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The Philosophy of Bad Poetry

I do write poetry. But I must admit, I am not a serious poet.  I am a humorist at heart, so I tend to write only goofy non-serious poems like this one;

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So here is a poem that rhymes but has too much “but-but-but” in it.  A poem about pants should not have too many “buts” in it.  One butt per pair, please.  So this is an example of spectacularly bad poetry.  Why do we need bad poetry?  Because it’s funny.  And it serves as a contrast to the best that poetry has to offer.

As a teacher I remember requiring students to memorize and recite Robert Frost’s poem, “The Road Not Taken”.  Now this sort of assignment is a rich source of humorous stories for another day.  Kids struggle to memorize things.  Kids hate to get up in front of the class and speak with everybody looking at them.  You get a sort of ant-under-a- magnifying-glass-in-the-sun sort of effect.  But in order to truly get the assignment right and get the A+,  you have to make that poem your own.  You have to live it, understand it, and when you reach that fork in the road in your own personal yellow wood, you have to understand what Frost was saying in that moment.  That is the life experience poetry has a responsibility to give you.

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Hopefully I gave that experience to at least a few of my students.

Bad poetry makes you more willing to twirl your fingers of understanding in the fine strands of good poetry’s hair.  (Please excuse that horrible metaphor.  I do write bad poetry, after all.)

But all poetry is the same thing.  Poetry is “the shortest, clearest, best way to see and touch the honest bones of the universe through the use of words.”  And I know that definition is really bad.  But it wasn’t written on this planet.  (Danged old Space Goons!)  Still, knowing that poetry comes from such a fundamental place in your heart, you realize that even bad poetry has value.  So, I will continue writing seriously bad poetry in the funniest way possible.  And all of you real poets who happen to read this, take heart, I am making your poetry look better by comparison.

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If I Could Keep Time in a Bottle

She’s a blue-eyed cowgirl, and she’s today’s Pafooney for no reason I can see.

The song was a hit in 1973 when I was a high school sophomore, the time when I almost ended myself for the severe depression that the repressed memory of being assaulted at ten infected me with. And it was Jim Croce’s second number-one hit, top of the charts, released after he had already passed in a plane crash. It was a song about saving up time to spend with someone you loved more than life itself. A sad song, given the impossibility of putting time in a bottle, unfortunate considering Croce’s time ran out before the song even hit the airwaves.

We loved that song so much that it was the first choice for a Prom Theme the next year when I was a junior and in charge of the artwork for decorating the high school gym for Prom. Yes, doing all that art was one of the things that kept me from putting a knife in my own chest the previous Spring. I savored that song. I designed wall posters and backgrounds for the walls during the dance. And I did it all again when the theme was changed from “Time in a Bottle” to “The Circus.” I drew a leopard in a circus wagon life-sized. I captured a moment in time in tempura paint on a massive sheet of paper. I remember three of the girls fighting over the piece when the Prom was over. I wonder if someone still has that leopard somewhere. I don’t remember which girl won the fight.

My best friend in high school, Byron, who later went on to get a medical degree and become Dr. Bonte in Minnesota, is now gone. He died from muscular dystrophy a couple of decades ago. My mother and father are both gone now. Both of my father’s siblings, Aunt Jean and Uncle Skip, are also gone, along with their spouses. My mother’s older brother, Uncle Larry, is also long gone of cancer. In fact, my Uncle Don, and Uncle Larry’s wife are the only members of my parents’ generation in our family who are still living. They were all alive in 1973 when “Time in a Bottle” played at least five times a day on the Iowa rock and roll station on AM radio, WHO from Des Moines.

I guess all of that is in my Memory Bottle? I can’t actually spend any of the time with them. But I metaphorically can. And I have left the fruit of my experiences in 24 books so far, another Bottle Out of Time. 24 bottles metaphorically.

So, now that I am ill, almost seventy and definitely closer to the grave than the day of my birth, maybe I don’t need to despair. I can remember the song. I can open a bottle of vintage time. Somewhere it’s 1973 again. And someone is listening to a ghost voice on the radio singing,
If I could save time in a bottle
The first thing that I’d like to do
Is to save every day till eternity passes away
Just to spend them with you

That may be all we ever need to require of time. Once we’ve lived it, it is ours forever.

