Category Archives: Paffooney

Made-Up People

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I often get criticized for talking to people who are basically invisible, probably imaginary, and definitely not real people, no matter what else they may be.

The unfinished cover picture is from the novel The Bicycle-Wheel Genius which I just finished the final rewrite and edit for.  All of the characters in that book are fictional.    Even though some of them strongly resemble the real people who inspired me to create them, they are fictional people doing fictional and sometimes impossible things.  And yet, they are all people who I have lived with as walking, talking, fictional people for many years.  Most of those people have been talking to me since the 1970’s.  I know some of them far better than any of the real people who are a part of my life.

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These, of course, are only a few of my imaginary friends.  Some I spend time with a lot.  Some I haven’t seen or heard from in quite a while.  And I do know they are not real people.  Mandy is a cartoon panda bear, and Anneliese is a living gingerbread cookie.  I do understand I made these people up in my stupid little head.

But it seems to me that the people in the world around us are really no less imaginary, ephemeral, and unreal.  Look at the current Presidentumb of the Disunited States.  He is an evil cartoon James Bond villain if there ever was one.

Animated cast of OUR CARTOON PRESIDENT. Photo: Courtesy of SHOWTIME

Animated cast of OUR CARTOON PRESIDENT. Photo: Courtesy of SHOWTIME

People in the real world create an imaginary person in their own stupid little heads, and pretend real hard that that imaginary person is really them in real life.  And of course, nobody sees anybody else in the same way that they see themselves.  Everybody thinks they are a somebody who is different from anybody else who thinks they are a somebody too, and really they are telling themselves, and each other, lies about who somebody really is, and it is all very confusing, and if you can follow this sentence, you must be a far better reader than I am a writer, because none of it really makes sense to me.  I think everybody is imaginary in some sense of the word.

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So, if you happen to see me talking to a big white rabbit-man who used to be a pet white rabbit, but got changed into a rabbit-man through futuristic genetic science and metal carrots, don’t panic and call the police.  I am just talking to another fictional character from a book I just finished writing.  And why are you looking inside my head, anyway?  There’s an awful lot of personal stuff going on in there.  Of course, you only see that because I wrote about it in this essay.  So it is not an invasion of privacy.  It is just me writing down stuff I probably should keep in my own stupid little head.  My bad.

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Filed under characters, colored pencil, commentary, goofy thoughts, humor, novel plans, NOVEL WRITING, Paffooney, rabbit people, strange and wonderful ideas about life

How NOT to Tell a Story – Part Two

Yesterday, in Part 1, I tried to convince you that, “You should never take too long a time writing a story” because I have written some twenty-plus-year-long novels that took me forever to write, and I am an unsuccessful writer. So, you should not do things the way I did. (Some might accuse me of trying to use a little too much irony, claiming I am a bit too obscure about what I am actually telling you that you should actually do… But, remember, I advised you not to take advice from Mickey. And you need irony in your diet anyway to avoid irony-poor tired blood.) Therefore I am going to advise you further that, “You should never make your characters too complex and interesting.”

After all, there are Mickian characters that are literally blue with red patches on their cheeks that absorb harmful gamma radiation and make those characters immune to radiation sickness from exposure in deep space. You don’t want to make readers so curious about a character that they waste time reading more and more closely to discover more about that character.

Junior Aero, the alien Nebulon boy in the AeroQuest stories, is just one example. Not only is he a member of an alien race that is belittled as “Space Smurfs” and treated to racial bigotry based on skin color and not being able to speak English at first, but he is also gifted with mental “Psion powers” that allow him to telepathically read computer minds, even the sentient and intelligent ones.

And some of my characters are green with shark-like fins on their heads. They were born on Starships and orbiting artificial satellites like the one going around Barnard’s Star. They are like George Jetson here, named after his father, Xiar’s, favorite Earther cartoon show character from the 60’s. Not only is he a green-skinned amphibious humanoid life-form from a different star system, he learns a lot about himself in the adventure he has in the novel Stardusters and Space Lizards. He goes from being a narcissistic space-pilot wannabe into becoming a humble crash survivor and expedition leader who helps save an entire planet from ecological disaster. And he even gets a girlfriend out of the deal in Menolly, his nestmate and fellow survivor.

