Synesthesia (Part Two; The Color of Music)

Okay, so on the synesthesia tests I didn’t score as a synesthete on the music/color test.  But I was extremely synesthetic on the tests for color/months/days of the week.  I was a little over the mark on letter/number/colors synesthesia too, but it was more a problem with manipulating the color-selector device when I don’t have a mouse to use on my laptop.  The test for music did not test the way I see colors with music.  They wanted me to respond to what color each individual note seemed to be, and that isn’t even close to the way I experience it.  For me, the perfect description of how synesthesia works for me is Bach’s Tocata and Fugue in D minor as it is depicted in Fantasia.

I was shocked when I first saw it.  The colors are wrong for this piece, but the visual experience is almost exactly how I experience music, especially wordless instrumental music.  The only problem with this piece is that the overall color schemes are wrong.  But this comes about because every synesthete sees the colors differently.  And I have no doubt that at least one of the artists who created this had synesthesia.  If there were more reds, yellows, and magenta in the opening and more indigo contrasted with silver later, this interpretation would be perfect.

DSCN4453

Music synesthetically works in two directions for me.  The picture above, called The Wings of Imagination, makes me think of La Mer by Claude Debussy.

If you listen to the piece, don’t look at the YouTube illustration, look at my picture if you want to see the music the way I do.  The following song, Don’t Worry, Be Happy, is a multicolored song that I can best express with the colors in the picture I call Rainbow Peacock.

Rainbow peacock

The full range of primary colors together in one picture, or one song, always means completeness, fullness, and happiness to me.  If there is absence of one or more of the basic colors from the color wheel, the mood and emotion present in the song or picture is altered to something other than happiness.  The Firebird Suite by Igor Stravinsky goes from the indigo and navy blue of fear and confusion to instances of angry red and feverish orange.  It would look something like this in the theater of my imagination;

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And one of my favorite instrumental pieces of all times, Prelude to the Afternoon of the Faun by Claude Debussy, is full of melancholy and sexual tension, deeply felt vibrations in the depths of my stomach, and would look like my picture Sleeping Beauty with its teal and blue melancholia juxtaposed with candle-lit yellows and wood brown mixed feelings of joy and anxiety.

Beauty

Now, if you have waded through all of this goofy color-and-music analysis from a source whose sanity is questionable at best, you probably have no earthly idea what any of it has to do with anything.  But if you have that aha!-moment and see it all clearly too, then I suspect you probably are a synesthete too.  Poor you.  It is not a treatable condition.  But it is also not a burden.  Learn to enjoy it.  It resonates in your very soul.

3 Comments

Filed under humor, Paffooney, strange and wonderful ideas about life, Uncategorized

3 responses to “Synesthesia (Part Two; The Color of Music)

  1. Ah ha! I am not alone. I knew I wasn’t, but I meet so few other synesthetes. It’s not usually something that comes up in conversation. Sometimes I think about painting more of my synesthetic visions (this one is ‘Walk across the rooftops’ by ‘The Blue Nile’: http://jenibate.com/popups/acrylics/pop555.html). But I would need a totally different outlet for that body of work….

    • I have only met one other synesthete before, and that was my daughter. I didn’t even know the name of it until a couple of years ago. I have known that I had it since I was about ten years old. I learned that I was different when I tried to explain to my fourth grade teacher why Thursdays were always orange days. She never quite knew what I was talking about.

  2. Pingback: Critiques in Color | Catch a Falling Star

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