Category Archives: daughters

June 7, 2026 · 12:10 am

O Mio Babbino Caro

R-4036541-1353123762-4914.jpeg

This beautiful song, an operatic aria by Puccini, is from the comic opera Gianni Schicchi.  But, more important than that is what the song actually means in context.

In the opera, Gianni Schicchi is a con man intent on swindling a family out of their inheritance and knowing all along that he will be destined to go to hell when he dies.  The family is gathered for the reading of the rich man’s will, which is, because this is a comic opera, lost for the time being.  Their main concern is for the money, which rumor has it has all been willed to the church.  But one among them is actually worthy of inheriting the money, Rinuccio the son of the rich man’s cousin.  And, as luck would have it, as it always does in comedies, Rinuccio is the one who, during the manic and desperate search for the will, actually finds it.  And assuming he comes out well in the will, he secures a promise from his mother that if he inherits money, he can marry Schicchi’s beautiful daughter Laurretta whom he truly loves.

But when he reads the will, he is devastated.  The money all goes to a monastery.  He begs Schicchi to help him convince the family that he should marry Laurretta anyway.  This Gianni Schicchi tries and finds it harder than turning water into wine.  So Schicchi is about to give up when Lauretta finally speaks up for herself through the song,

O Mio Babbino Caro (My Beloved Father)

At this point Schicchi is moved by the beautiful song and even more beautiful love his daughter has surprised him with.  He not only agrees to help, but executes a bizarre plan, hiding the rich man’s body and pretending to be him come back to life to rewrite the will.  Now the will favors Rinuccio, and over the protests of the family, he inherits the money and marries his true love, Schicchi’s daughter.  The opera ends with Schicchi singing his case to the audience, telling them in song that going to hell is worth it to aid true love.

m570024353_1

And this, then, is the truth of O Mio Babbino Caro.

Love, expressed through the surprise of hidden talent suddenly revealed, is the most persuasive argument there is.

Whether it is the love in the music suddenly discovered in the overwhelming voice of a little girl like Jackie Evancho or Amira Willighagen, or the late great Maria Callas who also sang the role, or even the singer of Puccini’s greatest work who is yet to perform it and make silly old men like me weep for beauty’s sake, the song is the most persuasive argument there is in favor of true love.

hqdefault (2)

That is a thing I desperately want to capture in the novel I am writing now, Sing Sad Songs.  Love expressed in music.  Love that reverses loss.  Love that heals all things.  And Love that moves all people.  The love that is masterfully sung in O Mio Babbino Caro.

Francois spotlight

That book is now published and available on Amazon.

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Filed under art criticism, classical music, daughters, humor, music, Paffooney, strange and wonderful ideas about life

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May 15, 2026 · 12:29 am

True Treasures Take Time

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I now have six good books and one embarrassing one published.  They represent stories I have been crafting, revising, telling, and retelling for over 40 years.  They represent things that happened to me in real life and people I have known and loved in real life that have all been transformed in the wizard’s crucible and witch’s cauldrons of my bizarre imagination.  They contain some of my best magic spells and some of my most worthwhile wordsmithing, by which I mean writing in ways that give the spellchecker fits.

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I tried to tell you this story about telling stories yesterday, but my computer glitched and burped and spontaneously deleted more than half of what I wrote just as I was finishing it to publish it.  So the complex part I had planned to  explain this Paffooney was lost and the resulting tantrum I threw kept me from remembering and rewriting.

But it was fortunate that I delayed the repair of this post until today.  Because last night my daughter finished her end-of-the-year art project for school, and the snafu-demons have inadvertently given me the opportunity to include it here.

It is a soft sculpture dragon made of felt and hand-sewn.  She didn’t tell me what his name is, or even that it is a him, but one can imagine that it must be something like Rumple-Tum Sneezer,  or something equally awkwardly foolish like that.  One can imagine it because one has a slightly off-kilter and Disney-demented imagination.  But the whole project took a boatload of time, and you can see she crafted it with great care and skill.

Treasure takes time to create.  We who attempt to create it in the red-hot forges of our stupid little creative heads put all the skill we have acquired over time into it.  And the endeavor renders something of value almost every time.  Time… time… time… Treasure takes time.  And now I need to hurry and publish this before the computer tries to fart it all away again.

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March 19, 2026 · 12:00 am

Messing Up With Mickey

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The way I handle the computer tends to be the way I handle life as a whole.  Thirteen tabs open at the same time, eleven of them not responding, and me cussing the machine for not working properly.

