Category Archives: drawing

Drawing for a Lifetime

I was born an artist. It has to be developed and nurtured and practiced over time to become what it can truly be, but artistic talent is something you are born with, and there is a genetic aspect to it. Great Aunt Viola could draw and paint. She produced impressive art during her lifetime. My father can draw. He has demonstrated ability a number of times, though he never developed it. Both my brother and I can draw and have done a lot of it. All three of my children can draw and paint. My daughter, the Princess, even wants to pursue a career in graphic design and animation.

One of the factors that weighs heavily on a career in art is the starving artist factor. To be a serious artist, you have to study art in great detail. You need lots of practice, developing not only pencil-pushing prowess, but having an artist’s eyeball, that way of seeing that twists and turns the artist’s subject to find the most novel and interesting angle. It takes a great deal of time. And if you are doing this alone, you are responsible also for building your own following and marketing your own work and creating your own brand. You need to be three people in one and do this while potentially not being able to make any money at all for it. I have taught myself to do the art part, but I paid the bills with something else I loved to do, teaching English to hormone-crazed middle-schoolers.

An important part of art is what you have to sacrifice to do it.

Many artists become alcoholics, drug users, or suicidal manic-depressives. There is an artistic sort of PTSD. Doing real art costs a lot because it alters your lifestyle, your mental geography, and your spiritual equilibrium. Depending on how much of yourself you put into it, it can use you up, leaving no “you” left within you.

I am not trying to leave you with the impression that I mean to scare you into not wanting to be an artist. For many reasons it is a great thing to be. But it is a lot like whether you are born gay or straight… or somewhere in between. The choice is not entirely up to you. You can only control what you do with the awful gift of art once it is given to you. And that is a serious choice to make. Me, I have to draw. I have to tell stories. My life and well-being depend on it. It is the only way I can be me.

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What’s the Real Reason?

What’s the real reason behind the choices I make as an artist? For instance, why didn’t I do this photo of the artwork over again when the wind warped the bottom left corner. That answer is simple. I was taking this picture with natural sunlight. And once the wind started messing up my pictures, it only got worse. This was the first and best of five attempts. And, while it doesn’t show up here, I did several photo-shop manipulations of this picture, including shrinking the girl’s head. The original was done from a couple of models I got consent from when I worked at a daycare center in Iowa City where I went to college. The boy was eight years old in the summer of 1980. The girl was six, but I used a photo of a girl I went to second grade with, so the head was also eight. They represent David Copperfield and Emily, Pegotty’s niece from the Dickens novel. I had to read the book for my Master’s Exam which I took instead of writing a thesis. The picture is about how I saw myself and my world in that timeless novel.

This picture won a blue ribbon in the art competition at the Wright County Fair in 1979. It is a colored-pencil cartoon situation right out of a Jay Ward, Dudley Do-Right cartoon. I used a picture from a Canadian travel ad for the Mountie. The Indian sidekick is a modified version of Little Beaver, Red Ryder’s sidekick. The villain and the girl were basically Snidely Whiplash and Nell from the Dudley Do-Right cartoons, but made to look slightly more realistic… but only very slightly.

Actually, I lied a bit about the blue ribbon. I got the purple Grand Champion ribbon for this picture. I had entered it solely because two years before I saw how easy it would be to win a purple ribbon looking at the pictures that won it, and I wanted to win the purple ribbon. Sorry I lied, but the real reason for this picture is that I wanted to win that ribbon.

This painting, from the 1990s, was an attempt to make sofa art to sell in my sister-in-law’s home décor store. So, the real reason for this painting’s existence is greed. But since I ended up putting so many hours into it that I couldn’t justify selling it for twenty dollars in a store that went out of business because nobody ever shopped there, I got far more value out of it by keeping it and enjoying it myself. It was inspired by numerous paintings of Native Americans done by white people on display in Love’s Travel Stops across Texas in the 1990s.

This picture, “That Night in Saqqara,” is about youth versus age, thinking about death, immortality, and being afraid of any or all of it. The model for the Mummy is Boris Karloff who was so nice to pose for a production still from his movie that I could draw him long after he was actually dead. The boy was a seventh-grader in 1983 who did not actually pose for this without a shirt on or with an actual Ankh life-symbol around his neck. The Pharaoh in the tomb-mural in the background was from National Geographic Magazine, and I think was supposed to be Tutankhamun, but I could be wrong. I am old and I mix up lots of things I once clearly knew. That’s what mummified brains have to be like, apparently.

The reason I had to create this artwork was because I was increasingly falling victim to illness, especially arthritis, and I was constantly thinking about what it would be like to die alone, entombed in a two-bedroom apartment on North Stewart Street in Cotulla, Texas. This was well before I met and married my wife, who is now my wife of 25 years.

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Filed under artwork, drawing, foolishness, humor, inspiration, Paffooney

Mickey Plays with Pictures and Paint

Once I was finally able to scan pictures again, I did some scanning of old pictures that only got the camera treatment before on my blog.

But why stop a drawing at just the pen and ink, when there is potential for so much more?

