Category Archives: NOVEL WRITING

April 16, 2024 · 12:37 am

Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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March 26, 2024 · 12:50 am

AeroQuest 4… Canto 135

Canto 135 – Applying Weed Killer

With Gyro driving, a rather unnerving prospect for those riding with him, the first pink Cadillacko swooped down on the planet Cornucopea out of the clouds.  They were supposed to be establishing a base camp on the planet.

Besides Gyro, the Nebulon boy who gave the first Cadillacko its air bubble field and its silly Nebulonin nickname, the grav speeder held Billy Iowa, wearing his cowboy sombrero and leather moccasins, Luigi the Onion Guy, for whom they had no workable space suit, and Mai Ling, scantily dressed in form-fitting battle armor and wearing the ring-sleeve device that could amplify her telekinetic throwing arm.

The second Cadillacko carried Hassan Parker, who had to wear a full space suit instead of being nude like usual, Taffy King and Shu Kwai, all suited and combat ready.

The third grav speeder carried Ged Aero-sensei, Junior Aero, his adopted Nebulon nephew, and Sara Smith, the strongest telepath and healer of the group.

The drop zone looked like a field of flowers undulating in a high wind.  But as they zoomed closer, you could see the large daisy-heads and thistle-heads were all ripping into and damaging the other plants.

“What do we do, Sensei?” Billy radioed through the comm dot on his neck.

“Clear the landing zone.  Weed-killer weapons and mowers!  We have to cut the weeds down to size.”

Gyro, being Gyro, nose-dived the pink-and-white Space Cadillac into the soft dirt of the field of fighting flowers.  It plowed a deep furrow in a semi-circle in the middle of the large open space.   Shu-Kwai landed his gray-and-white Space Cadillac much more gently beside it.

The telekinetics, Shu and Taffy King, leaped out of their vehicle with weapons that were more like chainsaws than the lawnmowers they were supposed to be.  Each had two, one controlled by each hand.  So, four flying blades whirled through the air, slicing and dicing, turning Throckpods into salad.

Mai-ling leaped out with a razor pistol in her hand.  She fired round throwing-star-like objects in groups of five, then whipped the blades through the air sawing thorns neatly off of every violent flower-person she saw.

Hassan manned the spray-gun with the toxic weed-killer in it, spraying withering death upon Throckpods to a range of fifty feet.

Soon an army of violent flowers was reduced to smoking piles of flower-chips and salad-squares.

By the time Ged-sensei and Sara and Junior disembarked from their pink-and-white Cadillac, the battle was already over.

Luigi the Onion Guy came bouncing furiously across the field to confront Ged.

“nO!  Oh, nO!  You muSt nOt spILl, ChloroPhyll!” he shouted in his weird little Onion-guy accent.

“But you wanted help in driving away to evil Throckpods and their master, did you not?”

Luigi just stank out a lot of foul smells that the translator couldn’t begin to translate.  It is well known that bad words are more a matter of disgustingly figurative language that does not translate well to beings who have no reference for flower emotions, flower body parts, flower behavior, or flower-based bad thoughts.

“Luigi is swearing at you, Sensei,” Gyro tried to explain while adjusting the translator’s many translation-equivalents adjustment bars.

“We need to understand him better.  Can anyone read his mind?”

Sara looked at Ged with a sorrowful expression on her face.  “I am beginning to sense some of the stronger emotions coming from plant-minds.  He is upset because to them, all flower-life is sacred, including the Throckpods.  That’s what he wants us to cure about the Throckpods.  Their leader makes them render and kill other plant-life sacrilegiously.”

“Very well, then.  We will set up base-camp in this cleared field and try hard to understand these flower-people better.”

“Yes, we need to study them and do some research,” said Hassan Parker.  “I can get out of this space suit and start research immediately as the rest of you set up the camp.”

“I think I have seen enough of your naked body.  And you really should join us in the physical labor before doing the mental work.”  Shu Kwai was not making suggestions.  He was issuing commands.  “And while we are here, everybody wears protective body coverings.  There are many unknown plant-based dangers here, and we want no one to be at risk.”

So, eight student ninjas, their ninja sensei, and one irate Onion began building a base camp.