Characters like that are far too interesting and developed to be good for your reputation as a serious producer of money-making fiction stories. And you certainly don’t want to waste time on developing the same characters in multiple books.

I used the character of Valerie Clarke in the book When the Captain Came Calling as an eleven-year-old protagonist who loses her father and has to rely on older kids and good friends to save herself from depression and the trash-pits of despair.

I used her again as a main character in Snow Babies, where she befriends a mysterious stranger and also finds a runaway boy who makes her think seriously about life and young love, all in the middle of a deadly blizzard.

She’s also in the book Sing Sad Songs where she learns to negotiate love with a boy who also lost a parent, in fact, both parents and a twin sister, in a car crash that made him a lonely orphan. She not only has to face the loss of her own loved ones, but has to help somebody else to face the same thing, in fact, more than one other somebody.

She’s also a character in The Bicycle-Wheel Genius and Fools and Their Toys.

It is unthinkable to use a character that much and make her grow and change in so many different ways. She should be used only once in a simple and clear way. Like, maybe, Mark Twain’s use of Huckleberry Finn.

Huck, as a character was only used in the books, The Adventures of Tom Sawyer, The Adventures of Huckleberry Finn, Tom Sawyer Abroad, Tom Sawyer, Detective… and… never mind. Forget I even said anything about Huck Finn. In fact, maybe this whole post is so ironic it’s making my story-teller gears all rusty. Never-the-less, let me threaten you with a possible part three.

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Filed under characters, goofiness, humor, NOVEL WRITING, Paffooney, writing teacher

How NOT to Tell a Story

If you have come to my blog in hopes of gleaning some key advice about how to write novels or tell a story, then the wisest advice I can give you is, “Do not take any advice Mickey gives seriously.” He used to be a writing teacher in public schools. That is true. But he is also the writer of weird surrealistic novels full of purple paisley prose. And he is not a successful novelist like Steven King or J.K. Rowling. His writing advice is probably only worth ca-ca poo-poo.

So, let me tell you how NOT to write a novel.

Each of the novels I have written and displayed here took me more than twenty years from the moment I conceived of the idea, through plotting, rough drafts, revisions, re-plotting, expanding the story, to finally publishing them in 2017, 2018, and 2019. I developed the stories from real people, real events, and real themes that were a part of my life and added to each of the stories as time passed. So, obviously, you should never take too long a time writing a story. It is true that Snow Babies is the best novel I have ever written, and I count Sing Sad Songs, The Baby Werewolf, and When the Captain Came Calling among my best work. And I only spent one year in the writing of Aeroquest, which is, ironically, the worst thing I have ever written. So, you can see that following any advice Mickey might give you about taking your time with writing is obviously worthless. I took too long writing and publishing my best books, and that is why I will die a penniless, unknown writer.

But I admit to having even more bad advice to warn you not to take. More, I think, than I can put into this one post. So, I will Part-Two this particular essay and take up the topic again in the very near future. Or forget all about it completely. It has to be one of those.

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Filed under feeling sorry for myself, humor, NOVEL WRITING, Paffooney, surrealism, writing teacher

A Peek Inside the Portfolio

Here’s a bit of the file called Novel Pix (illustrations for my novels);

from Stardusters and Space Lizards
from AeroQuest
from Sing Sad Songs
from Snow Babies
from Fools and Their Toys
from When the Captain Came Calling
from Superchicken
from Catch a Falling Star
When the Captain Came Calling
from Snow Babies
from The Baby Werewolf
from Recipes for Gingerbread Children

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Filed under artwork, illustrations, Paffooney

Dolly Pics

I like taking pictures of my doll collection. Those pictures are then qualified for Art Day posting. So, here are random pictures of dolls, most of which are from the doll shelf in my bedroom.

Not all of my dolls are on the doll shelf.

Chilly Willy here is a carnival prize that was probably won in a basketball-toss game at Six Flags and purchased by me for five dollars in a garage sale. He is technically not a doll. He is a stuffed animal.

So, let’s get back to dolls.

