Tag Archives: movies

Saturdays With The Herculoids

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When I was a kid in Iowa in the 1960’s Saturday morning television was the singular source of fuel for the imagination.  I loved the various adventure cartoons.  Jonny Quest, Space Ghost, Thundarr the Barbarian, and the Herculoids were the source of endless lets-pretend games in Granpa’s grove and in the old barn.

I suppose the characters I envisioned myself being the most often were Zandor and his son Dorno.  These two practically naked people lived on a primitive planet that had to constantly be defended from space-faring invaders and free-booters that had ray-gun technology on their side.  The only weapons that the practically naked barbarians were able to use against the villains were exploding rocks that were shot out of a slingshot by Zandor and Dorno and Tara, or out of the horn-gun on the head of Tundro the living tank-beast with too many legs.  Of course, Igoo the giant rock ape could bop ’em with his big stone fists, or Zok the lightning dragon, could zap them with tail and eye lasers.  And Gloop and Gleep, the living Play-Doh blobs, could also always shape themselves into flyswatters or springs or wet blankets, or… well, you have to see it to really get it.

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I learned valuable lessons from watching the Herculoids and then pretending to be them.  First of all, I learned that back-to-nature, practically-naked barbarians were morally superior to those who solve their problems with technology.  I also learned that you can win fights with exploding rocks and yelling, “Zandor!  Look out!” at the right time over computerized flying robots with lasers and disintegration rays. There was also the thing about never knowing when an old Space Ghost villain like Brakk or Moltarr was going to show up, and you needed to be ready to defeat them by doing the same things to them that Space Ghost had done to them in previous episodes.  And for some reason, bad guys come with a psychological need to capture Tara or Dorno or both Tara and Dorno and put them in cages.

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I hope there was nothing psycho-sexual embedded in those old episodes.  That would be a terrible thing to do to an impressionable young boy who loved to watch the cartoons.  Explain to me again, Alex Toth and Hanna Barbera,  why are Zandor, Dorno, and Tara practically naked all the time?  Oh, yes, it was a tropical planet.  It must have been hot there.

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Anyway, I must end this homage now, before I start analyzing how this somewhat bizarre cartoon actually affected me as a child.  I loved the Herculoids.  I still love them… no matter how goofy and weird they are.

 

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How It Should Be… According to Mickey

A 1951 Schwinn Spitfire like mine in 1963 when the world was golden.

My bicycle was red. It was red and looked just like the ones that Captain Kangaroo had in his commercials that we watched on a black-and-white TV every day before we walked or rode our bicycle to school, across town a whole long seven blocks away. After school I could ride it out a whole mile and a half to Jack’s farm with Bobby and Richard and Mark the preacher’s kid to go skinny dipping in the cold creek in Jack’s South pasture. Jack was younger than any of us except Bobby. And it was a golden age.

Spiderman comic books and Avengers comic books cost twelve cents to own, but they were forbidden. And as much as we sneaked them and passed them around until they fell apart, usually in Bobby’s hands, we never knew that Dr. Wertham had gone to Congress to make our parents believe that comic books would make us gay and violent. He was a psychiatrist who wrote a book, so even if you didn’t believe him, you had to worry about such things.

I believed in Santa Claus until 1967. And after I found out, I only despaired a tiny little bit, because I began to understand you have to grow up. And adults can lie to you, even if they don’t do it to be mean. And the world is a hard place. And the golden age ended in November of 1963 when JFK was assassinated.

In June of 1968 I rode my bicycle out to the Bingham Park woods, Once there, I took off all my clothes and put them in the bicycle basket, and then I rode up and down the walking paths through the trees with nothing between me and God but my skin. I had a serious think about how life should be. All the while I was terrified that someone might see me. I was naked and vulnerable. A mere two years before that I had been sexually assaulted and was terrified of older boys, especially when I was naked and vulnerable. But I was a fan of the St. Louis Cardinals and Bob Gibson. They were repeated World Series winners. And they beat the Yankees in the series in 1964. And more important than that, cardinals were the little red songbirds who never flew away when the winter came. You don’t give up in the face of hardship. You face the trouble. No matter how deep the snow may pile up.

