My boyhood in the 1960’s was complicated. There was fear and depression and growing awareness of violence and unfairness and evil in the world, starting in 1963 with the death of John F Kennedy.
There was magic and wonder in my childhood. I found comic-book heroes like Spiderman, fantasy movies like Captain Sinbad starring Guy Williams, and Science fiction movies like 2001; A Space Odyssey.
A sense of adventure and the wonders of the past came through reading. I read and loved Treasure Island and Kidnapped, both by Robert Louis Stevenson.
Of course boyhood is also the time in which we have to come to terms with sexuality and sexual identity. My battle was complicated by being sexually assaulted by an older boy. It took me a long time to sort out the fact that I was not a homosexual and being a victim does not make a boy into one. I was an untouchable child, but that didn’t stop me from obsessing about love and affection constantly.
What you learn to be in boyhood is what you end up being in adulthood.
Nurture is more important to development than nature.
Education is what makes a boy into a man. Your genetic makeup has its effects, but is only the blueprint, not the building.
Boyhood behavior might not go exactly as parents plan, but it has to happen anyway.
There is no such thing as a perfect boy.
Boyhood always was and still is an adventure. I should know. I’ve been a boy for 64 years.
Rosemary Hood was a bright, blond seventh grader who entered my seventh-grade Gifted English class in September of 1998. She introduced herself to me before the first bell of her first day.
“I am definitely on your class list because my Mom says I belong in gifted classes.”
“Your name is Rosemary, right?”
“Definitely. Rosemary Bell Hood, related to the Civil War general John Bell Hood.”
“Um, I don’t see your name on my list.”
“Well, I’m supposed to be there, so check with the attendance secretary. And I will be making A’s all year because I’m a werewolf and I could eat you during the full moon if you make me mad at you.”
I laughed, thinking that she had a bizarre sense of humor. I let her enter my class and issued her copies of the books we were reading. Later I called the office to ask about her enrollment.
“Well, Mr. Beyer,” said the secretary nervously, “the principal is out right now with an animal bite that got infected. But I can assure you that we must change her schedule and put her in your gifted class. The principal would really like you to give her A’s too.”
So, I had a good chuckle about that. I never gave students A’s. Grades had to be earned. And one of the first rules of being a good teacher is, “Ignore what the principal says you should do in every situation.”
But I did give her A’s because she was a very bright and creative student (also very blond, but that has nothing to do with being a good student). She had a good work ethic and a marvelous sense of humor.
She developed a crush on Jose Tannenbaum who sat in the seat across from her in the next row. He was a football player, as well as an A student. And by October she was telling him daily, “You need to take to me to the Harvest Festival Dance because I am a werewolf, and if you don’t, I will eat you at the next full moon.”
All the members of the class got a good chuckle out of it. And it was assumed that he would. of course, take her to the dance because she was the prettiest blond girl in class and he obviously kinda liked her. But the week of the dance we did find out, to our surprise, that he asked Natasha Garcia to the dance instead.
I didn’t think anything more about it until, the day after the next full moon, Jose didn’t show up for class. I called the attendance secretary and asked about it.
“Jose is missing, Mr. Beyer,” the attendance secretary said. “The Sherrif’s office has search parties out looking for him.” That concerned me because he had a writing project due that day, and I thought he might’ve skipped school because he somehow failed to finish it. When I saw Rosemary in class, though, I asked her if, by any chance, she knew why Jose wasn’t in class.
“Of course I do,” she said simply. “I ate him last night.”
“Oh. Bones and all?”
“Bone marrow is the best-tasting part.”
So, that turned out to be one rough school year. Silver bullets are extremely expensive for a teacher’s salary. And I did lose a part of my left ear before the year ended. But it also taught me valuable lessons about being a teacher. Truthfully, you can’t be a good teacher if you can’t accept and teach anyone who comes through your door, no matter what kind of unique qualities they bring with them into your classroom.
