Tag Archives: book reviews

Black Humor

I think I know what you’re thinking. He’s just going to retell a bunch of Eddy Murphy, Richard Pryor, and Flip Wilson jokes from the 1970’s which his fuzzy old-coot memory will get wrong in slightly amusing ways. Or he’s got dementia now and has turned totally racist. Or both.

Well, maybe. I am old after all.

But, no. I am writing about that kind of humor where you laugh when someone in the story dies a horrible death in an unusually humorous way. Or most dead-baby jokes. Or the part of “The Producers” where “Springtime with Hitler” turns out to be a Broadway hit musical even though the two con men in charge were gambling on it being a failure.

Bad things can be funny, you know.

At least if you have a brain-damaged sense of humor like mine.

Kurt Vonnegut was a master of very dark black humor. In his novel, Cat’s Cradle, (Spoiler alert!) the world ends at the end of the novel because the mad scientist commits suicide by swallowing his invention, Ice Nine, freezing solid in a way that couldn’t be melted at room temperature or above, and then falling into the ocean, thus permanently freezing the entire planet Earth. Golly, what a laugh fest!

Black humor is, of course, highly dependent on dramatic irony and the fact that people smart enough to read and enjoy Vonnegut, usually are smart enough to realize if you read too much ironic humor you are not in danger of actually rusting from the brain outward.

I, of course, am a black humor aficionado of sorts. I thoroughly enjoyed all the torture, death, and deadly mistakes of Rowan Atkinson’s Blackadder. Of course, I had a ridiculously hard time gaining access to the show which originally aired on the BBC and didn’t appear on American TV channels until our household gave up television to save money due to ever-rising cable costs.

Fortunately, during the yearlong imprisonment of the Covid pandemic, I discovered the entire series available on Hulu which is cheap enough to stream on my laptop. Only in excess of 500,000 people had to die for me to get the chance to binge on all the historical reiterations of this amazingly dark show full of humorous English demise and occasional accidental murder.

So, that is what black humor is to me. As defined by Professor Wilson at Iowa State when I was assigned to read a novel by Saul Bellow and ended up reading three, Henderson the Rain King, Herzog, and The Adventures of Augie March. Of course, I am not sure which novel was the assignment. They were all deadly hilarious. And I am, after all, old enough to probably be demented and a closet racist. Is Saul Bellow Jewish? I ask because I am also forgetful.

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Valerie Clarke Stories

Of all the lead characters in stories I have created, I think Valerie Clarke is the most important. She is really the first creation I ever crafted that seemed to step off the pages and come to life. I have already lost count of the number of times she has appeared in one of my stories, both the published ones and the ones still being written. She is a character who has loved and lost.

This story is an example of that;

The second book I am going to offer a link to is more like an origin story. It is not the first story I published with Valerie in it, but it is the story where Val is the youngest I have yet to portray her.

This is a better illustration of her than the first Paffooney attached to this post. Val has blue eyes. Sasha, the real-life former student I based the character on, is the one who had brown eyes.

Snow Babies is the book that I consider my masterwork, the best thing I have ever written. There are several main characters in this sprawling story, but Valerie is probably the most important among them. It is a group survival story about a killer blizzard in a small Iowa town.

I don’t expect you to read all of these books. But I certainly won’t mind if you do. You will see how the character grows and develops in these three stories. The chronological order is, first, The Captain Came Calling. Second is Snow Babies. And Sing Sad Songs is third.

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New Directions, New Ideas

Up until now I have been doing little but writing stories and working on getting a lot of them into a published form. Admittedly a self-published form. For the most part, I am the only reader who knows how good my writing is. Well, there’s an editor from I-Universe who thinks I am as good as many authors on the best-seller lists. Not better than… as good as. And the editorial and marketing staff at PDMI Publishing (a publisher now out of business for over eight years) know how good my novel Snow Babies is. And a lot of nudists here, in England, in France, and in Germany know how good Recipes for Gingerbread Children is. But my reputation is tiny and the splash I have made is limited to puddles.

If the literary agent I have been talking to actually gets my book Catch a Falling Star republished by a major publishing house, things will change for the better. However, the current marketplace still puts most of the burden on the authors to promote and make their books succeed. The only difference would be having an agent on my side instead of me doing it all with no one on my side.