So, I took the Microsoft generic paint program and my generic photo editor to not only this pen and ink of the Jungle Princess, but a few other pictures as well.

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This is what she looks like after being attacked with color by my arthritic old hands. (There was a day when I could have handled intricate details more cleverly, but that was many, many days ago.

Anyway, I have added new dimensions to Leopard Girrrl with color.

Now I need to add more complications to the basic story of the picture.

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Here is an older pen and ink.

This is Dorin Dobbs, one of the dueling plotlines’ protagonists from the novel Catch a Falling Star.

But, of course, Dorin is a more complex character than this old black and white.

So, color needs to be added.

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I had this one actually already painted in…

But in order to use it in this project, I needed to enlarge it to make it fit into the other picture.

Making this unlikely pair work together in a story is one of the challenges of doing surrealist stories. They have to be grounded in realism, but also bring jarringly different things together. Like the Jungle Princess going on an adventure with Norwall’s Lying King.

But, putting these two together is still not enough. Let’s try some other things.

The Jungle Princess together with Tomboy Dilsey Murphy is an unusual pairing.

Or what about the blue faun from Laughing Blue?

Or even Annette Funicello?

Ridiculous, I know. But don’t they look like satin sofa paintings?

And how surreal is that?

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Filed under artwork, coloring, drawing, goofiness, humor, Paffooney, surrealism

Red, Yellow, and Blue

That Last Battle

The three primary colors of paint are red, yellow, and blue. Together with the neutrals, white and black, these colors can be mixed to make any other shade, tone, or hue that exists on the color wheel and can be perceived by the human eye. When all three are present in a painting, it inherently has a feeling of completeness, wholeness, and balance.

Young Prinz Flute

How those primaries are mixed, allowed to dominate, or allowed to recede does a lot to determine the feeling the artwork projects into the viewer’s mind.

Great Grandma Hinckley as I most vividly remember her.

All of the artworks I am showing you today haven’t appeared in my blog for some time. But all of them are interpreted in primary colors. I won’t tell you how each picture is supposed to make you feel. I am just the artist. Only you can prevent forest fires, and only you can interpret a painting and tell someone else how it makes you feel.

The Wolf Girl and Dunderella
the Island Girl
Gilligan’s Island
Annelise in Gingerbread Town
Chiron’s School for Heroes
Long Ago It Might Have Been
The Sea Witch

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Filed under artwork, coloring, drawing, humor, Paffooney, strange and wonderful ideas about life

Crayon Addictions

C360_2017-05-12-05-20-16-382

A simple, black-and-white drawing done in pen and ink.  Elegant. Easy to understand.  At least, if you can get past the weird little kid inside a birdhouse who has apparently saddled a mutant pigeon-sparrow. The black and white is the essential underpinning.  The bones of the idea.

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So, adding color makes things a little more complex.  I started with the girl’s face. Here is where I establish the basic color-theme.  And give more character to the surprised face peering through the portal of the bird house.

C360_2017-05-16-10-38-07-096

Much of the work in coloring this little articus projecticus is a matter of pattern.  I like doing wood-grain patterns in colored pencil.  It looks good when it’s finished.  But it also takes time to do line after line.

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The last step is to color the bird-riding fairy-kid. Here I am completing the color-echoes and the pattern-making.  More lines.  More care with giving the shapes volume by using light and shadow.  And now we are at the final destination.  The picture is complete.

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Filed under art editing, artwork, colored pencil, coloring, drawing, humor

Why I Draw Pictures

If you practice drawing regularly, you will find that sometimes when you pick up your colored pencils, you can end up with a picture just like this. And you don’t have to tell me it is good. I know. And if you don’t see what I mean, I’m not going to read your comment anyway.

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Filed under colored pencil, drawing

Story-Telling for Art Day

One never knows what mysteries can be uncovered inside the bird house.
The plot of the story depends on what happens next in the picture.
Details make the real story clear.
Pictures tell a story even if the story-teller falls asleep in the process.
A picture can spin a fairy-tale even if it doesn’t show a plot.
Pictures easily establish a setting.
Pictures can allude to many, many other things.

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Filed under artwork, drawing, humor, illustrations, imagination, Paffooney

New Photos of Old Art

I spent some time this last week taking photos of artwork. You see, I bought a new phone a year ago, and the camera installed in it was of much better quality than I had before, even in my digital camera which I mysteriously lost more than a year ago. But, though I played with it a lot in the last year, I only started using it to photograph artwork recently. It makes better digital images of my art than I had before.

The new camera can capture the subtleties of a pure pencil drawing better than any camera I have ever used.

I love this picture… even if Disney sues me over it.

I love this one too. Remember it from yesterday? This is the same digital image made on Wednesday.

Here’s one never seen before. Nude studies of Dionysus and Athena (Made from photos and statues and fauns… Oh, my!)
Another faun, this one in acrylic paint.

Here’s a nude faun to celebrate getting kicked off Pinterest a second time (though this time there was no actual nudity in the picture I got kicked off for… and it was not even my own picture.) (Is there something wrong with cartoon furries?)