,

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Comic Book Heroes – A is for Aquaman

Today’s Paffooney is a tribute to a childhood hero, Aquaman.   I drew the picture from a comic book inspiration source coming from DC Comics in the 1960’s.  Aquaman is a B-level superhero with not nearly so many fans as the big three, Batman, Superman, and Wonder Woman.   He was, however, my second favorite after Spiderman.  He was more important to me than the Avengers.  And this was strange, because I only had the chance to read the sacred comic books in the old barbershop in uptown Rowan.  I only remember about two different issues that I was able to read during the long wait for a haircut.  (Haircuts on Saturday took forever, because all the bald and crew-cut farmers would take forever getting their hair cut.  And they hardly had any hair!   I think the barber cut each hair individually.)

Aquaman and Aqualad would journey together in an incredible undersea world of sea monsters, giant fish, scuba divers, villains like Black Manta, and Mera, a real hot underwater babe.  Topo the octopus could play comic relief by playing musical instruments or getting drunk on old lost kegs of pirate rum.  I became a part of the adventure.  I’m not sure whether I imagined myself more as Aquaman himself, or Aqualad.  Aqualand was dressed all in red and blue, my favorite colors.  I liked his blue swim-trunks.  I myself could never wear swim trunks without a fatal case of embarrassment over my knobby knees and hairy legs.    I admired Aqualad’s smooth and muscled boy-legs, though not without some shame and embarrassment.  Some suggest that the relationship between Aquaman and Aqualad was a homo-erotic thing just like Batman and Robin.   But, hey… NO IT WASN’T!  It was a hero and sidekick that mirrored the complex relationship between a father and son.  My father and I could never talk at any deeper level than Aquaman talked to Aqualad.   Yet my father had super-powers for solving my problems and helping me do things and make things.  Yes, I think I loved Aquaman because he reminded me of my own father in his quiet competence.

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And I had a Captain Action Aquaman costume, a Christmas present and wonderful treasure.  I played with it so much that only the broken trident, mask, and swim fins remain.  The rest was all broken and unraveled and disintegrated from being played with.  The Aquaman in my Captain Action collection has replacement parts in it to make it more complete.  Yes, I spent time and money putting that toy back together so that I might play with it yet again.

So why is the super-powered King of the Sea so important to me?  After all, his super powers are to breathe underwater and telepathically talk to fish.  I think, reading back over this stupid little essay, that the most important theme is the father-son thing.    I never owned a single Aquaman comic book as a kid, but I watched him on Saturday morning TV.  He was one of the Superfriends.  And my father had been in the Navy on Aircraft Carriers.  Yes, Aquaman is my favorite because Aquaman is secretly my father.

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Dark Mickey, the Blackest Secrets

This is a post about every evil thing that Mickey has done and kept secret (or things that Mickey has been accused of even if he didn’t really do them.) he

Starting with the Werewolf lie. Mickey (as the teacher known as Mr. Beyer, Mr. B, the Batman, and Mr. Gilligan’s Island) is not now, nor has ever been… a werewolf. The excessive growth of facial hair, especially around the full moon, is just an inherited family trait. NOT LYCANTHROPY! Mickey has never eaten a student, not even the bad ones who disappeared from our school. (They were removed by law enforcement and continued their education in prison.)

Emmalina, pictured above, was not really a werewolf either. She did not eat her boyfriend when he tried to dump her. She never threatened to bite Mickey if he didn’t give her A-plusses in English class. She never bit Mickey trying to turn him into a werewolf too. She’s a character in a fiction story. She doesn’t really exist. And the the real girl Mickey based the character on was not a werewolf either… at least, not that Mickey can prove.

Mickey is also a liar. He lies every time he sits down to his computer to work on his W.I.P.. He tells extensive lies that last between 15,000 and 75,000 words, but average around 35,000 words. He tells these lies about real people that he has known, though he lies about their names and calls them something way different than their real names. And the events he says happens to them in these extended lies didn’t really happen. So, basically, these are all fiction. In fact, their technical designation is either novella or novel.

Mickey does have some things to confess. He really is a horrid little goody-two-shoes who has always been too timid to actually ever commit a crime of any kind. He has been known to tell some lies that were not merely fiction. The big lie when he was a kid was, “I’m fine. Really, nothing is wrong.” If you have read much of this blog, you probably already know why that is a big lie.

Mickey does not have a very good marriage. He has been married for 31 years. That is really five good years, twenty-three tepid and kinda boring years, and three really bad years. Religious differences were the first problem that made it not great to be married. Mickey had great difficulty accepting that he was evil and detestable in God’s eyes. Mickey’s wife pointed out specific Bible verses to prove it. And somehow the verses in Proverbs that explained how a good wife acted were always invisible whenever Mickey looked them up during family Bible study.

