Category Archives: poetry

On the Highway (a quick poem about going faster)

The Road Home

I painted this oil painting looking West on Highway 3. My home town in Iowa is just beyond the next hill.

 

On The Highway

Leave dirt roads behind…

On the highway you go faster.

Pavement gives you ease to speed.

In fact, why use that two-lane road?

The Interstate is faster.

Limited access off and on…

The legal limit goes up to 70…

Or even 75…

85 with no cops around.

Straight over the horizon…

Into the mist-blue distance…

You are not really going anywhere…

But you will get there faster!

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Filed under humor, poetry, strange and wonderful ideas about life

Up and Down, Round and Round

The world goes from bad to worse,

And is it time to rent a hearse?

Or shall we ride the merry-go-round,

And let it take us up and down?

And shall we fear the screaming ducks?

Who watch us use their firetrucks?

To put out fires that they have set,

In swimming pools that should be wet?

Or should we run on small bare feet?

And hide ourselves in fields of wheat?

To quake and shake in our underwear,

At every passing Russian bear?,

We are not on an island

And we are not alone in the sand.

Coconut cream pie is tasty,

But nothing but that is hasty,

And living on hasty ain’t grand,

And deprivation is not what we planned.

I know this poem’s pretty awful,

But invading other lands isn’t lawful,

And riding on the merry-go-round ride,

Leaves the riders with no place to hide.

And you have to pay your pennies for the chance,

To go up and down in a trance.

I do, in fact, realize that this is bad poetry written by a pretty poor poet. But, as you can plainly see, I am not very pretty… and not poor now that my bankruptcy is paid off. (Having nothing, but not being in debt makes me richer than Trump.) But life in 2022 is no more poetic written in putrid prose either.

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Filed under feeling sorry for myself, humor, poetry

The Sardonic Solliloquy

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The homeless man wandered onto center stage just as the spotlight went on.  He shaded his old eyes against the brightness and looked outward into the dark  theater.  It was probably some kind of mistake.

“Oh, so now it’s my turn to talk, eh?”

There was no response.

“Well, if you’re expecting something funny to come out of my mouth, good luck with that.  More than half of what I say that makes people laugh is the result of depression, ill health, and just plain ignorant stupidity.  And the other half of it is not meant to be funny, but is because I don’t always understand what I am saying.”

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There was an embarrassed chuckle somewhere in the darkness.

“I mean, you can’t expect too much from me. I’m a bum.  I have no money.  I have no job.  Not having any work to be bothered with is kinda good.  But the other thing kinda sucks.

And all the great comedians that used to stand on this stage and try to save the world through humor are dead now.  It’s true.  Robin Williams died recently.  George Carlin, Bill Hicks, Richard Pryor, and Bill Cosby are all long gone.”

There was some nervous laughter in the theater.

“Oh, I know, Cosby only thinks he’s dead.  But he kinda killed the character delivering the wisdom in the form of observational comedy, didn’t he.”

 

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“But most of them old boys tried to come up here and tell you the truth.  And the truth was so absolutely unexpectedly wacky and way out of bounds that you just had to laugh.  And the more wicked the humor, the more you just laughed.  You didn’t do anything about the problems they talked about.  But you sure did laugh.”

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“It seems like the more they told you the truth and the more you just laughed about it, the more old and bitter they got.  Sardonic?  You know that word?  Not sardines, fools, but sardonic.   Bitterly humorous and sadly funny.  Seems like a lot of them old boys got more and more bitter, more and more depressed up to the end.  More and more sardonic.”

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“I mean,  Carlin was calling you stupid right to your face at the end.  And you just laughed it off.”

The theater had grown eerily silent.

“But it ain’t all bad, is it?  I mean, at least you all can still laugh.  Only smart people get the jokes.  The ones Carlin moaned about were laughing because everybody else was laughing.  Those weren’t the ones we were talking to.  There’s still life out there somewhere.  Maybe intelligent life.  Maybe aliens ain’t located any intelligent life on Earth yet, but they’re still trying, ain’t they?”

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“You shoulda listened more carefully to what they were saying.  Life and love and laughter were bound up in their words.”

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“So I guess what I’m really saying is… just because I happened to get a rare chance to say it to you all… learn to listen better.  The voices are quiet now.  But the words are still there. And laughing at them is still a good thing.  But remember, you need to hear them too.”

The theater suddenly filled with the roar of a standing ovation.  The old man bowed.  And this was ironic because… the theater had always been empty.  No one at all was there now.

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Filed under comedians, humor, insight, poetry, quotes, strange and wonderful ideas about life, surrealism, Uncategorized, wisdom, word games

Magic Flowers

There are magical flowers in Mrs. Pennywhistle’s garden.

And what do I mean by that?

She grows snapdragons, pansies, and nasturtiums like any good granny-gardener would.

But amongst the children of our little town, the rumor is that she’s actually a witch.

A good witch.

Not a bad witch.

Her spells only fascinate, never glammer, never take over your little-boy or little-girl mind.

This is the magical blossom she got from old Dr. Mirabilis. He’s a wizard from Peru that she found in the nursing home in Belle City. He gave it to her as a gift when his arthritic hands could no longer keep it alive on the hospital window sill. She cares for it like it was her own baby.

It’s magical power is as an aid to contemplation. It’s gentle purplish-pink color is calming when you stare at it. Its odor is mesmerizing. She uses it to talk to the doctor now that he is gone, and she can no longer visit him to talk about her flower garden.

These pretty posies are planted all around the edges of the garden.

Especially around the carrots and cabbage.

Do not stick your little noses between the pink and white petals.

They have an awful smell.

But their magic is keeping the rabbits out.