And in 1969, the first man to walk on the moon showed that a Star Trek world was in reach of mankind. Star Trek was on every afternoon after school. I watched a lot of those episodes at Verner’s house on his family’s black-and-white TV. The Klingons were always bested or beaten because the crew of the Enterprise outsmarted them. You can solve the problems of the universe with science. I know this because of all the times Mr. Spock proved it to me not just by telling me so, but by showing me how you do it. And what you can achieve is greatly enhanced if you work together like Spock and Kirk and Bones… and sometimes Scotty always did.

So, what is the way it should be? What did Mickey decide while naked in the forest like a Dakota Sioux shaman on a spirit-quest?

JFK’s 108th birthday was on May 29th. Dr. Wertham has been dead for 44 years. Bob Gibson was 85 when he passed away in October of 2020. Captain Kirk turned 94 in March of this year.

The Golden age is long gone. There is no single set of rules that can clearly establish how it should be now. But I like those ideas of how it should be that I established for myself while naked on a Schwinn Spitfire in a forest long ago.

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The World is a B-Movie

Yes, I am saying the world I live in is a low-budget commercial movie made without literary or artistic pretensions. You know, the kind where movie makers learn their craft, taking big risks with smaller consequences, and making the world of their picture reflect their heart rather than the producer’s lust for money.

Mostly what I am talking about are the movies I remember from late-night Saturday TV in black and white (regardless of whether or not the movie was made in Technicolor) and the less-risky as well as more-likely-good Saturday matinees on Channel 3. Movies made in the 1950s, 1960s, and early 1970s. They were perfect, of course, for the forbidden Midnight Movie on the show called Gravesend Manor. I had to sneak downstairs to watch it on Saturday nights with the volume turned way down low. (Not that Mom and Dad didn’t know. Well, maybe they didn’t know how many of those I watched completely naked… maybe.)

I watched this one when I was twelve, late night on an October Saturday. I had a bed-sheet with me to pull over my head at the scariest parts. Frankenstein was a crashed astronaut brought back to life by the magic of space radiation. He was uglier than sin, but still the hero of the movie, saving the Earth from invading guys in gorilla suits and scary masks (none of which looked like the movie poster.)

This one, starring James Whitmore, a really good B-Movie actor, was about giant ants coming up from the sewers and the underground to eat the city.

I would end up watching it again twenty years later when I was wearing clothes and not alone in the dark house lit only by a black-and-white TV screen.

I realized on the second viewing that it was actually a pretty good movie in spite of cheesy special effects. And I realized too that I had learned from James Whitmore’s hero character that, in times of crisis, you have to run towards the trouble rather than away from it, a thing that I used several times in my teaching career with fights and tornadoes and even rattlesnakes visiting the school campus looking to eat a seventh-grader or something (though it was a bad idea for the snake even if it had been successful.)

This one, of course, taught me that monsters liked to carry off pretty girls in bikinis. And not just on the poster, either. But it was the hero that got the girl, not the monster. This movie taught me that it sucks to be the monster. Though it also taught me that it was a good movie to take your pajamas off for and watch naked when you are thirteen.

But not all B-movies had to be watched late night on Saturdays. This movie was one of the first ones that I got to go to the movie theater to see by myself. (My sisters and little brother were still too young and got nightmares too easily to see such a movie.) It came out when I was in my teens and Mom and Dad began thinking of me as an adult once… or even possibly twice in a month.

And not all B-movies were monster movies, gangster movies, and westerns. Some, like a lot of Danny Kaye’s movies, were movies my Dad and my grandparents were more than happy to watch with me. I saw this one in both black-and-white and color. And I learned from this that it was okay to take advantage of happy accidents, like a case of mistaken identity, and using your wits, your creative singing ability, and your inexplicable good luck to win the day for everybody but the bad guys armed only with your good sense of humor.

And some of the best movies I have ever seen, judging by what I learned about movies as literature from Professor Loring Silet in his Modern Film Class at Iowa State University, are by their nature B-movies.

I am using movie posters in this blog post only from movies I have personally seen. (And I admit that not all of them are strictly “good” movies according to Professor Silet, but I like them all.)

