This post originally appeared here on April 21st, 2015, the anniversary of Mark Twain’s expiration date.
If it is inevitable that I will surely drop dead some day, and if it is likely that it will come sooner rather than later, then I hope to go out with a bit of style and leave something behind that speaks not only to my own children, but to anybody searching for truth and beauty, people of the future that I will never know who are living beyond the confines of my little life. What makes me think that I can do it? Well, I’m a writer… and Mark Twain did it… and I don’t have to be vain or loopy or maniacal or delusional to make the same thing happen.
On this day one-hundred-and-five years ago, April 21, 1910, Mark Twain left the world of the living. He caught a ride on Halley’s Comet (It deposited him on Earth in 1835, appearing in the sky when he was born, and took him away when it appeared in the sky again in 1910… He didn’t have to be some kind of suicidal Heaven’s Gate nut to manage that.) But it wasn’t the comet that showed me the truth… it was his books. I learned to take a wry view of a complex world that I could do nothing to change and tweak it with intelligence and understanding from the story of racism and justice he left behind in Pudd’nhead Wilson. I learned the value of ingenuity and opportunity and how to use them properly from A Connecticut Yankee in King Arthur’s Court. I also learned a profound love and understanding for small town people like me and the people of my little hometown in both The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. Samuel Clemens, Mr. Mark Twain, left himself behind in stories to speak to the ages. He spoke to me… directly to my heart, and he had been dead for 46 years before I was even born. If that’s not magic, I don’t know what is.
media.npr.org
Now, I am not a fool (wait a minute! I know you have proof to the contrary if you read my blog posts, but I am not an UNINTENTIONAL fool), so I do not think that my words and wisdom are ever going to have any sort of effect on the entire world the way Mark Twain’s have. I can accept reality. This whole world is dying and may not long outlive me. There are a large number of talented fools… er, I mean writers, out there who have put out a number of published good books, and have, like me, made diddly-zero-bupkiss in dollars on the deal. I have no delusions. My work is good enough to turn into a best-seller or maybe two, but I do not have the time or the backing to make it happen. If anything other than obscurity embraces my books, I won’t live to see it. Only eleven per cent of published authors make a livable wage from writing and I will never be one of them. But I have ideas that resonate. I can write in ways that touch the heart (as you may have seen if you have read my post “When Compassion Fails” that was a minor hit with the 1000 Voices Speak For Compassion group).
So, I am satisfied to confess my girly addiction to Barbie Dolls and My Little Pony… talk about cartoons and cartoonists on WordPress… make people giggle a bit… or even guffaw, and put together books that my family will read, and only be mildly embarrassed by, and maybe one day will reach and touch the heart of some boy or girl who really needs to read what I wrote at a time in their lives when it can actually help… the way so many other philosophers, wits, and word-wizards have helped me. (How’s that for some prime purple-paisley prose?)
Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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