Most of the best writing I have done includes strongly realized female characters. Particularly Valerie Clarke, the female protagonist of Snow Babies. Good writing builds on previous writing. I may have already written the best things I am capable of writing. But as I continue to write, I can deepen characters that already have been established. And I can add new ones. For example, the character depicted in the Paffooneys of this post is Charlotte Robbins. She is a complex young lady with an anger management problem. She is also Valerie Clarke’s hated rival, one who beats her out for head cheerleader, but only because Valerie quits cheerleading in her senior year. She is destined to become Valerie’s best friend somehow in the course of my manuscript He Rose on a Golden Wing.

Of course, none of that happens if one of my health problems croaks me before my 70th birthday. I don’t mean to end on a downward note when everything has been looking up. But there it is, in spite of myself.

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Mickian Artistical Nonsense

The word for it is Paffooney.  I know that is not a real word.  It is a Mickian word.  Kinda like the word “Mickian”.  It is entirely made up gibberish, made up by Mickey, and used to mean an artwork made by the hand of Mickey.  So I can’t really explain it.  I have to show you what it basically is.

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This is a Paffooney.  It is inspired by the incredibly unbelievable time in Mickey’s life when they let Mickey be a teacher in Texas.  It has no other relationship to reality.  Chinese girls in Texas generally do not have manga eyes and blue hair, and while Hispanic girls have been known to eat pencils, they never bring their own notebook paper to class.  They always borrow.  So there is the basic formula.  Colored-pencil nonsense drawn by Mickey and attached somehow to a story.

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This Paffooney has a self-explanatory story embedded in it.  It is obvious this is the story of an average family car trip in Texas.  Notice how they demonstrate the Texas State highway motto of, “Drive friendly”.

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And this Paffooney is a Mickian recurring nightmare about a duck with teeth.  Silly Mickey, ducks don’t have teeth in real life!

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And moose bowling is a Paffooney that needs no explanation… or does it?  Well, never mind.  I have forgotten what it is for anyway.

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And this oil-painting Paffooney speaks volumes about a philosophy of life.  See the pilot giving the viewer a thumbs up? And that isn’t a parachute on his back.  They didn’t have parachutes in World War I.  It is a message pouch with German war plans in it.  I even painted it with a bratwurst sandwich inside for the pilot’s lunch.  Don’t I do great detail work?  But he will have to eat it quickly before he reaches the ground.

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And this is me teaching an ESL class.  When you teach English to non-English speakers in Texas, you get to hold the big pencil.  And it helps to be a big white rabbit.

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And this is a science fiction Paffooney, although the science is questionable.  Don’t doubt that the flower-people of the planet Cornucopia are real, though.  And Mai Ling, the psionic space ninja really can elongate her arm to get maximum thrust into her left-handed karate chops.

Stupid Boy

And we end for today with the Paffooney of a stupid boy.  He’s not really me.  Not really.  And I don’t even know who gave him the black eye.  So it can’t be me.  So maybe he is not so stupid.  You can’t say that about somebody you don’t know and is not even you.

So, now do you know what a Paffooney is?  No?  Me neither.  But if you Google images with the words “Beyer Paffooney” you can see a lot more of them.  Nobody else uses that word but little ol’ me.

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Filed under artwork, cartoons, colored pencil, humor, Paffooney, strange and wonderful ideas about life

Nudist Bookery

Many of my stories feature naked people due to my many encounters with nudism and naturism. Here are some of my books popular with the nude and proud set.

This book is about an old woman who is a storyteller and maker of magical gingerbread cookies. She is a Holocaust survivor, possibly also a witch, and once upon a time… a nudist.
This is a comedy horror story about a boy with a genetic condition that makes him look like a werewolf, another boy who wants to be his friend no matter how dangerous it is to be that, and a girl who is a nudist and wants all of her friends to be nudists and enjoy that too. Oh, and there is a strong possibility that the story contains a real werewolf as well.
This is a science fiction book about traveling through time… though not with a time machine… but rather, by being immortal. Young Icarus Jones is immortal. The girl who pursues him may also be immortal… because she claims to be a red dragon. And the Chinese wizard following both of them is even worse. He’s not immortal. He’s undead. And there is at least one nudist in this story too.
This boy is an outsider. Somebody who longs to be a part of the closely-knit group of kids in a small Iowa farm town where he is the only new kid. He tries to fit in. But he finds he has to learn how to be a superhero the hard way, new friend by new friend. And he may even end up having to become a nudist to accomplish it.