Feel free to tell me in the comments if you have seen any of these movies yourself. I am open to all opinions, comments, and confessions.

This one is based on Shakespeare’s The Tempest.
I saw this one in college. You had to be 18 at the time to even buy a ticket.
I actually think that this is one of the best movies ever made. It will always make my own personal top-ten list.

I live in a B-movie world. The production values around me are not the top-dollar ones. But the stories are entertaining. The real-life heroes still run towards the problem. And it still sucks to be the monster. But it has always been worth the price of the ticket. And during my time on Earth here, even in 2020, I plan on staying till the end of the picture. I go nowhere until I see the Best Boy’s name in the end credits. And maybe not even then.

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Comic Book Heroes – A is for Aquaman

Today’s Paffooney is a tribute to a childhood hero, Aquaman.   I drew the picture from a comic book inspiration source coming from DC Comics in the 1960’s.  Aquaman is a B-level superhero with not nearly so many fans as the big three, Batman, Superman, and Wonder Woman.   He was, however, my second favorite after Spiderman.  He was more important to me than the Avengers.  And this was strange, because I only had the chance to read the sacred comic books in the old barbershop in uptown Rowan.  I only remember about two different issues that I was able to read during the long wait for a haircut.  (Haircuts on Saturday took forever, because all the bald and crew-cut farmers would take forever getting their hair cut.  And they hardly had any hair!   I think the barber cut each hair individually.)

Aquaman and Aqualad would journey together in an incredible undersea world of sea monsters, giant fish, scuba divers, villains like Black Manta, and Mera, a real hot underwater babe.  Topo the octopus could play comic relief by playing musical instruments or getting drunk on old lost kegs of pirate rum.  I became a part of the adventure.  I’m not sure whether I imagined myself more as Aquaman himself, or Aqualad.  Aqualand was dressed all in red and blue, my favorite colors.  I liked his blue swim-trunks.  I myself could never wear swim trunks without a fatal case of embarrassment over my knobby knees and hairy legs.    I admired Aqualad’s smooth and muscled boy-legs, though not without some shame and embarrassment.  Some suggest that the relationship between Aquaman and Aqualad was a homo-erotic thing just like Batman and Robin.   But, hey… NO IT WASN’T!  It was a hero and sidekick that mirrored the complex relationship between a father and son.  My father and I could never talk at any deeper level than Aquaman talked to Aqualad.   Yet my father had super-powers for solving my problems and helping me do things and make things.  Yes, I think I loved Aquaman because he reminded me of my own father in his quiet competence.

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And I had a Captain Action Aquaman costume, a Christmas present and wonderful treasure.  I played with it so much that only the broken trident, mask, and swim fins remain.  The rest was all broken and unraveled and disintegrated from being played with.  The Aquaman in my Captain Action collection has replacement parts in it to make it more complete.  Yes, I spent time and money putting that toy back together so that I might play with it yet again.

So why is the super-powered King of the Sea so important to me?  After all, his super powers are to breathe underwater and telepathically talk to fish.  I think, reading back over this stupid little essay, that the most important theme is the father-son thing.    I never owned a single Aquaman comic book as a kid, but I watched him on Saturday morning TV.  He was one of the Superfriends.  And my father had been in the Navy on Aircraft Carriers.  Yes, Aquaman is my favorite because Aquaman is secretly my father.

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Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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Thanks for the Memories, Frances Gumm

Little Frances Gumm from Minnesota

She is older than both my mother and my father. In fact, if she were alive today, if she hadn’t died young when I was thirteen, she would be 101, passing the century mark. She was born in Grand Rapids, Minnesota in 1922.

And even though that’s right next door to where I was born in Mason City, Iowa, we were never really neighbors. Our families never met in person, and didn’t know diddly-boo about each other.

But she had a profound impact on our lives. And, boy! Could she ever sing and dance!

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A little bit older Frances Gumm

I don’t know why she ever felt that way, but Frances from childhood onward was always desperate to not be seen as fat.

She took pills to keep the weight off. She eventually had to take pills to sleep at night. Pills would make her suffer through most of her life. In fact, pills would eventually take her life.

