Category Archives: oil painting

A $3.00 Treasure Trove

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If you cruise the bargain sections in an old used book store like Half-Price Books, eventually you are going to find something priceless.  This book I am showing you is that very thing for me.

It was copyrighted in 1978.  The inscription inside the front cover says this was a Father’s Day gift on June 19th, 1988.  Someone named Gary gifted it to someone named Claude in Burleson, Texas.  It was probably a cherished book until someone passed away and the book changed hands in an estate sale.

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Howard Pyle

The book chronicles the height of the publishing era when being able to print books and reproduce artworks began entertaining the masses.  Always before painters and great artists worked for a patron for the purpose of decorating their home in a way that displayed their great wealth.  But from the 1880’s to the rise of cinema, magazines and books kept the masses entertained, helped more people to become literate than ever before, and created the stories that made our shared culture and life experiences grow stronger and ever more inventive.  The book focuses on the best of the best among a new breed of artist… the illustrators.

These are the ones the book details;

Howard Pyle, N.C. Wyeth, Frederick Remington, Maxfield Parrish, J.C. Leyendecker, Norman Rockwell, Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, and John Held Jr.

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N.C. Wyeth

Wyeth was most famous as a book illustrator for Treasure Island, Kidnapped, other books by Robert Louis Stevenson, Mark Twain,  and a famous volume of tales about Robin Hood.

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Frederick Remington

Remington is a name you probably know as a maker of Western art.  He was a famous painter of cowboys and Indians and the American frontier.

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Maxfield Parrish

Maxfield Parrish is my all-time favorite painter.  His work is something I gushed about in previous posts because I own other books about his fanciful works painted in Maxfield Parrish blue.

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Also Maxfield Parrish

 

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J.C. Leyendecker

You will probably recognize Leyendecker’s work in magazine and advertising illustration as the standard of the Roaring 20’s.  His paintings set a style that swept American culture for more than a decade, and still affects how we dress to this very day.

 

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More Leyendecker

 

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Even more from Leyendecker

 

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Norman Rockwell

Norman Rockwell and his work for The Saturday Evening Post is still familiar to practically everyone who reads and looks at the illustrations.  As you can see he was a master of folksy realism and could do a portrait better than practically anyone.

 

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Also Rockwell

I have also written about Norman Rockwell before too.  I have half a dozen books that include his works.  My wife is from the Philippines and she knew about him before I ever said a word to her about him.

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Charles Dana Gibson

As you can plainly see, Gibson was a master of pen and ink.  His work for Collier’s and other magazines thrills in simple black and white.  More cartoonists than just little ol’ me obsess about how he did what he did.

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Also Gibson

 

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James Montgomery Flagg… with a name like that, who else could it be?

 

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John Held Jr.

The work of Held is stylistically different than all the rest in easily noticeable ways.  He’s the guy that made all the big-headed Pinocchio-looking people in the 1920’s.  You may have seen his work before, though you probably never knew his name.

This bit of someone else’s treasure hoard will now become a part of my own dragon’s treasure, staying by my bedside for quite a while, while I continue to suck the marrow from each of its bones.  I love this book.  It is mine, and you can’t have it… unless you find your own copy in a used bookstore somewhere.

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Filed under art criticism, art my Grandpa loved, book reports, book review, humor, illustrations, imagination, oil painting, old art, old books, pen and ink, Uncategorized

Homely Art – Part Two – Paul Detlefsen

Detlefsen-Swimming_Hole

Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen.  Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables.  He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys.  Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her.  I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”.  And Grandma was easily scandalized when we were kids.  She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical.  She didn’t like for people to be naked, except for bath time, and maybe not even then.  She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.horseandbuggydays-print  http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm

Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues)   One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here.  They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher.  And there were a lot of them.  Here is another;

detlefsen

http://www.bigredtoybox.com/cgi-bin/toynfo.pl?detlefsenindex

Grandma had this in puzzle form also.  We put the puzzle together, glued it to tag board, and framed it.  It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s.  My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day.  Detlefsen is not known as a great artist.  He was a humble painter who painted backdrops for films for over 20 years.  In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home.  I believe I saw his paintings in all these forms in one place or another.  According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.”  That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw.  Let me share a few more of his works, and see if you recognize any of these;

db_Paul_Detlefsen_Covered_Bridge1 b01e8afaadde Artist Paul Detlefsen PaulDetlefsen_VintageArtPrint_B11 il_fullxfull.285794883

