Category Archives: goofiness

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Talking for Dummies

The secret to this essay is that the title is a pun. And yes, I know you probably don’t find it very punny. But I wanted to talk about the difficulties of portraying the difficulties of communication in a talk-a-lot-sometimes-talk-too-much world.

Yes, my current work in progress, Fools and their Toys, is about a man who can hardly talk at all because of undiagnosed autism who suddenly, miraculously finds a voice through ventriloquism, and then finds himself needing to communicate to a boy who is deaf and only speaks sign language and another boy who is profoundly distracted with ADD and bipolar disorder. He needs to communicate desperately because he knows things that have been locked up in his head for years that may help the FBI stop a cereal killer. No, that is a pun again. Shame on me. The murderer commits multiple murders of young boys, not breakfast food

Danny O’Day… not mine, but very much like mine.

I chose to write this rather insane novel about how not to communicate with real people because I, myself, as a kid was given to all kinds of communication theatrics and tricks of entertainment. I was also a shy kid after the age of ten for very sinister reasons.

It is important to realize that you absolutely have to communicate with others in life. Even if something is preventing you, like my own bout of self-loathing brought on by a sexual assault committed against me by an older boy. I got a ventriloquist’s dummy for Christmas near the time of the terrible event. It was Danny O’Day from the Montgomery Ward’s Christmas catalog. I taught myself to do ventriloquism. And then I gave it up when I realized the puppet would say things I didn’t want anyone to hear.

Edgar Bergen, Charlie McCarthy, and Mortimer Snerd

Never the less, I continued to be fascinated life-long with ventriloquists and the little people they created.

Edgar Bergen was often in movies on TV during the Saturday afternoon matinee on Channel 3. I often saw his lips move. I was actually a better mouth-still ventriloquist than the old master.

Jerry Mahoney, Paul Winchell, and Knucklehead Smiff

Paul Winchell used to have a TV show in the 50’s which I saw on re-runs as a boy in the 60’s. He was also the voice of Tigger, Dick Dastardly, and Gargamel. (If you don’t recognize any of those cartoon characters, I mourn for your inadequately-filled childhood.)

Shari Lewis, Lambchop, and Charlie Horse

And, of course, I was fascinated and enthralled by Shari Lewis and Lambchop any time they were on TV, especially Sunday nights with Ed Sullivan.

Learning about ventriloquism never solved any problems for me. But it gave me a way to talk to myself that simulated having real friends. It helped me survive the dark years of being a teenager.

It is, of course, Jeff Dunham who fascinates me now.

Ventriloquism, humor, made-up characters, and the ability to talk with them is what I am chiefly concerned with now. My life and my current novel is taken up with talking, though not the normal talking of normal people. Talking with the voices that come from strange locked trunks inside you, the secrets you always meant to keep, but sooner or later have to be said out loud by someone. And maybe that someone is a dummy.

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The Bottle Imp Implementation

I gave you a list of places where my ideas for fiction come from, and in the end, I failed to explain the thing about the bottle imp. Yes, I do get ideas from the bottle imp. He’s an angry blue boggart with limited spell powers. But he’s also more than 700 years old and has only been trapped in the bottle since 1805. So, he has about 500 years of magical life experience to draw from and answer my idea questions. Admittedly it would be more helpful if he were a smarter imp. His name is Bruce, and his IQ in human terms would only be about 75. But, then, I don’t have to worry about misfired magic. If I asked him to, “Make me a hamburger,” he wouldn’t immediately change me into a fried, ground-beef patty because he is not smart enough to do that high of a level of magic spell.

But he is just barely intelligent enough to tell me a truthful answer if I asked him a question like, “What would happen if I put an alligator’s egg in a robin’s nest as a joke, and the robin family decided it was their own weird-looking egg and then tried to hatch it?” The answer would be truthful according to his vast knowledge of swamp pranks. And it would also be funny because he’s too dumb to know better. In fact, he told me about a mother robin who worked so diligently at hatching an alligator egg that a baby alligator was hatched. She convinced it that it was actually a bird. And when it came time for the baby birds to learn to fly, the baby alligator couldn’t do it… until she talked it into flapping madly with all four legs. Then, a mother’s love and faith in her child got an alligator airborne.