Spring has come.  In fact, Spring Break has come.  My daughter the Princess and I were planning to plant flowers in the yard where the pool used to be.  We started work yesterday spreading compost on the flower bed and churning the soil.  But we should’ve done it sooner.  It was too much for tired muscles to finish yesterday.  Then the rains came last night.  It would’ve been perfect to plant the seeds yesterday, then have God water them naturally at night.  But plans don’t go anywhere near perfectly.  Thirteen tabs are open and twelve are not responding.

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In my novel, The Baby Werewolf, the murderer is now unmasked and he has started on his final killing spree.  But as I was supposed to write the next Canto the last two nights, I found myself overwhelmed and overtired.  I got no further writing done.  I vowed to do it tonight, but the time change has left me no less tired and overwhelmed.  Thirteen tabs not responding.

So here I sit, paralyzed by entropy and worriedly contemplating the eventual heat death of the universe.  What to do?  What to do?

Mickey’s inevitable answer… Mickey opens a new tab and keeps on writing.  Did you think he had an actual plan for the rest of his life?  Of course not.  He planned on retiring from teaching and writing for about three years, and then dropping dead from one of his six incurable diseases.  Guess what?  This June will be twelve complete years.  Who knows how many more?

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Filed under artwork, autobiography, commentary, daughters, feeling sorry for myself, goofy thoughts, humor, Paffooney

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June 27, 2024 · 1:33 am

O Mio Babbino Caro

R-4036541-1353123762-4914.jpeg

This beautiful song, an operatic aria by Puccini, is from the comic opera Gianni Schicchi.  But, more important than that is what the song actually means in context.

In the opera, Gianni Schicchi is a con man intent on swindling a family out of their inheritance and knowing all along that he will be destined to go to hell when he dies.  The family is gathered for the reading of the rich man’s will, which is, because this is a comic opera, lost for the time being.  Their main concern is for the money, which rumor has it has all been willed to the church.  But one among them is actually worthy of inheriting the money, Rinuccio the son of the rich man’s cousin.  And, as luck would have it, as it always does in comedies, Rinuccio is the one who, during the manic and desperate search for the will, actually finds it.  And assuming he comes out well in the will, he secures a promise from his mother that if he inherits money, he can marry Schicchi’s beautiful daughter Laurretta whom he truly loves.

But when he reads the will, he is devastated.  The money all goes to a monastery.  He begs Schicchi to help him convince the family that he should marry Laurretta anyway.  This Gianni Schicchi tries and finds it harder than turning water into wine.  So Schicchi is about to give up when Lauretta finally speaks up for herself through the song,

O Mio Babbino Caro (My Beloved Father)

At this point Schicchi is moved by the beautiful song and even more beautiful love his daughter has surprised him with.  He not only agrees to help, but executes a bizarre plan, hiding the rich man’s body and pretending to be him come back to life to rewrite the will.  Now the will favors Rinuccio, and over the protests of the family, he inherits the money and marries his true love, Schicchi’s daughter.  The opera ends with Schicchi singing his case to the audience, telling them in song that going to hell is worth it to aid true love.

m570024353_1

And this, then, is the truth of O Mio Babbino Caro.

Love, expressed through the surprise of hidden talent suddenly revealed, is the most persuasive argument there is.

Whether it is the love in the music suddenly discovered in the overwhelming voice of a little girl like Jackie Evancho or Amira Willighagen, or the late great Maria Callas who also sang the role, or even the singer of Puccini’s greatest work who is yet to perform it and make silly old men like me weep for beauty’s sake, the song is the most persuasive argument there is in favor of true love.

hqdefault (2)

That is a thing I desperately want to capture in the novel I am writing now, Sing Sad Songs.  Love expressed in music.  Love that reverses loss.  Love that heals all things.  And Love that moves all people.  The love that is masterfully sung in O Mio Babbino Caro.

Francois spotlight

That book is now published and available on Amazon.

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June 24, 2022 · 8:28 pm

More Simple Answers to Complicated Problems

Part A, Solving Racism

Minnie and my daughter.

I know… Saying I can solve racism simply marks me as something of an idiot. It is a complicated and deeply-embedded weakness of the human race. We are programmed with certain instincts that make us fearful of anyone or anything unknown to us, unfamiliar, or obviously different in some manner.