This is ironically a portrait of Mark Twain.
A Dickens picture of Bob Crachit and Tiny Tim.
Macaulay Culkin as Johnny Clem.

Valerie Clarke and her Daddy Kyle.

Yes, I used to draw strange things. Still do, in fact.

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Filed under artwork, colored pencil, drawing, oil painting, Paffooney

Art Because I’m a Nudist

Yes, be warned, these are all drawings of nude people. But not porn. Innocent, nature-loving nudes. So, if that offends you, look no further.

Being a nudist does actually change the way you see things, though not merely which crayon you draw with.
As an artist who is a nudist, if I picture the subject’s private parts, that is merely a detail, never the reason the picture exists.
I prefer to draw nudists as only casually nude, catching them in their everyday habits.
Just like a Rennaisance painter, I often use mythology as an excuse for creating nude portraits.
Sometimes the purpose of the picture is not even the nude figures themselves, but rather, the mood.

The real question with a drawing like this is, “How well can you draw it, Mickey?”

It is also important to realize if you are drawing from a real-life model, especially an under-aged model, you don’t want to make it so well that the model can be identified and stalked in the real world. Though I am not a good enough portrait artist to really worry about that.

And, of course, naked is funny in comic situations.
So, yeah… nudism.

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Filed under artwork, drawing, nudes, Paffooney

Naturism and How it Helps Me

https://histonudismo.wordpress.com/2021/04/17/preservar-la-historia-nudista-una-entrevista-con-naturist-vintage/

The most obvious aid that naturism has been to me as an author is how readily members of the online naturist/nudist community are willing to spread the word when my writings include things that they care about. They are much better at caring about my work, especially the parts of it that touch on naturism/nudism, than other portions of the online #writingcommunity is about any of my other work

https://histonudismo.wordpress.com/2021/04/17/preservar-la-historia-nudista-una-entrevista-con-naturist-vintage/

The website I linked to twice above is a good example. (You might need a Spanish/English dictionary if you don’t normally read the English parts easily.) I have had summer boosts to views here on WordPress two Augusts in a row now due to naturists coming across my posts and linking to them so that their own followers can share in discovering me as an author who is friendly to naturism. My continued online contact with other naturists/nudists on Twitter continues to benefit me in book sales, exchanges of writing tips and tricks, and exposure to the good naturist literature, both fiction and non-fiction, that is out there.

Here are some of the authors who’ve had the most impact on me,

https://www.amazon.com/Ted-Bun/e/B01BVG6NVQ?ref=sr_ntt_srch_lnk_2&qid=1661547227&sr=1-2

Ted Bun (his pen name) first discovered my nudist characters in Recipes for Gingerbread Children. He did the most to get me involved with other nudist-friendly authors. And his book The Boy On a Baker’s Bike is possibly his best story, out of many excellent ones, because of how much the main character reflects some of my own experiences with being nude around other nude people.

https://www.amazon.com/Will-Forest/e/B009HBULXO?ref=sr_ntt_srch_lnk_2&qid=1661547227&sr=1-2

Will Forest edited the book Holiday in the Nudist Colony in which I was encouraged to add a story of my own. His book Co-Ed Naked Philosophy is a wonderful fictional story that works like an encyclopedia of the philosophies behind naturism, the practices of naturism, and the struggle of those actively trying to make the practice of it normalized. I am half-way through the book and finding it an absolutely enthralling story. I am definitely going to read more of his books.

https://www.amazon.com/P-Z-Walker/e/B014SD2SAY?ref=sr_ntt_srch_lnk_1&qid=1661551463&sr=1-1

Paul Z. Walker is one of the organizers of the group of naturist-fiction writers that I have become a part of. He also writes a variety of fiction with nude characters in it. I haven’t read any of his books yet, but I own some of them in e-book format and will correct that problem soon.

The drawings I have included in this post are all made from pictures of real nude models, all of them happy and pleased to be seen in the nude.

Of course, the biggest benefits I have gotten from naturism/nudism is not from merely observing it while clothed, but by participating and getting naked, despite the fears brought on by childhood trauma and the general disdain the public at large has for nudity.

It has made me whole again to be a practicing nudist. It has helped me heal and overcome self-hatred. It has helped me overcome depression. It has also helped me understand the kind of honesty and innocence that life requires of us. Nothing bad remains hidden forever, and sunlight heals many moral problems that were festering before being exposed.

This girl was happy with the original pencil sketch of her that I turned into this pen and ink. Her parents were pleased that it did not look so much like her that she could be identified by non-nudists.

This is not supposed to be the same girl, though Katie says this looks more like Naomi than it does her. I suppose she is right. (Neither of these names are the names of the real girls.)

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The most critical thing I learned about naturism and living life naked is that is not about porn or sex. You can see from the drawings I have put in this post that none of the pictures are sexual in content or in any way essentially erotic.. They are merely naked and happy. That is how life should be. At least, in my humble opinion. And I will continue to write stories about it.

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Filed under artwork, autobiography, commentary, Depression, drawing, nudes, Paffooney, publishing, strange and wonderful ideas about life