Journey back with me to the 1980’s, and hear once again the music of escape.
There was a time when I was young when I did not know where I would be when the next new dawn came. Yes, I once took the midnight train (except it was a bus) and I arrived in a teaching career in deep South Texas. I crossed borders into another culture, another way of life, another journey made of words and pictures that hasn’t reached the final station yet.
At the outset, we all take a risk. Born and raised in South Detroit (although it was really North Central Iowa) I passed through established procedures, rules, and regulations to do things that desperately needed doing for people who could only help themselves in very limited ways.
Some spoke mostly Spanish. Some lived in broken homes. One boy lived for a while under the bridge of the Nueces River, but attended school every day because he was hungry to learn, and because free school lunch was the majority of the food he got to eat. He got on a midnight train, and I never saw him or heard from him again. His sister, though, lived with a tia who treated her like a daughter, and grew up to be a school teacher. I let her teach the lesson for me during one class period, as part of an educational experiment, and it put her on her own midnight train.
It was a train going on the same track I followed. Not because of me and what I did for her. But because she came to realize it was the right journey to take for her. It was the perfect anywhere for her.
But there is danger inherent in getting on a midnight train going anywhere. You don’t know who is waiting for you down the line, or what your circumstances will be at the next station along the way. There may be strangers waiting up and down the boulevard, their shadows searching in the night. I befriended other teachers, mentored some, learned from many, even married one. I had a run in or two with people who sell drugs to kids. I had all four of my car tires slashed one night. I had a car window broken out. I had a boy once tell me he would kill me with a knife. I later had that boy tell me he had a good job and a girlfriend and he was grateful that I talked him out of it and never turned him in to the police.
And we end up paying anything to roll the dice just one more time… At one time or another we have all been there, aboard that midnight train to anywhere. There is a moment in everyone’s life when… well, some will win, and some will lose. Some were born to sing the blues. I have been there. I have done that. And it occurs to me, that song plays on in my head still. I am still on that journey. And I won’t stop believing. Because it goes on and on and on and on…
Catch a Falling Star 
A Night at the Symphony
Last night my wife took us to the Dallas Symphony Orchestra for a performance of Gustav Mahler’s Das Klagende Lied (The Song of Lamentation). So, you can bet we were in for a happy night just based on the title of the piece. As you might’ve detected from the post title’s similarity to the Marx Brother’s movie A Night at the Opera, I took along my wacky mental versions of the Marx Brothers… whom I call the Snarcks Brothers. They are Scarpigo, Cinco, and Zero Snarcks. Think Groucho, Chico, and Harpo, and then my mental fartgas won’t prevent you from understanding quite as easily.
Jaap Van Zweden, conductor of the DSO, and aspiring impersonator of Grumpy from the Seven Dwarfs
Scarpigo, Cinco, and Zero Snarcs… so to speak…
Now, don’t get me wrong, I love classical music and I like Mahler okay. But his music tends to be depressing and sad. I don’t mean merely depressing and sad, but deep down at the bottom of the canyon with hill giants tossing boulders at your head in the midst of a thunderstorm symphonic sort of depressing and sad. It could really bum me out, so I was prepared to have Scarpigo lean over the balcony rail numerous times to shout “Booga-booga!” at the concert goers. And the Blues lost to the Sharks in the Stanley Cup playoffs already this past week.
Fortunately the DSO often adopts the old movie theater tactic of cartoon shorts before the feature film… the same way Pixar does for Disney now. They chose Aaron Copland’s Clarinet Concerto as the cartoon short. Now this is also supposed to be sad music, a single clarinet, a single harp, and a single piano… surrounded by violins, the gushing tears of every symphony orchestra. But it is Copland, my fourth favorite composer of all time, behind only DeBussy, Motzart, and Beethoven. As a synesthete, I can tell you that Copland’s music is always no bluer than silver, and tends to be more vermilion, rosy pink, yellow-orange and carmine red… more happy and passionate than depressing. Then too, Cinco Snarcks whispered in my ear that since I have this Van Zweden/ Grumpy thing going on already in my head, I should look carefully at the clarinet soloist. Yep, bald head, white hair and slight white beard and glasses… Doc! And the pianist, bald head and big ears… Dopey! The night would be Gustav Mahler and the Seven Dwarfs. Zero Snarcks was thinking about squeezing off a toot or three from his little horn and maybe using light cords hanging from the ceiling for an impromptu trapeze act, but he took one look at the elegant, swan-like harpist and fell too much in love to interrupt.
The main show, however, was everything I thought it was going to be, and worse. They had a translator screen hung from the cords Zero wanted to go for a swing on, that took all the incomprehensible choir-crooned lyrics and translated them from German into English. The story of Das Klagende Lied is taken from the Grimm Fairy Tale, The Bone Flute. It tells the tale of two knightly brothers, one good and one evil, who set out to win the hand of a very self-centered but beautiful queen. She can only be won by the finding of a special red flower that grows under a willow tree. The knights agree to split up and search the enchanted forest for the flower. Naturally, the good knight finds it and plucks it, putting it in the band of his hat. And just as naturally, the good knight flops down stupidly under the willow tree to take a nap. The evil brother finds his brother sleeping and sees the flower in his hat. So, like any evil knight would, he kills his brother and takes the flower.
Scarpigo’s comment on this particular story.
The evil brother then rushes off to the queen’s castle. A minstrel wanders past the willow tree, finds a gleaming leg bone, and immediately thinks, “I have to make that into a flute!” And when he does, the only song the flute will play is the lament about how the evil brother made meat pie out of his good brother and stole the flower. Then, naturally enough, the flute forces the minstrel to go play at the wedding.
I’m sure you know how it goes from there. The queen hears the bone flute’s enchanted song and flops down dead, apparently a heart-attack from shock. And if the queen dies, then the castle has to magically fall down on the new king, the minstrel. and all the wedding guests. A gruesome, terrible time is had by all.
So, I had a good time after all. Scarpigo leans over to whisper to me, “That was more fun than a barrel of monkeys smoking crack, wasn’t it?” Yes, purple, blue, blue-violet, and indigo music, and I am left depressed as hell. But when my wife asked how I liked it, I put on a happy face and said, “That’s the silliest thing I ever heard!”
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Filed under commentary, Depression, flowers, foolishness, goofy thoughts, humor, music, review of music
Tagged as Copland, Dallas Symphony Orchestra, goofiness, humor, Mahler, seven dwarfs, synesthesia