Consider allowing someone like Minnie Mouse to hug my young daughter. As people go, she is somewhat suspicious-looking. Notice the color of her skin on the neck, ankles, and arms. This is a black person apparently wearing white-face makeup. Is that not something suspicious? Something to be cautious about? In fact, look at the mouse ears and black, mouse nose. She’s not even human! She’s an anthropomorphic mouse-lady. Tucker Carlson would warn you against trusting her with the Princess. And if you point out how silly these arguments are about a Disneyland performer in a costume that represents Minnie Mouse, a character we all know and love, I would say, “YES! Exactly! An unknown person hiding her identity under a costume that will put adults and children at ease… and make them vulnerable to who-knows-what?” Maybe Florida Governor DeSaniflush was right to attack Disney by charging his Floridians more in taxes in the Disney name.

Yes, human beans are inherently suspicious, paranoid, and hateful when it comes to groups that are different than the one we identify with.

Of course, there is a simple answer if you are only willing to look at it that way. There should be no racism because we are not different. We are all one race, the human race.

That means, Mr. Toilet-Cleaning-Chemicals, that you and I are actually the same. You are not made, as I have believed incorrectly, of poop-dissolving chemicals as my demented and paranoid brain keeps thinking because of your DeSantis misnomer. You are not the saint you believe you are because of the meaning of your name in Spanish either. We are both human beans. The same race.

And you are the same race as the beautiful young ballerina I pictured before I added the photo of you thinking about eating too many baked beans, and then drinking Coca Cola while eating Mentos. You are not going to explode. Because even if you consume those ingredients you were thinking about, they can’t actually dissolve the poop you are filled with most of your time on Earth as a human bean.

As a teacher I learned the hard way that all kids are kids. They are all human beans. They all have blood and brains and wants and needs and loves and hates. No matter what color they are. No matter what culture they grew up in, or what religion their parents taught them, or failed to teach them. As a teacher, you have to be able to love all of them. Even the ugly ones. Even the ones whose names remind me of poop-dissolving chemicals and seem to be constantly full of fear and hatred and racism.

Here’s the skinny on those things racists need to hear;

The human beans you need to hate and fear and distrust, the truly evil people, come in every color, creed, culture, and calamitous character. Yes, rich white people, they even come in the color white. No matter what Tucker Carlson says… or thinks about a malevolent Minnie Mouse who may somehow be trying to “replace us.”

And the people you need to get more familiar with, whose culture you need to witness, whose stories you need to hear, and you desperately need to learn to love, come in every color too. Yes, rich white people, even in the color white. I am no more a reverse racist than I am a racist.

And there is a simple cure for racism.

Jesus taught it. So did Buddha, Mohammed, Zoaster, Walt Whitman, and Alan Watts. Jean Paul Sartre too, come to think of it.

The cure is to love everybody. Hate nobody. Suprisingly, if you do that simple thing, nobody will hate you in return. Racism is then cured. I know it is not feasible. Not everybody will even bother to listen to this advice. But the world won’t get any worse while you try to make it happen.

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Filed under commentary, compassion, daughters, education, feeling sorry for myself, finding love, forgiveness, humor, insight, Paffooney, racial profiling, rants, religion

June 9, 2022 · 1:32 pm

O Mio Babbino Caro

R-4036541-1353123762-4914.jpeg

This beautiful song, an operatic aria by Puccini, is from the comic opera Gianni Schicchi.  But, more important than that is what the song actually means in context.

In the opera, Gianni Schicchi is a con man intent on swindling a family out of their inheritance and knowing all along that he will be destined to go to hell when he dies.  The family is gathered for the reading of the rich man’s will, which is, because this is a comic opera, lost for the time being.  Their main concern is for the money, which rumor has it has all been willed to the church.  But one among them is actually worthy of inheriting the money, Rinuccio the son of the rich man’s cousin.  And, as luck would have it, as it always does in comedies, Rinuccio is the one who, during the manic and desperate search for the will, actually finds it.  And assuming he comes out well in the will, he secures a promise from his mother that if he inherits money, he can marry Schicchi’s beautiful daughter Laurretta whom he truly loves.