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Recent Acts of Mickian Bookery

This is a look at some of the books Mickey has most recently published.

This was my first book which is a book-length essay about a single topic. It is about why my personal character arc in this life led me to become a nudist. It contains some philosophy, some humorous stories, and a big helping of autobiographical nonsense. Mickey claims he was inspired to write this by Mark Twain’s Autobiography. I am pretty sure I can’t argue that because I think Mickey is actually me.

This book was completed during the pandemic. It is a fairytale involving three-inch-tall fairies in their many forms. It is also a satire of Disney’s Sorcerer’s Apprentice, but don’t tell Disney that. I don’t need to be sued. It is satire. And I don’t have any money anyway. I’m a retired teacher.

This is a science fiction novella starring the irrepressible orphan, Cissy Moonskipper. The first story in the series is basically a shipwreck story, Robinson Crusoe set on a space freighter. Cissy has lost the last adult in her family and the ship’s crew while the family spaceship is in uncharted space. She not only can’t fly the ship, or figure out how to get back to the space she knows, but there are pirates somewhere near.

Mickey published this book at the beginning of the pandemic. It is the story of Devon Martinez, a boy escaping from a family tragedy and having to live in a new place with his stepmother and father. But the new place is a Texas residential nudist park. And he has twin stepsisters now that he has never met, and will have to live with wearing no clothes at all for the first time since he was a baby.

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Krazy Kat

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I told you before about a cartoonist from ancient ‘Toon Times” named Fontaine Fox.  He was a master, and I acknowledge him as one of my greatest inspirations.  But he was not the original master mentor for my teenage ‘Toon Training”.  That honor goes to the inestimable George Herriman.  He was the Krazy Kartoonist who died more than a decade before I was born, yet, through his Kreation, Krazy Kat, did more to warp my artistic bent into Krazy Kartooniana Mania than anybody else.  I discovered him first.  I found him through Komic books and the Kard Katalog at the local library.  I own a copy of the book I pictured first in this post.  It is the first Kartoon book I ever bought.  I couldn’t post a picture of my actual book here because I have read it so often in the past forty years that the Kover has Kome off.  It is now more of folder of loose pages than a book.

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Krazy Kat is a newspaper Komic strip that ran all around the world from 1913 to 1944.  Comics Journal would rate Krazy Kat as the greatest work of Komic art of the 20th Century.  Art critics hailed it as serious art, and it fits snugly into the surrealist movement of Salvador Dali and others.  It has been cited as a major influence on the work of other artists such as Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

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The centerpiece of the strip is a love triangle.  Krazy Kat the Kharacter is a feline who may be female or may be male but is definitely deeply in love with Ignatz Mouse.  The Krazed rodent hopped up on seriously stinky fromage (cheese to us non-French speakers), is Konstantly throwing bricks at Krazy’s head… obviously out of serious disdain, however, Krazy sees it as a confession of love.  Offisa Pup, the police watchdog, wants to jail the malevolent mouse for battery and protect the precious Kat, whom he obviously loves with an unrequited love.  Explanations are superfluous in the weird world of Krazy Kat.  How can I explain the charm, the humor, the good-natured violence of a strip such as this?  There are echoes of it in Tom and Jerry animated cartoons, but nothing like it really exists anywhere else.  Krazy has her own unique language, a language that you naturally learn to interpret as you read the strip.  Ignatz exhibits psychotic frustrations that he takes out on the world around him in our name, that we might experience hubris at his expense.  And what’s with that mysterious sack of “Tiger Tea” that Krazy carries about and keeps a Klosely guarded “sekrit”?

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I honestly hope you will give Krazy Kat a thorough “look-see”.  Because if you like Kartoons at all… and it doesn’t have to be the Krazy Kooky love of a seriously overdosed addict like me… you will fall desperately in love with this one.   It is a world of its own, a superbly superfluous abstract anachronism.  It is a surrealist’s dream of fun with puns and tons of buns… or something like that.  Simply put… read it and don’t like it… I dare you!

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Ugly Christmas Sweaters and the Criticizing of Them

In the Midwest

where I spent my childhood and early youth, there is a great tradition of making fun of the exceptionally eye-bonking ski sweaters and Norwegian-middle-layer clothing that dads and grandads are given as presents less often than only neckties.

