Tag Archives: writing

Aunt Minnie’s Love Seat

This is a story about an innocuous piece of furniture in Great Aunt Minnie Efram’s house.  It was a little brown loveseat with carved wooden monster feet.

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As the story begins, the little loveseat was sitting in the parlor in front of the small black and white television.  During the monthly Efram family card party, the love seat was the only place for the two of them to spend the evening.  But he was ten and he hated girls.  He had a reputation with the guys at school as a girl hater, and he couldn’t have it known that he was sitting on a loveseat with Uncle Henry’s stepdaughter, the one the guys all said they had seen eating her own boogers.

She was also ten, and in his class at school.  She liked to watch him more than any of the other boys.  But she didn’t know why.  She liked unicorns and the color pink, but she also kinda liked the way boys looked at her when she wore shorts.  And she liked seeing him in PE class at school, wearing shorts.  He was athletic and often won games in PE.

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After two years of monthly card parties happening during at least three different months every year at Aunt Minnie’s place, he had discovered that girls didn’t actually smell bad, and this one actually listened when he talked about playing football, and how it made him feel when he scored the seventy-five-yard touchdown.  In fact, the more he talked about football, and the closer they sat to each other, the better she seemed to smell.  He liked that smell.

She liked that he didn’t only pay attention to her at the card parties anymore.  He actually said, “Hi” in public.  And she liked his smile, even when he got braces.  He let her pick the shows they watched on the old black and white television while seated on the loveseat.  She actually worked up the nerve to tell him that she had told Jane at school to ask him if he liked her, and stupid Jane had completely forgotten to ask him, or maybe Jane was just too chicken to ask him and used the excuse that she forgot.

He said that if she liked him, he liked her.  But if she didn’t, he didn’t either.  “Like” her, he meant.  Which he did because she did.

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After two more years and six more card parties worth of scootching behinds closer together on the old loveseat, something different had happened.  And it was about time too.  Aunt Minnie had bought a puppy, and that not only was a bad thing for the seven cats that lived with old Minnie, but it was hard on the loveseat too.  One of the little couch’s monster feet was lost, and the numerous instances of terrified cat claws digging in were beginning to have an effect on the upholstery.  And that danged dog wizzled everywhere.  The loveseat had one purpose in life, and it didn’t want to give in to wear and tear before achieving that purpose.

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But the very next year brought disaster.  He apparently told the members of the freshman football team that something had happened on that old love seat that really hadn’t happened.  The football team was impressed because they all thought she was pretty hot stuff, and he was generally thought of as a lame-o dweeb.  She heard about it from Jane who heard about it from Nanette’s boyfriend who was on the team.  And she got mad.  How dare he say something like that when it wasn’t true?

In January of that year, Aunt Minnie passed away in her sleep.  The loveseat was sold at auction to a farmer who liked to do re-upholstery as a hobby.  It got re-done in red velvet and leather with wheels replacing the wooden monster feet and sold to a car dealer in Des Moines who placed it in the lobby show-room for customers to sit on.

But the story has a happy ending.  She would later make his locker room lie into the truth on Prom Night (fortunately with protection) and then went on to marry him when they both were sophomores in college.   Of course, it wasn’t always, “They lived happily ever after,” because they didn’t.  They got divorced once and got re-married shortly after… to each other.  They had three kids.  And the loveseat didn’t ever learn any of that.  Because it was a loveseat.  You didn’t really think loveseats could know anything, did you?

 

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The Blue Man

The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.
The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.

When I was in Iowa last, and had a chance to see the younger of my two sisters, Mary Ann, she told me flat out that she really liked my most recent blog posts and that I should give up all together on my gloomy pessimistic ones.  This, of course, was confusing to me because all my blog posts are relentlessly gloomy and never make anyone smile, so I did not know for certain what she was responding to.