More stuffed animals, as well as ponies and paper dolls to add to this immense doll collection.
Creepy Captain Action lurks behind mint=in-box Emma Watson as Belle while he looks for his lost hat. But Bo Peep and Wonder Woman are keeping an eye on him.
I had to stop here as the caveman Minion had to go and start a fight with Peter Rabbit. Leave it to a mindless Minion… “Oobah Dee?” “Sorry, boss.”

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Filed under artwork, autobiography, Disney, doll collecting, humor, Paffooney, photo paffoonies

Aunt Minnie’s Love Seat

This is a story about an innocuous piece of furniture in Great Aunt Minnie Efram’s house.  It was a little brown loveseat with carved wooden monster feet.

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As the story begins, the little loveseat was sitting in the parlor in front of the small black and white television.  During the monthly Efram family card party, the love seat was the only place for the two of them to spend the evening.  But he was ten and he hated girls.  He had a reputation with the guys at school as a girl hater, and he couldn’t have it known that he was sitting on a loveseat with Uncle Henry’s stepdaughter, the one the guys all said they had seen eating her own boogers.

She was also ten, and in his class at school.  She liked to watch him more than any of the other boys.  But she didn’t know why.  She liked unicorns and the color pink, but she also kinda liked the way boys looked at her when she wore shorts.  And she liked seeing him in PE class at school, wearing shorts.  He was athletic and often won games in PE.

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After two years of monthly card parties happening during at least three different months every year at Aunt Minnie’s place, he had discovered that girls didn’t actually smell bad, and this one actually listened when he talked about playing football, and how it made him feel when he scored the seventy-five-yard touchdown.  In fact, the more he talked about football, and the closer they sat to each other, the better she seemed to smell.  He liked that smell.

She liked that he didn’t only pay attention to her at the card parties anymore.  He actually said, “Hi” in public.  And she liked his smile, even when he got braces.  He let her pick the shows they watched on the old black and white television while seated on the loveseat.  She actually worked up the nerve to tell him that she had told Jane at school to ask him if he liked her, and stupid Jane had completely forgotten to ask him, or maybe Jane was just too chicken to ask him and used the excuse that she forgot.

He said that if she liked him, he liked her.  But if she didn’t, he didn’t either.  “Like” her, he meant.  Which he did because she did.

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After two more years and six more card parties worth of scootching behinds closer together on the old loveseat, something different had happened.  And it was about time too.  Aunt Minnie had bought a puppy, and that not only was a bad thing for the seven cats that lived with old Minnie, but it was hard on the loveseat too.  One of the little couch’s monster feet was lost, and the numerous instances of terrified cat claws digging in were beginning to have an effect on the upholstery.  And that danged dog wizzled everywhere.  The loveseat had one purpose in life, and it didn’t want to give in to wear and tear before achieving that purpose.

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But the very next year brought disaster.  He apparently told the members of the freshman football team that something had happened on that old love seat that really hadn’t happened.  The football team was impressed because they all thought she was pretty hot stuff, and he was generally thought of as a lame-o dweeb.  She heard about it from Jane who heard about it from Nanette’s boyfriend who was on the team.  And she got mad.  How dare he say something like that when it wasn’t true?

In January of that year, Aunt Minnie passed away in her sleep.  The loveseat was sold at auction to a farmer who liked to do re-upholstery as a hobby.  It got re-done in red velvet and leather with wheels replacing the wooden monster feet and sold to a car dealer in Des Moines who placed it in the lobby show-room for customers to sit on.

But the story has a happy ending.  She would later make his locker room lie into the truth on Prom Night (fortunately with protection) and then went on to marry him when they both were sophomores in college.   Of course, it wasn’t always, “They lived happily ever after,” because they didn’t.  They got divorced once and got re-married shortly after… to each other.  They had three kids.  And the loveseat didn’t ever learn any of that.  Because it was a loveseat.  You didn’t really think loveseats could know anything, did you?

 

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Filed under finding love, goofy thoughts, humor, nostalgia, Paffooney, strange and wonderful ideas about life

The Blue Man

The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.
The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.

When I was in Iowa last, and had a chance to see the younger of my two sisters, Mary Ann, she told me flat out that she really liked my most recent blog posts and that I should give up all together on my gloomy pessimistic ones.  This, of course, was confusing to me because all my blog posts are relentlessly gloomy and never make anyone smile, so I did not know for certain what she was responding to.