Here’s the link to buy the book;

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March 13, 2024 · 1:06 am

Writing Myself To Life

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I have been working on my novel The Baby Werewolf, and I am now in the final phase, working on the climax and crisis point.  And I surprised myself.  The killer monologues to the main characters who have now become his intended next victims.  I have played this out over and over in the twenty-two years I have been writing this book.  Last night, for the first time ever, the hero character laughs in this scene instead of the cringing fear that had always been there before.

How is such a thing possible?  What changed?  I have been writing and rewriting this story since 1996.  But it goes much deeper and darker than that.  This story went on my have-to-write list in 1966 when an older, stronger boy who lived near my home trapped me in a place out-of-sight of others and stripped me, gaining some horrible kind of pleasure by inflicting pain on my private parts.  Recovery from that has taken half a century.  The recovery itself probably explains why I struggled so long to pull this story together in a finished form.

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There are things about my writing life that are undeniable.  First of all, I have to write.  There is really no other choice for me.  My mind will never know rest or peace without being able to spin out the paragraphs and essays and stories that make it possible to know those things.  Nothing is real if I can’t write it out.  Secondly, I am a humorist.  If I can never be funny at all, can never write a joke, then I will descend into madness.  My sense of humor not only shields me and serves as my suit of armor, it heals me when I suffer psychic wounds.  This book is a horror story, but like many of the best horror stories, it relies on humor to drive every scene and knit the plot together.  And it was a breakthrough for me to have the hero character laugh instead of cringe in the critical scene.  It allows me to live again.  And love again.  And the real monster that caused this book to be, is now forgiven.  The world continues to turn.  The picture is now complete.  And soon, the novel will be too.

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March 3, 2024 · 2:17 am

Illustrating in Novel Ways

I have just finished a novel project that I worked on for a year, from Spring of 2016 to Spring of 2017.  And part of my personal project procedure involves using drawings to help me visualize the characters in the story and begin to view them as real people, even when they most certainly aren’t real.  I even have this derfy Mickian idea that Paffoonies (those picture ideas that are inseparably fused to words) are essential to Mickian fiction.  (Mickian fiction= another frighteningly goofy idea that needs to go unexplained.)

Gingerbread Children

The book, Recipes for Gingerbread Children is about an old woman, a German immigrant and Holocaust survivor, who comes to a small Iowa town with a gift for story-telling and a gift for baking things, especially gingerbread cookies.

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Grandma Gretel Stein, seen in the Paffooney on the left, is the main character of the story.  She tells stories, mostly fairy tales, that have lessons about being true and faithful even in the face of great evil.  The fairy in her hand is General Tuffaney Swift, an immortal Storybook fairy who leads the army of the local fairy kingdom called Tellosia.    Gretel believes he is real  Honestly, she gets so into story-telling that her fairy friends seem absolutely real to her.  And who is to say that there aren’t little magical people living in a hidden kingdom among the cornfields in Iowa?  Gretel convinced me that they were real.  She even has a hand in making new fairies by the baking of gingerbread.  She gets a magical recipe from the fairy Erlking, a wise and magical being, and uses it to create living gingerbread boys and gingerbread girls.

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The gingerbread girl on the right is Anneliese, named after Gretel’s own daughter and decorated with frosting, food coloring, and gumdrops by the favorite story listener who constantly listens to Gretel’s stories and helps bake Gretel’s gingerbread, Sherry Cobble.

Sherry is a beautiful young eighth grade girl who reminds Gretel of her long-lost daughter.  Sherry has a twin sister named Shelly and they are identical twins, but Sherry not only looks like Anneliese once did, she acts like her with the same confidence and enthusiasm for life that Anneliese once had before the war.

Sherry and Shelly are both part of the Cobble family, who have a reputation locally as wacky-pants loonies because they believe firmly in being nudists and engaging in nature completely naked while not actually wearing any wacky pants.  I haven’t done any actual pictures of Sherry  in the nude, but if you look carefully at the first picture of her above and see clothing, then you are seeing things that are not there.  Yep, the girl bakes and decorates gingerbread men in the buff, wearing her pale pink birthday suit, even when the weather outside in Iowa makes that nonsensical.

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So by now you can probably draw several conclusions about me as both a novelist and an illustrator.  #1, There is definitely something a little bit off about me.  #2, I haven’t said anything yet about this book having dead Nazis and a werewolf in it, even though I rarely talk about this book without throwing those things in somewhere.  #3, Number 2 is actually taken care of in a backhanded way if you are reading this whole list carefully.  #4,  This story is probably about things that really aren’t just gingerbread recipes.  #5, You should congratulate yourself if you read this far in this post.  You have unusual amounts of patience and curiosity, and an extremely high tolerance for levels of goofy that put actual Goofy to shame.