As I have shared on more than one occasion, I suffer from six incurable diseases and am a cancer survivor.  I don’t plan on living more than decade further at my most optimistic, and I told you recently that I am a confirmed pessimist.  At worst, I could be dropping dead from stroke or heart attack as soon as I post this silly sour old post.  I will be absolutely delighted to live long enough to finish another novel or two and maybe even see them published.   I keep close track of my remaining hours because each one is rare and precious to me, even the ones that are quite painful and hard.  So gloomy is as gloomy does.  I am constantly celebrating that I have lived this long already.  How depressing is that?  … the celebrating every day thing, I mean?

And of all the people who suspect I might be a fish sticks and custard sort of person, Mary Ann is not one of them.  She watches Doctor Who and knows that that is exactly what I am.  I am goofy and scatter-brained and a barely contained barrel of weird energy and misplaced enthusiasm. I do stuff like fill my bedroom Barbie shelf with bizarre and kitschy little 12-inch people.

The Barbie Shelf
The Barbie Shelf

I appreciate melancholy and being blue, because the hollows of the valleys of depression make you appreciate the giddy heights so much more.  And I do realize that I am stringing big words and goopy metaphors together to sound all literary and brooding… but that’s what real geniuses whom I am trying to emulate do to reach the highest heights.  They run down through the valley at the fastest possible pace to build up enough speed to shoot up the side of the mountain on the other side.  It is a Wiley Coyote trick for using cartoon physics in your own favor.  It is the reason I am still tending the flower wagon, trying to coax zinnias into blossoming during the depressingly renewed Texas drought.  It is the reason I keep adding to my collection of sunrises.  The dark blue pieces of the puzzle of life provide the contrast that help you define the puzzle picture of the brightest sunshine and light.

The blossoms in the flower wagon reached a new record number today, despite the heat.
The blossoms in the flower wagon reached a new record number today, despite the heat.
Sunrise on a school day when I don't have to go to school because I am retired.
Sunrise on a school day when I don’t have to go to school because I am retired.

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Dark Mickey, the Blackest Secrets

This is a post about every evil thing that Mickey has done and kept secret (or things that Mickey has been accused of even if he didn’t really do them.) he

Starting with the Werewolf lie. Mickey (as the teacher known as Mr. Beyer, Mr. B, the Batman, and Mr. Gilligan’s Island) is not now, nor has ever been… a werewolf. The excessive growth of facial hair, especially around the full moon, is just an inherited family trait. NOT LYCANTHROPY! Mickey has never eaten a student, not even the bad ones who disappeared from our school. (They were removed by law enforcement and continued their education in prison.)

Emmalina, pictured above, was not really a werewolf either. She did not eat her boyfriend when he tried to dump her. She never threatened to bite Mickey if he didn’t give her A-plusses in English class. She never bit Mickey trying to turn him into a werewolf too. She’s a character in a fiction story. She doesn’t really exist. And the the real girl Mickey based the character on was not a werewolf either… at least, not that Mickey can prove.

Mickey is also a liar. He lies every time he sits down to his computer to work on his W.I.P.. He tells extensive lies that last between 15,000 and 75,000 words, but average around 35,000 words. He tells these lies about real people that he has known, though he lies about their names and calls them something way different than their real names. And the events he says happens to them in these extended lies didn’t really happen. So, basically, these are all fiction. In fact, their technical designation is either novella or novel.

Mickey does have some things to confess. He really is a horrid little goody-two-shoes who has always been too timid to actually ever commit a crime of any kind. He has been known to tell some lies that were not merely fiction. The big lie when he was a kid was, “I’m fine. Really, nothing is wrong.” If you have read much of this blog, you probably already know why that is a big lie.

Mickey does not have a very good marriage. He has been married for 31 years. That is really five good years, twenty-three tepid and kinda boring years, and three really bad years. Religious differences were the first problem that made it not great to be married. Mickey had great difficulty accepting that he was evil and detestable in God’s eyes. Mickey’s wife pointed out specific Bible verses to prove it. And somehow the verses in Proverbs that explained how a good wife acted were always invisible whenever Mickey looked them up during family Bible study.

Mickey is now an atheist who believes in God. Mickey understands that to mean he is a Christian Existentialist. His wife understands that to mean he is going to Hell when he dies… if only Jehovah’s Witnesses believed in Hell. But the reward ultimately is that she won’t have to share household space with him in Paradise, since he won’t be there.

