If you practice drawing regularly, you will find that sometimes when you pick up your colored pencils, you can end up with a picture just like this. And you don’t have to tell me it is good. I know. And if you don’t see what I mean, I’m not going to read your comment anyway.
Filed under colored pencil, drawing
The word for it is Paffooney. I know that is not a real word. It is a Mickian word. Kinda like the word “Mickian”. It is entirely made up gibberish, made up by Mickey, and used to mean an artwork made by the hand of Mickey. So I can’t really explain it. I have to show you what it basically is.
This is a Paffooney. It is inspired by the incredibly unbelievable time in Mickey’s life when they let Mickey be a teacher in Texas. It has no other relationship to reality. Chinese girls in Texas generally do not have manga eyes and blue hair, and while Hispanic girls have been known to eat pencils, they never bring their own notebook paper to class. They always borrow. So there is the basic formula. Colored-pencil nonsense drawn by Mickey and attached somehow to a story.
This Paffooney has a self-explanatory story embedded in it. It is obvious this is the story of an average family car trip in Texas. Notice how they demonstrate the Texas State highway motto of, “Drive friendly”.
And this Paffooney is a Mickian recurring nightmare about a duck with teeth. Silly Mickey, ducks don’t have teeth in real life!
And moose bowling is a Paffooney that needs no explanation… or does it? Well, never mind. I have forgotten what it is for anyway.
And this oil-painting Paffooney speaks volumes about a philosophy of life. See the pilot giving the viewer a thumbs up? And that isn’t a parachute on his back. They didn’t have parachutes in World War I. It is a message pouch with German war plans in it. I even painted it with a bratwurst sandwich inside for the pilot’s lunch. Don’t I do great detail work? But he will have to eat it quickly before he reaches the ground.
And this is me teaching an ESL class. When you teach English to non-English speakers in Texas, you get to hold the big pencil. And it helps to be a big white rabbit.
And this is a science fiction Paffooney, although the science is questionable. Don’t doubt that the flower-people of the planet Cornucopia are real, though. And Mai Ling, the psionic space ninja really can elongate her arm to get maximum thrust into her left-handed karate chops.
And we end for today with the Paffooney of a stupid boy. He’s not really me. Not really. And I don’t even know who gave him the black eye. So it can’t be me. So maybe he is not so stupid. You can’t say that about somebody you don’t know and is not even you.
So, now do you know what a Paffooney is? No? Me neither. But if you Google images with the words “Beyer Paffooney” you can see a lot more of them. Nobody else uses that word but little ol’ me.
There is a reason why anything in my artwork starting with a rabbit is assumed to be autobiographical. I raised rabbits as a 4-H project from about the age of 10 and we kept rabbits in pens until I was finishing my undergraduate degree. (Rabbit chores fell to my little brother when I was away from home.) In many ways, I was a rabbit-man. My personal avatar as a school teacher was Reluctant Rabbit.
There is often an exaggerated sense of adventure in my cartoonally weird Paffoonies, the very name of which is a fantasy word.
I have been known to actually believe gingerbread can be magical enough for gingerbread men to come to life once baked. It is the reason I bite the legs off first, so they can’t run away.
I have been known to see elves, fairies, and numerous other things that aren’t really there. In fact, a whole secret hidden kingdom of them inhabited the schoolyard in Iowa where I attended grades K through 6. They were all mostly three inches tall. The biggest ones, like dragons reaching only about six inches tall at their largest.
I grew up in a small rural town in North Central Iowa. It was a place that was, according to census, home to 275 people. That apparently counted the squirrels. (And I should say, the squirrels were definitely squirrelly. They not only ate nuts, they became a nut.) It was a good place to grow up in the 60’s and 70’s. But in many ways, it was a boring place.
Yes, there were beautiful farmer’s daughters to lust after and pine for and be humiliated by. There was a gentle, supportive country culture where Roy Rogers was a hero and some of the best music came on Saturdays on Hee Haw where there was a lot of pickin’ and grinnin’ going on. There were high school football games on Friday nights, good movies at the movie theaters in Belmond and Clarion, and occasional hay rides for the 4-H Club and various school-related events like Homecoming.
I lived in a world where I was related to half the people in the county, and I knew at least half of the other half. People told stories about other people, some of them incredibly mean-spirited, some of them mildly mean, and some of them, though not many, that were actually good and actually true. I learned about telling good stories from my Grandpa Aldrich who could tell a fascinating tale of Dolly who owned the part of town called locally “Dollyville” and included the run-down vacant structure the kids all called the Ghost House.  He also told about Dolly’s husband, Shorty the dwarf, who was such a mean drunk and went on epic temper tirades that often ended only when Dolly hospitalized him with a box on the ear. (Rumor had it that there were bricks in the box.)
And I realized that through story-telling, the world became whatever you said that it was.  I could change the parts of life I didn’t love so much by lying… er, rather, by telling a good story about them. And if people heard and liked the stories enough, they began to believe and see life more the way I saw it myself. A good story could alter reality and make life better. I used this power constantly as a child.
There were invisible aliens invading Iowa constantly when I was a boy. Dragons lived in the woods at Bingham Park, and there were tiny little fairy people everywhere, in the back yard under the bushes, in the attic of the house, and building cities in the branches of neglected willow trees.
I reached out to the world around me as an artist, a cartoonist, and a story-teller and plucked details and colors and wild imaginings like apples to bake the apple pie that would much later in my life feed the novels and colored-pencil pictures that would make up my inner life. The novels I have written and the drawings I have made have all come from being a small town boy who dreamed big and lived more in stories than in the humdrum everyday world.
