Category Archives: Paffooney

The Necromancer’s Apprentice… Canto 15

The Bat-winged Cape

As we walked out of Master Tragedy’s Sorcerer’s tower toward the crafting district of Cair Tellos, I was carrying the huge jar of midnight shadows that Master Eli had given us to have a cape made from for Derfentwinkle.  She was carrying the bottle imp, Kackenfurchtbar, in case I needed to test the truthfulness of what Derfie was telling us.  But once on the stair to the Stitch-Witches’ Fabric and Sewing Shoppe, I turned to Derfie and set the jar down on a wooden step for a moment.

“Um, ah… Derfentwinkle?”

“Yes, Bob?”

“Can I… um… give you… ahem… I mean… would it be okay if I… gave you a…”  I opened my arms before I said the actual words’

“A hug, Bob?”

I nodded silently, and she grabbed me with both arms and pressed my face against her bare bosom.  I felt awkward, but I didn’t pull back.  I put both of my arms around her and squeezed her just as hard.

“Because the Erlking’s Wizard nearly cut our heads off before we ever got a chance to…”

“Hug each other like this?” she finished my sentence.  She used her empty hand to stroke the back of my head.


We held each other tightly for a few long minutes.  Then, suddenly, Anneliese was there.

“Ah, Derfentwinkle, I see you’ve discovered how huggable the nicest Sylvan boy in all of Cair Tellos really is.”

“Are you jealous?”

“Of the hug, maybe.  But I can surely share my best boy.”

“Best boy?  Not, boyfriend?” Derfie asked.

“Anne is a Storybook and much older than me,” I said, reluctantly releasing my hold on the necromancer’s apprentice.

“Oh, right.  Old enough to be your mother, I suppose?”

“Or his grandmother,” said Anneliese with a wrinkling of her nose above a puckish grin.  “If you like my almost grandson, then that pleases me.””

“Did you come seeking us?” I asked her.

“Yes, I did.  Master Eli told me where to find you two.  A pretty little Butterfly Child named Dollinglammer has been asking about you in the residential towers.  She seems intent on finding you.  Especially you, Bob,”

“We have to go to the stitch-witches to get a cape made for Derfie.  But if you come with us, you can take us to her afterwards,” I suggested.

“That would be lovely,” Anne said.  “I have been interested to get to know this new Sylph friend of yours, Bob.”

Anneliese, nude as always, was absolutely beautiful.  She had longish blond hair which curled wildly, and she never combed it.  She was shaped like the fourteen-year-old  human girl she was when the Nazis put her to death at Auschwitz.  She was now an immortal Storybook thanks to a story her mother told about her, so her beauty would never fade or change.

She put an arm around my neck as I picked up the jar of shadows, and she put her other arm around Derfie, drawing us both close to her.

“Derfentwinkle, my powers as a Storybook are openness and honesty.  If you ever need to talk to about the shadows that are inside of you, I’m your friend.  I will talk about it with you as honestly as anyone can.  And I say this as a guarantee, I can help you.”

Derfie looked down at the ground as we continued into the shop of the stitch-witches.

Bibby-Joon, the elder stitch-witch met us there.  She was a Pixie with the upper torso of a youthful woman and the abdomen and spider legs of a large spider.

“We will have the cape done for you in a matter of minutes,” Bibby said.  “It will be a very special Batwing Cape just as Master Eli ordered.  It will not only protect you from mind control and influence spells, but it will turn into bat wings on command so you can fly.  And if you wrap it all the way around you while standing in shadow, you will disappear and remain invisible as long as you do not move.”

We came out of the shop with Derfentwinkle wearing her new protective magic cape.

“It looks very becoming on you,” Anneliese told her.

“Kack?  Is the necromancer’s mind control working on Derfie in any way?” I asked the bottle imp just as Master Eli had instructed me.

“No, Bob.  Any evil she does now will be entirely her own doing.”

I think that answer made me frown or something.  Anneliese put a comforting hand on the back of my neck and said, “Don’t worry, Bob.  Everything is as it should be.” Derfie was smiling at the ground.  And I couldn’t help feeling how beautiful she was… to me, at least.  And worrying about how much control that gave her over me.

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Filed under fairies, humor, novel, NOVEL WRITING, Paffooney

Poor Ol’ Wooden Head

KAW-LIGA, was a wooden Indian standing by the door
He fell in love with an Indian maid over in the antique store
KAW-LIGA – A, just stood there and never let it show
So she could never answer “YES” or “NO”.