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Filed under art criticism, art my Grandpa loved, artwork, homely art, oil painting

Homely Art – Part One – Thomas Kinkade

Fantasia  These images can be found at http://thomaskinkade.com/

I honestly have a thing for artists that critics hate and common folk like my parents and grandparents loved.  Norman Rockwell is a bit like that.  He enjoyed commercial success as a magazine illustrator.  That is about as far from avant garde art as you can get.  But what can I say?  I don’t call myself an artist.  I am a cartoonist and all around goofball.  I don’t do serious art.  So the questions surrounding Thomas Kinkade bounce off my tough old non-critical hide like bullets off the orphan of Krypton.  I love his pictures for their gaudy splashes of color, his way with depicting puddles and water of all sorts (splashes of splashes), and his rustic homes and landscapes of another era.  This is a man who does lovely calendar art and jigsaw puzzle art.  He is roundly criticized for factory production of “original” oil paintings which are actually a base he created and made a print of painted over by an “assistant” artist or apprentice.  But I don’t care .  I like it.  And you used to be able to see his originals without going to museums, in art stores at the shopping mall.  He is unfortunately dead now.  For most great artists, that makes their work more valuable and more precious.  Kinkade’s art hangs in so many homes around the country already that his fame has probably already reached its peak.  Look at these works that he did for Hallmark and Disney and various other mass-market retail outlets.  I dare you not to like it.

Cinderella-Wishes-Upon-A-Dream thomas-kinkade-signed-and-numbered-limited-edition-print-and-hand-embellished-canvas-the-night-before-christmas-1 kinkade-2010-bambis-first-year-1st-art-disney-thomas Teacup Cottage kinkade-2012-lg-little-mermaid-disney-art ladyandthetramp thomas-kinkade-hometown-morning-19676

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Other Folks’ Artwork

There are many, many things I appreciate about other people’s artwork. It is not all a matter of envy or a desire to copy what they’ve done, stealing their techniques and insights for myself, though there is some of that. Look at the patterns Hergé uses to portray fish and undersea plants. I have shamelessly copied both. But it is more than just pen-and-ink burglary.

I like to be dazzled. I look for things other artists have done that pluck out sweet-sad melodies on the heartstrings of my of my artistically saturated soul. I look for things like the color blue in the art of Maxfield Parrish.

I love the mesmerizing surrealism of Salvador Dali.

I am fascinated by William-Adolphe Bouguereau’s ability to create photo-realistic and creamy-perfect nudes.

Basil Wolverton’s comic grotesqueries leave me stunned but laughing.

The dramatic lighting effects employed by Greg Hildebrandt slay me with beauty. (Though not literally. I am not bleeding and dying from looking at this picture, merely metaphorically cut to the heart.)

I even study closely movie-poster portraits like Bogart and Bergman in this Casablanca classic poster.

I could show you so many more art pieces that I dearly love to look at. But I will end with a very special artist.

This is the work of my daughter, Mina “the Princess” Beyer. Remember that name. She’s better than I am.

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Filed under artwork, commentary, inspiration, oil painting, old art, pen and ink, strange and wonderful ideas about life, Uncategorized

Art Day Look-Back at 2015

This is artwork from this blog in 2015, a year after I retired from teaching.

December … The Leap
December… Annette Funicello
November … The Singers
November … Shannon
October … Tiger Swallowtail
September … oil painting … Defiance
The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life. August 2015
July … Endaemion and the Minotaur
June … Miltie is actually Me
May … The Ship with Pink Sails
April … Player #3
April … oil painting … Poppa Comes Home
March … The Little Red-Haired Girl
February … The Boy and his Bugle
February … Klown Kops, Pie-whackers brigade
January … Harker Dawes, lovable fool
January … Sizzahl the Galtorrian scientist

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Filed under artwork, colored pencil, oil painting, Paffooney, pen and ink

The Secret Gallery in Grandma’s Closet

After years of being stored away, I discovered that my mother had hidden a hoard of my old artworks in the upstairs closet in Grandma Aldrich’s house (now my parents’ house).

