Making Faces for Art Day
Meaningless Corrections and Correct Implications
A lot of critical art viewers will randomly tell me that using AI Art programs is plagiarism because these programs have been trained on people’s posted artwork without permission or acknowledgment. I agree that that is not fair. I also think that is not how I use AI programs. The above picture used Picsart AI Photo Editor and AI Mirror in its creation. The Harlequin Girl is drawn from a model I saw on Instagram, a human dancer in a costume that is similar to my drawing. I used AI Mirror to make my imperfect drawing look better than I can do with arthritic fingers. I used the uncorrected version here with the problem hands so you could see the kind of things you have to go back and draw over with digital art tools. I used Picsart to turn her into what is called a “sticker” that I could place upon a background. I used a colored mandala that I got from Tapcolor Digital Coloring Book as a background. Before I put the sticker on top, I added the butterfly and altered the round design elements into flowers.
This is how I use AI Mirror to improve my artwork. The picture above is nothing but a pencil drawing inked and guidelines erased. If you look at it carefully you can see how I skewed the eyes when I inked the pencil drawing. One on the left is the roundness I wanted. The right one has a lower eyelid that cuts too narrowly to make the eyes look mismatched. So, I ran the photo of the finished pen and ink drawing through AI Mirror allowing it to make changes up to 50 %. Below you can see the best result. It took eight tries to get the eye match I wanted.
You can see that the program made changes to more than just the eyes. It took much of the 50% to adjust the background, adding art tools that I had in previous photos of the drawing board used in similar pictures I used AI Mirror on. It also changed the hairstyle, and since it didn’t like the ladybug theme of the dress, changed it for white roses which I have used in similar pictures repeatedly. I did go back and add whiteness to the roses to make it look a little cooler.
This one above is intended to be a surrealist interpretation of a piece of music. Of course, the AI Mirror program and the Picsart program are both overly sensitive to copyright and trademark. That’s why it intentionally screws up the sheet music and the words on the t-shirt of the drawing I did for the girl sticker. It doesn’t reproduce things that could potentially be trademarked. And the flower stems the girl held in my drawing got turned into a short black stick and a sword? There were multiple things I needed to correct as I continued to change it to make it fit my vision for the piece.
This isn’t a final version either, but it is closer. It still needs to have the sheet music tamed to look more like ordinary sheet music. The main character’s bikini bottom shows up in a way that proves that making it two-color black and brown needed to be more contrasting to the shadow color on her legs. And the nudity of her companion was my idea, but I will have to make the further correction of not sending this post to Facebook. Facebook is ready to sanction me for showing bare breasts in their news feeds.
I am now done complaining about the nagging little things that annoy me about the AI art process. But I do the drawings that I present as my work. I am not plagiarizing anything. And I thoroughly enjoy this whole process.
Filed under art criticism, art editing, artwork, Uncategorized
Talking to Nobody
I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.
This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.
I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”
I simply nodded.
Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”
The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”
I rolled my eyes at the dark ceiling.
On the chalkboard I wrote out. Today’s Lesson Is…
“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”
“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”
“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”
“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.
“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.
“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.
I agreed with all three of me. I nodded and smiled.
“But you are Death, aren’t you?” asked middle-aged Mickey.
“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.
“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.“
Dumb Times Get Really Dumb
The past two months have been a rollercoaster in the dark in a rail car that is barely set properly on the tracks. Every curve I didn’t see coming was a potential derailment and crash. A potential fatal crash.
President Pumpkinhead has been crashing and destroying government services left and right. My Medicare (which I am still paying increasingly high premiums for) is at risk of being totally cut, as is the Medicaid and Social Security that people more poverty stricken than me may lose. The military leadership has been overturned for less competent and lower-ranking officers who are more Pumpkinhead-friendly. The Department of Justice is now set up to unleash a revenge campaign, firing politically neutral officers, judges, and lawyers for less competent and more wishy-washy ones. Will they come for me? Probably not for a while. Big list. But eventually.
And my health woes have taken a darker turn. A broken crown that turned into a dangerously infected broken molar had to be extracted, along with a second broken molar. I ended up with a large dental bill that the dentist’s office tried to help me finance resulting in a credit denial that will stick me with a large bill I cannot pay. That started at the beginning of January and is finishing in the credit denial today. I also had a second serious infection of my urinary tract that required the heaviest possible antibiotics I could take without dying. That was overlapping some sort of flu-like virus and the passing of two, or possibly four, kidney stones. I am floored with lifeforce fully spent… but not quite dead.