From where I now stand, looking towards the future, I can clearly see I do not have very many more steps on my personal path forward. Good thing. My legs are almost ready to give out. I walk with a cane.
More importantly, as a school teacher, the only classes I will be able to teach are the fictional ones in my books. In fact, if my work in progress is the last one I will be able to finish (hopefully), then the dojo pictured above is the last one. At the moment they are learning social justice lessons fighting sentient vegetables on the planet Cornucopea.
There are many things I can take solace in as I near the end of the road. I outlasted the Trump Administration. (At least, technically, because I am still alive today in spite of feeling ill, while Trump’s run has officially reached its end with the electoral college acceptance ceremony in spite of the insurrection.)
There are many, many former students that still fondly remember the year or two (in some cases three) that they spent in my class.
Mai Ling in the picture with the Japanese Castle is an example. Even though the telekinetic ninja girl from the planet Gaijin is entirely fictional, I base all of her dialogue and reactions on a very quiet but extremely effective girl that I taught for two straight years in the seventh and eighth grades. She listened, learned, and then solved any problem I put in front of her. The last I knew she was thriving in a junior college in Laredo, planning on a nursing career. She will have succeeded by now, and would have even if I had never met her. But she told me she liked my class.
I can be grateful too that I have lived long enough to write most of the stories I really wanted to write. Sure, there are nudists in some of my stories, but there are nudists in real life, and in my personal past as well. Maybe they turn off some people that would like my books better without them. But I have some pretty good stories with no nudists in them too. And the nudists I know are some pretty good people. So, I have a right to be grateful for them. My stories, I mean. Though I am grateful for nudists too. I tend to write like I’m baring my soul. And I am proud of my naked truths.
Whatever the near future holds in store, I feel ready. I got my $600 relief check. 2020 taxes will probably cost more than that this year, but I actually have some money to hopefully pay for them. I am ill today. But that’s more often the case than not now. I deserve to rest a bit, grow stronger, and get on with whatever’s left to me.
He was one of my all-time favorite students. I know I say that about an awful lot of kids. I can’t help it. Once you get to know them well enough to teach them anything, you tend to be hooked for life. They are your kid. You are their teacher. And that means almost as much as if they were born to you.
I first got to know Johnny on one frightful morning in September of 1984. He was a tiny, frail little seventh-grade boy sitting in the second seat of the second row. And as I was trying to get them to read a short story in the literature book, he kept nodding off, falling asleep. Sleeping is not an effective reading strategy. Three times I tried to wake him up and get him on task. He could have told me then, but he was painfully shy, and the only word I had heard from him was, “Here,” spoken during roll call. So, the fourth time I took him outside the classroom door to ask him what was wrong. He was deathly pale.
“What’s wrong? What do we need to do to make it better?”
He looked towards the boys’ restroom. “I gotta go…”
I told him to go, then followed him down to the restroom because I knew it was something serious. Serious enough to leave my class unattended. But they were deathly quiet, because unlike me, they knew what was wrong. I found him throwing up in the trash can. He told me he was sick in a barely audible voice.
Immediately I went to the office and told the secretary that he was ill.
“They have juice for him in the refrigerator in the ESL room,” Ms. Lawler said. “I’m sorry we haven’t gotten the nurse’s list out to teachers yet. He’s got juvenile diabetes.”
Whoa! I didn’t know much about diabetes then, but I did know it was too deadly of a thing to allow myself not to know everything I needed to know. At the time the school nurse had to take care of all four campuses in the school district, and she was only at the Junior High on Thursdays.
Thankfully, over time, not only did I learn more about handling that disease, but medical science did too. When I would later develop adult-onset diabetes in 2000, treatment for diabetics would become much more effective, rendering the disease far less destructive.
