Category Archives: comic book heroes

Harvey Comic Books


“Joker”, a harlequin jack-in-the-box logo for Harvey

When I was a kid old enough to begin to see and interact with the real world in the tragic and magical 1960s, the first comic books available to me, long before my parents would allow me to pick up and buy Spiderman and Batman and (shudder) comics with monsters in them, were the kid-friendly comics of the Harvey Brothers.

Now, you have to understand that Harvey Comics had been around since the 1940s and made their money on characters licensed first from the Brookwood Publications company that Alfred Harvey bought out in 1941 to provide the building, equipment, and publishing personnel to start producing comic books.

Robert B. Harvey and Leon Harvey joined the company to help produce titles they now owned the rights too like Black Cat, the Shield, Shock Gibson, and Captain Freedom.

…………………………………………Of course, most of those characters didn’t last very long. Black Cat was the only title still being published by Harvey in the 1950s.

They would go on to license characters from Famous Studios, the animated cartoon works of Max Fleischer and his brother Dave. That’s when the kid- friendly, parent-approved comic books of Fleischer creations like Casper the Friendly Ghost opened up the world of comic books to seven-year-old Mickey circa 1963.

In spite of this cover art, Casper rarely wore clothing.

Now, it is probably obvious that there are many ways that Harvey Comics influenced me as a storyteller later in life. It goes without saying that my dedication to childish humor in stories derives from this comic-book source. The cuteness of characters is another necessity of comic storytelling gleaned from these ripe fields of baby faces. And stories advanced by magical means and absurd sidetracks also come from here. But did you ever notice that Casper and the other ghosts all perform in the nude? Yes, I think my childhood longing to be a nudist began with Casper’s naked adventures. But unlike Casper, my urges along those lines were suppressed and repressed by parents and society as a whole. So watching Casper and Spooky and Pearl (Spooky’s goilfriend) romp naked through comic book hijinks were a sublimated substitution for that childhood desire. (Sure, none of them had genitals, but it wasn’t about that.)

…………………………………………….Of course, there were many other Harvey characters to enjoy that actually did wear clothes. I was particularly fond of Hot Stuff because he made such an art out of burning things and being a bad kid and roasting the backsides of fools and hypocrites with his trident. And he only ever wore a fireproof diaper, so he was almost a nudist too.

There were many other characters licensed by Harvey as well, including Felix the Cat, Little Audrey, Baby Huey, and the characters from Walter Lance Studios like Woody Woodpecker, Andy Panda, and Chilly Willy.

Dell would later take over the comic book rights to Walter Lantz Studios creations.

So, now you know the true story of how my innocent childhood was warped and woven and corrupted by the characters of Harvey Comics.

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Hidden Kingdom – Chapter 2

Here is the start of Chapter 2 of my graphic novel, Hidden Kingdom.

Here is the link to Chapter One :https://catchafallingstarbook.net/2018/11/24/hidden-kingdom-chapter-1-complete/

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When Effort Means Little

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Poor Aquaman.  Breathing water and talking to fish is a lame superpower.  He cannot save the world without help.  Unless, of course, it is a fish-based evil spawned by an underwater supervillain.

That’s what it feels like to work for an hour on making a scan of my colored pencil tribute to the Aquaman art of Murphy Anderson.  You don’t see the problem?  My flatbed on my scanner is too small for this work of art.  So, I must scan in it in pieces, then puzzle it back together with an art-editing program.  Look carefully for the seams.  You can’t miss them.

But when it all goes wrong, what do I do about it?  Well, I pretend it makes a good post and that I wasn’t planning anything better, post it, and move on.  So stop laughing at me for screwing it up.  Aquaman can’t do any better.  But, wait, this is a humor blog.  Go ahead and laugh.  I will take what I can get.