Yes, they are functional in the land of 100-degree-below-zero wind-chill. And they also work as defenders of your male virginity when you are in college in Iowa. But we make fun of them not out of derision, but of love. These are gifts, after all, that are given on winter birthdays and Christmas because the giver loves you. And the creative criticism of them is given only as a sign of appreciation for what they are truly for.

And if you tried to click on the X’s on this sweater of mine, and it did not immediately close on your screen, that’s because this one has special meaning. I didn’t get this as a Christmas gift. I inherited it from my father who died in November 2020. And it will keep my heart warm now until it falls apart, or until the time comes to pass it on to my own eldest son.

What…

this essay is actually about is the nature of good criticism.

The fact that this one is a red Christmas tree decorated with lawn flamingos is not the actual point. One has to look past the flaws and try to judge the effectiveness of how it achieves… or fails to achieve… its intended purpose… apparently to keep rats and small birds out of your yard… or from within a hundred yards of the thing.

And…

if I were to be offended by the revelation of Santa’s sexy black thong, then the thing to do as a proper critic is not to use my power to condemn it, but not to take up the critique of it at all. I mean, if you are actually offended by the thing, you would not want to offer an opinion that some would take as a challenge.

“What? You are telling me that I can’t like Santa’s sexy black thong? I will not only like it, I will love it! And I will buy one for myself.”


Following…

the philosophy of the uncritical critic, I would only review this green nightmare sweater of a Christmas mutant demon-dog if I really liked it. Of course, since you are seeing a review of it here, it means I am actually quite charmed by the sweater itself, and amused by whatever seventy-plus-year-old grandmama that has the kitsch-defiant attitude that allows her to proudly wear it… even if it was given to her as a gift by a relative she probably doesn’t really like but, never tells them so.

Doing book reviews one after another (as I have been doing for Pubby in order to get reviews on my own books in return) I have done a lot of the uncritical critic bit. Some of the people I have been reviewing the books of should never have tried to write a book in the first place. But do I tell them that? Of course not. If I have taken the trouble to read the whole book, even though it may be horrible, I am not going to pour cold water on their flame. I have done reviews with innumerable editorial suggestions of what would make it a better story, or a better non-fiction book, or children’s book, or poetry book, or self-help book… I have read terrible books of all of these kinds. And I know the authors did not rewrite the books as I suggested. But in my many years as a writing teacher, I have learned well that you must always point out the fledgling writers’ strengths and ask them to build on those. And some will. Besides the points I earn to spend on reviews of Mickian books, that is reward enough.

Ugly Christmas sweaters and the criticizing of them is how American culture works. Being good at negotiating that fact is a critical skill, especially in the Midwest. But nothing compared to having talent in the wearing of them.

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A $3.00 Treasure Trove

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If you cruise the bargain sections in an old used book store like Half-Price Books, eventually you are going to find something priceless.  This book I am showing you is that very thing for me.

It was copyrighted in 1978.  The inscription inside the front cover says this was a Father’s Day gift on June 19th, 1988.  Someone named Gary gifted it to someone named Claude in Burleson, Texas.  It was probably a cherished book until someone passed away and the book changed hands in an estate sale.

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Howard Pyle

The book chronicles the height of the publishing era when being able to print books and reproduce artworks began entertaining the masses.  Always before painters and great artists worked for a patron for the purpose of decorating their home in a way that displayed their great wealth.  But from the 1880’s to the rise of cinema, magazines and books kept the masses entertained, helped more people to become literate than ever before, and created the stories that made our shared culture and life experiences grow stronger and ever more inventive.  The book focuses on the best of the best among a new breed of artist… the illustrators.

These are the ones the book details;

Howard Pyle, N.C. Wyeth, Frederick Remington, Maxfield Parrish, J.C. Leyendecker, Norman Rockwell, Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, and John Held Jr.

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N.C. Wyeth

Wyeth was most famous as a book illustrator for Treasure Island, Kidnapped, other books by Robert Louis Stevenson, Mark Twain,  and a famous volume of tales about Robin Hood.

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Frederick Remington

Remington is a name you probably know as a maker of Western art.  He was a famous painter of cowboys and Indians and the American frontier.

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Maxfield Parrish

Maxfield Parrish is my all-time favorite painter.  His work is something I gushed about in previous posts because I own other books about his fanciful works painted in Maxfield Parrish blue.