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February 22, 2024 · 1:45 am

Faun Art

I have completed work on a novel called A Field Guide to Fauns. In it, I will make use of one of the most central metaphors in all of my art and writing. The mythological figure of the faun is usually portrayed as a young boy or youth, nude, and potentially having goat horns, goat legs, a deer’s tail, and/or pointed ears. It represents sensuality, connections to nature, and a willingness to partake in enjoyments without hiding anything.

Fauns were defined in art long before I came along. The Marble Faun was a book by Nathaniel Hawthorne that I read in college. I looked endlessly in libraries after that for pictures of Praxiteles’s masterpiece from all angles. I would eventually be inspired to make the picture above by a picture made in print by Maxfield Parrish printed in Collier’s Magazine. I have been fascinated for years by fauns. And I began drawing them repeatedly.

As a teenager, I had a faun as an imaginary friend. His name was Radasha. He made it his business to lecture me about sex and nudity, morals, religion, and what was wrong with me. At the time I was repressing the memory of being the victim of a sexual assault, a very painful and traumatic experience that I did not allow myself to remember and admit was real until I was twenty-two. Radasha turned out to be a coping method who helped me heal, and helped me realize that just because it was a homosexual assault, that did not make me a homosexual.

Fauns would come to dominate my artwork through the eighties. I drew Radasha multiple times. I would use the image to express things I feared and fought with and won victories over .

I would come to learn that there were fauns in real life to be found. The portrait above is of Fernando, a favorite student from my first two years as a teacher. He is portrayed as a faun. The cardinal on his shoulder is a symbol of courage and endurance, a bright red bird that never flies away when the winter comes.

Devon Martinez is the main character of my novel in progress. He is an artist like I am. He is fifteen at the time of the novel, and faced with living the rest of his childhood in a nudist community. He doesn’t consider himself a faun to begin with. But that changes during the course of the novel.

Here is the first illustration done for the novel. It is supposed to be a picture drawn by Devon himself.

So, as always with Saturday artwork, there is more to come.

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January 26, 2024 · 1:54 am

Here is My Heart

Yesterday I posted another maudlin doomsday post. I probably gave you the opinion that all I do with my time is mope around and think about death. And maybe write a little creepy black Gothic poetry. But that’s not me. I am a lover of the humor in stories by Mark Twain, Charles Dickens, and Kurt Vonnegut. I am a former teacher that managed to teach the entire zoological range of possible middle school and high school students in Texas and did it without being convinced to hate them rather than love them. Yes, my heart is full of mirth and love and memories of weird kids and troubled kids and kids that could melt the meanest of hearts.

My passion is writing fictional stories about the kids I have taught, including my own three, and setting it in a fictionalized version of my little town, the place in Iowa where I grew up. And I put them in plots of impossible fantasy and science fiction in a way that can only be explained as surrealism.

Nobody reads my books. So far, at any rate.

But that isn’t the important thing. The important thing is that, despite my illness and deteriorating quality of life, my books now actually exist. I put off being a full-time writer for 33 years as I finished my teaching career. A writer has to have something to write about. So, teaching came first.

Writing novels was always the ultimate goal, however. I am a story-teller. The story itself is in the very center of my heart.

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January 24, 2024 · 11:41 pm

Reading Bag of Bones

This is not a book review. I did finish reading this book in a 3-hour-end-of-the-book reading orgy, spending an hour last night, and two more early in the morning before the rest of my family was awake.

This is certainly not a book review. But I did read a Stephen King book, 1998’s Bag of Bones, which I picked up from the dollar sale shelves at Half Price Books. And I did love the story.

………………………………………………………………………This is not a book review. Instead, I want to talk about what a novelist can learn and reflect on by meta-cogitating over what this book reveals about King’s work habits and style and author’s voice.

Mike Noonan, the protagonist, is a novelist who writes books that routinely land in the numbers 10 through 15 slots in the New York Times Bestseller List. Obviously, this first-person narrative is coming directly out of King’s own writing experience. But, remember, this is not a book review. I am discussing what I have learned about how King puts a story together. 

