After running a second free-book promotion on Snow Babies, things look as bleak as ever for my publishing goals. It started well. Seven books ordered on the first day tied the best I had ever done on a give-away. But the second day saw a new record set with only one additional order. The three days after that… nothing. I can’t even give my books away for free. If you are reading this today and want to help, click on the link above. You understand e-books. You would be helping me out even if you never read it.
But, I have no illusions. My book is good enough to make a splash if people read it, but nobody will for a variety of reasons. People who knew me growing up in Iowa would be happy to read and support me if the message could get through. But my contact with them is limited by Facebook and its algorithms. Facebook will connect any political post to those on my friends-list who will argue with me and call me a socialist libtard cuck, but even family members don’t get notified of any post that is even remotely like an ad for one of my books. I try to post that kind of thing on friends’ pages, or direct message them, and Facebook steps in to call me a spammer. It is entirely a matter of me trying to advertise without paying any ad money to the greedy bahstidds of Facebook’s data-collection empire. (And yes, I know I misspelled the word about illegitimate birthings.)
My book ads fell on mostly deaf ears (or, rather, blind eyes) on Twitter as well. The #WritingCommunity is supportive, but they are all writers like me, dedicated to getting their own books read and loved. I know that many of them see a free-book ad like mine and think, “Ah, one more hack novelist’s hack novel that takes forever to read, and if I read it, they will never read mine in return.” I know they generally think this because I have slogged through some poorly written Indie novels and left a positive review, and got not even a thank you in return. Of course, nobody there actually knows anybody else. And, like me, they can’t afford to spend money on other people’s books. Although, like me also, they do now and again find books they can’t resist and spend money they can’t afford on those. Those authors won’t read my books either though. (Except for Ted. Ted Bun reads and loves my books as often as I read and love his.)
I will continue to slog through. I will continue to write and read what others wrote. I will continue to labor at this marketing-waste-of-time-formality thing. And I will continue to be depressed about the results. Besides, how else am I to proceed? Great writers are supposed to die alone in poverty and addiction, with no friends and no money. How can I pass up a reward like that?
Catch a Falling Star 
Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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Tagged as My Little Pony, Snow Babies