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Also Maxfield Parrish

 

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J.C. Leyendecker

You will probably recognize Leyendecker’s work in magazine and advertising illustration as the standard of the Roaring 20’s.  His paintings set a style that swept American culture for more than a decade, and still affects how we dress to this very day.

 

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More Leyendecker

 

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Even more from Leyendecker

 

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Norman Rockwell

Norman Rockwell and his work for The Saturday Evening Post is still familiar to practically everyone who reads and looks at the illustrations.  As you can see he was a master of folksy realism and could do a portrait better than practically anyone.

 

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Also Rockwell

I have also written about Norman Rockwell before too.  I have half a dozen books that include his works.  My wife is from the Philippines and she knew about him before I ever said a word to her about him.

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Charles Dana Gibson

As you can plainly see, Gibson was a master of pen and ink.  His work for Collier’s and other magazines thrills in simple black and white.  More cartoonists than just little ol’ me obsess about how he did what he did.

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Also Gibson

 

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James Montgomery Flagg… with a name like that, who else could it be?

 

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John Held Jr.

The work of Held is stylistically different than all the rest in easily noticeable ways.  He’s the guy that made all the big-headed Pinocchio-looking people in the 1920’s.  You may have seen his work before, though you probably never knew his name.

This bit of someone else’s treasure hoard will now become a part of my own dragon’s treasure, staying by my bedside for quite a while, while I continue to suck the marrow from each of its bones.  I love this book.  It is mine, and you can’t have it… unless you find your own copy in a used bookstore somewhere.

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Filed under art criticism, art my Grandpa loved, book reports, book review, humor, illustrations, imagination, oil painting, old art, old books, pen and ink, Uncategorized

Reading Assignments

Yesterday I revealed that I have no earthly clue how to be a best-selling author with a blog and a brand and all those other things that marketing racketeers keep pettifogging at me about.  I may not know anything about marketing and being an author, but I do know how to be a writer.  I have learned to say things flat out when they are on my mind and I know how to do the two essential things that a writer has to know how to do… I can practice writing every day, and I can read.

If you are one of those few who actually read my blog regularly, you may remember some talk about the classic novel, Tess of the D’Urbervilles.  Believe it or not, I know how to read and understand great books.  You can find me on  Goodreads.com to see some of the wonderful things I have been reading, and to decide if you might like them too.  If you are not on Goodreads already, why not?  That is now your next assignment, young reader.  Oops.   You know what they say, “Old English teachers never die, they just lose their class.”

Today’s little self-imposed book report is about a book that I read my senior year in high school, 1975.  It is called The Other by Thomas Tryon.  It is a book that was made into a movie.  The author is also a Hollywood actor that has been in many films.  He wrote the screenplay for the movie version.  But I have to tell you, the movie pales in comparison to the book itself.  Movies simply cannot give you the rich depth of atmosphere and the delicate psychological nuances that a book can.  Movies show you something.  A book can explain something in detail.  And that is a key difference.

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Michael Beyer‘s review

Dec 22, 14  ·  edit
Read in April, 1975
This is a fascinating book for it’s ornate description of long-ago New England life, and the eerie way old houses and long-gone people can twist and mangle our lives. It is a psychological horror story about twin boys, Niles and Holland Perry. They are polar opposites. Niles is warm and loving. But Holland is distant, cold, and sinister. Their grandmother Ada, a lovely old woman with deep Russian roots, has taught the boys to play an ESP-sort of game, reaching out with their minds to feel what a bird feels, or a squirrel, or a magician to find out how he did a certain disappearing trick. She has no idea that the mind-game will have such a devastating effect on both the twins and ruin so many peoples’ lives. I cannot say more without revealing the magic the author uses to bring this book to a totally unexpected and devastating conclusion. This book is not everyone’s cup of tea… and it may be many readers’ cup of arsenic… but it worked its spell on me. I recommend it if you wish to be chilled to the bone marrow.
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I am reading this book now for the third time.  It is rare that I read a book more than once, because every time through changes your perception of it and risks making you dislike it.  But certain books are immune to that effect.  And I am re-reading it now because I want to closely analyze the techniques he used to create his surprise ending.  There-in lies the reason for this reading assignment that I have given myself.  That is how I roll as a writer.

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