King sets a back-story for this novel that digs deep into the geographica and historica of the city in Maine where the story is set. The literal bag of bones revealed in the book’s climax is almost a hundred years old. And he takes a compellingly realistic tour back in time to the turn of the Twentieth Century more than once to reveal who the undead characters are and why they do what they do. One thing that makes a writer, a novelist, truly solid is his ability to set the scene, to grow the story out of the background in the most organic and realistic way possible. But this is not a book review. I am saying that King always does this with his books. And if you wish to write at that level, you must do that too. I know I am sincerely trying.

At the end of the story, he clearly tells the reader that he learned from Thomas Hardy that “the most brilliantly drawn character in a novel is but a bag of bones”. So, he is definitely aware that a character is a construct that has to be crafted from raw materials. It takes a master craftsman to build one with the right words to make it live and breathe on the page. He does it masterfully in this book with several characters. The protagonist, the beautiful young love interest, the love interest’s charming three-year-old daughter who is nearly slain in a horrific manner at the end of the book… The living villain is a well-crafted bag of bones, as is the ghost, the actual bag of bones in the story. But this is not a book review. Most of his books, at least the ones I have read, have the same sort of masterful characters.

There is so much more to be learned about novel writing from this book. He literally shows you how ideas are captured, how they are developed into stories, how you overcome “writer’s block”, and Noonan’s book he is writing within this book is even used as an example of how to poetically advance the plot. But this is not a book review. You should read this book. It is a very good and scary piece of work. But you should read it because it shows us how to write and do it like a master.

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December 2, 2023 · 2:15 am

Reading Assignments

Yesterday I revealed that I have no earthly clue how to be a best-selling author with a blog and a brand and all those other things that marketing racketeers keep pettifogging at me about.  I may not know anything about marketing and being an author, but I do know how to be a writer.  I have learned to say things flat out when they are on my mind and I know how to do the two essential things that a writer has to know how to do… I can practice writing every day, and I can read.

If you are one of those few who actually read my blog regularly, you may remember some talk about the classic novel, Tess of the D’Urbervilles.  Believe it or not, I know how to read and understand great books.  You can find me on  Goodreads.com to see some of the wonderful things I have been reading, and to decide if you might like them too.  If you are not on Goodreads already, why not?  That is now your next assignment, young reader.  Oops.   You know what they say, “Old English teachers never die, they just lose their class.”

Today’s little self-imposed book report is about a book that I read my senior year in high school, 1975.  It is called The Other by Thomas Tryon.  It is a book that was made into a movie.  The author is also a Hollywood actor that has been in many films.  He wrote the screenplay for the movie version.  But I have to tell you, the movie pales in comparison to the book itself.  Movies simply cannot give you the rich depth of atmosphere and the delicate psychological nuances that a book can.  Movies show you something.  A book can explain something in detail.  And that is a key difference.

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Michael Beyer‘s review

Dec 22, 14  ·  edit
5 of 5 stars
Read in April, 1975
This is a fascinating book for it’s ornate description of long-ago New England life, and the eerie way old houses and long-gone people can twist and mangle our lives. It is a psychological horror story about twin boys, Niles and Holland Perry. They are polar opposites. Niles is warm and loving. But Holland is distant, cold, and sinister. Their grandmother Ada, a lovely old woman with deep Russian roots, has taught the boys to play an ESP-sort of game, reaching out with their minds to feel what a bird feels, or a squirrel, or a magician to find out how he did a certain disappearing trick. She has no idea that the mind-game will have such a devastating effect on both the twins and ruin so many peoples’ lives. I cannot say more without revealing the magic the author uses to bring this book to a totally unexpected and devastating conclusion. This book is not everyone’s cup of tea… and it may be many readers’ cup of arsenic… but it worked its spell on me. I recommend it if you wish to be chilled to the bone marrow.
Fools
I am reading this book now for the third time.  It is rare that I read a book more than once, because every time through changes your perception of it and risks making you dislike it.  But certain books are immune to that effect.  And I am re-reading it now because I want to closely analyze the techniques he used to create his surprise ending.  There-in lies the reason for this reading assignment that I have given myself.  That is how I roll as a writer.