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This oil painting was done on an old saw blade at the request of my Grandpa Aldrich.  He wanted a farm painting on it, like the one he’d seen in a restaurant during a fishing trip in Minnesota.  I chose as the subject Sally the pig.  Sally was a hairlip piglet that had to be bottle fed and raised in a box by the stove until later in life she became a favorite pet.  Believe it or not, pigs are smarter than the family dog.  She became a pig you could ride.  And Grandma had taken a precious old photo of my mother and Uncle Larry riding the pig.  I used that photo to make this painting.  It was also the painting I wanted to find on this trip to Iowa.  Searching for it led to finding all the others.

These two are among the earliest paintings I did.  They were both done on canvases that I stretched over the frame myself in high school art class.  The purple one is a scene from Shakespeare’s Midsummer Night’s Dream.  The blue one doesn’t have a title, but you can see what it is.  It is an ancient shibboleth water monster lurking under a dock, fishing for young boys to eat.

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This drawing was done on the front porch in the house in Rowan.  It would be years before mom framed it.  It is another example of what I could do as a high school kid.  In fact, I composed it from art-class sketches I did my senior year in school.

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The Boy in the Barn was painted on the remains of an old chalkboard that my sisters, brother, and I had used in grade school.

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Grandma Aldrich asked for this picture to hang over the sofa in the farmhouse living room.  It stayed there for many years.

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Great Grandma Hinckley passed away in 1980.  I created this portrait from a combination of photos and memory.  It was too good.  It was never hung anywhere because it always made her daughter, my Grandma Aldrich, tear up.

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This pencil drawing won a blue ribbon at the Wright County Fair in the late 70’s.

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This picture is called First Years are Hard Years.  It was painted in 1982 after my first year of teaching at the junior high school in Cotulla, Texas.   I painted mostly the good kids.  The girl on the lower right would later go on to become a teacher for our school district.  I can’t claim to be the one who inspired her, but she did make straight A’s in my class.

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This is called Beauty.  It is done in oil crayon on canvas.  I did it for my mother to hang in the hallway in the house in Taylor, Texas.

So, it turns out, I unearthed art treasures by searching for the one painting.

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Filed under artwork, colored pencil, homely art, humor, oil painting, old art, Paffooney

New Photos of Old Art

I spent some time this last week taking photos of artwork. You see, I bought a new phone a year ago, and the camera installed in it was of much better quality than I had before, even in my digital camera which I mysteriously lost more than a year ago. But, though I played with it a lot in the last year, I only started using it to photograph artwork recently. It makes better digital images of my art than I had before.

The new camera can capture the subtleties of a pure pencil drawing better than any camera I have ever used.

I love this picture… even if Disney sues me over it.

I love this one too. Remember it from yesterday? This is the same digital image made on Wednesday.

Here’s one never seen before. Nude studies of Dionysus and Athena (Made from photos and statues and fauns… Oh, my!)
Another faun, this one in acrylic paint.

Here’s a nude faun to celebrate getting kicked off Pinterest a second time (though this time there was no actual nudity in the picture I got kicked off for… and it was not even my own picture.) (Is there something wrong with cartoon furries?)

This is ironically a portrait of Mark Twain.
A Dickens picture of Bob Crachit and Tiny Tim.
Macaulay Culkin as Johnny Clem.

Valerie Clarke and her Daddy Kyle.

Yes, I used to draw strange things. Still do, in fact.

