If you cruise the bargain sections in an old used book store like Half-Price Books, eventually you are going to find something priceless. This book I am showing you is that very thing for me.
It was copyrighted in 1978. The inscription inside the front cover says this was a Father’s Day gift on June 19th, 1988. Someone named Gary gifted it to someone named Claude in Burleson, Texas. It was probably a cherished book until someone passed away and the book changed hands in an estate sale.
Howard Pyle
The book chronicles the height of the publishing era when being able to print books and reproduce artworks began entertaining the masses. Always before painters and great artists worked for a patron for the purpose of decorating their home in a way that displayed their great wealth. But from the 1880’s to the rise of cinema, magazines and books kept the masses entertained, helped more people to become literate than ever before, and created the stories that made our shared culture and life experiences grow stronger and ever more inventive. The book focuses on the best of the best among a new breed of artist… the illustrators.
These are the ones the book details;
Howard Pyle, N.C. Wyeth, Frederick Remington, Maxfield Parrish, J.C. Leyendecker, Norman Rockwell, Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, and John Held Jr.
N.C. Wyeth
Wyeth was most famous as a book illustrator for Treasure Island, Kidnapped, other books by Robert Louis Stevenson, Mark Twain, and a famous volume of tales about Robin Hood.
Frederick Remington
Remington is a name you probably know as a maker of Western art. He was a famous painter of cowboys and Indians and the American frontier.
Maxfield Parrish
Maxfield Parrish is my all-time favorite painter. His work is something I gushed about in previous posts because I own other books about his fanciful works painted in Maxfield Parrish blue.
Also Maxfield Parrish
J.C. Leyendecker
You will probably recognize Leyendecker’s work in magazine and advertising illustration as the standard of the Roaring 20’s. His paintings set a style that swept American culture for more than a decade, and still affects how we dress to this very day.
More Leyendecker
Even more from Leyendecker
Norman Rockwell
Norman Rockwell and his work for The Saturday Evening Post is still familiar to practically everyone who reads and looks at the illustrations. As you can see he was a master of folksy realism and could do a portrait better than practically anyone.
Also Rockwell
I have also written about Norman Rockwell before too. I have half a dozen books that include his works. My wife is from the Philippines and she knew about him before I ever said a word to her about him.
Charles Dana Gibson
As you can plainly see, Gibson was a master of pen and ink. His work for Collier’s and other magazines thrills in simple black and white. More cartoonists than just little ol’ me obsess about how he did what he did.
Also Gibson
James Montgomery Flagg… with a name like that, who else could it be?
John Held Jr.
The work of Held is stylistically different than all the rest in easily noticeable ways. He’s the guy that made all the big-headed Pinocchio-looking people in the 1920’s. You may have seen his work before, though you probably never knew his name.
This bit of someone else’s treasure hoard will now become a part of my own dragon’s treasure, staying by my bedside for quite a while, while I continue to suck the marrow from each of its bones. I love this book. It is mine, and you can’t have it… unless you find your own copy in a used bookstore somewhere.
Yesterday, before the big game, I watched the DVD I bought of Tim Burton’s Golden Globe Award movie, Big Eyes. It is the true-story bio-pic of an artist I loved as a kid, Margaret Keane… though I knew her as Walter Keane.
Dawn in Iowa, Sunset in Texas
The recent Iowa trip has been more or less a metaphor for my life as a whole. I don’t mean to be funny but… wait just a minute! Yes I do. This is corn-shucking humor blog, after all! But the metaphor is still there. I was born in Iowa.
Dawn broke over the farm yesterday where Uncle Harry used to live with his wife, Aunt Jean, and their three kids, Karen, Bob, and Tom. Bob was in my class at school. We got into a fight once over who should be Robin Hood when we were playing with all the cousins in the old brooder house on Grandpa Aldrich’s farm, the farm where mom and dad now live. It was a fight that got so intense that we were throwing broke flower-pot shards at each other in anger. Bob’s hand got cut so badly that he had to go to Belmond and get stitches. Dang, was I in trouble after that. Bob’s version, the shard I threw hit him right in the hand, directly between his thumb and pointer finger and cut him. My version, he cut himself as he threw a pot shard at me, and it cut him leaving his hand. Everyone believed Bob, of course. I’m the nutty kid that always told the stories that gave the girls nightmares. And those stories were never true… mostly. So they couldn’t believe my version.
Mom and my sister Nancy designed and executed the painted barn quilt on the work shed that used to be the chicken house.
Bucolic farm scene to represent my Iowegian past.
But life, like days and car trips, moves on. We had to pack up the little Ford Escort that brought me home and take off once more for Texas. I was a little bit worried about the dog. She didn’t poop as much in Iowa as she normally does in Texas. Well, we figured that out on the way back. She pooped a lot of funny colors at every rest-stop dog park on the way back to Texas because of all the people food she had eaten. She got fed better in Iowa apparently. And it was stuff like stolen Doritos and other stuff that is so not-good-for-her.
But going back to Texas with two kids and a dog is a lot like me after college, moving to Texas via Trailways bus in order to become a teacher. I got a job in Cotulla, Texas, the place where LBJ taught way back when he was a young Texan and still working at being good at telling the REALLY BIG LIES. I think I mentioned this before, but all the kids in the painting above were real kids I taught in my first year teaching (except for the kid sleeping.,, nobody did anything but hop around and yell at me my first year as a teacher… including the principal). Oh, and the window is imaginary. I taught for three years in a windowless concrete box with only buzzing fluorescent lights to keep the monsters from killing and eating me… or each other. Within a decade of that first class, two of the boys had been to prison, three were already dead, and one became a star lineman for the Texas A&M football team.
And over time I got closer and closer to my goal. My skills became bigger and better as a teacher. I grew in wisdom and power. Honestly, the grass in the picture was closer to the camera than I was, so I am looming in the sky above the photographer, not tiny and smaller than the grass. So maybe I better claim the picture was taken by fairies. Yeah, that’s it. Down there in the grass. Iowegian fairies got a hold of my camera and took the picture. That’s my story and I’m sticking to it. (See. I never really learned to get away with the REALLY BIG LIES. A teacher, as a storyteller, has to also be a truth-teller.)
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Filed under art my Grandpa loved, artwork, autobiography, commentary, humor, lying, nostalgia, Paffooney, strange and wonderful ideas about life