
I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.
This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.

I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”
I simply nodded.
Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”

The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”
I rolled my eyes at the dark ceiling.
On the chalkboard I wrote out. Today’s Lesson Is…
“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”
“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”
“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”
“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.
“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.
“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.
I agreed with all three of me. I nodded and smiled.
“But you are Death, aren’t you?” asked middle-aged Mickey.
“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.
“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.“

































Made-Up People
I often get criticized for talking to people who are basically invisible, probably imaginary, and definitely not real people, no matter what else they may be.
The unfinished cover picture is from the novel The Bicycle-Wheel Genius which I just finished the final rewrite and edit for. All of the characters in that book are fictional. Even though some of them strongly resemble the real people who inspired me to create them, they are fictional people doing fictional and sometimes impossible things. And yet, they are all people who I have lived with as walking, talking, fictional people for many years. Most of those people have been talking to me since the 1970’s. I know some of them far better than any of the real people who are a part of my life.
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These, of course, are only a few of my imaginary friends. Some I spend time with a lot. Some I haven’t seen or heard from in quite a while. And I do know they are not real people. Mandy is a cartoon panda bear, and Anneliese is a living gingerbread cookie. I do understand I made these people up in my stupid little head.
But it seems to me that the people in the world around us are really no less imaginary, ephemeral, and unreal. Look at the current Presidentumb of the Disunited States. He is an evil cartoon James Bond villain if there ever was one.
Animated cast of OUR CARTOON PRESIDENT. Photo: Courtesy of SHOWTIME
People in the real world create an imaginary person in their own stupid little heads, and pretend real hard that that imaginary person is really them in real life. And of course, nobody sees anybody else in the same way that they see themselves. Everybody thinks they are a somebody who is different from anybody else who thinks they are a somebody too, and really they are telling themselves, and each other, lies about who somebody really is, and it is all very confusing, and if you can follow this sentence, you must be a far better reader than I am a writer, because none of it really makes sense to me. I think everybody is imaginary in some sense of the word.
So, if you happen to see me talking to a big white rabbit-man who used to be a pet white rabbit, but got changed into a rabbit-man through futuristic genetic science and metal carrots, don’t panic and call the police. I am just talking to another fictional character from a book I just finished writing. And why are you looking inside my head, anyway? There’s an awful lot of personal stuff going on in there. Of course, you only see that because I wrote about it in this essay. So it is not an invasion of privacy. It is just me writing down stuff I probably should keep in my own stupid little head. My bad.
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Tagged as characters, imagination, the Bicycle-Wheel Genius