But when he reads the will, he is devastated.  The money all goes to a monastery.  He begs Schicchi to help him convince the family that he should marry Laurretta anyway.  This Gianni Schicchi tries and finds it harder than turning water into wine.  So Schicchi is about to give up when Lauretta finally speaks up for herself through the song,

O Mio Babbino Caro (My Beloved Father)

At this point Schicchi is moved by the beautiful song and even more beautiful love his daughter has surprised him with.  He not only agrees to help, but executes a bizarre plan, hiding the rich man’s body and pretending to be him come back to life to rewrite the will.  Now the will favors Rinuccio, and over the protests of the family, he inherits the money and marries his true love, Schicchi’s daughter.  The opera ends with Schicchi singing his case to the audience, telling them in song that going to hell is worth it to aid true love.

m570024353_1

And this, then, is the truth of O Mio Babbino Caro.

Love, expressed through the surprise of hidden talent suddenly revealed, is the most persuasive argument there is.

Whether it is the love in the music suddenly discovered in the overwhelming voice of a little girl like Jackie Evancho or Amira Willighagen, or the late great Maria Callas who also sang the role, or even the singer of Puccini’s greatest work who is yet to perform it and make silly old men like me weep for beauty’s sake, the song is the most persuasive argument there is in favor of true love.

hqdefault (2)

That is a thing I desperately want to capture in the novel I am writing now, Sing Sad Songs.  Love expressed in music.  Love that reverses loss.  Love that heals all things.  And Love that moves all people.  The love that is masterfully sung in O Mio Babbino Caro.

Francois spotlight

That book is now published and available on Amazon.

Leave a comment

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March 22, 2022 · 2:10 pm

He Rose on a Golden Wing… Canto 8

Chopin – Heroic Polonaise (Op. 53 in A Flat Major)

After school Valerie was still in Uncle Rance’s Freshmen English Classroom, not because she was re-taking his Freshmen English Class, but because he had asked her to stay and not ride the bus.  He was her Uncle.  Married to her father’s only sister.  And he was one of those adults she had to listen to no matter what.

“Your grades are going down again, Val.  You used to make A’s, especially in Science.”

“I know.  I just don’t get Mr. Walther’s Physics Class.”

“He’s the same teacher you had for Chemistry last year, and you aced that.  You were his best student.”

“Yeah.  But Danny was in that class too.  He flunked it as a Junior.  And he’s the only one that can explain some of Mr. Walther’s jokes to me.”

“You don’t need to understand jokes to get the science.  It is precise and mathematical, provable by experiment.”

“I know that.  But somehow Mr. Walther’s teaching style works better when I understand his jokes.”

Uncle Rance walked over to his desk and sat down behind a huge pile of Freshman writing folders.

“Your Uncle Dash is coming to take you home this evening.”

“What?  Why?”

“You have to ask after the fiasco at the dance?”

“Oh, please.  He doesn’t need to get mad at me over that.  The same thing would’ve happened to me if you had gone with me instead of Uncle Dash.  It wasn’t about him.”

“I think he knows that.  But we’re worried about you.”

“That’s it exactly,” Uncle Dash said from the classroom doorway.

“Hi, I could’ve gone home on the bus.”

“No, you couldn’t.  I needed to talk to you.”

“Come in and take a seat, Dash,” Uncle Rance said.  “Or do you need to talk to her in private.”

“No, you can help with this too.  Valerie needs to know that she can rely on the men in this family when it comes to things her father can’t do for her anymore.”

“So, you do understand why I couldn’t handle being at that dance, huh?”

“Of course.  You told me flat out.  It was a father/daughter dance.  And I’m not Kyle.”

A sharp sob escaped Valerie’s lips, and then she was back to her usual composure.  “It’s so much more than that.  More than I could ever talk about with either of you.”

“The school guidance counselor?  He’s overworked with college-readiness seminars and whatnot.  But he’s willing to do what he can.”

“No.”

“What can we do to help, then?” Uncle Rance asked.

“I don’t know.  Nothing, I guess.  My head is wrapped in darkness.  And I have to find my own way out.”

“But you know you can talk to either of us,” said Uncle Rance.

“Or your Aunt Jen.  Or Aunt Patty,” said Uncle Dash, naming his sister and his wife.

“No.”

“What do you mean, no, Val?”  Uncle Dash’s eyes betrayed the stinging in his heart.  Val’s words at the dance had hurt him deeply.  And he was the kind of man who always had to have the solution to every problem.

“Just no.  I mean, I appreciate that you want to help.  But it won’t work.  I have to find my own way out.”