Yeah, that hasn’t proved to be a very useful story idea. I put it into a story I was writing during my seven years in high school, and then lost the manuscript. (I was a teacher, not a hard-to-graduate student.) But it was proof that you can get your writing ideas from a bottle imp.

So, if you decide to use bottle imps as an idea source for fiction, the next step is to find and acquire the right sort of bottle imp. I got mine from Smellbone, the rat-faced necromancer. I bought it for an American quarter and three Canadian loonies more than a dozen years ago. I found it at his Arcana and Horse-Radish Burger Emporium in Montreal. But I am not sure how that information helps you. Smellbone died in a firey magical-transformation accident involving an angry Wall-Street financier and a dill pickle. The whole Emporium went to cinders in an hour.

If you are going to try to capture the bottle imp yourself, which I strongly do not recommend, you are going to need a magical spell-resistant butterfly net, a solid glass jar, bottle, or brass urn. A garlic-soaked cork to fit the bottle. A spell scroll ready to cast containing at least one fairy-shrink spell. And an extremely limited amount of time to actually think about what you are doing.

Now I have told you how I get writing ideas from a bottle imp. Aren’t you glad I did not include this idea in the post about where ideas come from? After all, I am a fiction writer. I get my jollies from telling lies in story form. And bottle imps, especially angry blue bottle imps named Bruce, or Charlie, or Bill, are more trouble than they are worth. They can curse you with magical spells of infinite silliness and undercut your serious nature for a lifetime.

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Infinite Monkeys

The theorem goes, “If you sit an infinite number of monkeys behind an infinite number of typewriters and let them tap away at random for an infinite amount of time, they will eventually come up with all the works of Shakespeare, and in addition to that, all the works of literature that have ever been written and ever will be written.”

Now, that is a daunting theorem. All the great works of literature by Mickey will be recreated by monkeys? And even worse, they will probably produce much better versions of all of it. Plus versions of it written in German, Mandarin Chinese, Urdu, and Californian (a really difficult language to translate.) All languages ever created on all the planets of the universe, as a matter of fact. The proof is there. It hinges on the mathematically precise definition of “Infinite.”

But you have to remember, infinite is the biggest number there is.

So many variations will be there in the truthfully infinite amount of stuff that infinite monkeys will produce that one version of Shakespeare’s Hamlet will have a final act where, instead of everyone dying or accidentally killing themselves, Hamlet will talk them all into putting on yellow chicken costumes and dancing with hula hoops as a means of acquiring absolution for their sins.

And a version of it will also exist where all the letter “B’s” will be replaced by “P’s” and all the vowels will be doubled so that Hamlet’s famous soliloquy will begin, “Too pee oor noot too pee, thaat iis thee quueestiioon…”

Accurately imagining the conditions required to have infinite monkeys tapping out infinite works of literary art means that any ridiculous thing that Mickey thinks of will have to actually be typed out by one or more (or infinite) monkeys in all of that infinite monkey writing. Somewhere Eugene Ionesco’s play Rhinoceros will have nothing but characters who are rhinoceroses at the beginning of the play who turn into human beings by the end of the play. (That is the exact opposite of the real French absurdist’s play, for those of you who did not have to read such stuff in college literature courses.)

In fact, in order to think up all the ridiculous variations of every work of literature would take Mickey an infinite amount of time. Mickey probably doesn’t really want to live that long.

And then there is also the question of the physics of infinity. Is the universe itself, I mean, the one we all live in presently, actually infinite? Astrophysicists don’t think so according to current observable data on the astronomical model of this universe. And then you have the problem of infinite monkeys made of infinite matter. The universe would be filled to overflowing with infinite monkey-matter. And that leaves no matter or space to be used for infinite typewriters. The whole universe would be monkey-matter. And that would also mean no room for bananas, or, in fact, any monkey food of any kind. What is going to motivate the infinite monkeys to work for an infinite amount of time on their monkey literature which they won’t have typewriters to write on anyway?

And then there is another horrible thought that occurs to me. In this picture to the left, do you see the evil monkey? Believe me, if you have an infinite amount of monkeys, one or two (or possibly an infinite number of them) will definitely be evil geniuses.

And evil monkeys do evil monkey-business.