As I have shared on more than one occasion, I suffer from six incurable diseases and am a cancer survivor.  I don’t plan on living more than decade further at my most optimistic, and I told you recently that I am a confirmed pessimist.  At worst, I could be dropping dead from stroke or heart attack as soon as I post this silly sour old post.  I will be absolutely delighted to live long enough to finish another novel or two and maybe even see them published.   I keep close track of my remaining hours because each one is rare and precious to me, even the ones that are quite painful and hard.  So gloomy is as gloomy does.  I am constantly celebrating that I have lived this long already.  How depressing is that?  … the celebrating every day thing, I mean?

And of all the people who suspect I might be a fish sticks and custard sort of person, Mary Ann is not one of them.  She watches Doctor Who and knows that that is exactly what I am.  I am goofy and scatter-brained and a barely contained barrel of weird energy and misplaced enthusiasm. I do stuff like fill my bedroom Barbie shelf with bizarre and kitschy little 12-inch people.

The Barbie Shelf
The Barbie Shelf

I appreciate melancholy and being blue, because the hollows of the valleys of depression make you appreciate the giddy heights so much more.  And I do realize that I am stringing big words and goopy metaphors together to sound all literary and brooding… but that’s what real geniuses whom I am trying to emulate do to reach the highest heights.  They run down through the valley at the fastest possible pace to build up enough speed to shoot up the side of the mountain on the other side.  It is a Wiley Coyote trick for using cartoon physics in your own favor.  It is the reason I am still tending the flower wagon, trying to coax zinnias into blossoming during the depressingly renewed Texas drought.  It is the reason I keep adding to my collection of sunrises.  The dark blue pieces of the puzzle of life provide the contrast that help you define the puzzle picture of the brightest sunshine and light.

The blossoms in the flower wagon reached a new record number today, despite the heat.
The blossoms in the flower wagon reached a new record number today, despite the heat.
Sunrise on a school day when I don't have to go to school because I am retired.
Sunrise on a school day when I don’t have to go to school because I am retired.

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Filed under battling depression, humor, Paffooney

D & D Sidekicks

Why did Batman have Robin the Boy Wonder?  Not only that, but why Bucky and Captain America?  Green Arrow and Speedy?  Aquaman and Aqualad?  Superman and Krypto the Super Dog?  Fredric Wertham, the Seduction of the Innocents and the Comics Code guy, would have you believe that they were there to make young boys turn gay and violent.  But that was nonsense, wasn’t it?  Better change Krypto for photographer Jimmy Olsen just in case.

But if that was merely nonsense, why was it such a part of the formula?

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As a D & D dungeon master, I have my own theory about sidekicks and their function in story-telling.

Young sidekicks were an important part of the stories I told as a game master because the players in my games were mostly adolescent boys themselves.  It was the same as the primary readers of Batman comics in the 1950’s of Wertham’s Comics Code.  The young hero or adventurer character, most often in the form of a non-player character, was someone they could relate to because of age.  They had more in common with the sidekick than the lead hero.  It helped to draw them into the story and make it relevant.

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As a storytelling device, you often find the young apprentice character in novels written for younger audiences.  Think of David Eddings’ Belgariad, or Lloyd Alexander’s  Chronicles of Prydain, or Treasure Island by Robert Louis Stevenson.  The characters of Garion the youngster in the Belgariad,  Taran the young protagonist of Prydain, and certainly Jim Hawkins of Treasure Island.  

So, with that realization, I incorporated youthful characters, both boys and girls, as apprentices and student-adventurers.

Eli Tragedy

Initially it proved to be a hard thing.   Wizards and sorcerers, according to D & D rules, can take an apprentice once they reach level three.  But first-level characters as apprentices are vulnerable because damage done by third level monsters wipes out the meager hit point reserves of a beginner character.  After several traumatic deaths of beloved sidekicks, the player characters begin to take steps to protect them better in combat, or quickly learn where to find priests with resurrection spells who work really cheap.

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Of course, these characters are useful for more than just creating combat complications.  They are really useful for comic relief.  The missteps, mistakes, and total botch-jobs that these inexperienced younger characters create can make us laugh, make us sweat a little to correct it, and move the plot forward in interesting ways that I, as the game master, wouldn’t have otherwise planned.