But Mickey isn’t upset about any of that. The two of them have three wonderful kids who were all terribly bad in some way or other growing up, but now that they are responsible adults, they generally do good things… even if the good things they do somewhat resemble the way their evil dad taught them to be.

Mickey has one imaginary granddaughter. She’s imaginary because she didn’t make it all the way to the point where she would’ve become a real granddaughter… or grandson. But that’s also okay. It could’ve been worse. We could’ve lost two instead of one. And Susu is a lovely imaginary granddaughter.

And Mickey is also a nudist. He writes stories about naked people. And he visits places where naked people gather. This embarrasses the rest of the family. They choose not to remember when the children were younger and we had a pool and we did skinny-dipping at night with the underwater lights on in the pool. It was fun. And their embarrassment about it is still fun.

So, Mickey has lived a terrible, sordid life. It is a shame that he deeply regrets… with only a little laughter in the background.

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Why School Should Be Cool

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I was a school teacher for thirty-one years, and in spite of the immense amount of brain damage that builds up over time, especially as a middle-school teacher, I think I know what we’ve been doing wrong.

We need to take a look at an education system where things are working better than they are here.

Now, I know you probably didn’t click on the boring video about school.  Heck, you probably aren’t even reading this sentence.  But I can summarize it and put it in easy-to-understand words.  Finland does not have to educate as many poor and disadvantaged kids as this country does.  The video gives five ways that Finland does it better, but all of them boil down to the basic notion that the country is more homogeneous and uniformly middle-class than ours is.  Still, we can learn things from them.

The first of the five ways that Finland does it better is a difference in government.  While U.S. governmental safety-net programs blame people who need food stamps for being lazy (even though some of them work 40-hour work weeks in minimum-wage jobs), Finland gives a huge package to parents of everything they might need as soon as their child is born.  As long as the child is in school, the government does many things to support the family’s efforts to educate them.  Imagine what we could accomplish here if we invested some of the vast fortune we give to corporations in subsidies into educating poor black and Hispanic children instead.  Children have a hard time learning in school when they come to school hungry.  If we could only feed them better, the way the Fins do, we would revolutionize our classrooms.

The second point the video makes is the biggest suds-maker every time I get on my teacher’s soap box.  They don’t give kids homework and they only give them one standardized test when they leave high school.  I have recently covered this topic more thoroughly in a post in which I was able to ridicule Florida governor Rick “Skeletor” Scott.  (Boy, did I enjoy doing that.)  But I won’t go into all of that again here.

The third thing is respecting teachers.  In Finland they treat teachers with the kind of respect that they give to doctors and lawyers.  How cool is that?  In Texas, calling someone a teacher is an epithet.  If a teacher is liked or even loved by their students, administrators are encouraged to keep a closer eye on them to figure out what’s wrong.  Students are supposed to hate their teachers and sit all day filling out mind-numbing test-preparation worksheets.  Imagine what it could be like if teachers weren’t the scum of the earth.  They might actually have students convinced that learning goes on in their classrooms.

The fourth point is that Finland does not try to cram more and more memorized details into young brains so they can spit it all back out on a test.  They take students thoroughly into the subject of study, and at a slower, easier pace.  They dive deep into the river of learning instead of wade through the wide and shallow parts.  All questions get answered.  And by that, I mean, student questions, not teacher questions.  The learning is student-centered.

Finally, the video states that Finland simply has fewer social ills in their country to get in the way of good quality education.  But even though the work is harder in this country, the potential is really there to go far beyond what Finland is capable of.  We have a natural resource that is totally untapped in this nation.  We don’t develop the minds of a majority of our children in any meaningful way.  And I can tell you from having done it, you can teach a poor or disadvantaged child to think.  You can give them the tools for academic, economic, and personal success.  You can make them into valuable human beings.  But you should never forget, they are already precious beyond measure.  We just ignore and trash that inherent value.  So, the information is out there about how to do a better job of educating our children.  We need to follow through.

Here endeth the lesson.