As for Johnny himself, he became a part of the small group of housing-project kids who would come to my apartment on Saturdays, and sometimes after school to hang out, use my computer, and play table-top role-playing games. I made a special effort to engage Johnny in conversations about a little of everything. He was a very bright boy when he felt well. I got to know his seriously diabetic mother too. And his older sister would later become a nurse at the local doctor’s office, so I got to know her as well. Johnny didn’t have a father at the time, which also applied to each of the other boys from the project, except for the Camacho brothers whose father was a seriously depressed Vietnam veteran. I suppose that’s why Johnny became like a son to me, one of five boys who at the time treated me like a second father. I taught him. I entertained him. And occasionally I cooked for him.
One of my two girlfriends at the time that I was mentoring Johnny liked to give him sugar-free candy. She got so accustomed to always having some available at her place that she actually got hooked on it herself.
In school Johnny opened up the way a cactus flower blooms when it gets a little rain. He began to talk to other kids a lot. He made himself into a group leader, and he even went out for high school football. Truthfully, I was amazed by him on the football field. He played defensive back. And he played like a star. I watched him intercept the ball about three times and run it back the other way. The coaches soon felt about him the same way I did. He was part of their family too.
And it turns out that being physically fit practically cures juvenile diabetes.
He got stronger and healthier with each season. He gave me the football portrait not because I had anything to do with his success, but because he loved me. I have hugged that boy three times in my lifetime, and each time is a cherished memory that I hope to carry with me to Xibalba, the Mayan Land of the Dead.
When I developed diabetes myself, Johnny’s older sister kept track of my wellness charts herself. Johnny’s family was experienced with handling diabetes, and they looked after me like a member of their family.
The last time I saw Johnny it was in the hallway at school. It was only a year before I left Cotulla for good. He had come especially to see me. I didn’t even recognize him at first because I hadn’t seen him for a decade. I wanted to talk to him and catch up. But I had to pick up my eldest son that day from second grade as he had been ill. I was not feeling well myself. So, I asked for a rain check. He still had that beautiful smile. And he didn’t tell me that that was the only chance he had to see me before leaving town again. It broke my heart when they told me that later.
But I see him again now as I tell you the story of Sugar-Free Johnny. He was probably the sweetest kid I ever taught. He will always be a part of my story. And apparently I am part of his story too.
The students of Ged Aero Sensei were seated on the grass in the courtyard of the Palace of 1,000 Years in a large semicircle. In the middle of the circle stood the archery sensei, Jai Chang, dressed in teal-blue Iga-shozoku ninja armor. He had his elegant handmade bow with an arrow already nocked.
“Okay, bone-headed ones, this is the first thing to know when shooting a bow. You must aim with the dominant eye. To find your dominant eye, look at the target with both eyes open. Point your pointer-finger at the bullseye. Then close the right eye. Open the right eye and close the left. One eye will move your finger off the target without having moved it at all. The other eye will leave the pointer finger aimed true to the center of the bullseye. This is your dominant eye. Your aiming eye.”
“Show us how it is done, sensei,” said Phoenix, seeming somewhat bored with it all.
Jai Chang frowned at the insolent red-haired boy. Then he aimed his bow at the target 300 yards across the courtyard. He let fly an arrow which arced straight into the center of the bullseye. Three of the students gasped audibly in a way that sounded as if they were impressed. Phoenix, Alec Songh, and Mai Ling all yawned as if they were bored beyond words.
“All right, insolent children. Who among you can do better?”
Phoenix stood and walked over to the bow master. He was lightly dressed, wearing only a loin-cover and tabi boots. He took the yumi to ya, the bow and arrow, from the master’s hand, nocked another arrow, and in a single smooth motion, lifted the bow and shot, almost without looking. The arrow plunged into the center of the bullseye so tight up against the previous arrow, one had to look carefully to see that there was more than one arrow dead center in the target.
Jai Chang frowned.
Phoenix handed the bow to Alec who immediately got off the third arrow, landing within the bullseye circle less than an inch away from the other two arrows.