Could any of this have been avoided? Any of this dumb stuff? I voted for the nice black lady who took over from the really old but really good President. So did my daughter. We didn’t want the Pumpkinhead to win. And I really would’ve liked Medicare to help me pay for necessary dental work, but you apparently have to fill out a long form by a certain date back in October as explained in a letter I never got in September. I have no idea where the other dumb stuff came from or how it could’ve been prevented.
So, I am now done complaining about all this dumb stuff. I will probably survive it. Maybe not. But probably. It would depend on where the rail car actually went off the rails resulting in a fatal crash I didn’t yet learn about.
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Filed under Uncategorized
Faun Art
I have completed work on a novel called A Field Guide to Fauns. In it, I will make use of one of the most central metaphors in all of my art and writing. The mythological figure of the faun is usually portrayed as a young boy or youth, nude, and potentially having goat horns, goat legs, a deer’s tail, and/or pointed ears. It represents sensuality, connections to nature, and a willingness to partake in enjoyments without hiding anything.
Fauns were defined in art long before I came along. The Marble Faun was a book by Nathaniel Hawthorne that I read in college. I looked endlessly in libraries after that for pictures of Praxiteles’s masterpiece from all angles. I would eventually be inspired to make the picture above by a picture made in print by Maxfield Parrish printed in Collier’s Magazine. I have been fascinated for years by fauns. And I began drawing them repeatedly.
As a teenager, I had a faun as an imaginary friend. His name was Radasha. He made it his business to lecture me about sex and nudity, morals, religion, and what was wrong with me. At the time I was repressing the memory of being the victim of a sexual assault, a very painful and traumatic experience that I did not allow myself to remember and admit was real until I was twenty-two. Radasha turned out to be a coping method who helped me heal, and helped me realize that just because it was a homosexual assault, that did not make me a homosexual.
Fauns would come to dominate my artwork through the eighties. I drew Radasha multiple times. I would use the image to express things I feared and fought with and won victories over .
I would come to learn that there were fauns in real life to be found. The portrait above is of Fernando, a favorite student from my first two years as a teacher. He is portrayed as a faun. The cardinal on his shoulder is a symbol of courage and endurance, a bright red bird that never flies away when the winter comes.
Devon Martinez is the main character of my novel in progress. He is an artist like I am. He is fifteen at the time of the novel, and faced with living the rest of his childhood in a nudist community. He doesn’t consider himself a faun to begin with. But that changes during the course of the novel.
Here is the first illustration done for the novel. It is supposed to be a picture drawn by Devon himself.
So, as always with Saturday artwork, there is more to come.
Filed under artwork, NOVEL WRITING, Paffooney
An Autobiography of Mickey
Last night I watched again Part I of Ken Burns’ Mark Twain. I think it reminds me of who I am as a writer. No, I am not being all big-head arrogant and full of myself. I devoured certain writers as a youth, consumed them whole. Charles Dickens was my first passion, followed by J.R.R. Tolkien, and then Mark Twain. Of all of them, Samuel Clemens is the most like me. He was from the Midwest, born and raised in Missouri along the Mississippi River. I am from the Midwest, born and raised in Iowa along the Iowa River. He endured hardship and tragedy as a youth, losing his little brother in a riverboat accident, and he dealt with it by humor. I endured a sexual assault from an older boy, and dealt with it by… well, you get the picture. We are alike, him and I. We both draw upon the place we grew up, the people we have known, and the events of our youth to create stories.
It is a pretty big responsibility to follow in his footsteps, and I will probably never live to see the success and the wealth that came to him. But I have a responsibility to the people I knew and the time that gave rise to me to tell their story. I need to build a network of stories that resonate the truth of existence that I have been witness to. A big responsibility… and I probably will not live up to it. But I have to try.
Being a writer is somewhat like being cursed. The words burn inside, needing to get out, needing to be heard. I have stories that need to be told, and they will be told, even if only to file away in the closet again. Like Mark Twain, I am good at feeling sorry for myself. And the Mickey part of me, the writer part of me, is just like Mark Twain, a writer persona, and not the real man himself. I am simply the container for something that has to exist and has to tell stories. It is not a bad thing to be. But the more I get to know it, the more I would not wish the destiny on others.
Forgive how sad and bunglingly boorish this post is. But sometimes there are thoughts I simply have to think. And as a writer, I am bound to write down the silly things that I think.