“Stacy had to find her own way out too, and she ran away.  Promise me you won’t run away too!”  Dash’s face was grim and stiff, betraying what he feared she really would do.  And Valerie understood why.  Her cousin had run away to be with the man she loved.  But Uncle Dash could never approve of the restless and reckless Toad.  He still didn’t after all the intervening years.  The men in her life were too tightly wound, too strictly self-disciplined to know when to admit they were wrong and try to go down another pathway.

“Maybe we just need to have confidence in Valerie, Dash,” Uncle Rance said.  “Sometimes the right thing to do is trust that the other person will choose to do the right thing.”

“I still need to hear you say you won’t run away, Val.  Not like Stacy did.”

“I promise.  There are things ahead you’re probably not gonna like.  But running away is not on my list.”

Her two Uncles accepted that then.  And what followed was a long, quiet pickup-ride home courtesy of Dash Clarke.

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September 13, 2020 · 6:32 pm

A Simple Matter of Character (Part 1)

No man is really fit to judge his own character. You can’t see it objectively from the inside. But one of the benefits of being a fiction author is that you don’t have to judge yourself. You can get away with judging everybody else around you. And they don’t even need to realize that that is what you are doing.

I am going to dissect three examples from my own fiction.

The first, as you have probably already guessed, is Valerie Clarke, the heroine of Snow Babies, When the Captain Came Calling, and Sing Sad Songs.

Valerie is named after the prettiest girl I went to school with, the one in my class that was in school with me from kindergarten to twelfth grade. The one who used to politely laugh at my jokes and smile at me a lot when I needed someone to look at me and not scowl. She is a very lovely lady now with grandchildren and a good life in Iowa. And besides the name and the beauty, that’s about as far as the real Valerie goes in the make-up of this crucial main character.

The spirit and the personal history of this character come from a very composed and determined young lady that I taught as both a seventh and an eighth-grader. I have referred to her before in this blog as Sasha. But that’s not her real name. And I am not going to ever give you her real name because she’s entitled to the secrets I may have revealed about her in creating this character, as well as entitled not to be burdened with the things in my stories about her that she never did in real life.

In the course of the novels I write, I dramatized the loss of her father, writing a scene in which she comes home to find him after he has committed suicide over the loss of his part of the family farm that he co-inherited with his older brother. Kyle Clarke’s suicide is the single most devastating scene I have ever written up until now. It stopped the novel in the middle. I had to write two other whole novels before I could pick it up and continue. But Sasha’s missing father in real life did not commit suicide. The love that develops between Valerie and Tommy in Snow Babies and the love she finds with Francois in Sing Sad Songs are also facts that do not belong in real life to Sasha.

But the part of Valerie Clarke that really is Sasha is her indomitable will, the way she simply cannot be stopped when she makes up her mind to accomplish something. And that smile that melts your defenses and forces you to accept everything she is about change in your life for the better, whether it is painful or not. The bravery that Valerie shows when she loses someone or something that is important to her is also Sasha. Overcoming disappointment and how one manages to do it is a real key to someone’s character. It helps you decide whether that character is right to be the heroine or is a better fit to be the villain of a story. And Sasha could never have been a villain.

And finally, there’s the thing about the character of Valerie Clarke that has attached itself to my own daughter, the Princess, whose real name I also never use in this blog. She was roughly the same age as the character of Valerie as I was actually putting the story of Snow Babies down in sentences, paragraphs, and Cantos. Some of the more private details about Valerie come from her, things I could never have learned about the first Valerie or Sasha because I never lived in the same house with them. And these more private details are probably the reason that my own daughter has not read a story with Valerie Clarke in it.

So, now I have revealed the basic anatomy of the character creation of one of three promised characters that I am proudest to have created in my fiction.

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Filed under autobiography, characters, daughters, humor, novel writing, Paffooney, writing teacher

July 30, 2019 · 1:40 pm

When the Captain Came Calling… Canto 30

Canto Thirty – Rage in the Clarke Name

Kyle Clarke came storming into the Zeffer house before either the sheriff’s deputy or Mrs. Philips could arrive.  He was angry to the point of curse words over what apparently had happened to Valerie.  He made Mrs. Zeffer and Ray repeat the story of how Ray found her three times before he even started calming down.  He made it clear he wanted the story from Ray, not Valerie.  Once he had learned she had been unconscious, he didn’t even want to hear her version of events.  He told her she would not be able to make sense of things until she was well rested and recovered.  He wanted Mrs. Philips, a registered nurse, to examine her before any other investigation took place.  Valerie could only imagine in horror what he suspected.