Alec tried to hand the bow to Mai Ling, but she took only a single arrow out of his hands. Then she stood with the arrow in her left hand and her back to the target. She threw the arrow back over the top of her head and spiraled into the center of the target, splitting the shaft of Jai Chang’s first arrow.
“I suppose it is pointless to tell you that it is wrong to use your stupid little mind powers to do this task. The purpose is to learn precision, skill and discipline. Not to use Psion witchcraft to take the easy road.”
Phoenix glared at the bowmaster.
“I learned the way of the bow from Bone Daddy in the Black Spider Palace. Hundreds of hours of practicing with a painful slap across the face for every miss as the only reward. Alec had to endure the same. And as for Mai Ling, her skills are incredible and made all the more amazing by the practice she has been doing with me late into the evenings. We do this while everyone else is doing their Tai Chi, meditation, and prayers. Some things give greater focus to the spirit force than mere words and empty sayings.”
“Well, then, bow master, perhaps you would like to be in charge of the archery lessons. You have to learn them. It is a part of Shen Ming’s program of study for all students in the Palace.”
“Yes, happily,” said Phoenix with a voice that sounded more like sarcasm than obedience.
“Ah, I do not like what I am hearing,” said Shen Ming, the frail old man seeming to appear out of nowhere at the edge of the green. “There is no honor and respect in the voices of either the master or the student. This is not the way of the White Spider.”
“Apologies, Shen-sensei. But honor and respect have to be earned, don’t they?”
“Yes, and granted when a fine display of skill earns it. And, young master Phoenix, one must always show respect to a dedicated teacher whose very existence has earned it. Is that not so?”
Phoenix and Jai Chang both nodded agreement with eyes to the ground.
“But I would like to see the three young bullseyes help Chang-sensei to teach this class. Teaching others teaches the self more thoroughly, and this is an impressive set of skills to share with students and classmates alike.”
“Yes, Shen-sensei,” said all the students together.
“And now, Jai Chang-sama, I would speak with you further. Attend me in my office. We have much to discuss.”
As the old man who had a spotty face that looked eerily like the face of Alfred E. Neuman on the cover of Mad Magazine, walked away from the students, Shen Ming’s smile grew even broader and his eyes actually began to twinkle.
My proudest achievement of my thirty-one year years as a public school teacher was the fact that I survived my whole first year. That doesn’t sound like much to you unless you are a teacher. But it sounds even more amazing if you knew what South Texas junior high schools were like in 1981. I mean, my school, Frank Newman Junior High had practically been destroyed the year before I started teaching there by the seventh graders I would be teaching as eighth graders.
You see some of my favorites in the painting I did during my third year as a teacher. From front to back they are Dottie, Teresa, Ruben, Fabian, and Javier. Of course, in these essays about being a teacher, I usually don’t use real names to protect the privacy of my former students, both the innocent and the guilty. So, I leave it to you to decide whether, even though I love these kids, those aren’t probably their real names. Unless… they are.
But not all Texas eighth graders are loveable people. In fact, they are hard on first-year rookie teachers. Especially the ones with a Midwestern faith that they can step in and change the world with their idealistically pure and golden teaching methods. Those teachers they will try to eat alive.
I followed the seventh grade English teacher in the same classroom with the same kids. They made her scream daily, had classroom fist fights weekly, exploded firecrackers under her chair twice during the year, and made her run away to the San Antonio airport and leave teaching behind forever. As ninth graders, they made their English I teacher leave teaching forever even though she was a three-year veteran. And believe me, they tried to do the same to me.
I foiled them constantly by being an on-your-feet-all-day teacher rather than a sit-behind-the-desk-and-yell teacher like my predecessor. After I had a chance to sit during planning period, I always had to clean thumbtacks, tape, and smeared chocolate bars off the seat of my little wooden teacher chair. Paper airplanes were the least gross things that flew through the air. Boogers, spit-wads, spit-wet pieces of chalk, and brown things you had to hope were chewed chocolate flew constantly whenever you had your back turned to them. And if there was only one kid behind you and you turned on him and asked pointedly, “Who threw that?” The kid, of course, saw nothing, has no idea, you can torture him, and he still won’t know anything because you are a lousy teacher and didn’t make him learn anything.