He always wore his Sunday feathers and held a tomahawk
The maiden wore her beads and braids and hoped someday he’d talk
KAW-LIGA – A, too stubborn to ever show a sign
Because his heart was made of knotty pine.

Poor ol’ KAW-LIGA, he never got a kiss
Poor ol’ KAW-LIGA, he don’t know what he missed
Is it any wonder that his face is red
KAW-LIGA, that poor ol’ wooden head.

KAW-LIGA, was a lonely Indian never went nowhere
His heart was set on the Indian maiden with the coal black hair
KAW-LIGA – A, just stood there and never let it show
So she could never answer “YES” or “NO”.

Then one day a wealthy customer bought the Indian maid
And took her, oh, so far away, but ol’ KAW-LIGA stayed
KAW-LIGA – A, just stands there as lonely as can be
And wishes he was still an old pine tree.

“The Complete Hank Williams” (1998)

Magicman 3

The quirky movie I reviewed, Moonrise Kingdom, reconnected me with a song I loved as a child.  It was on an old 45 record that belonged to my mother’s best friend from high school.  When the Retleffs sold their farm and tore down their house and barn, they had a huge estate sale.  My mother bought the old record player and all the collected records that Aunt Jenny still had.  They were the same ones my mother and her friend Edna had listened to over and over.  There were two records of singles about Indian love.  Running Bear was about an Indian boy who fell in love with little White Dove.  They lived on opposite sides of a river.  Overcome with love, they both jump into the river, swim to the middle, lock lips, and both drown.  Together forever.  That song, it turns out, was written by the Big Bopper, and given to Johnny Preston to sing, and released the year after the Big Bopper died in a plane crash along with Buddy Holly and Richie Valens.

Kaw-liga, by Hank Williams, was a wooden Indian sitting in front of a cigar store.  His love story is even worse.  As you can see from the lyrics above, he never even gets the girl.  Dang, Indian love must be heck!

But I have come to realize that these aren’t merely racist songs from a bygone era.  They hold within them a plea for something essential.  They are a reminder that we need love to be alive.

When I was young and deeply depressed… though also insufferably creative and unable to control the powers of my danged big brain, I knew that I wanted love.  There was one girl who went to school with me, lovely Alicia Stewart (I am not brave enough to use her real name), that filled my dreams.  We were classmates, and alphabetical seating charts routinely put us near each other.  She had a hypnotic sparkle in her eyes whenever she laughed at my jokes.  She was so sweet to me… sweet to everyone… that she probably caused my diabetes.  I longed to carry her books or hold her hand.  I cherished every time she spoke to me, and collected the memories like stamps in a stamp album.  But like the stupid cigar store Indian, I never spoke up for myself.  I never told her how I felt.  I was endlessly like Charlie Brown with the Little Red-Haired Girl.  Sometimes you have to screw up your courage and leap into the river, even if it means your undoing.  Because love is worth it.  Love is necessary.  And it comes to everybody in one way or another over time.  I look at pictures of her grandchildren posted on Facebook now, and wonder what might have been, if only… if only I had jumped in that stupid river.  I did find love.  And I probably would’ve drowned had I done it back then.  Life has a way of working things out eventually.  But there has to be some reason that in the 50’s, when I was born, they just kept singing about Indian love.

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Filed under autobiography, finding love, humor, Paffooney

Black Obsidian Thoughts

It is quite normal to fear the future. Ironically, one of the things necessary to having a good future is to foresee the worst things that could happen, especially the bad things that are likely to happen, and prepare to do whatever is necessary to survive them. Science fiction that pictures a dark and dystopian future have been popular in recent years. And we are wise to believe they are popular for very good reasons. People with guns in Texas fantasize about a coming Civil War in which they can purge the places they call home of the people they believe they hate because all of their troubles are repeatedly blamed upon those people by propaganda engines like FOX News. Of course, those people being blamed are people of color, immigrants like my wife, and intellectuals like… well, me. So, if our current society were to collapse suddenly, I would be obliged to apply those preparations I have made to try to save my own life. Of course, I am not a prepper, so those preparations don’t actually exist at this time. My plan for that sort of apocalypse is to be one of the first to die.