Mickey is now an atheist who believes in God. Mickey understands that to mean he is a Christian Existentialist. His wife understands that to mean he is going to Hell when he dies… if only Jehovah’s Witnesses believed in Hell. But the reward ultimately is that she won’t have to share household space with him in Paradise, since he won’t be there.

But Mickey isn’t upset about any of that. The two of them have three wonderful kids who were all terribly bad in some way or other growing up, but now that they are responsible adults, they generally do good things… even if the good things they do somewhat resemble the way their evil dad taught them to be.

Mickey has one imaginary granddaughter. She’s imaginary because she didn’t make it all the way to the point where she would’ve become a real granddaughter… or grandson. But that’s also okay. It could’ve been worse. We could’ve lost two instead of one. And Susu is a lovely imaginary granddaughter.

And Mickey is also a nudist. He writes stories about naked people. And he visits places where naked people gather. This embarrasses the rest of the family. They choose not to remember when the children were younger and we had a pool and we did skinny-dipping at night with the underwater lights on in the pool. It was fun. And their embarrassment about it is still fun.

So, Mickey has lived a terrible, sordid life. It is a shame that he deeply regrets… with only a little laughter in the background.

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Recent Digital Progress for Art Day

Shirley Temple

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Being and Artistry

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Being an artist is a matter of genetics, luck, and loads of practice.  I began drawing when I was only four or five years old.  I drew skulls and skeletons, crocodiles and deer on everything.  My kindergarten and first grade teachers were constantly gritting their teeth over the marked-up margins of every workbook and worksheet.  I drew and colored on everything.  I eventually got rather good, drawing in pencil, crayon, ink, and as you see here, colored pencil.  I loved to draw the people and things around me.  I also drew the things of my imagination.  I drew my best girl, Alicia, and I drew the half-cobra half-man that lived in the secret cavern under our house.  I drew a picture of the house across the underpass from Grandma Mary’s house.  I drew cardinals, and I drew Snoopy cartoons.  I drew my sports heroes in football and hockey, Donny Anderson and Gordie Howe.  I drew monsters with fangs and fuzzy animals with huge soulful eyes.  I still draw and it’s mostly the same things that I drew when I was a child.  I will post more of the drawings here in the near future to dazzle you with my talents and ridiculous sense of the absurd.

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I inherited art talent from my father’s side of the family.  He could always draw fairly well, though he only used the talent to draw things he meant to build or create in his workshop.  He was a practical man who loved to tinker and make things work in a useful manner.  He had no love or need for that which is fanciful and fantastic.  I suspect, though, that he encouraged my artistical flights of fancy because it spoke to an unfulfilled portion of his own creative instinct.  My Great Aunt Viola was also an artist.  She loved to paint flowers on porcelain and create delicate beauty in items like plates and vases.  Her art was more fanciful than my Dad’s art, but it still had a certain Midwestern practicality at its roots. 

I hoped early on to be a cartoonist or comic-book artist.  I loved to draw wildly imaginative things.  The first cartoons I created were all about outer space.  I wrote stories and drew pictures of Zebra Fleet, a Star-Trek-like space force that kept peace in an area of space inhabited by dog-headed humanoids.  It was fanciful and goofy at the same time.  Since then I tried my hand at a Cowboys and Indians cartoon strip, built around the massacre of Custer’s command at the Little Bighorn.  I researched the Indians of the Dakotah, Crow, Shoshone, and Hidatsa Tribes for my cartoon.  I learned to love drawing feathers, totems, magic men, shamans, shirt men, and lovely Indian girls.  Nowadays I draw the adventures of weird little Toons from Animal Town and the various strange places in Fantastica.  Teenage Panda Girls go out for cheerleading and fail, seeking to wreak revenge on Animal Town.  Hairy Bear is a Grizzly with a tiny body and a huge reputation earned by fantastical hair growths and the ability to make large hair-pieces.  The Four Bares are a family of bears who live at Newt’s Naturist camp and turn Animal Town upside down when they insist on their right as top-of-the-food-chain predators to go anywhere they like naked.  If you are lucky, I will never be a published cartoonist.  I made a serious stab at it.  I came close in two different job interviews and one major submission, but I have arthritis, and it attacked my hands at just the right time to make me a school teacher instead of a cartoonist.

Drawing has become for me a hobby and a lifestyle all about the color and the symbol.  I try to cram as much story and meaning into every figure or picture I do.  Each drawing is precious, and I must squeeze as much as I can from each one, because drawing has become so hard to do and is such a rare thing.  I lean towards the blue in my cartoons.  There is a certain Blue Period about my melancholy work and life.  Things turn out wrong at the end of my stories and there is no happily ever after.  When the nighttime comes, I have to go to sleep with the urge to draw more.  I’ll draw more in the next life, or maybe in my dreams.