“Mrs. Philips!  We need you to examine little Valerie Clarke,” said Mrs. Zeffer as Mary’s mother arrived at the Zeffer home.  “She’s been attacked by someone.”

Mrs. Philips was very pale, and also seemed shaken.

“What is the matter, Mrs. Philips?” Kyle asked.  “You seem unwell.”

“My daughter Mary and her boyfriend Pidney Breslow are missing.  I’m afraid it has something to do with what happened to Valerie.”

“Oh, no!  We’ve phoned the sheriff already and he’s sending Deputy Harper from Belle City to investigate,” Kyle said in a concerned tone.

“Do you know what happened?” asked Mrs. Zeffer.

Ray was sitting on the bed in Bobby’s room next to Valerie who was already wearing the clothes Kyle had brought her.  Both of them looked at the adults standing just outside the bedroom doorway.  Valerie’s fear for what might’ve happened to Mary and Pid was overwhelming.  She leaned against Ray’s shoulder and began to cry softly.

“It was the strangest thing.  The three of them were all in our basement, reading some old book.  Then, suddenly there was a purple fog in the house.  It smelled so sweet it made me sick to my stomach.  It apparently knocked me out.  When I came to, I found my daughter Amy and her brother Jason were both sleeping on the floor.  They had been knocked out too.”

“And the kids were taken from your house?”  Kyle looked alarmed and upset.

“Yes, all we found were their clothes in the basement.  I have never seen anything so strange.  Whoever took them must have stripped them naked first.”

“Oh, you poor dear,” said Mrs. Zeffer, taking hold of Lady Philips’ shaking hands and guiding her to a chair in Bobby’s room.  “Sit here.  Let me get you some tea.”

“Was there any indication who might have done this terrible thing?” asked Kyle.

“I… I don’t know,” Mrs. Philips said as Mrs. Zeffer bustled out of the room to make tea.  “We found the empty clothes… and then you called asking me to come here and examine Valerie.”

“You should’ve said something then,” Kyle said.

“I… I just felt numb.  I told Jason to look after Amy and came right here to see what I could find out.”

“All right… um, Mrs. Philips… I called you over here to examine my daughter Valerie.  I was worried someone might have… well, she was found naked in the alley, unconscious.”

Lady Philips made a small strangling sound in her throat.  Valerie knew immediately what she must have thought had happened to Mary.

“I’m okay, Daddy.  I know for a fact that nobody did anything like that to me.”

“Valerie, princess, you were unconscious.  Somebody drugged you and stripped you naked.  We need to be certain what happened.”  Daddy Kyle was trying to be comforting and soothing, but there was a cold, desperate edge to his voice that actually scared Valerie.  She looked at Ray.  Ray’s eyes were frightened too.

“Your dad is right, Val.  You need to be checked.  Mrs. Philips is an RN, a professional nurse.  She’ll be able to tell.”

“Okay, Ray,” said Valerie’s dad coolly, “You should go help your mother in the kitchen.  Deputy Harper will be here soon.”

Ray reluctantly let go of Valerie and stood up.  “You know, sir, that I would never hurt your daughter.”

Kyle’s angry glare softened a bit.  “I… I do know that, son.  And believe me, I am grateful for the way you rescued her and brought her somewhere safe.  I’m on edge right now.  I don’t know what was done or who did it.  You know what I mean?”

“Of course.  If I were in your shoes, I’d be afraid for my daughter too.”

Ray nodded resolutely.  Then he went out of the room.

“I will examine her in private, Mr. Clarke.  I will be able to tell.  I have treated rape victims before.  I don’t have a kit with me, but I will know if one needs to be used… Only…”

“What?” Kyle asked.

“After we know, I am going to need you and Deputy Harper to find Mary.” Valerie’s dad was grim-faced, but he nodded his agreement.

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March 26, 2019 · 3:06 pm

When the Captain Came Calling… Canto 12

Canto Twelve – Mom Matters

“Honey, I’m not trying to be mean to you or anything,” Valerie’s Mom said so that Valerie was clearly meant to understand that she was about to be very mean, but she wasn’t trying to.  “You have to tell us where you are going and what you are doing… and who you are doing it with.”

“Oh, Mom.  I’m not a baby anymore!  You need to trust me.”