 

 

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Filed under angry rant, commentary, education, humor, insight, teaching

Being and Artistry

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Being an artist is a matter of genetics, luck, and loads of practice.  I began drawing when I was only four or five years old.  I drew skulls and skeletons, crocodiles and deer on everything.  My kindergarten and first grade teachers were constantly gritting their teeth over the marked-up margins of every workbook and worksheet.  I drew and colored on everything.  I eventually got rather good, drawing in pencil, crayon, ink, and as you see here, colored pencil.  I loved to draw the people and things around me.  I also drew the things of my imagination.  I drew my best girl, Alicia, and I drew the half-cobra half-man that lived in the secret cavern under our house.  I drew a picture of the house across the underpass from Grandma Mary’s house.  I drew cardinals, and I drew Snoopy cartoons.  I drew my sports heroes in football and hockey, Donny Anderson and Gordie Howe.  I drew monsters with fangs and fuzzy animals with huge soulful eyes.  I still draw and it’s mostly the same things that I drew when I was a child.  I will post more of the drawings here in the near future to dazzle you with my talents and ridiculous sense of the absurd.

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I inherited art talent from my father’s side of the family.  He could always draw fairly well, though he only used the talent to draw things he meant to build or create in his workshop.  He was a practical man who loved to tinker and make things work in a useful manner.  He had no love or need for that which is fanciful and fantastic.  I suspect, though, that he encouraged my artistical flights of fancy because it spoke to an unfulfilled portion of his own creative instinct.  My Great Aunt Viola was also an artist.  She loved to paint flowers on porcelain and create delicate beauty in items like plates and vases.  Her art was more fanciful than my Dad’s art, but it still had a certain Midwestern practicality at its roots. 

I hoped early on to be a cartoonist or comic-book artist.  I loved to draw wildly imaginative things.  The first cartoons I created were all about outer space.  I wrote stories and drew pictures of Zebra Fleet, a Star-Trek-like space force that kept peace in an area of space inhabited by dog-headed humanoids.  It was fanciful and goofy at the same time.  Since then I tried my hand at a Cowboys and Indians cartoon strip, built around the massacre of Custer’s command at the Little Bighorn.  I researched the Indians of the Dakotah, Crow, Shoshone, and Hidatsa Tribes for my cartoon.  I learned to love drawing feathers, totems, magic men, shamans, shirt men, and lovely Indian girls.  Nowadays I draw the adventures of weird little Toons from Animal Town and the various strange places in Fantastica.  Teenage Panda Girls go out for cheerleading and fail, seeking to wreak revenge on Animal Town.  Hairy Bear is a Grizzly with a tiny body and a huge reputation earned by fantastical hair growths and the ability to make large hair-pieces.  The Four Bares are a family of bears who live at Newt’s Naturist camp and turn Animal Town upside down when they insist on their right as top-of-the-food-chain predators to go anywhere they like naked.  If you are lucky, I will never be a published cartoonist.  I made a serious stab at it.  I came close in two different job interviews and one major submission, but I have arthritis, and it attacked my hands at just the right time to make me a school teacher instead of a cartoonist.

Drawing has become for me a hobby and a lifestyle all about the color and the symbol.  I try to cram as much story and meaning into every figure or picture I do.  Each drawing is precious, and I must squeeze as much as I can from each one, because drawing has become so hard to do and is such a rare thing.  I lean towards the blue in my cartoons.  There is a certain Blue Period about my melancholy work and life.  Things turn out wrong at the end of my stories and there is no happily ever after.  When the nighttime comes, I have to go to sleep with the urge to draw more.  I’ll draw more in the next life, or maybe in my dreams.

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Anita Jones, the Little Red-Haired Girl

Anita Jones is a character in several of my books, but she also represents a girl from my own childhood who was as much of a regret for me as she was for poor old Charlie Brown.

Anita Jones, of course, is not her real name. You can’t even look at the picture and tell by what she looks like who I am secretly portraying. But the thing is, she was definitely real to me. And I would still be horrified to have her find out how I really felt about her.