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Anita Jones, the Little Red-Haired Girl

Anita Jones is a character in several of my books, but she also represents a girl from my own childhood who was as much of a regret for me as she was for poor old Charlie Brown.

Anita Jones, of course, is not her real name. You can’t even look at the picture and tell by what she looks like who I am secretly portraying. But the thing is, she was definitely real to me. And I would still be horrified to have her find out how I really felt about her.

She was not my first crush. I mooned over the beautiful Alicia Stewart (also not a real name) from second grade through sixth grade. But Anita was always right there. Often right behind me and to my left whenever I turned around on the playground. Not looking me in the eye, but probably looking at me until I began to turn. I know I looked at her whenever she wore dresses or shorts. She had beautiful peach-colored legs.

There was a time when, in Music class, the boys were forced to ask a girl to be a dance partner in the square dancing lessons that Miss Malik was giving us. My best friend Mark had asked Alicia to dance with him, so my number one choice was already taken. And when it was my turn, Anita looked at me with those wonderful brown eyes and heart-shaped face. And I… was too embarrassed to pick her. Then everyone would know how I really felt about her. So, I picked my cousin instead. My heart was lodged in my left shoe for three days after the look I saw on her face. Not my cousin’s face. The brown eyes and heart shape.

Then later, when I was on the high school bus to Belmond, Mickey Schmidt (we never called him Michael because I was Michael) made a joke that embarrassed me.

“Have you ever been caught masturbating in the bathtub?”

“No,” I told him, in disgust. Anita was in the seat across the aisle listening.

“It’s a good place to do it in, then, ain’t it.”

I turned as red as any maple leaf ever managed in late fall. She was smiling at me.

“I would’ve liked to have seen that,” she said. “I bet you even have a lot of hair down there.”

I would’ve laughed if I hadn’t been so embarrassed that my head might’ve caught fire.

But thinking about that humiliating moment on the bus later, I realized that she had actually been brave enough to admit she was thinking about my genitals. I had never asked her on a date or sat beside her in Art Class as I should have. My life might’ve been very different if I had. Even if I had asked her to dance.

But somewhere in the Multiverse, a parallel me is probably married to a parallel Anita. And I bless them for what might’ve been. At least, it’s lovely to think so now.

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Silly Tyger!

I think I posted this picture once before and told you it was inspired by William Blake’s poem The Tyger!  That is still true.  I wasn’t telling a lie, at least, I don’t believe I was.  So the poem goes like this;

The Tyger

BY WILLIAM BLAKE

 
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
Tyger
 
The idea is that the Tyger represents some unknowable evil that we must fear and respect because it is beyond our understanding.  But the kid in the picture seems to be unafraid.  Was that a mistake?  Or was I really thinking this?
CalvinHobbes
Apologies to Bill Watterson for stealing his cartoon for this post.  I needed a more dangerous-looking Tyger than the one I had.
 

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Retirement Is…

Retirement is…

Watching old movies…

Yes, good old movies…

Casablanca with Bogey and Bergman…

The Wizard of Oz with Judy…

E.T. with that bug-eyed alien…

No more job…

No more classroom to manage…

No more classroom clowns…

No more kids you look forward to daily…

They’re grown now with kids of their own…

No more sense of the teacher I was…

No more sense of who and what I am…

Except the pain reminds me that I am still alive…

Arthritis in every joint…

Diabetes draining all possible energy…

Glaucoma gradually taking away my eyes…

Retirement is…

Waiting to die…

Hopefully painlessly…

And hopefully not soon…

One more novel finished?

I have started three more, but stalled on writing each…

One more great piece of literature read?

Have you read Watership Down by Adams?

A Hat Full of Sky by Pratchett?

The Sound and the Fury by Faulkner?

A Tale of Two Cities by Dickens?

Ah, for one more book…

Even one more hour of someone else’s life lived by reading…

That’s what retirement is!

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Variations of Digital Art

The cool thing about digital art is you can make multiple changes and create multiple works of art from one art project.

I can take a photograph and use it as the base of the drawing, going over it to change photo image into drawing… or maybe cartoon.

You can then add or subtract things and make the drawing even more your own.

Manipulating things is easily done… and just as easily undone.

It actually becomes quite cluttered in the project picture file.

And I didn’t waste all my time on only one thing.

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