This is not a book review. I did finish reading this book in a 3-hour-end-of-the-book reading orgy, spending an hour last night, and two more early in the morning before the rest of my family was awake.
This is certainly not a book review. But I did read a Stephen King book, 1998’s Bag of Bones, which I picked up from the dollar sale shelves at Half Price Books. And I did love the story.
………………………………………………………………………This is not a book review. Instead, I want to talk about what a novelist can learn and reflect on by meta-cogitating over what this book reveals about King’s work habits and style and author’s voice.
Mike Noonan, the protagonist, is a novelist who writes books that routinely land in the numbers 10 through 15 slots in the New York Times Bestseller List. Obviously, this first-person narrative is coming directly out of King’s own writing experience. But, remember, this is not a book review. I am discussing what I have learned about how King puts a story together.
King sets a back-story for this novel that digs deep into the geographica and historica of the city in Maine where the story is set. The literal bag of bones revealed in the book’s climax is almost a hundred years old. And he takes a compellingly realistic tour back in time to the turn of the Twentieth Century more than once to reveal who the undead characters are and why they do what they do. One thing that makes a writer, a novelist, truly solid is his ability to set the scene, to grow the story out of the background in the most organic and realistic way possible. But this is not a book review. I am saying that King always does this with his books. And if you wish to write at that level, you must do that too. I know I am sincerely trying.
At the end of the story, he clearly tells the reader that he learned from Thomas Hardy that “the most brilliantly drawn character in a novel is but a bag of bones”. So, he is definitely aware that a character is a construct that has to be crafted from raw materials. It takes a master craftsman to build one with the right words to make it live and breathe on the page. He does it masterfully in this book with several characters. The protagonist, the beautiful young love interest, the love interest’s charming three-year-old daughter who is nearly slain in a horrific manner at the end of the book… The living villain is a well-crafted bag of bones, as is the ghost, the actual bag of bones in the story. But this is not a book review. Most of his books, at least the ones I have read, have the same sort of masterful characters.
There is so much more to be learned about novel writing from this book. He literally shows you how ideas are captured, how they are developed into stories, how you overcome “writer’s block”, and Noonan’s book he is writing within this book is even used as an example of how to poetically advance the plot. But this is not a book review. You should read this book. It is a very good and scary piece of work. But you should read it because it shows us how to write and do it like a master.
Get Up and Do!
It is daunting when bad fortune comes in waves, drowning us in debt, suffering, disabling illness, financial reversals, and so many more things I have been through this last year personally, so that we want to lie down and never get up.
But, I am not dead yet… and there is poetry to be lived.
I say that as one of the world’s fifty worst poets who ever lived. (In my defense, I am a humorist, and I write bad poetry on purpose.) My inspiration for the living of poetry comes from reading and living good poetry. I live because there is poetry by Walt Whitman. Of course, also Shakespeare… whoever he really was. And I understand that much of what I have learned in my brief and stupidly-lived 61 years comes from the poetry of the visionary poet I pictured above. Do you know him? If you have never read his poetry, you haven’t truly lived the poetry you need to live.
This poet taught me that “Being, not doing, is my first love.” Of course, if I am satisfied with just sitting on my bed and “being” through most of my day, I will starve to death and not “be” anymore. But he has taught me that what is essential is already within me. There is wisdom and power in Uncle Ted’s poetry. (Yes, I know I am not really related to him, but that’s only physical and overlooks the spiritual.) I must partake of it to live.
If you are bored by poetry about plants in a greenhouse under bright lights, or you can never understand what the poet means when he says, “My father was a fish”, then you need to practice reading poetry more. You don’t truly understand what poetry is, and what it is for… yet.
And I am sure you have probably concluded from all of this that I am a fool and a bad poet and I have no right to try to tell you who and what a truly great poet is. But, fool that I am, I know it when I see it. It is there in the verse, the hideous and horrible… the beautiful and the true. And if I know anything at all worth telling about the subject, it is this; Ted Roethke is a great American poet. And he writes poetry that you need to read… and not only read but live.
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Filed under artists I admire, commentary, insight, inspiration, poetry, strange and wonderful ideas about life
Tagged as living poetry, poetry, Theodore Roethke