She was not my first crush. I mooned over the beautiful Alicia Stewart (also not a real name) from second grade through sixth grade. But Anita was always right there. Often right behind me and to my left whenever I turned around on the playground. Not looking me in the eye, but probably looking at me until I began to turn. I know I looked at her whenever she wore dresses or shorts. She had beautiful peach-colored legs.

There was a time when, in Music class, the boys were forced to ask a girl to be a dance partner in the square dancing lessons that Miss Malik was giving us. My best friend Mark had asked Alicia to dance with him, so my number one choice was already taken. And when it was my turn, Anita looked at me with those wonderful brown eyes and heart-shaped face. And I… was too embarrassed to pick her. Then everyone would know how I really felt about her. So, I picked my cousin instead. My heart was lodged in my left shoe for three days after the look I saw on her face. Not my cousin’s face. The brown eyes and heart shape.

Then later, when I was on the high school bus to Belmond, Mickey Schmidt (we never called him Michael because I was Michael) made a joke that embarrassed me.

“Have you ever been caught masturbating in the bathtub?”

“No,” I told him, in disgust. Anita was in the seat across the aisle listening.

“It’s a good place to do it in, then, ain’t it.”

I turned as red as any maple leaf ever managed in late fall. She was smiling at me.

“I would’ve liked to have seen that,” she said. “I bet you even have a lot of hair down there.”

I would’ve laughed if I hadn’t been so embarrassed that my head might’ve caught fire.

But thinking about that humiliating moment on the bus later, I realized that she had actually been brave enough to admit she was thinking about my genitals. I had never asked her on a date or sat beside her in Art Class as I should have. My life might’ve been very different if I had. Even if I had asked her to dance.

But somewhere in the Multiverse, a parallel me is probably married to a parallel Anita. And I bless them for what might’ve been. At least, it’s lovely to think so now.

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The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations

The Case for the Clown

The criminal was led into the courtroom in chains and forced to sit in a box made of metal bars so his influence would not reach out and harm anyone by drawing their sympathy in.

“Mr. Prosecutor,” said the learned judge, “what terrible crime has the perpetrator been charged with?”

“The alleged perpetrator!” objected the defense attorney, a mousy old man who looked like a cross between Santa Clause and Robert E.Lee because of his white beard, stern face, and a twinkle in his eye.

“Shut up please, Mr. Badweather. You will have your turn to speak.” The judge banged his gavel smartly to emphasize the shut-up-ness of his overruling.

“Your honor,” said the prosecutor, “Mister Pennysnatcher Goodlaughs stands accused of being a clown.”

“The people of the State of Texas, home of the free, land of the brave, and place where cowboys can hang their hat on the antlers of a moose they shot in Canada, will prove that Mr. Goodlaughs did willfully, and with malice of forethought, commit acts of supposed humor in order to make people laugh. And we will further prove that in a time of very serious things, he intentionally made light of very serious matters and the very serious men who try to turn those serious things to their exclusive… err, sorry, I mean… everyone’s benefit.”

“Your honor,” said the defense attorney, looking like a cross between Mark Twain and Colonel Sanders, “I would like to request a new venue for this trial. My client will not get a fair trial here.”

“Sir, your stupid request is rejected on the grounds that Mr. Goodlaughs cannot get a fair trial anywhere. We are all conservatives, and are therefore incapable of having a sense of humor. Continue, Mr. Prosecutor.”

“We will show numerous instances of Mr. Goodlaughs putting paint on his face to hide his true features or assume the identity of a character not his own. He has repeatedly used false noses, large shoes, and floppy hats to exaggerate his flaws and scare young children. He repeatedly wears polka-dotted clothing to simulate terrible taste and ridiculous lack of fashion-sense. He employs pratfalls and slapstick humor in his performances, things that, if any school-age child would imitate the behavior, might lead to serious injury or even death. And he has even dared to make fun of our glorious leaders, implying that they make mistakes and may even have hurt people. That they act without thinking about anything but their own pocketbooks. In other words, this clown has knowingly made jokes in order to get people to not take things seriously.”

“Your honor, I object to this jury. I object to the fact that it is made up of fifty percent rednecks and fifty percent kangaroos! My client demands a new, more impartial jury!” cried the defense attorney, looking like a cross between Captain Kangaroo and Ronald Reagan.