But Frances Gumm would have an impact on my life. Frances would have an impact on my parents’ generation through the movie theater, back when you paid a dime to watch a movie projected on a white sheet tacked up on the Rowan firehouse wall. And she had an impact on my generation when we watched her on TV, mostly in black and white, like we saw Meet Me in St. Louis. But also around Thanksgiving time. That movie they played every year.

Yes, Frances was a movie star.

But she didn’t go by the name she was born with in the movies.

And, boy! Could she ever sing!

And now that I am old and fragile, that song can make me cry. Like it did just now. And why?

Because Frances Gumm taught me something important when I was a little boy. Something that stuck with me for a lifetime.

While it’s true that there is no place like home, we are allowed to think about what is over the rainbow… and even to go there… and back again.

And I owe Frances for that memory. Especially because she had to struggle so hard to give me that. Frances, I will always love you for it.

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Tarzan and the Timeless Valley of Nostalgia

There was a time when Tarzan was one of the ruling heroes of my boyhood fantasies of power and self-fulfillment. And, while Tarzan was a cartoon show on Saturday morning, comics by Burne Hogarth, movies in the theater in color with Mike Henry, or a weekly series on TV with Ron Ely, he was always Johnny Weissmuller to me. Weissmuller who played both Tarzan and Jungle Jim in the Saturday afternoon black-and-white movies.

I have to admit, I didn’t identify with the character of Tarzan as much as I thought of myself like the character “Boy”, played by Johnny Sheffield in movies like “Tarzan Finds a Son”. It was a significant part of my boyhood to imagine myself being like Boy, free from practically all restraints, able to gad about the dangerous jungle nearly naked with monkey pals and no fear. If I got into trouble by believing my skills were greater than they really were, I would save myself with ingenuity, and, barring that, Tarzan would rescue me. And, believe it or not, sometimes there were fixes that Tarzan got into that he needed me and Cheetah to be creative and get him out of. I knew in my heart that one day real life would be like that, especially once I grew into Tarzan and stopped being just Boy. That idea was in my head so loudly that several times I went to Bingham Park Woods, stripped down, and played Boy in the Jungle.

As in the previous essay about Heroes of Yesteryear, I learned important things from Johnny Weissmuller on Saturday TV. He taught me that all you really needed, even in the darkest jungles of Africa, was confidence and courage. You could stand up to any deadly danger without the protection of any armor, practically naked, in fact, if only you had that heroic goodness of heart. The little boy I was then still believes that whole-heartedly even in the aging body of an old man.

So, Tarzan continues to live in my memory, a part of me, an essential part of my education. He is me and I am he. But only in my mind. Me in a loincloth, swinging on a vine now… and probably going splat like an overripe melon on the jungle floor… well, that is too ridiculous to even imagine being real anymore. Yet he lives on in me. And he battles the metaphorical leopard-people of modern life through me. Unarmored. Confident. And unafraid.

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The Darkest of the Coming Darkness

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Egghead  might be slightly batty.

I do not claim to be prescient.  But like any overly smart and perceptive person, I often see what’s going to happen before it happens.  Sometimes it is almost as eerie as a Vincent Price movie.  Sometimes eerier.  After all, on the 60’s Batman TV show, Price played the ridiculous villain Egghead, and was completely creepy while doing it, but still, you know… Egghead.

One thing that I have to predict about the coming darkness is about politics.  I mean, the current Republican administration, where it is decisions by all Republicans all the time, has become nothing more than a monster movie.  Not merely a bad monster movie, but a super-creepy-bad monster movie with a gigantic orange rubber rooster as the main monster.

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This is what the great orange rooster looks like in black and white.

The reason it is bad is because, basically, to become a member of the Republican Party’s elected elite, you basically have to have your heart removed.  Heartless, soulless monsters have a tendency to do things like take away Meals on Wheels for invalid seniors, health-care services from Planned Parenthood, and any hope of ever having affordable health insurance that actually pays for health care.

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                Senator Ted Cruz is grinning about taking away Obamacare

And now, the monsters who have taken control of the theater are pulling out of the Paris Climate Agreement because… well, apparently clean air isn’t good for decaying, desiccated monster skin and shriveled monster lungs that don’t breathe air anyway.

So here are my predictions for the coming darkness.

