Category Archives: poetry

When the Old Mind Wanders…

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When the old mind wanders…

They tell you you’re just too slow.

But thoughts like mine drift everywhere,

And the edges of the universe… are a place to go.

 

Maybe I should write in red.

And argue with the voices

That rhyme inside my head.

And break the rhyme scheme 

Here and there

Because of what they said.

Eden

Or maybe I should write in blue

Because I’ve been thinking in the nude

And laying all my secrets bare

Which really might be rude.

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But the old mind wanders…

In the form of a poem,

And breaks and squanders

Tallest waves in mere foam.

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Crazy Poems by an Insane Poet

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I Let My Dog Write This Poem

MMMM-woof!

Smell that?  Definitely Cat poop.

I love that smell.

And what’s that smell over there?

I mean right there!

Quit pulling on my leash!  I have to smell it!

Ahh!  Bird poop from a pigeon with a fatal disease.

And over there!  Yes, stop holding me back!

Oh!  A dead bird!  Yum!  Icky dead things taste great!

But it was a pigeon.

MMM-woof?  Can dogs get pigeon diseases?

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Why on Earth Did I Turn into a Nudist?

It is so embarrassing to admit it

I have no clothes to fit it

That feel as good as going bare

And wearing not even underwear

And the wind and the sun on my naked skin

Open my heart and let the sunshine in

I’ve never really felt so alive

As I feel while talking the naturist jive

And living life as a naked man

And doing the things that Adam can

How can it be such a stupid thing?

That makes my heart to dance and sing?

Black Tim

Thar Be Pirates, Yaaar!

The Pirates o’ Bank o’ Merricka has stabbed me wallet

And make thar monies by stealin’

And whooda thunk it?  But the Pirates be many blokes

Who sells insurance or credick-card akkounts

And compounds the fie!-nance charges

At twelvety-hunnert thousing per cent

And makes thar monies the ol’ fashioned way

By hooks and by crooks but mosty by stealin’

fools

And so… There you have it.  Three poems about things that recently made sanity a bit harder to define when looking in the old mirror.  I am not saying I have gone insane, but I do think I may be on the right road to go over the hill and around a couple curves to find the place where you have to go to find it.

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The Ixcanixian Interstellar Bad Poetry Challenge

A while back I transmitted a weird alien poetry contest through this blog to the people of Earth.  It was a contest for bad poetry.  And obviously we only write good poetry on this planet as no entries from the native clothes-wearing primates of this planet were submitted.  If you are unclear about the contest of which I speak, here is the link;

The Interstellar Bad Poetry Challenge

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While no Earth primate entries were actually submitted (Magilla Gorilla’s entry was disqualified as he is a cartoon character and copyrighted by Hanna Barbera) we did get some entries from illegal aliens.  Their contest entries are submitted here for your perusal.  However, it is bad poetry.  By definition, if you don’t have your Galaxian bad-poetry-reading glasses handy, you should proceed with extreme caution.

This first entry is from a random Space Goon.  It is exceptionally bad poetry, and apparently the Goon who wrote it has no individual name.  He appears to be one of many dumped on this planet by interstellar authorities in order to prevent them from doing any real damage to planets that matter.

Goon Verse

Goon-goon-goon

Goon is good

Goon will come

And live in your house

Goon will come

And eat your mouse

Goon-goon-goon

Why you no like Goon?

 

The second entry I intend to inflict on you is a very weird entry I got in container that was apparently filled with radio-active foof gas.  While foof gas is apparently a deadly poison in most of the Milky Way, it is non-toxic to humans from Earth.  The perpetrator of this poem would only identify himself (or herself… or itself) as Bing-bing the Laser Guy.

I Will Kill You

Bing-bing is hiding on Earth!

How can you not understand this?

If you publish my writings,

And allow the authorities to discover my presence,

I will come to your house and evaporate your head!

 

The rhythm of that poem is very poor, and the rhyme scheme is non-existent.  But it is supposed to be bad poetry, after all.  So I suppose it has just as much chance of winning as the rest of them.

The Mookian Space Elf submitted not only a bad poem, but 8 X 10 glossies of himself.  He watches endless hours of PBS kid shows, educational cartoons, and inexplicable Boo Bahs and Teletubbies.  I think he’s convinced himself that this contest is somehow an audition for a kids’ show.  He claims to be able to sing and dance, as well as be funny, educational, and relentlessly cute.

Hire Me!!!

Ain’t I cute?