Among the Native American Dakota and Lakota peoples the magic-men, the Shamans, were self-identified by their dreams. If they dreamed of lightning, they were the ones tasked with ceremonial magic, the maintenance of the village’s spirituality. If they dreamed of the white bison, they were to be a great hunter/warrior, bringing home much venison, hides, and buffalo meat. But if they were a Stone Dreamer, that made them the prophet, the diviner of the possible and probable futures.

So, that’s what I think this essay is for. Stone Dreaming about the blackest of obsidian days to come.

Of course, the first thing to think about with black obsidian thoughts is the Covid pandemic. We already know that it has now evolved into an endemic viral problem. We may be obliged to get vaccinated once or twice or three times a year for the rest of our lives.

And the virus has mutated several times already. Thanks mostly to the fact that it is a world-wide epidemic that has visited high-population countries like China and India and Brazil where not nearly enough vaccinations are administered, especially to poor people. And in this country, there is a strong anti-vax sentiment that makes people express their patriotism and sense of freedom by refusing to get vaccinated and catching a lethal dose of Covid as a consequence of their chosen political values. The consequence could very well be that the human population of Earth is decimated by at least 80% when a Covid variant becomes both more deadly and more vaccine-defeating than it is now. That is a rough stone dream to swallow.

Another potential black obsidian stone dream is the looming threat of climate change and global warming. It is man-made despite what corporations choose to believe. And defeating it depends on those same corporations to stop adding more greenhouse gasses to the atmosphere, and then invent a time machine to take that resolve back in time fifty years. The Western United States is on fire now every Summer. And the oceans have begun to rise. Miami and Houston have already had over-large flooding problems from salt water. Coastal cities throughout the world will be completely underwater soon. Underwater domed cities, fish and seaweed farming, and travel by submersible need to already become reality rather than science fiction. This is the thing that we have to fear the most.

And how do we deal with these dreams of stone-cold reality? There are limits to what the ordinary citizen can do. We can try to live more simply. We can work to recycle more and reduce the amount of trash we generate. Picking up plastics, especially plastic bags to keep the oceans freer of micro-plastic shards will help. Wasting less clean fresh water will help. But unless we are directly related to Jeff Bezos or Elon Musk, we can’t do anything major individually. We must band together and care for the environment as stewards of the land more like the Native Americans once were.

We have to stop being corporate slaves, shopping to buy more stuff like we see on TV, and working harder and harder just to earn money to shop with.

And if we decide not to pay attention to these alarming stone dreams, we must be prepared like the Dakota warriors once were, ready to stake ourselves out on the plain and declare with no weapons in our hands, “Today is a good day to die!”

I am not personally ready for that. Are you?

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Filed under angry rant, artwork, feeling sorry for myself, Paffooney, science fiction, strange and wonderful ideas about life

Saturday Memories and Long-Past Longings

This oil painting is Highway 3 in North Central Iowa. The little town of Rowan is dead ahead on the South side of the road. The year is probably about 1984.

Brent Clarke is a fictional character in several of my novels. He is pictured here with the actual water tower of Rowan, used to portray the fictional water tower of Norwall, Iowa from my novels. In 1984 Brent would have been about 22 or 23 years old. The people the character is based on would have been 28 or 30 in 1984 depending on which one you think he is more like. I will not, of course, tell you who… because you could argue there is no one answer to that question. He is arguably me at some point in every story he is in.

Valerie Clarke is as close as I can come to declaring I have a main fictional character in my novels. She was 11 in 1984, the year that the book Snow Babies is set. The real girls she is based on would have been 28 in 1984 (my former classmate) and 3 years old (my former student.)

Milt Morgan is a fictional me-character, although I can argue he is almost equally based on the “Other Mike” that I grew up with. He was a year older than me and one grade ahead of me in school. In 1984 the character would have been 23. I was 28 and the Other Mike was 29. This portrait was made from a school picture of me. But somehow it also looks a lot like the Other Mike.

This is Anneliese Stein. She is a fictional character based on stories I was told. She was thirteen years old in 1945 when she died at Auschwitz. Her mother brought her back to life as a gingerbread girl in 1975 using fairy magic. Well, possibly through the magic of her mother, Gretel Stein, as a storyteller. And, according to the story that was told, she became a Storybook Fairy when her mother died and became a fairy too.

This is Bobby Niland, a fictional character from several of my novels. He is based entirely on a student from one of my classes in the 90s. The fictional Bobby was only six in 1984. The real Bobby probably seven in 1984. In the story Horatio T. Dogg, Bobby was fourteen and a half.