I spent some time this last week taking photos of artwork. You see, I bought a new phone a year ago, and the camera installed in it was of much better quality than I had before, even in my digital camera which I mysteriously lost more than a year ago. But, though I played with it a lot in the last year, I only started using it to photograph artwork recently. It makes better digital images of my art than I had before.
The new camera can capture the subtleties of a pure pencil drawing better than any camera I have ever used.
I love this picture… even if Disney sues me over it.
I love this one too. Remember it from yesterday? This is the same digital image made on Wednesday.
Here’s a nude faun to celebrate getting kicked off Pinterest a second time (though this time there was no actual nudity in the picture I got kicked off for… and it was not even my own picture.) (Is there something wrong with cartoon furries?)
Valerie Clarke and her Daddy Kyle.
Filed under artwork, colored pencil, drawing, oil painting, Paffooney
Filed under art editing, artwork, colored pencil, Paffooney, self portrait, studio
The world is not all black and white… at least, not since the late 1960s.
But many among us would rather have it that way. In fact, they think life would be simpler if white was always right and black was always wrong. The good guys wear white hats. The bad guys wear black. The good guys shoot the guns out of the villain’s hand. The villain ties the lady up on the railroad tracks, and then he explains in detail his evil plan, whilst the guy in the white hat unties the lady… or stops the train.
Then in the 1970s, everything started to be in living color on the television. Children and their teachers began to think the world was full of vivid color. Many shades of both the primary colors and the secondary colors differentiated red-headed Ronald MacDonald from blond Farrah Fawcett and blues-singing Diana Ross.
Luke Skywalker starts out Star Wars looking at the twin suns wearing white clothes, and Darth Vader wore only black. But the Storm Troopers all wore white and they shot poorly like bad guys while Luke was wearing black by the third movie and Darth Vader was saved from the Dark Side by the end of the trilogy.
It seems to me it is really up to us… each of us… to make our own color in life. We can limit ourselves to easy black-and-white living, or we can reach for the yellow stars, red hearts, green clovers, and blue horseshoes… if the Leprechaun doesn’t try to hoard the Lucky Charms for himself.
Filed under artwork, colored pencil, coloring, commentary, feeling sorry for myself, humor, poetry
I now have the ability to scan an artwork with my phone. And this is significant because I do have a number of artworks too big to scan in my current scanner/printer. But I really don’t have anything more to say about this particular picture. I will not tell you what it means. That is for the viewer to decide.
Filed under artwork, classical music, colored pencil, music, Paffooney
So, how do you follow up a thing like starting a new religion like Quackatoonity? Should you follow it up?
I mean, this is Art Day. And I need a theme for Art Day. How about, “Art with no ducks in it?” Well, Ducks are always watching from somewhere. So, I guess that’s a no-go.
Of course, I could always try to prove the “toon” part is real. I am a cartoonist. I do do cartoons. (Haha! He said, “doodoo!” Shows you the level of humor he will sink to.)
This cartoon is a bit creepy and definitely surreal. This was done more than a decade before I even met my wife. But the two boys seem to be four years apart in age, just like my real-life sons. They do not, however, have visible horns on their heads. This is supposed to be surreal, not photographic.
So, there’s a weird cartoon story for today’s Art Day post on a New Day. And nowhere in sight will you find a duck in it… OH, NO! THERE’S A DUCK IN IT!!! How does Donald do that?
Filed under artwork, cartoons, colored pencil, humor, Paffooney
Catch a Falling Star 
Seeing Through an Artist’s Eyes
It is not an easy thing to explain. Artists don’t see things using only their eyes. The brain intrudes in the process. For instance, you are welcome to interpret the picture above any way you like. But the way I see it will be nothing like what you thought this picture is about. You probably see two very different girls here. There is actually only one. I know because, as the artist who drew both parts of this picture, I actually know where the ideas came from. There is only one girl in the picture. Dilsey Murphy, in front and wearing her Carl Eller Minnesota Vikings’ jersey, is based about 33% on the older of my two sisters. On the outside she is pragmatic, no-nonsense, and focused on living a family life that is as normal as possible. But the inner Dilsey is the African leopard-princess. She dreams of going on Tarzan adventures in the movie-jungles of the mind with a handsome male hero. She is fierce, loyal, and completely independent, not even needing the hero she adventures with. In fact, she often saves him.
This picture is about the idyllic parts of my childhood. The mother figure is doing a ritual dance. She is in tune with the music of daily life. She is closely attuned also to her responsibilities of stewardship in her society. Both children are nude. I cropped this picture so that it is not rude and showing Smiling Boy’s penis. But both children are bathed in nature and sunshine, not just because I am pro-nudism personally, but because clothing covers up innocence and joy.
This one is easier to interpret. I was an ESL teacher. I had students who spoke Spanish as their first language and students who learned to speak Mandarin Chinese as their first language. It makes for a classroom that becomes a cultural mixing bowl. You have to learn how to deal with people who are very different than you,, but are benefitting from learning English together.
Every picture the artist draws or paints has its own weirdness embedded inside it. The way the artist sees it is probably never the same as how the viewer thinks about it. And that is as it should be. But as a viewer of art, it is hoped that you will at least try to think about what the artist means to say..
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Filed under artwork, colored pencil, coloring, commentary, Paffooney
Tagged as Saturday Art Day