And lessons were mostly about talking over the malevolent tongue-wigglers. They didn’t listen. Not even to each other. One kid would be talking about monster trucks that shoot fire out of their exhaust pipes while the kid next to him was talking at the same time about whether Flipper is properly called a dolphin or a porpoise, or like his older brother says, “a giant penis-fish.” And the girls behind them are actually hearing each other, but only because they are speculating which boy in the classroom has the cutest butt.
I broke up three fights by myself that year, one of which I got slugged in the back of the head by the aggressor during, teaching me to always get between them facing the aggressor and never being wrong about who the aggressor is.
They don’t let you do much teaching at all your first year. They force you to practice discipline by keeping them all seated at the same time with their books open in front of them. “I don’t do literature,” Ernie Lozano told me. Well, to be accurate, none of them actually did literature that year. But they taught me to survive long enough to learn how to actually teach them something.
On the last day of school that year we gave them all extended time on the playground, using the outdoor basketball court to keep them occupied for long enough for a terrible school year to finally run its course. They didn’t set the school on fire that year. They didn’t break into the office that year and steal all the cash. We did well enough at keeping them under control that year that I got rehired and our principal got promoted to high school principal. I had a decision to make that year. Would I keep teaching? Or find another job? Sixty percent of all first-year teachers in Texas in 1982 quit teaching. I only earned $11,000 that year. Did I really want to continue down that dark path for another school year?
Ruben walked up to stand beside me and watch the bigger eighth graders foul each other on the basketball court. “You know, Mr. Beyer, you were my favorite teacher this year.”
“Thank you, Ruben. I needed to hear that.” I bit my lip to keep from crying.
That was when I made the decision. I stuck it out in that same school and district for the next 23 years. I became the head of the Cotulla Middle School English Department. I moved to the Dallas area for family reasons in 2004, but I would teach for eight more years in two more districts and in three more schools. But all of that is Ruben’s fault. Because that was the most important thing anyone ever said to me as a teacher. And I did hear it more than once. But he was the first.
When he walked through my classroom door for the first time in August 1988, the start of his seventh grade year, Jorge Navarro was a tiny little third-grader-looking thing. But one of the first things he ever told me in English was that he was a cowboy.
He had two older brothers. Sammy was an eighth grader that year, and Jose was in tenth grade. So, I already knew his brothers. Big strapping lads. They didn’t speak English really well and couldn’t read. But they were smart in a pragmatic, workman-like way. They all three came from a ranch down in Encinal, Texas. Fifteen miles closer to the Mexican border than where I was teaching in Cotulla, Texas. But they were not Mexicans. Their grandparents and parents were born in the USA, and their great grandparents, and possibly further back than that had lived on the same ranch-land all the way back to when everything South of the Nueces River was Mexico. These were Tejanos. Proud Americans from Texas. Hard-working, dedicated to the ranch owners who paid them to do what they loved, getting the most agricultural benefits possible from the dry South-Texas brush country.
Jorge was, at the start, a little man with a big voice in a small package. He was smarter and could read better than either of his brothers. He could even read and translate Spanish, which, of course, was his native language. And he had strong opinions that you could not argue with him about. He was a cowboy. That was opinion number one. He not only rode horses, he fed them daily, curried them in the morning to loosen the dirt and stimulate the production of natural oils that kept their coats shiny, and he even told me about the times he bottle-fed newborn colts when their mothers were sick.
And he strongly believed that a boss, or a teacher in my case, should never ask someone to do something that he didn’t know how to do himself. That was opinion number two. And he held me to that standard daily.
