to be the monster. But it has always been worth the price of the ticket. And during my time on Earth here, even in 2020, I plan on staying till the end of the picture. I go nowhere until I see the Best Boy’s name in the end credits. And maybe not even then.
![Clofillia, Josphine [Madame Clofullia, P.T. Barnum's "Bearded Lady of Geneva"]. Daguerreotype by Thomas M. Easterly, 1853. Photographs and Prints Collections. Missouri History Museum. Easterly 321. NS 17387. Scan © 2008, Missouri History Museum.](https://i0.wp.com/catchafallingstarbook.net/wp-content/uploads/2018/04/beardedlady.jpg?w=273&h=154&ssl=1 "beardedlady")
Catch a Falling Star 
The Darkest of the Coming Darkness
I do not claim to be prescient. But like any overly smart and perceptive person, I often see what’s going to happen before it happens. Sometimes it is almost as eerie as a Vincent Price movie. Sometimes eerier. After all, on the 60’s Batman TV show, Price played the ridiculous villain Egghead, and was completely creepy while doing it, but still, you know… Egghead.
One thing that I have to predict about the coming darkness is about politics. I mean, the current Republican administration, where it is decisions by all Republicans all the time, has become nothing more than a monster movie. Not merely a bad monster movie, but a super-creepy-bad monster movie with a gigantic orange rubber rooster as the main monster.
The reason it is bad is because, basically, to become a member of the Republican Party’s elected elite, you basically have to have your heart removed. Heartless, soulless monsters have a tendency to do things like take away Meals on Wheels for invalid seniors, health-care services from Planned Parenthood, and any hope of ever having affordable health insurance that actually pays for health care.
And now, the monsters who have taken control of the theater are pulling out of the Paris Climate Agreement because… well, apparently clean air isn’t good for decaying, desiccated monster skin and shriveled monster lungs that don’t breathe air anyway.
So here are my predictions for the coming darkness.
I won’t live to see it. My body is breaking down at age 60. My lungs are compromised by years of bronchitis and flu. I am diabetic, so my very body chemistry is betraying me. There is a family history of heart disease. And I have already gone broke once on health care bills that the health insurance people really don’t pay for. (They are in the business of collecting premiums, after all, not making people well.)
As the climate changes take away large parts of our food production and resources, and the sea rises to take away land and major cities, people will be at war increasingly over diminishing resources vital to a population of seven billion souls. Graveyards and unburied bodies will become a part of every monster-movie scene.
Love will become more complicated, because people who are selfless and put others before even their own life will die out first. The heartless, selfish, and often stupid ones will have the best chance for survival because they put themselves ahead of everyone else, and so have an unfair advantage over those who are not content with mere survival and exhibit self-sacrificing love.
So, if you find my black-and-white monster movie post upsetting with the darknesses I am sincerely predicting, please remember, this is a satire post in a humor blog. The way it is supposed to work is that you wake up to the factors that make it upsetting and decide to do something for yourself to change them. Everybody doing a lot of the same little thing to make the world better can move mountains and fly to the moon. Big things don’t happen without everybody taking a hand. Maybe we can dream dreams once again and make some good things come true.
Leave a comment
Filed under angry rant, battling depression, commentary, feeling sorry for myself, horror movie, humor, monsters
Tagged as film, horror, movies, reviews, writing