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Filed under artwork, colored pencil, drawing, oil painting, Paffooney

Homely Art – Part One – Thomas Kinkade

Fantasia  These images can be found at http://thomaskinkade.com/

I honestly have a thing for artists that critics hate and common folk like my parents and grandparents loved.  Norman Rockwell is a bit like that.  He enjoyed commercial success as a magazine illustrator.  That is about as far from avant garde art as you can get.  But what can I say?  I don’t call myself an artist.  I am a cartoonist and all around goofball.  I don’t do serious art.  So the questions surrounding Thomas Kinkade bounce off my tough old non-critical hide like bullets off the orphan of Krypton.  I love his pictures for their gaudy splashes of color, his way with depicting puddles and water of all sorts (splashes of splashes), and his rustic homes and landscapes of another era.  This is a man who does lovely calendar art and jigsaw puzzle art.  He is roundly criticized for factory production of “original” oil paintings which are actually a base he created and made a print of painted over by an “assistant” artist or apprentice.  But I don’t care .  I like it.  And you used to be able to see his originals without going to museums, in art stores at the shopping mall.  He is unfortunately dead now.  For most great artists, that makes their work more valuable and more precious.  Kinkade’s art hangs in so many homes around the country already that his fame has probably already reached its peak.  Look at these works that he did for Hallmark and Disney and various other mass-market retail outlets.  I dare you not to like it.

Cinderella-Wishes-Upon-A-Dream thomas-kinkade-signed-and-numbered-limited-edition-print-and-hand-embellished-canvas-the-night-before-christmas-1 kinkade-2010-bambis-first-year-1st-art-disney-thomas Teacup Cottage kinkade-2012-lg-little-mermaid-disney-art ladyandthetramp thomas-kinkade-hometown-morning-19676

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Filed under art criticism, oil painting, Thomas Kinkade

Other Folks’ Artwork

There are many, many things I appreciate about other people’s artwork. It is not all a matter of envy or a desire to copy what they’ve done, stealing their techniques and insights for myself, though there is some of that. Look at the patterns Hergé uses to portray fish and undersea plants. I have shamelessly copied both. But it is more than just pen-and-ink burglary.

I like to be dazzled. I look for things other artists have done that pluck out sweet-sad melodies on the heartstrings of my of my artistically saturated soul. I look for things like the color blue in the art of Maxfield Parrish.

I love the mesmerizing surrealism of Salvador Dali.

I am fascinated by William-Adolphe Bouguereau’s ability to create photo-realistic and creamy-perfect nudes.

Basil Wolverton’s comic grotesqueries leave me stunned but laughing.

The dramatic lighting effects employed by Greg Hildebrandt slay me with beauty. (Though not literally. I am not bleeding and dying from looking at this picture, merely metaphorically cut to the heart.)

I even study closely movie-poster portraits like Bogart and Bergman in this Casablanca classic poster.

I could show you so many more art pieces that I dearly love to look at. But I will end with a very special artist.

This is the work of my daughter, Mina “the Princess” Beyer. Remember that name. She’s better than I am.

Leave a comment

Filed under artwork, commentary, inspiration, oil painting, old art, pen and ink, strange and wonderful ideas about life, Uncategorized

Homely Art – Part Two – Paul Detlefsen

Detlefsen-Swimming_Hole

Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen.  Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables.  He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys.  Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her.  I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”.  And Grandma was easily scandalized when we were kids.  She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical.  She didn’t like for people to be naked, except for bath time, and maybe not even then.  She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.horseandbuggydays-print  http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm

Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues)   One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here.  They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher.  And there were a lot of them.  Here is another;

detlefsen

http://www.bigredtoybox.com/cgi-bin/toynfo.pl?detlefsenindex

Grandma had this in puzzle form also.  We put the puzzle together, glued it to tag board, and framed it.  It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s.  My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day.  Detlefsen is not known as a great artist.  He was a humble painter who painted backdrops for films for over 20 years.  In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home.  I believe I saw his paintings in all these forms in one place or another.  According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.”  That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw.  Let me share a few more of his works, and see if you recognize any of these;

db_Paul_Detlefsen_Covered_Bridge1 b01e8afaadde Artist Paul Detlefsen PaulDetlefsen_VintageArtPrint_B11 il_fullxfull.285794883

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Filed under art criticism, art my Grandpa loved, artwork, homely art, oil painting