You can easily see that, because of living a long life with an extra-vivid imagination, not all of my real memories are of real things. There is more to it than meets the eye. This is an imaginary portrait of Valerie again, this time at the age of seventeen. It is one more imaginary thing hopelessly intertwined with all the real things I remember.

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On the Problem of Always Being Wrong

I was a middle-school teacher for thirty-one years. That, of course, basically means I have to be wrong about everything. Principals have told me so. Parents have told me so. And students who have heard them say so take it completely to heart because, well… Who has the most authority to declare someone else completely wrong?

Yes, I have it on good authority… I am wrong about everything, always.


But it is very useful to realize that I am in good company. Galileo was wrong about the sun not going around the Earth. The College of Cardinals said it was so, and the Inquisition forced him to confess he was wrong. Giordano Bruno was so wrong about Copernicus being right that the Inquisition had to burn him at the stake. One would almost think that it is a bad thing to be wrong.

But it’s not.

Science, in fact requires its greatest practitioners to find out all the ways that they are wrong. How else do you create a theory of what is probably right?

It is fundamental to the scientific method to be as right as it is possible to prove. Of course, every scientific theory yields up a lot of anomalies that somehow defy the rules of the currently understood correct theory.

Isaac Newton got thumped on the brain-top by an apple and realized that the same thing that made the apple fall to Earth was making the Moon fall to the Earth, although the Moon is falling at the same rate as it is going around the Earth, so it never finishes the falling.

Later, Albert Einstein would realize that Newton’s gravity would even bend the light of distant stars around the edges of the Sun. And so, he found where Newton, genius that he was, was wrong. And so, the Theory of Relativity was born.

Guess what. Einstein was wrong too.

So, ultimately, it is okay for me to be wrong about things. It is necessary to be wrong before you can find out what is right. So, when I say something stupid like the following…

Comedy is good for you.

You should be naked more.

Fairies are only real if you believe in them.

You must take a leap of faith and live in the world like a Navajo, in tune with the natural world and comfortable with other people living in your world too. Moment by moment in the present moment.

…and eventually, I may stumble upon what is right and true. Or get burned at the stake like Bruno. That happens too.


Filed under artwork, commentary, fairies, humor, Paffooney, philosophy

The Necromancer’s Apprentice… Canto 14

When You Wish Upon a Broom

I woke up to find myself in the red-velvet interior of one of Master Eli’s coat pockets.  I was obviously considerably smaller than my normal two and a half inches of height.

“I’m sorry, Master.  I know I am not supposed to misuse the Magic Hat.  But I couldn’t help it.  It was there.  And I wanted a girlfriend so badly…”

“Mickey, I don’t even have to punish you.  You’ve already gotten the consequences you deserve.  You can’t have sex with one…”

“Master?  How do I stop these aggressive brooms?” the quiet boy said sounding on the edge of desperation.

“…let alone TWO brooms!  You should have used the animate object spell on one of those limestone statues Dizzyglitter is always carving.  At least they are supposed to look like Sylphs.  What are the brooms’ names, Mickey?”

“Merrydew and Cannabis,” Mickey squeaked.

“Give them new orders by name, Bob.”  The Master’s voice seemed to be suppressing a slight chuckle.

I climbed up to the edge of the pocket and looked out.

“Merrydew, sweep the floors.  Cannabis, alphabetize the potion bottles.”

I saw the two brooms stop chasing Bob and take up their new tasks.  Mickey was laid up on the exam table, his body naked except for fur and a huge bandage on his personal love parts.  I was pretty sure that was the consequences the Master spoke of, but I didn’t want to think about how it came to be.

Then I looked up and saw Master Eli looking down at me and picking me up in his gloved left hand.  He lifted me up in front of his scowling face.

“You, I believe have been a very naughty girl, Derfentwinkle.  What do you have to say for yourself?”

“I am very sorry, Master Eli.  I was always planning to return to your service.  But the crows contacted me by telepathy and told me where to find my friend Dollinglammer.  And she had news of my poor sister.”

“You left with some of the magic given you by the Magic Hat, but none of the training you were supposed to get from me.”

“Are you going to punish me?”

“Well, of course not.  What did a student ever learn from being punished beyond how much they should hate their teacher?  You saw the White Stag inside the hat.  That means you were chosen and must stay with me until your quest is completed.”