At least one or two (or possibly… you know…) evil monkey geniuses will disassemble infinite typewriters to make infinite doomsday devices. Typewriters will be re-engineered into computers and will become filled with monkey-viruses that will rewrite the operating software of the universe. And then, everything becomes an infinite monkey-villain paradise where the evil geniuses among the monkeys will live the perfect life for monkey criminals full of monkey crimes and monkey debauchery and the kind of infinite chaos that infinite monkey-villains enjoy.

This thinking about infinite monkeys leads to one very definite infinite-monkey conclusion; WE DO NOT WANT TO MESS WITH GIVING INFINITE TYPEWRITERS TO INFINITE MONKEYS!!!

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I Love to Laugh

“Mickey, why can’t you be more serious the way smart people are?”

“Well, now, my dear, I think I take humor very seriously.”

“How can you say that?  You never seem to be serious for more than a few seconds in a row.”

“I can say it in a high, squeaky, falsetto voice so I sound like Mickey Mouse.”

“You know that’s not what I mean.”

“I can also burp it… well, maybe not so much since I was in junior high.”

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“I distinctly remember getting in trouble in Mrs. Mennenga’s third grade class in school for pantomiming pulling my beating heart out of my chest and accidentally dropping it on the floor.  She lectured me about being more studious.  But I made Alicia sitting in the row beside me laugh.  It was all worth it.  And the teacher was right.  I don’t remember anything from the lesson on adding fractions we were supposed to be doing.  But I remember that laugh.  It is one precious piece of the golden treasure I put in the treasure chest of memories I keep stored in my heart.”

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“I always listened to the words Groucho Marx was saying, even though he said them awfully fast and sneaky-like.  I listened to the words.  Other characters didn’t seem to listen to him.  He didn’t seem to listen to them.  Yet, how could he respond like he did if he really wasn’t listening?  In his answers were always golden bits of wisdom.  Other people laughed at his jokes when the laugh track told them to.  I laughed when I understood the wisdom.”

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“Laughing is a way of showing understanding.  Laughing is a way of making yourself feel good.  Laughing is good for your brain and your heart and your soul.  So, I want to laugh more.  I need to laugh more.  I love to laugh.”

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Wow! Why Did You Draw That?

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Fairy Tales and Dragons (with pointillism)

Going through my old drawing portfolio, I found my children’s book project from my undergrad college years.  I have no idea now looking at the illustrations what the story was even about.  I lost the actual story, and I never made a cover for it.  But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…

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I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.

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Mickey Makes Manga Art

I always loved this song.  When I was a boy, it was the song I would sing when I was alone in the darkness.  It made me feel better, able to march toward home in spite of potential spooks and brain-eating zombies.  The weight of the invisible future world could not drag me down if this tune was in my head, filling it with helium and good spirit; it allowed me to fly.

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And when I listened to it playing on the radio…  I always paused and listened to at least a couple of verses no matter what I was doing… I never once thought of Johnny Nash as a black man.  I didn’t know he was black until I first saw a picture of him.  But even then I didn’t think, “Oh, he’s a black man.”  I thought, “Oh, he’s a man like me.”  But, I, of course, am not black.  I’m not really white either.  I am a kind of pale pink to mauve mottled color with dark pink psoriasis spots in random places all over me. It is the man on the inside that is like Johnny Nash, full of uplifting things, and goofy grins, and… hopefully, hope.

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But when I was young it wasn’t only singing “I Can See Clearly Now…” in my goofy farmboy voice that filled my head with air and allowed me to float away from the troubles of the world.  I also learned to draw Manga style, in the tradition of Osamu Tezuka’s Astroboy , filtered through hours of practice copying Walt Kelly’s Pogo characters and various Disney cartoons.

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I copied the over-large eyes and big-headed cutsieness that informed the Japanese idea of the world after the atom bombs fell on Hiroshima and Nagasaki.  I tried to capture innocence and wonder and adventure in drawings that took my mind off the terrible things of my childhood, being sexually assaulted, the assassinations of JFK and his brother RFK, and Martin Luther King Jr, the Viet Nam War, and Nixon with Watergate.  You can reclaim innocence and peace of mind, if you get the lines just right, and the proportions are good, and the character has just the right expression on their sweet little faces.

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Okay, maybe not always so sweet and innocent.  This is not the Dorothy I would want to mess with.  This girl is cocky, sure of herself, and more than a little impish.  A destroyer of wicked witches, that one.