Ain’t I sweet?

I’ll give you diabetes so bad,

It will surely eat your feet!

Love me!

Dove me!

And give me so much money

That I’ll laugh so hard I pee!

 

Yes, if that is poetry, it is really bad poetry.

The final entry is from Ralph the Inexplicable.  This amazing being has been on Earth since before there were dinosaurs, so it is possible he is more of an Earthling than we are.  He is reputed to be incredibly wise, but his poetry was also hard to translate into English since it was all in ones and zeros.  And I don’t speak binary code.  So my translation may be less of a bad poem by Ralph and more of a bad poem made up by me.

Song of Slortcherill

Mee tok funni

Mee tok sloe

Leesen two mee

Ann emjoiy da show

Wheen Slortcherill sings

Da winners all brayk

Da kidoinks all screem

Anna moofins all bayk

 

I was warned that if I translated that poem with proper English spelling, it would fill your head with so much “wisdom”, your brain would melt.  So I present it here according to Ralph’s specifications.  I did read two of the lines with proper English spellings and felt my head grow distinctly hotter.  So I wouldn’t risk thinking too hard about what the proper spellings are if I were you.

None of these entries will probably win the contest.   They are all certainly bad poetry.  But I am fairly certain that given the competition from this part of the Milky Way Galaxy worse does, in fact, exist out there… somewhere.  And may you never be unfortunate enough to find it.

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Daily Magic

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Daily Magic

The world all around us is magic…

And magic encompasses all,

But sadly the world is not permanent

And tomorrow the darkness may fall.

So here is the magic of daylight

The sun has arisen from pall

And at least for a moment the true light

Is the sun as it voices its call.

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Never Explain

You should never have to explain a poem…

It is there for all to see…

And whether ’tis sick, or happy, or bad…

It is its own reason to be.

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Never Explain… The Sequel

You should never have to explain a joke…

Whether stupid, or ribald, or punny…

Because reasons all melt with explaining…

And, if you do, it’s not really funny.

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Pearls in the Dark

Swim down into deepening darkness.

Do you truly want to find a pearl?

Fish around in oysters and dark places.

Risk your fingers, your hand… hold your breath.

The deeper you dive, the more you risk, the brighter the pearl.

Gingeyhousegg1n

Write This One Too, Doofus!

Where did these poems suddenly come from?

You are not a poet…

And you already know it…

You meant to write one…

You wrote five…

How was so much doggerel in you?

Goofy wisdom…

Silly rhythm…

Random rhyme?

You’ve been writing these poems all your life…

Every action…

Every footstep…

Every joke…

Is a pearl from the oyster of your soul…

Some are beautiful…

Some are ugly…

All have value…

So don’t question the magic, you fool.

 

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The Lyrical Imperative

Creativity

I am always amazed by the fact that things which are inherently silent in nature make music in your mind.  Writing is like that for me.  Drawing is like that.  And so is photography.  That is an actual musical score from Chopin in the background.  My son recognized it from a book of piano pieces I bought for him because he reads music and can turn those squiggle-bugs on the fence into the right plinkety-plunks on a keyboard.  But there is more music in that picture besides.  The nude young girl at the keyboard softly rendered in velvety colored pencil tones is also musical in nature, for more than just the fact of fingers on a silent colored pencil keyboard.  The lyrical loops of black and yellow in the wings of the tiger swallowtail butterfly also make music in my head, sprightly piano music like Chopin’s, or possibly Vivaldi’s violins.

Did you listen to the music?  I don’t mean Vivaldi’s, although if you haven’t heard it, you certainly should.  I mean the music in the words.  The music has to be there for me for the writing to be good.  That’s why I consider Ray Bradbury and Walt Whitman to be masters and Stephenie Meyer and E. L. James to be unreadable hacks.  The beat and the flow of the words need to be patterned and patient and wily.   Do you not hear it in that last sentence? The alliteration of the first two adjectives set off by the counterpoint of the stressed-unstressed beats of the third?  How can I explain this?

Iambic pentameter is the true genius of Shakespeare’s plays.  What the heck is iambic pentameter, you ask?  Well, I realize you have probably never needed to teach poetry to seventh graders, a truly impossible but infinitely rewarding task.  So let me tell you.  Units of stress called iambs consist of an unstressed syllable followed by a stressed syllable.  So naturally, if iambs are put into pentameter, then there must be five of them in a line of iambic pentameter poetry.  It is a simple, rhythmic way to say something profound and interesting.  The classic example is the first line of Shakespeare’s Sonnet 18;

Shall I compare thee to a summer’s day?