“Has anybody noticed?” asked the judge, “that this attorney looks like he could influence this jury unfairly? He looks like two people who could lead the two halves of this jury to the wrong conclusion. Bailiff! Take the defense attorney out back and execute him by firing squad.”

After the entire courtroom heard the gunshots go off, the judge then turned to the prisoner.

“It seems, Mr. Goodlaughs, that the defense’s opening statement is now entirely up to you. Do you have anything to say in your own defense?

“I do, your honor. Ladies and gentlemen, kangaroos and Reagan Republicans of the jury, I submit to you that I have never actually been a circus clown, or wore face paint. Not that I wouldn’t if the opportunity presented itself. I merely claim the right to laugh at anything I think is funny… or can be made funny. Whether I am being what you call a clown, a humorist, a cartoonist, a comedian, a fool, a village idiot, or a witty fellow, I believe I have the right to make light of anything. Life is always better when you can laugh. Especially if you can laugh at yourself.”

“I’ve heard enough,” said the judge. “What say you, jury?”

“Guilty!”

“Yes. And I preemptively waive the prisoner’s right to appeal. Sir, you are guilty, and you shall be executed immediately.”

Everyone in the courtroom breathed a long-awaited sigh of relief.

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Becoming

The classic line from the visionary poet Theodore Roethke;

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**** This is a look back at an essay from 2017****

But the truth is, before you can BE you must first BECOME.

I know what you are probably thinking.  “What is this idiot rambling on about now?”

Well, sometimes you simply have to spout a lot of love and hoo-haw and just pretend it means something.  That is the core, I think, of what philosophy is all about.

But maybe a list of what I have already become will get the idea knitting itself together.  You know, a list of the things I can already just BE.

I have already become college educated.  I have a BA in English and an MAT in Education (Master of the Art of Teaching).  Those letters my college years bestowed upon me are only an “N” short of being an anagram for BATMAN.  So I have almost become BATMAN.

I have also finished becoming a teacher.  In fact, I have spent 31 years becoming a teacher.  I have gotten so teacherfied over the years that I am actually now becoming a retired teacher.  I haven’t learned the art of retired teacher yet.  It is still gonna take a bit of practice to start getting it right.  But I can get a kid to sit down and shut up with just a look.  I can read the mind of a glum-faced student and know we are about to have a bad day.  And I always know when to tell a really awful joke so that the students know their only hope of keeping their lunch down and retaining their sanity is to ask me to please get back to today’s lesson.  So I can BE that, at least in theory.  I am still BECOMING retired.

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Why-ever would I draw myself as a naked boy?  I have inexplicably weird urges sometimes.

I am a living, breathing human being.  I have been that now for sixty years and eight months.  I have practiced it enough that I can BE that without even thinking about it.  Well, not now, just most of the time I don’t have to think about it.

But I did make a huge mistake fairly recently in applying for a chance to be a blogger for an AANR-affiliated website.  Yes, that’s right, the American Association for Nude Recreation.  I signed on to write about being a nudist.

I am asked to write a review of the nearest naturist park, the Bluebonnet Naturist Park in Alvord, Texas.  I am hoping to find a day for a day-visit that won’t find a lot of people there.  Ummm.  How did I get roped into BECOMING a nudist?  Is it too late to back out now?  Or would that be UNBECOMING?

But most of all, I have labored long and hard at BECOMING a real writer.  I have two books already published.  Aeroquest and Catch a Falling Star.    You can find them both on Amazon or Barnes and Noble.  But don’t buy Aeroquest.  Those cheap burgle-binkies don’t deserve to make any more money off of me.  I have another book coming out soon from Page Publishing, Magical Miss Morgan.  It is a book I am really proud of, though these foofy publishers have done nothing to help it and a lot to mess it up for me.
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But, I must admit, I have just finished reading Mitch Albom’s masterpiece, The Magic Strings of Frankie Pesto.  It is a miraculous, engaging read that made me laugh and made me cry and made me fall in love with the story.  And it is so far beyond what I can do that I must write a review on it, maybe tomorrow, and gush praises all over it.  I can only dream of BEING a writer like that.  It proves to me that I have a lot more BECOMING to work on.  Sorry, Ted, I am just not there yet.