You should never use bad language in front of a lady… or a teacher, was opinion number three. He had a temper though. So, unlike most of the other boys, on those days when he lost it, he apologized as soon as he was back in control of himself. It made the girls giggle when he apologized to them, but that was an embarrassed reaction. He impressed them. They told me so in private afterwards.
He had a cowboy hat in his locker every day. You never wore a hat inside. Strong opinion number four.
And when he was an eighth-grader, he almost doubled in height. But not in width. He was what they call in Spanish, “Flaco,” skinny as a rail. He was taller than me by the time in mid-year when he started competing like his brothers in rodeos. And he was good. Something about the way his skinny, light frame could bend and twist under stress allowed him to stay on a barebacked horse longer than his brothers, or even the older men. He was pretty good at roping steers too. But it was the bareback bronc riding that won him trophies.
This is not a story about someone overcoming hardships to succeed. It always seemed like Jorge was blessed with it from the beginning. But it was the fact that he did what was needed every single day without fail. You could depend on it. He had a code that he followed.
The drawing that started this story is one that I did for him. I gave him and every member of his class that asked for one a copy made on my little copier at home.
And he taught me far more than I could ever teach him. Jorge Navarro was a cowboy. And you couldn’t argue with him about that.
A lot of my artwork has to do with students and teachers, and of course, the schools they attend. I wonder where this obsession came from?
There’s a lot of science fiction elements in school. After all, we are preparing students for the future.
It is hard to tell just by looking whether this school is in the past or in the future. The secret is, this illustrates a science fiction novel I haven’t written yet. It is on another planet three thousand years in the future.
This picture of one of my last high school ESL classes is not realistic. Students are far more cartoonish than they are pictured here.
Of course, school is not about the teachers. It is about the students.
These two are Blueberry Bates and Mike Murphy.
They are fictional people.
But they are based on three different seventh grade couples I taught in Texas.
One set actually grew up and married each other.
You know how you can tell that this school is from science fiction? The student in the picture is actually a robot who looks human.
Being a child of the ’60s and also being fifty percent raised by the television set, it was my privilege to witness and learn from the master comedian of self-deprecating humor and ultimate humiliation. And there is no better preparation for becoming a Texas public school teacher than to learn how to be laughed at from Don Knotts.
I have spent a goodly number of hours during our recent COVID quarantine watching old DVDs of Don Knotts movies. The last four nights I viewed, The Ghost and Mr. Chicken, The Shakiest Gun in the West, The Reluctant Astronaut, and The Love God. If you have never seen them, they come with the highest of Mickian recommendations, “They made me laugh so hard I cried.”
Of course, my favorite Don Knotts movie of all time is The Incredible Mr. Limpet.
Knotts always seems to play a character put upon by life in general, yet always believing that he has the inner something to make himself into a huge success. Every time he gets knocked down he quivers with frustration and throws a punch at his tormentors that invariably hits nothing unless he hits himself. In Mr. Limpet, we find a man so frustrated in his inability to help in the war effort that he throws himself into the sea, turning himself into a fish… a fish that helps defeat German U-boats. He makes himself into a hero, He even finds love among the fishes.
Knotts found the perfect comic partner in Tim Conway as they made The Apple Dumpling Gang and its sequel, The Apple Dumpling Gang Rides Again. Slapstick antics and serious battles against the laws of physics somehow manage to win out over real bad guys with real guns and horses.
I guess the thing that makes Don Knotts such an important part of my television-sourced education is how much I identify with him. Life is a never-ending parade of humbling defeats and blush-inducing humiliations. I have spent most of my life being one with the little-guy within me, the put-upon fellow who has never quite overcome all the little hurts incurred by a desire to overcome the gravity holding me down.
And in a Don-Knotts world, based on a Don-Knotts movie script, things eventually turn out all right in the end. Mr. Chicken is proved right. Abner Peacock ends up marrying the beautiful girl who is the perfect one for him. The dentist who is mistaken for a gun-fighter still gets to be the hero in the end. So, there are worse things than living a Don Knotts sort of life.