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So, hopefully, Mr. Wertham’s ghost isn’t hovering over my D & D game thinking it is all a plot to create a generation of violent, gay youths.  Hopefully he can see that it is all a part of a well-established story-telling literary device that actually helps to educate and deepen the understanding of youths.  But it is swiftly becoming irrelevant what Wertham’s ghost thinks anyway.  I haven’t played D & D for a while now.  My sons and daughter now have their own groups of friends, playing under different dungeon masters with different dice.  But hopefully, the need for youthful sidekicks will remain.

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Filed under Dungeons and Dragons, heroes, humor, Paffooney, strange and wonderful ideas about life

The Uncritical Critic Likes to Read Books Too!

I told you before that I make a lousy movie critic because I watch anything and everything and like most of it.  You don’t believe me?  You can look it up through this link; The Uncritical Critic

I hate to tell you this, but it is almost exactly the same for books too.

flying goldfish

The Paffooney is an illustration for a proposed collaboration on a children’s book.  My friend and fellow author Stuart R. West (Stuart’s Blogspot about Aliens) had a story about three kids taking a balloon ride when they accidentally gave the goldfish bubble gum to chew ignoring their mother’s warning that dire consequences would follow.  He decided the project was too ridiculous to follow through on, or at least my Paffooney power wasn’t up to making sense of his brilliant literature, and the book did not happen.  And I am sorry about that because I couldn’t wait to find out how it turns out.  I love weird and wild stories of all kinds.  And, unfortunately, I love them uncritically.

So, what kind of books would a goofy uncritical critic actually recommend? Let me lay some bookishness on ya then.

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Here is the review I wrote for Goodreads on Terry Pratchett’s The Amazing Maurice and His Educated Rodents.

I have always felt, since the day I first picked up a copy of Mort by Terry Pratchett, that he was an absolute genius at humor-and-satire style fantasy fiction. In fact, he is a genius compared to any author in any genre. He has a mind that belongs up there with Mark Twain, Charles Dickens, and William Faulkner… or down there as the case may well be. This book is one of his best, though that is a list that includes most of his Discworld novels.
Amazing Maurice is a magically enhanced cat with multiple magically enhanced mice for minions. And the cat has stumbled on a sure fire money-making scheme that completely encompasses the myth of Pied Piper of Hamlin. In fact, it puts the myth in a blender, turns it on high, and even forgets to secure the lid. It is funny, heartwarming, and changes the way you look at mice and evil cats.
This is a book to be read more than once and laughed at for the rest of your life.

You see what I mean?  I uncritically praise books that make me laugh and think deeply about things at the same time.  It is as if I don’t have any standards at all if something is brilliantly written and makes a deep and influential impression on me.

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Here’s another book that I love so much I can’t be properly critical when I reread it.  A Tale of Two Cities by Charles Dickens.  I cannot help but be taken in by the unrequited love the dissolute lawyer Sydney Carton had for the beautiful refugee from the French Revolution, Lucy Manette.  Tragic love stories melt my old heart.  And I can’t help but root for Charles Darnay as well, even though I know what’s going to happen in Paris at the Bastille because I have read this book three times and seen the Ronald Coleman movie five times.  I also love the comical side characters like Jerry Cruncher the grave-robber and hired man as well as Miss Pross, the undefeatable champion of Miss Lucy and key opposer to mad Madam Defarge.

I simply cannot be talked out of praising the books I read… and especially the books I love.  I am totally uncritical as a reader, foolishly only looking for things I like about a book.  Real critics are supposed to read a book and make faces that remind you of look on my little brother’s face when I had to help him use an outhouse for the first time.  (Oh, what a lovely smell that was!)  (And I mean that sarcastically!)  Real critics are supposed to tell you what they hated about the book and what was done in such a juvenile and unprofessional way that it spoiled all other books forever.  That’s right isn’t it?  Real critics are supposed to do that?  Maybe I am glad I’m not a real critic.

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Filed under book review, humor, Paffooney

If You are the Villain

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Filed under artwork, cartoons, humor, Paffooney, villains