Translating that into X’s and O’s where X=stressed and O=unstressed;

O X O X O X O X O X

It’s simple, five oxes, all in a line.  Except that last one about oxes is actually O X O X X O O O O X, a less simple pattern, yet still organized on the beat.  Two iambs, a dactyl and an anapest.  Okay, now I am talking like a poetry geek, and I have to stop it before I hurt someone.

The whole point is, words should be musical, even when they are not the words to a song.  And now I must close on the verge of starting a ten-thousand word thesis.  I shall shut up now.  Here endeth the lesson.

 

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Kit Marlowe, Secret Agent

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Christopher Marlowe is often sited as the real Shakespeare, a problematic assertion given that he would’ve been forced to write a number of plays after he was dead, giving new meaning to the term “ghost writer”.  But I would like to add to the assertion that “Marlowe is NOT Shakespeare!” that I also believe he did not die as they claim that he did.  Marlowe is a fascinating character of debauchery and misbehavior, intrigue and mystery, and undeniable genius.  As a writer, he was a maverick and risk-taker, having begun the ascendance of the theatrical play as one of the heights of Elizabethan literature with his play Tamburlaine the Great, about the historical figure who rose from shepherd boy to monarch.  This play, and its sequel, Tamburlaine the Great Part II, were among the very first English plays to be written in blank verse, meaning there is a very definite connection between the style of writing established by Marlowe and the later work of Shakespeare.  It is probable that for a few years, Kit Marlowe was a member of the Gray’s Inn group along with Sir Francis Bacon and several other suspicious literary luminaries like Sir Walter Raleigh and possibly Ben Jonson.  (I have to admit at this point that if I am wrong about the Stratford guy and he did write the plays, then he was a member of this group as well, because it was not closed to commoners, only to stupid people.  The Stratford guy was in no way stupid or a villain, no matter what you may believe about the authorship question.)  But here is where the link to Shakespeare’s plays and poetry both begins and ends.  Yes, Kit Marlowe was a capable enough author to have written such sublime plays.  He has all the individual skills to make up the whole.  But if you read his masterwork, The Tragicall History of the Life and Death of Doctor Faustus, you will see that the voice, the unique literary style of the work is simply not by the same author.  Although Shakespeare revisits some of the same themes that Marlowe used in his plays, his manner of development, handling of character, style of humor, and underlying conviction in the existence of God are all different and opposed to Marlowe’s.  Marlowe is NOT Shakespeare.  Shakespeare’s works have more in common with Bacon’s than Marlowe’s.  And I have already said that, “Shakespeare is NOT Bacon… or eggs either.”  And if I said it, it must be so.  (Don’t throw eggs and tomatoes at your computer screen when you read this.  Just call me stupid and vain in the comments like everybody else does.)

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And an even more compelling reason to those of you who don’t obsess over reading Shakespeare and Marlowe and Ben Jonson is that, at the time Shakespeare’s plays were probably written, Kit Marlowe was busy either being stone cold dead, or, having faked his death, was busy being a secret agent for Queen Elizabeth.

 

And why would a goofball like me think that Christopher Marlowe cunningly faked his own death and went into his own thrilling quest to be like James Bond more than 300 years before Ian Fleming?  Well, because I know how to read and am not generally bright enough not to believe what others have written about him and his connections to world of spying in Elizabethan times.

These authors have brought out the fact that Marlowe’s frequent absences from college and later public obligations coincide with things like the mysterious tutor called “Morley” who tutored Arbella, niece of Mary Queen of Scots, and a potential successor to Queen Elizabeth, in 1589.  He was also arrested in the Netherlands for allegedly counterfeiting coins related to the activities of seditious Catholics.  He was brought back to England to be dealt with by Lord Treasurer Burghley, the closest adviser to Queen Elizabeth, and was then not so much punished as let off the hook and even rewarded monetarily.  Still think he was not a spy?  Well, his demise probably came about through his relationship with Lord Francis Walsingham and his friendship with Walsingham’s son.  You see, Walsingham was Elizabeth’s “M”, leader of her spies and intelligence units.  After Walsingham died, there was deep concern that no one was still able to protect Marlowe from possible consequences of being both a homosexual and an atheist.  (Being gay was obviously not as serious a sin as atheism for which torture and death penalties lay in wait.)  It was possible that rival spies and nefarious forces could kidnap Marlowe and get information out of him that the Queen needed to be kept secret.