Filed under autobiography, humor, Paffooney, Uncategorized
AeroQuest Illustrations in Pen & Ink
I have been drawing these mock-Star-Wars science-fiction-heroes for thirty years. Some of these are that old. Some of them are new this year. All of them illustrate the adventures that started as a science-fiction-role-playing game and became the series of novels called AeroQuest.
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Filed under aliens, heroes, illustrations, novel, satire, science fiction
Writer’s Block on a Thursday
The 1957 Pink and White Mercury of Imagination
I don’t have writer’s block. I can write as long as I can think and move my fingers on the keyboard to crystallize that thinking into words. The Pink and White Mercury of Imagination is always moving, either driving forward in the present and towards the future, or in reverse, rewriting the past. It is never parked.
But somewhere along the way today, the route got sidetracked onto a looping detour.
Hence, this car-themed drive through the idea-capturing process.
A picture of me reading painted long ago and not with me in the picture..
I started reading a new novel. It is a 500-plus-pager by Kate Morton called Distant Hours. It is a Gothic novel, but in a very different way from the one I am writing in The Baby Werewolf. That book starts as a first person narrative, and then flashes back to the past as a series of third person narratives focused on single characters per section. My novel is a first person narrative throughout, though told by three different narrators. It would make an interesting writing analysis post, but I haven’t read enough of that novel nor completed mine to a point where I can compare and contrast them. And those of you who get bored easily have already tuned out and just looked at the pictures by this point.
I also thought about writing a post about Uber-driving conversations and how that impacts the quality of my driver-service. But the best stuff there can’t be revealed without breaking confidences. Doctors, lawyers, bartenders, and Uber drivers are tasked with providing a touch of confidentiality.
I wanted to complain more about Trump and evil Republicans. But that gets far too tiring. And if the collection of my posts on WordPress is like a flower garden, the political rants I do are definitely the garden-choking weeds.
A much better thing for my garden is to chase the flitting butterflies of near-perfect ideas with a butterfly net made of idea lists like this particular post.
So, it is true that I never actually have writer’s block. I do get writer’s detours, writer’s delays, and writer’s just-not-satisfieds- with-those-ideas sorts of things. But not today. I made the problems the topic and the topic wrote itself.
Filed under artists I admire, artwork, imagination, irony, Uncategorized, writing, writing humor
Setting the Scene
As a rabid Dungeons and Dragons player, I have labored for years to build up my collection of miniature figures. Now, like the action figures and the dolls, the collection is growing so fast it may eat the house. So, in order to play with them and get some use out of them, I built a cardboard castle, complete with grid for playing D & D. It is a scene that can be used to play the game, but it is also a place to display my collection.
Toy companies have recently started putting out collectible miniatures in an almost D & D scale. They only cost about a dollar apiece. That makes them cheaper than candy bars. And I am diabetic, so I can’t buy candy bars.
I like to position them in my D & D background and take pictures of them, even though DC Superheroes are not D & D figures. I can work them into the story of the next RPG sessions. Batman is a paladin. Aquaman is a sea-based druid. Wonder Woman is an Amazon.
Adam West Batman is really, really cool. Wham! Pow! Sock!
Killing a dragon is a big event in a D & D campaign. And I can do that now with miniatures.
The Flash can rescue Jessica Rabbit from a mad goblin in the Skull Plaza.
So, I reached a point in setting the scene for the game that it has become almost cinematic. And I like taking pictures of it as I continue to play with all of it. Forgive me. I will forever be twelve years old in my head.
The Spirit Knows
Yep, Denny knows the truth of it. My new dentist is a small, demented Vietnamese female sadist. She has kept me on the dentist’s chair for over two hours at a time twice now. She never got a full scream out of me, but that’s because it is hard to scream with a mouth full of fingers and sharp tools.
And it only mirrors what the Pumpkinhead Sadist in the White House is doing to the mouth of our government. Killing foreign aid so African children can starve to death while the food the farmers made for feeding them rots on the wharf unsent and unpaid for. The Consumer Protection Bureau is killed next so that bankers can swindle credit card users and loan institutions can commit usery on a level that collapses economies. Cancer research is suspended and possibly ended because we apparently have to preserve drug companies/ profits on cancer drugs that drain savings accounts and personal wealth can continue to eat us. Meals on Wheels for Seniors is too expensive to continue, as is Snap payments for poor people. Let’s starve out the people who can’t defend themselves.,
Mickey is tired of cruelty, pain, and hardship being relentless. He is not in favor of the death penalty for sadist dentist-pirates. But he is still thinking about treasonistic Pumpkinhead government wreckers.
Filed under Uncategorized
Catch a Falling Star 