“I do trust you.  I just don’t trust everyone you’ve been hanging around with in town.”

“You don’t trust Mary Philips?”

“Oh, I trust Mary fine, I…”

“Is it Pidney you don’t trust?  He’s a football hero, you know.”

“Pidney is fine too, I…”

“Ray Zeffer?  You don’t like Ray Zeffer?”

“I’m sure he’s a fine young man, but…”

“Then you don’t like Danny?  He’s practically my best friend.  He ain’t a girl like Jane and Wanda, or my cousin Stacy, but I can actually talk to Danny!”

“Valerie Elaine Clarke!  You are jumping to conclusions again.  You need to let me talk.”

Mom looked out the kitchen window at the table in the yard where Daddy Kyle and Uncle Dash were in serious discussion.  It was farm talk.  But it did seem an awful lot like older brother, Dash Clarke, was seriously lecturing younger brother, Kyle Clarke, about something that was seriously upsetting to both men.  Was that worry on Mom’s face?  Valerie wasn’t sure whether it was worry for Valerie, or worry for Daddy Kyle.  But she was sure it was worry-wart levels of worrying.

“You do realize,” Mom said, “that Conrad Doble is a lot older than you are.”

“Yes, Mom, I know.”

“And you know he was in trouble with the law?  He was involved in that whole wolf-dog thing when those attack dogs killed poor old Mrs. White.”

“Yes, I know.  But I don’t even like creepy old King Leer.  I try to stay away from him.”

“He’s a part of that club thing that Mary Philips is stirring up again.”

“You mean the Pirates?  We are a 4-H Club softball team, Mom.  They want me to play second base.”

“It’s a long time before summer softball comes around.  And you don’t understand what it was like before when those Pirates were making trouble in the 70’s.”

“Mom, Brent was the leader of the Pirates then.”

“Well, yes.  And your cousin is a fine young man now.  But the Pirates tell such weird stories and get into such weird situations.”

“Werewolves and an undead Chinese wizard, huh?”

“Now, you know I don’t believe any of those stories were true.  It’s just that…”

“You know that Torrie Brownfield had that hair disease that made hair grow all over his body.  He was an awful lot like a werewolf!”

“Okay, but that’s not what I’m trying to say right now.  That Doble boy is not trustworthy.  He is capable of some very bad things.  Maybe even drugs.”

“Believe me, I know, Mom.  But I can take care of myself.  And Pidney and Ray have both told King Leer to leave me alone or they would beat the snot out of him.”

Valerie’s Mom gave a brief chuckle.  “Pidney could do it too,” she said.  “Doble would be black and blue all over.   I have great respect for Pidney Breslow’s football muscles.  It’s just that…”

“I know.  When a girl reaches a certain age…  You know I had this talk with Daddy too.”

“Yes, well…”

At that moment, Daddy Kyle and Uncle Dash came storming in to the kitchen, the screen door making a sound almost like a gunshot as it slammed closed behind Uncle Dash.

“That goddam agent lied to me, Dash!” Kyle shouted.  “He promised me more time, and now he doesn’t even admit what he actually said to me before.  He shook my hand on it!”

“But he’s a government man, Kyle!  You should’ve known better than to trust the goddam FHA like that.  They wanted a chance to foreclose from the very start!”

Mom’s eyes were large and frightened as she looked at Daddy Kyle for answers, and Valerie was sure her own eyes were also.

“Kyle?”  Mom sputtered, “Is something wrong?”

“Oh, it’s the goddam FHA… er,” Kyle looked at both Mom and Valerie and appeared to finally register the big scared eyes.  “Um, it is something we should discuss later.  Not in front of the Princess.”

Uncle Dash suddenly quieted himself as well.  “Yeah, um… we’re not done yet, Kyle.  But I promised Dad I would look after all of it before he died.  I am not going to go back on my word.  We’ll find a way.  I just wish you hadn’t accepted those last two loans.”

“It takes money to farm, Dash.  You know I didn’t plan on the hail or the combine breaking down so soon.”

“Hell, I know you didn’t, Kyle.  We will find a way.”

Uncle Dash looked grim.  Daddy Kyle looked sad.   Valerie walked up to him and hugged him around the middle.  She didn’t know why, but she knew it was a very important thing to do just then.  And Mom was looking at her and nodding ever so slightly.  Not everything Valerie did was wrong.

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