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Hidden Kingdom (Through Page 6)

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Black Panther

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I have been a comic book lover for practically all of my life.  In childhood in the 1960’s I became a Black Panther fan in the barbershop in Rowan, Iowa.  While waiting for the inevitable butch haircut which I didn’t actually want, I picked up the issue of the Avengers comic book that featured the original encounter with the Vision.  And at that point, the Panther was already a member of the Avengers, battling against the threat of Ultron.  He had previously entered the Marvel Comics world in an issue of the Fantastic Four which I had never read, and I hadn’t ever encountered the character in my comic book reading before that barbershop reading session.  I spent an hour waiting for farmer haircuts reading and rereading that comic book.

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I was thrilled to have Marvel make a movie about one of my all-time favorite Avengers.  I would’ve loved the movie even if Wesley Snipes had succeeded in making it in the 1990’s.  I was predestined, as the uncritical critic, to love this movie no matter what.

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But then they made a movie that was so far beyond my expectations that I couldn’t help but fall in love with the hero all over again.  It was simply the best movie Marvel has made so far in the Super Hero genre.  I know I said this about other movies they have made, but they keep doing better and better.  It was the best example of character development and powerful story-telling that they have done so far.

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The villain Killmonger is the most finely developed villain Marvel has created to date.  The portrayal was sensitive, sympathetic, and totally gut-twisting while you grudgingly had to condemn the villain because he was obviously threatening to destroy everything that was good as a reaction to the wrong that was done to him.

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Of course, you expect a total love-gush of a movie review from an uncritical movie critic like me.  I don’t review movies I didn’t love.  But there are definitely people out there who don’t like this movie (in spite of a 100% fresh score on Rotten Tomatoes).  Some point out that the government of Wakanda has no banks or colleges or research centers (other than the king’s sister’s own) to support the science they are supposedly using.  The science is portrayed as being just as miraculous and magical as that in Dr. Strange.  Some rather wrong-headed people have criticized the movie for being racially charged and political.  But how is an overwhelmingly black cast and production racially charged if both heroes and villains in the story are the same race?  Surely Bilbo Baggins and Gollum don’t turn the tide against this movie.  Not only are they in the minority, but they are balanced.  One good, one evil.  So I am willing to summarily dismiss any objections others have to this wonderful movie.  I don’t even need to think about that.

I saw the Black Panther movie this weekend.  I loved it.  I knew I would since the moment they first announced they would make it.  Now I can’t wait for the next one.

 

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The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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The Iron Fist

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Comic books are not real life.  They are better than real life.  They allow you to go forward in your own story with the myth of the super power to bolster your courage.  You can face your daily devils and demons secure in the knowledge that, while no one is perfect, we can all at least imagine holding firm to an ideal in spite of the trials we face…  being true to a power and a goodness beyond ourselves… being a hero.

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I have followed Iron Fist’s adventures since the 1970’s.  It is true that I haven’t been as devoted to him and his heroics as I have been to Spiderman and the Avengers.  But I love the idea of a good guy in white standing up to the bad guys in black and beating the poop out of them with a good heart and a bare fist, not resorting to guns and bombs and gratuitous killings.  Danny Rand, the Iron Fist, has always been such a character to me.  Noble because he does not intentionally kill the enemy, like Batman, Superman, Captain America and so many other favorite super heroes.

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I admit it, this love-gush of a post is only happening because I finished binge-watching the new Iron Fist series on Netflix.    I depend on Netflix now to deliver to me effortlessly what I used to endlessly hunt and scrabble for in the way of idea fuel and motivational electricity.  And even though I am a notoriously uncritical critic, I have to say, it was not as heart-thumpingly good as either Daredevil or Luke Cage.  But it brought an old friend to life in a way that I never before believed could happen.  And I love the way it fit this puzzle piece into the overall jigsaw of the Marvel superhero stories on Netflix.  It used characters like the ER nurse Claire and the villainous Madam Gao to connect plotlines in Daredevil and Luke Cage, and the evil but helpful lawyer character from Jessica Jones.  Will I watch it again?  Definitely.  Will I need to draw Iron Fist for myself?  Probably.  But this is a hard experience to either explain or recapture.  Television using comic book heroes, sometimes, at its best, makes life better than it really is.

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