“My quest?  Is it to free the village of Mortimer’s


“No, of course not.  I mean, the Stag doesn’t tell me much about the future.  Just that you have a quest and we are tasked with helping you.”

He put me gently down on the cold stone floor, took a vial of purple liquid from one of his other pockets, and sprinkled some on my head.  With dizzying suddenness, I was normal-sized again.

“We need to dress you in an apprentice’s robe like Mickey is supposed to be wearing if the sex-crazed brooms hadn’t torn it off him.”

“No.  I don’t wear clothes.  None of my family ever has.”

“It’s not an option.  You need to wear a protective enchantment, both from Bluebottom’s mind control and Master Pippen’s influence spells.”

“Does it have to be a robe?  Bob doesn’t wear a robe.”

“Do you want an enchanted leather jerkin like Bob wears?  Complete with magical advertising signs for our Sorcery business?”

“No, ah…  can it be a necklace, or a hat?”

“Not to hold the spell powers I will make it with.”

“You can wear your apprentice robe open in the front like I do.  I like to show off my manly abs,” said Mickey.

“I can probably make a cloak or a cape,” Master Eli suggested.

“Why do so many Sylphs prefer to be nude?” quiet Bob asked Master Eli.

“Sylphs are naturally immune to heat and cold, so they don’t need clothing to protect them from those things.  And they like the freedom of movement they have with nothing binding to wear.  They don’t need clothes the way Elves and Slow Ones and Brownies do.  There are even Elves that make magical necklaces, collars, and rings to keep them warm or cool so they can be nude also.”

“But some of us just like to be naked all the time,” I said, not really understanding why Bob didn’t know that already.

Bob was looking at me as I stood there naked in front of him.  He had a shy smile on his cute face.  It gave me an unexpected thrill to realize it.

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Filed under fairies, humor, magic, novel, NOVEL WRITING, Paffooney

A Cold Day in Hell… I Mean, Texas

I have arthritis, especially in my feet and knees. Yesterday’s twenty-degree cold wave was enough to make them ache and pin me down in my bedroom all day. I had to buy diabetic socks for the first time since last January.

For the month of December I was using a health app on my phone to measure my walking steps, and I was making as much as three miles a day. And then I blew out the heel of my left foot. I don’t know if I had a blister that burst or not, but the entire callous on the heel fractured and fell off, leaving my heel intensely sore, and the painful limp it caused jangled up the workings of my entire skeleton.

I ended up taking two days off from exercising to let my heel heal.

But the weekend wasn’t a total loss. In fact, my team, the Arizona Cardinals, were in a death-spiral of losing football games until, in the very last regular season game of the year they beat the Eastern Division Champion Dallas Cowboys to end the year 11 wins and 5 losses, good enough to make it into the playoffs as a wild card.

2022 may be a good year after all.

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The Man From Stratford on Avon


I am, unfortunately, a dedicated conspiracy theorist.  No, not the braying, unintelligent kind like Alex Jones who has an unhinged and hidden agenda.  More the Indiana Jones kind, seeking the truth no matter where it leads, but always relying on research, science, and creative methods of re-framing the facts in order to reveal truths that other people don’t see even when the answers are right in front of them.

An example of this is my firm belief that everything we think we know about the man known as William Shakespeare is based on an ages-old deception and is basically an unrevealed lie.

Of course, I am not the only literature-obsessed kook who has ever taken up this notion of someone else having written the great works of Shakespeare.  I share the opinion with Ralph Waldo Emerson, Nathaniel Hawthorn, Walt Whitman, Prime Minister Benjamin Disraeli, Charles Dickens, Actor Derek Jacobi, and the great Mark Twain (also not the writer’s real name) .


It is very possible the standard details of the life of William Shakespeare have been fudged just a bit… or maybe quite a lot.

The biggest question that I can see when looking at the man we pretend is the actual author of the plays, is why doesn’t this man look like an author?  As brought out in the video, the only example we have of the author’s own handwriting are six signatures from legal documents, three of which come from his last will and testament.  And if the name is really William Shakespeare, then the Stratford man misspelled his own name.  He wrote it as Shakspere or Shaksper.  And the handwriting is atrocious, nothing like the carefully practice signature I sometimes put on my own handwritten work.  How does that happen?  I have seen signatures by many other authors, both famous and obscure, and nowhere do I see such careless script as what is allegedly the signature of the greatest and most acclaimed writer who ever lived.