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But that’s what Manga Art is all about.  You whistle away the darkness one drawing at a time.  And there’s plenty of darkness to whistle away anymore, isn’t there?  What with Tronald Dump taking on the NFL over the American Flag and National Anthem, Tronald Dump taking on Jim Kong Oon in an insult war backed up by ICBMs, and Congress busily trying to take away all our access to health care.  (I know I misspelled some names there, but I am tired of talking about that guy that Dorothy told me I should call the “orange-faced poop sack.”  No, Dorothy, I can’t call him that.  Using language like that robs my head of its helium.)  So, what do I do now about the state of the world?  Well, here is the Manga Art I drew last night.

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Catgirl and White-haired Snow White with a ping pong ball in her mouth.

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Really Odd Things are in the “Wrong File”

On my computer I keep a lot of picture files for inspiration both as an artist and a writer.  One of those files is labeled simply the “Wrong File”.  Everything in that picture file is in there for the wrong reason.  Or does a wrong file need to be filled with the wrong stuff for the right reason?  I don’t know.  There is a lot wrong with this world.  The fact that I am going to post stuff from the “Wrong File” is merely proof of that.

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Liking Grumpy Cat posts on Facebook is an oxymoron of the lowest order.  It is an example of what is wrong in the “Wrong File”.

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Certain puns are just so wrong in a fundamental way.  That’s right.  They are both fun and mental.  So that’s wrong.

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As an educator I am aware that this thing we thought was true is now an untrue fact.  That’s wrong also.  My left brain tells me so.  But my right brain tells me it feels right.

Yes, these things are wrong.  Just wrong.

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Why did I put this in here?  This is not wrong.  This is right.  So I must’ve put it in the wrong file.  So that’s all right, then.

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Putting this in a file my wife could find on my laptop… Yes, that was wrong.

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Saddle shoes have been wrong for many years now.  I still draw them on the feet of kids, especially girls, especially school-age girls, and that is especially especially wrong because it means I am just too old and out of fashion.’

Boy!  Is that wrong!

These things are all older than me, but I remember two of them.  Is that wrong?

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I’m not sure I believe this is wrong.  So is that wrong?  To believe that it is right, I mean?  I’m probably wrong.

988289_10201821431282097_1326790710_nMy wife constantly tells me I am wrong… about everything.  And I probably am.  So that is not right.  And if you think that’s my wife in the picture, you would be wrong.  She’s much larger than that in real life.

And many people find surrealism is wrong.  Surreal is when you put wrong things together on purpose to make something that almost seems right.

So that’s what is odd about the “Wrong File”,  It is so wrong that it is right.

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Kerpopple That Dinglebunny!

I have always loved using weird, wild, and goofy words to describe things when I am trying to be funny.  But recently I was saddened to learn that a word I have liked using in the past, “dingleberry”, is actually a poo-poo word.  I am very much on the Red Skelton side of the question of using bad words.   I mean, I don’t find direct use of obscene language and harsh Anglo-Saxon swear words to be very funny.  Shock humor and gross-out humor do not appeal to me the way more whimsical word-play does.

Betelgeuse is a funny word because it is the name of an actual red-giant Star in the Milky Way Galaxy, while at the same time sounding like juice made from beetles.  And, of course, there is the little matter of a hilarious Tim Burton movie about a gross-out ghost with an evil agenda.  The parts of a word can make or break the comic gravity of the word.  As much as I previously liked “dingleberry” as a goofy insult word, the “dingle” part is giving me pause.  I have discovered that a “dingle” is not only the v-cleft in a valley between two mountains, it is also derived from “dung”.   A “dingleberry” describes a dangling “berry” of poop like the ones sometimes found on the fur of my dog’s behind.  Yetch!  I can’t even use a label like that on a detestable buffoon like Donald Trump.  It bothers me that it suggests the color brown rather than the proper orange.  Trump requires a word that translates to something more like “flaming orange Kool-aid man”.

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So, I guess I need to focus on other weird, wild, and goofy words as I continue to try to be funny.  The dinglebunnies of my comic fantasies need to be “kerpoppled”… the act of “poppling”, to move in a tumbling, irregular manner, as in boiling water.  Do away with poo-poo humor, Mickey, old lad!  You need some new goofy words.

 

 

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