So, when Lord Burghley tortured Marlowe’s friend and sometime roommate, Thomas Kyd, into naming Marlowe a heretic and sending men out with a warrant to arrest Marlowe, Kit’s other friend, Thomas Walsingham probably warned Marlowe.  The bar fight that supposedly ended Marlowe’s life was witnessed by two friends of his, Nicholas Skeres and Robert Poley, both provably con men and professional liars.  The knife that stabbed him in the forehead above his right eye was wielded by Ingram Fizer, another of Marlowe’s disreputable friends, allegedly over an unpaid debt.  Fizer, of course, though he freely admitted killing Marlowe, was acquitted of the murder.  And the coroner’s report is suspect.  Rules of investigation were not followed, and the body was never independently identified by someone other than the three friends at the scene of the crime.  And the body was hastily buried before anyone else could get a close look at it.

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I am not only telling you that I believe Christopher “Kit” Marlowe was NOT Shakespeare… or eggs either (though that joke doesn’t really work here), but I believe he didn’t die the way it has been reported to us by history.  And why do I believe these things?  Because I think the story of Christopher Marlowe is a really great story, and it exists as a story whether it is historically true or not.

 

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The Interstellar Bad Poetry Challenge

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The Ixcanixian Cultural Ambassador from the Squeelix Sector of the Planet Ixcanix sent me an e-mail about his planet’s newest idea for a cultural exchange.  He calls it the “Ixcanixian Spleegle Gorn Vorpaloop” which translates to the “Ixcanixian Interstellar Bad Poetry Challenge”.  At least, it does if I am conjugating the verb “Vorpaloop” correctly.  It is difficult because you have to drop the silent “y” before adding the “aloop” without causing it to explode.  I know it is probably a very bad idea to present it here on this planet, but he talked me into it by promising to promote my novel Catch a Falling Star on his homeworld and at least two other planets in the Bugeye Federation.

Here are the rules for the alien poetry contest;

  1. Entries can only come from planets in the Orion Spur of the Sagittarius  Spiral Arm of the Milky Way Galaxy.  (So, for you non-astronomers out there, we on Earth do qualify.)
  2. All poets must be less intelligent than the Mud-Eaters of Paralaxos IV as they will be employed as judges of what poetry is truly bad.  (Again, Earth qualifies as we have recently elected Trump and also allow Nigel Farage of Great Britain to continue to exist.)
  3. Entries must not be so long that the total weight of letters exceed critical mass and form black holes in the intergalactic servers when uploaded.
  4. Vogons need not apply.  Their poetry is so bad, they would automatically win, causing the death of trillions of bad poetry readers in the galaxy.
  5. Entries must not cause thermonuclear reactions with cesium.
  6. Please refrain from confusing good poetry with bad poetry.  The Vornloos of Talos XII are looking for poetry they can weaponize, and no one wants a poetry contest winner to suddenly create World Peace on Talos XII.  That would be bad for the galaxy as a whole in ways that are very difficult to explain.

A sample of interstellar bad poetry is included here to inspire the kind of poetry we seek.

Ratzen Bargle’s Bisketoon  (a love poem by Touperary Kloob, Poet Laureate of Antares VI)

Ratzen Bargle was a Doofus,

From the planet Rufus-Ploofiss,

And he had a lovely bride,

With a head not tall, but twice as wide.

She had three eyes and two were green.

She had the loveliest fleen you’ve ever seen.

And as they sat ‘neath a wayward moon,

He kissed his lovely bisketoon.

Immediately before naught was said,

She bit off his tiny three-eyed head.

And then she ate him bones and all

With sauce that really becomes the fall.

And so it is on Rufus-Ploofiss,

That  males all die with one last roof-kiss.

Because they sit under wayward moons

With their lovely, hungry bisketoons.
 

 

Should you have the unfortunate urge to participate in this senseless and probably suicidal poetry contest, you are welcome to offer four-line poems in the comment section, or email longer poems to Mickey at mbeyer51@gmail.com.  I will attempt to transmit the worst offers to the Ixcanixians as soon as I get my interstellar flooglebeeder transmitting again.  I will also post winners in a future alien poetry blog.

I have been warned that prizes range from instant execution by the Lizard Lords of Galtorr Prime to a beat up copy of Mickey’s 2012 novel Catch a Falling Star.  So, good luck with the bad poetry.

 

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