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What people like me will look like in the future.  That’s me in the middle.

I won’t live to see it.  My body is breaking down at age 60. My lungs are compromised by years of bronchitis and flu.  I am diabetic, so my very body chemistry is betraying me.  There is a family history of heart disease.  And I have already gone broke once on health care bills that the health insurance people really don’t pay for.  (They are in the business of collecting premiums, after all, not making people well.)

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What a lovely oxygen-free environment we will have!

As the climate changes take away large parts of our food production and resources, and the sea rises to take away land and major cities, people will be at war increasingly over diminishing resources vital to a population of seven billion souls.  Graveyards and unburied bodies will become a part of every monster-movie scene.

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Kiss me, Baby!

Love will become more complicated, because people who are selfless and put others before even their own life will die out first.  The heartless, selfish, and often stupid ones will have the best chance for survival because they put themselves ahead of everyone else, and so have an unfair advantage over those who are not content with mere survival and exhibit self-sacrificing love.

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You’ve never had a friend like me.  And I can always eat you later if need be.
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So, if you find my black-and-white monster movie post upsetting with the darknesses I am sincerely predicting, please remember, this is a satire post in a humor blog.  The way it is supposed to work is that you wake up to the factors that make it upsetting and decide to do something for yourself to change them.  Everybody doing a lot of the same little thing to make the world better can move mountains and fly to the moon.  Big things don’t happen without everybody taking a hand.  Maybe we can dream dreams once again and make some good things come true.

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Why We Doo

I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.

Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)

One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.

And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.

Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.

There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.

And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.

Give us your creepiest or goofiest smile, guys!

And that is why we do the Doo!

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P.T. Barnum

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Last night my wife and my daughter the Princess went with me to the movie musical The Greatest Showman at the dollar movie.  I was enchanted.  My wife laughed at me for how much the movie made me cry.  But it was a very touching and timely movie for me because it was about pursuing dreams in spite of economic hardships.  The award-winning songs promote with energy and stunning beauty the notion that you should follow your passion no matter the risk, and that choosing to do so will produce rewards as long as family and love are with you and along for the ride.

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Of course, one has to remember that the whole story is based on the life and work of Phineas Taylor Barnum, a man who is a lot more like Donald Trump than he is Hugh Jackman.  I really doubt he could sing and dance the way the movie portrays him.  And words like “humbug”, “fraud”, and “exploiter” apply to him in a very real way.

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Barnum was actually one of those wheeler dealers who wants to control the story.  He actively found ways to alter the public narrative about himself and used criticism to help promote his money-making shows.  The idea of bad publicity being just as good if not better than good publicity actually makes its presence felt in at least one scene in the movie.  There is ample evidence that more than a little of Barnum’s efforts were aimed at making himself a star.

And although the movie sentimentalizes his exploitation of freaks and special individuals, giving him credit for giving them self esteem and a means to make a good living, that was really only the fictional Barnum created by Barnum’s own media efforts.

The truth of the matter, though far more fascinating than the movie version of Barnum, does not make for a good musical libretto.  In the movie the theme of special people outcast from the society because of their uniqueness coming together to support each other in a circus is strongly woven into both the story and the music.  The song “This is Me” performed by Keala Settle playing the part of bearded lady Lettie Lutz is a powerful anthem for everyone who feels smaller than they really are because of prejudice, bullying, racism, sexism, or any of the other forms of moronic stupidity that humans are so often guilty of.  I have to admit, the song made me cry even as it filled me with joy.  The musical score of this movie is one that I intend to listen to again and again and again.  It makes the circus seem like an answer to life’s problems.  It is the same feeling that I got the first time, and every time, I ever saw the circus with all its clowns and jugglers, acrobats and lion tamers, bare-back riders and elephants.  And I knew it was all illusion.  All humbug.  But it was pure joy worth the price of the ticket never-the-less.

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The movie was only rated 56% fresh on Rotten Tomatoes.  But I rarely pay attention to things like that.  This musical goes into the category with The Sound of Music, The Music Man, Oklahoma!, and Mary Poppins of musicals I can’t live without.  Never mind the greedy little man that it is based on.  This movie is about big dreams and even bigger achievements.  And it is well worth the price.

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