The accepted life story of Shaksper doesn’t bear up under scrutiny either.  In spite of being a wealthy businessman and mayor, his father can be seen to be provably illiterate, relying on associates and underlings to write the paperwork involved in his business and mayoral rule.  There is no proof in the form of enrollment lists or written record of Shaksper having ever enrolled at or attended the school that supposedly taught Stratfordian youths to read and write.  His wife and children and grandchildren were also provably illiterate.  What other writer has such a lack of effect on his own family?

And Shaksper’s will details everything he owned and left to others at his death.  Nowhere is there a mention of plays, manuscripts, poetry, or even books.  The greatest author who ever lived owned no books at all?  He was provably wealthy enough to buy books, and public libraries did not exist back then.  How then did he demonstrate such knowledge of Ovid’s Metamorphosis, as well as the functioning of royal courts both in England and abroad?  How did he get so many details right about places in Italy and Europe which he had never visited or seen with his own eyes?  Something is definitely missing.

It is true that everything mentioned is merely circumstantial evidence.  And yet, if all circumstantial evidence leans in only one direction, then isn’t the conclusion probably sound?


Do you not see the lines of the mask in this portrait?

But if Shaksper, the Stratford man, did not write the masterful literary works he has been given credit for, then who did?  And why did he let the credit go to someone else?

Ah, I am betting you are beginning to smell a multi-part essay brewing.  I mean to tell you who I think is under the mask, who it was I believe actually wrote under the pen name of William Shakespeare.



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Filed under conspiracy theory, goofy thoughts, humor, Paffooney, strange and wonderful ideas about life, William Shakespeare

Picture Tricks

dorin 001 dorin 002 dorin 003

I have discovered things about being an artist by blogging.  I have discovered things by learning from other artists.  I have also discovered things by trial and error.  I have also discovered things by random acts of God.  So let me share some of the ill-gotten picture secrets that I have added to my vast bag of useless incunabula-juice squeezed out with my arcane-secret juicer and internet blogger good luck.

#1.  Save everything arty… as you see above, I have three different pictures of my Catch a Falling Star character Dorin Dobbs, all made from the same pen and ink line drawing.  All the color is digital paint from my computer’s own paint program.  Simple and cheap to do.  Save functions multiply the pretty.

#2.  Splice stuff together and make new stuff…  I have the cheapest possible photo-shop program, but using its entire $7 value every time I paste with it, I am able to create new art out of old.


New art out of old;

Val at the barn Val B2 tree time banner

#3.  Weave things together to create unity…  My art is not for its own sake.  I am not Picasso or Van Gogh.  My art is very much tied to the stories I tell as a writer of Young Adult novels.  (Snow Babies is awaiting its turn with the editors of PDMI LLC Publishers.)

#4.  Promote the art and writing of others…  I have spent a ridiculous amount of internet time stalking artists like Loish and sharing their work on my blog.  Writers too.  I do my little book reports in order to connect the reading and the literary influences I have completed (or stolen from) and show where much of my own style and je nais se quois comes from.  If the artist or writer is still living and notices what I have done, they will often return the favor (hopefully, if they don’t find my work to be an offense against the gods of art).  If they can’t return the favor (because they are quite dead or thoroughly disgusted by me), I have at least associated my work with theirs in the minds of my readers,


#5.  It’s all about digital photography…  In order to share my colored-pencil menagerie of live Paffoonies on the internet, I have to get better at photography.  I have taken far more photos of drawings in the last two years than I have drawn drawings.  That has not been a life-long way of things.  I love color, and poor photography skills turn out various shades of gray.  Sunlight?  Incandescent?  Fluorescent?   I haven’t discovered that secret yet, but it will never be uncovered if I don;t keep trying.

#5. Find connections that help pull your work together in one big, messy bundle…  Facebook, WordPress, and Deviant-Art are all better forums if you can connect them.  I did this by labeling everything Mickey with a meaningless made-up word that no one else in their right mind would use.   The word is Paffooney.


A picture search on Google using the words “Beyer Paffooney” gives you an almost complete gallery of my artwork and nonsense.  Googling the word itself yields a link to a plethora of my old blogs.  Do you not know what plethora means?  Try it and you will learn that very good word.

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Filed under Paffooney, humor, artwork

Picture Palooza

This Saturday Art Day is about whatever danged pictures I whimsically decide to show you. I am not proud of them all. I am too focused on being a better artist. But today you take what you can get.

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