Especially from the cabbages and carrots.

And the pansies are the clowns and punchinellos of the flower bed.

See their angry eyes under bushy-black eyebrows? And their too-serious little broomlike moustaches?

How can you do anything but laugh?

And the White Rose…

That’s the avatar of Mrs. Pennywhistle herself.

When she can no longer keep that one growing, it means the gardener has gone.

And the garden will soon be gone for good as well.

And then where will the children go?

For magic flowers?

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Filed under flowers, foolishness, humor, Paffooney, pen and ink paffoonies, poetry, strange and wonderful ideas about life

Only With Words…

He looked down at his little-boy legs.

His little legs were bare.

He had never worn short pants as a boy.

His knees were sunk into the plush seat cushion.

He pushed himself up to the passenger car window.

He pressed his little face to the cold window glass.

Outside, as the train chugged on, the gently falling snow filled the trackside ditches.

He loved trains, though he hadn’t been on one as a boy.

But it was better by far than the table in the hospital…

Where he lay with a pain in his head and ache in the place where his left leg had been.

He remembered that there had been a green light.

So, this was not his fault after all.

But he loved passenger coaches on trains.

And there were voices singing in the snow outside the window.

Do demons sing at a time like this?

It didn’t matter. He hoped the train ride lasted a long time.

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How to be a Truly Terrible Poet

I can’t tell you how to write a good poem.

As a poet, I am pretty terrible myself.

So, I can’t really tell you how to do it.

I am, however, an expert on how NOT to write a good poem.

A truly terrible poem might begin with an over-extended metaphor.

It might begin by saying, “A poem is like a fairy tale, filmed in black and white on 35 mm film stock, with Orson Wells as the director.”

And for the meat of the poem, you use details about the fairy acrobats having an accident on the trapeze, and the circus train derails and has a terrible accident, and the clown never takes his makeup off because he’s on the run from the police… and you totally forget that the movie “The Greatest Show on Earth” was directed by Cecil B. DeMille and filmed in color.

And you have a tendency to “squinch” the rhymes, rhyming “good” with “food” and “dud” with “odd,” and at the same time you put trochaic warts all over the iambic pentameter because as a poet you are not William Shakespeare, and you are not even Buddy Rich because the rhythm sounds more like banging trashcan lids than drumbeats.

In the middle of the poem somewhere it suddenly becomes free verse without a rhyme scheme or reason for the change. And the theme circles back on itself and does a pretzel twist with no logic to salt it with.

And you are a terrible poet like Mickey because, when you write a poem you don’t realize;

the gemstone at the center of your poem must go from your mind, to pen, to paper, to eye of the reader, to mind… and finally to heart…

And the blaze of its beauty must be strong enough to resonate…

and be able to SHAKE THE BONES OF THE UNIVERSE.

And you can’t do it because you don’t even get the irony of that rule.

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Filed under fairies, humor, irony, Paffooney, poetry

A Poem Written on a Picture

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-a poem written by Mickey and pasted on a picture.

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Re-Minders

Lately I have been having memory troubles. You know what I mean, when you walk through a doorway with a definite purpose in mind.and then, on reaching the other room, you have no earthly idea what that purpose was. It happens to me regularly. In fact, I can even start writing a sentences, and then I… What was I talking about? Oh, yes. I need to practice writing some more spectacularly bad poetry, before I forget how to do it.

Why did I use this picture? I don’t know. I have forgotten.

Re-minders

Sometimes…

My mind slips out of my left ear…

And I can’t remember things.

So, I have to search under the table…

To find my mind…

And then I remember that that’s not how a mind works.

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Forgetfulness

Tell me now, before I forget…

What was I supposed to remember?

Was it something religious, important, and good…

That comes towards the end of December?

Was I supposed to buy something for somebody then?

I wrote a note to myself in September…

Oh, gosh! How could I ever forget that?

Now the fire is nothing but embers.

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Finding Fairies in my Hair

Why do I have elflocks all snarled up in my hair?

Surely some fairies have been twisting it up there.’

But if I can catch one and make him confess,

He claims I don’t comb it, and that’s why it’s a mess.

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Doofy Me

If I forget everything I ever knew,

Would it be possible that I am still smarter than you?

Old Socrates said he knew nothing at all.

And so he asked questions from Winter through Fall.

I hope I retain enough brain to remember

That everyone needs to wear clothes in December.

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Yep, I still obviously remember how to write spectacularly bad poetry. It is my contribution to literature. Virtually all poets will be able to say, “At the very least, I am a better poet than Beyer.”

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Filed under autobiography, goofy thoughts, humor, Paffooney, poem, poetry

In the Outhouse

In the Outhouse (a poem by a terrible poet)

So, here I sit for a while to ponder,

While I’m taking care of needs down yonder.

I read the paper’s news-less ruses.

And think that here, at least, the thing has uses.

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The Reds and the Blues (revisited due to Covid)

Lord, grant me peace

In times of great violence

Grant me wisdom

As everything around me burns in ignorance

Let the cold blues

Be tempered with warm reds

Let me juggle life’s fortunes and misfortunes alike

Red balls over blue balls

Yellow, purple, and green

Over and under

The spiraling path

I’ll keep written records

In journals with pictures

And share my discoveries

With any who’ll listen

And I’ll always keep close in my heart

The people and places and memories

That mattered and shattered

The whole color wheel

Because Shakespeare once showed us the whole color wheel

Is necessary for magic to form on the page

And though yellow is also a primary too

It’s the reds that warm life as the color of blood

And the blues let us chill as the deeper color of ice

But let there no period be

To stop the color progression

Of this warm/cold blank verse

Nor rhythm or rhyme sully

The Reds and the Blues

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