Rest in peace, Don Knotts. For though you are no longer with us, you will always live on in my heart… and the hearts of many other Don Knotts wannabes.
I have never been an attention-seeker. In the Elysian Fields of modern society, I have never really been the honeybee. I have always been the flower. I had a reputation in high school for being the quiet nerd who ends up surprising you immensely in speech class, at the science fair, or at the art show. I was the one they all turned to when everybody in the conversation had already had their chance to strut and pontificate and say dumb things, and they were finally ready to get the solution to the problem being discussed, or the best suggestion on where to begin to find it.
When I became the teacher of the class instead of the student, I had to make major changes. I had to go from being patient, quiet, and shy to being the fearless presenter, forceful, sharp as an imparter of knowledge, and able to be easily understood, even by the kids whom you couldn’t legally call stupid, but were less than smart, and not in a pleasant Forrest Gump sort of way.
Shyness is only ever overcome by determination and practice. The standard advice given is to picture your audience naked so that you are not intimidated by them. But if your audience is seventh graders, you have to be extra careful about that. They are metaphorically naked all the time, ready at a moment’s notice to explode out of any metaphorical clothing they have learned to wear to cover the things that they wish to keep to themselves about themselves. And while you want them to open up and talk to you, you don’t want the emotional nakedness of having them sobbing in front of the entire class, or throwing things at you in the throes of a mega-tantrum over their love-life and the resulting soap operas of betrayal and revenge. And you definitely don’t want any literal nakedness in your classroom. (Please put your sweat pants back on, Keesha. Those shorts are not within the limits of the dress code.) Calling attention to yourself and what you have to say, because you are being paid to do so, is a critical, yet tricky thing to do. You want them looking at you, and actually thinking about what you are saying (preferably without imagining you naked, which they will do at any sort of unintentional slip or accidental prompting.) The ones who ignore you are a problem that has to be remedied individually and can eat up the majority of your teaching time.
I trained myself to be fairly good at commanding the attention of the room.
But now that I am retired, things have changed. I can still command attention in the room, which I proved to myself by being a successful substitute teacher last year. But I no longer have a captive audience that I can speak to five days a week in a classroom. Now my audience is whoever happens to see this blog and is intrigued enough by the title and pictures to read my words.
Now that I am retired and only speaking to the world at large through writing, I am ignored more than ever before. Being ignored is, perhaps, the only thing I do anymore. It is the new definition of Mickey. Mickey means, “He who must be ignored. Not partially, but wholly… and with malice.”
I put my blog posts on Facebook and Twitter where I know for a fact that there are people who know me and would read them and like them if they knew that they were there. But the malevolent algorithms on those social media sites guarantee that none of my dozens of cousins, old school friends, and former students will see them. Only the single ladies from Kazakhstan and members of the Butchers Union of Cleveland see my posts. Why is this? I do not know. Facebook and Twitter ignore me when I ask.
My books, though liked by everybody who has actually read and responded to them, are lost in a vast ocean of self-published books, most of which are not very good and give a black eye to self-published authors in general. I recently got another call from I-Universe/Penguin Books publishers about Catch a Falling Star, the one book I still have with them. They are concerned that my book, which is on their Editor’s Choice list, is not performing as well as their marketing people think it should. But to promote it, I would have to pay four hundred dollars towards the marketing campaign, even though they are already subsidizing it by fifty percent. They tell me they believe in my book. But apparently not enough to pay for 100% of the promotion.
I have decided to invest in a review service that will cost me about twenty dollars a month. But my confidence is not high. The last time I paid somebody to review a book, they reviewed a book with the same title as mine from a different author. That service still owes me money.
But the only reason it is a problem that I am being thoroughly ignored these days is that an author needs to be read to fulfill his purpose in life. Maybe pictures of pretty girls in this post will help. But, even if they don’t, well, I had their attention once upon a time. And since my purpose as a teacher is already fulfilled, perhaps that will be enough for one lifetime.