 

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The Real Magic in that Old Home Town

Rowan, Iowa… Not the place I was born, but the place where I got to be a stupid kid, and have the lessons of the good and god-fearing life hammered into my head hard enough to make a dent and make it stay with me for more than half a century. I got to go to grade school there. I learned to read there, especially in Miss Mennenga’s third and fourth grade class. Especially in that old copy of Treasure Island with the N.C, Wyeth illustrations in it, the one Grandma Aldrich kept in the upstairs closet in their farm house. I got to see my first naked girl there. I learned a lot of things about sex from my friends there, and none of them were true. I played 4-H softball there, and made a game-saving catch in center field… in the same game where my cousin Bob hit the game-winning home run. But those were things kids did everywhere. It didn’t make me special. There was no real magic in it.

Being a farm-kid’s kid taught me the importance of doing your chores, every day and on time. If you didn’t do them, animals could get sick, animals could die, crops could be spoiled, the chickens could get angry and petulant and peck your hands when you tried to get the eggs. Cows could get grumpy and kick the milk bucket. Cats could vow revenge if you didn’t direct a spray or two at their little faces as they lined up to watch you milk the cows. And you never knew for sure what a vengeful cat might do to you later, as cats were evil. They might jump on the keyboard during your piano recital. They might knock the turkey stuffing bowl off the top of the dryer when Mom and Grandma and several aunts were cooking Thanksgiving Dinner. And I know old black Midnight did that on purpose because he got to snatch some off the floor before it could be reached by angry aunts with brooms and dustpans. And all of it was your fault if it all led back to not doing your chores, and not doing them exactly right.

But, even though we learned responsibility and work ethic from our chores, that was not the real home-town magic either. I wasn’t technically a real farm kid. Sure, I picked up the eggs in the chicken house at Grandpa and Grandma Aldrich’s farm more than once. And I did, in fact, help with milking machines and even milking cows by hand and squirting cats in the faces at Uncle Donny’s farm. I walked beans, going up and down the rows to pull and chop weeds out of the bean fields at Uncle Larry’s farm. I drove a tractor at Great Uncle Alvin’s farm. But I didn’t have to do any of those things every single day. My mother and my father both grew up on farms. But we lived in town. So, my work ethic was probably worth only a quarter of what the work ethic of any of my friends in school was truly worth. I was a bum kid by comparison. Gary G. and Kevin K, both real farm kids and older than me, explained this to me one day behind the gymnasium with specific examples and fists.

Being a farm kid helped to forge my character. But that was really all about working hard, and nothing really to do with magic.

I truly believe the real magic to be found in Rowan, Iowa, my home town, was the fact that it was boring. It was a sleepy little town, that never had any real event… well, except maybe for a couple of monster blizzards in the 60’s and 70’s, and the Bicentennial parade and tractor pull on Main Street in 1976, and a couple of costume contests in the 1960’s held in the Fire Station where I had really worked hard on the costumes, a scarecrow one year, and an ogre the next, where I almost won a prize. But nothing that changed history or made Rowan the center of everything.

And therein lies the magic. I had to look at everything closely to find the things and strategies that would take me to the great things and places where I wanted to end up. I learned to wish upon a star from Disney movies. I learned about beauty of body and soul from the girls that I grew up with, most of them related. And I invented fantastical stories with the vivid imagination I discovered lurking in my own stupid head. I embarrassed Alicia Stewart by telling everyone that I could prove she was a Martian princess, kidnapped and brought to Earth by space pirates that only I knew how to defeat. And I learned to say funny things and make people laugh… but in ways that didn’t get me sent to the principal’s office in school. Yes, it was the magic of my own imagination. And boring Iowa farm towns made more people with magic in them than just me. John Wayne was one. Johnny Carson was one also. And have you heard of Elijah Wood? Or the painter Grant Wood? Or the actress Cloris Leachman?

Yep. We were such stuff as dreams were made on in small towns in Iowa. And that is real magic.

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