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September 13, 2023 · 12:50 am

Advertising on E-Bay Ignorantly

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You are probably not going to believe this, but there are certain things you simply cannot safely sell on E-Bay.  My first good novel, Catch a Falling Star, took years to write.  The research, interviews with survivors, fighting off remaining alien invaders left behind when the Telleron invasion failed, and clean-up of sites and inconvenient witnesses took at least from 1990 to 2012.  And then, as part of my marketing-by-blogging strategy for the book, I took a box of leftover skortch pistols and listed them for sale on E-Bay.  They turned out to be a very popular item.  It took the first skortch ray almost a year to sell for a measly five dollars.  It was bought by a woman with a very annoying husband.  She apparently bought the item as a joke, thinking it would not actually work as a molecular disintegration weapon.  But after she surprised her husband with it and then posted the surprising results on Facebook, I quickly sold out the rest of the 26 pistols in the box and made almost $800. I am told by concerned investigative reporters that crotchety old men, ugly wives, and particularly Dennis-the-Menace-like kids were disappearing all across the Midwest.  I also learned that one skortch ray pistol came into the hands of a Republican political operative before the election in 2016.  That fact may have accounted for the disappearances of large numbers of registered Democrats in both Michigan and Pennsylvania in the weeks before the election.

I wanted to inform you that I may have done something stupid on E-Bay.  Therefore I am re-posting the drawing I did of Studpopper the Telleron demonstrating the firing of an example skortch pistol created by Zillokahsitter Industries on Telleri Prime with Sylvani technology.  If you should see one of these in the hands of a spouse that thinks you are grumpy too much of the time, I would suggest an almost instantaneous program of self-improvement.  And if you see one in the hands of someone in a red MAGA baseball cap, immediately put on your own red hat and say something inordinately stupid so they will assume you are one of them, and hope they skortch themselves by accident before they get around to skortching you.

Sorry about that.  I should’ve thought this whole thing through more carefully beforehand.

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September 12, 2023 · 12:48 am

Character References, Part 3

When choosing whose picture to publish of all the many made-up people that live in my head and my fiction, I often wonder, do I have an accurate sense of who is important and who is merely minor?  I offer now some characters I don’t feel comfortable leaving out.

Mazie Haire

Mazie Haire

One of the Haire Sisters, rumored to be a witch, and proud to prove it to you, Mazie is a severe and highly focused individual with a knack for seeing and convincing you of the truth.  So, maybe she really is a witch.

She appears in;

Snow Babies

When the Captain Came Calling

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Milton John Morgan (Milt)

I can’t tell you about the witch without mentioning the wizard.  Milt Morgan is the Merlin of the Norwall Pirates (an adventuring gang and 4-H softball team).

He is one of the founders of the gang and the one who got them into the most trouble in the 1970’s.

He appears in;

Superchicken

The Baby Werewolf

The Boy… Forever!

The Wizard in his Keep

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Torrie Brownfield

Torrie is the hair-everywhere boy with hypertrichosis, the werewolf-hair disease.  He was genetically doomed to life looking like a werewolf.  He was discovered living in hiding in Norwall by the Pirates’ gang who decided they simply had to make him a member.

He is, of course, the main character of;

The Baby Werewolf

And also appears in;

Recipes for Gingerbread Children

Harker

Harker Dawes

Harker is a clown-character based on a real person living in the real town of Norwall.  He buys the local hardware store and runs the business into bankruptcy.  He is not only a ne’er-do-well, but he also is a truly loveable fool.

He plays a key role in;

Snow Babies

He is also in the upcoming novel;

Fools and Their Toys

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Dilsey Murphy

Dilsey is Mike’s slightly older sister who seems to be in a lot of my stories.  She is a tomboy and a Daddy’s girl.  She is also beloved by her irascible Grampy, Cudgel Murphy.  Mike Murphy both hates her and loves her, but mostly just depends on her.

She is in;

Magical Miss Morgan

The Bicycle-Wheel Genius

and a large number of upcoming stories

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Sean “Cudgel” Murphy

Grampy of the Murphy Clan, Cudgel is the meanest old man you’d ever want to meet.  He is excellently suited to the job of teaching kids to swear.  And he only drives his Austin Hereford, “The finest car made anywhere in the whole goddam world in 1954!”

He appears in;

Snow Babies

The Bicycle-Wheel Genius

Crooner

Francois Martin

Francois, the French orphan, is the main character in my novel,

Sing Sad Songs.

He paints his face in clown paint and sings beautifully enough to save his Uncle’s business.  I am halfway finished with this new novel.

So, now I feel like I have exhausted myself in character introductions and will probably eschew a “Part 4”.  But with Mickey, there are no guarantees.

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