Still being under the weather and filled with sinus head-pain, I decided to go back to a subject I love so much that the post will simply write itself. You know I love Norman Rockwell and his art, and I fervently believe that kind of mass media oil-painting does not put him in a lesser category than Rembrandt or Michelangelo or Raphael or any other painter with a ninja turtle namesake. He is a genius, and though he is not a realist in so many ways, his work is more truthful than practically any other kind of painting. If you are taken by surprise and didn’t know I had this passionate obsession, maybe you should go back and look at this post; Norman Rockwell
Now that I got that out of my system, here is another Saturday Evening Post artist that is often confused with Rockwell. His name is Amos Sewell.
Sewell was an amateur tennis player who was talented enough to win tournaments. He was an employee of Wells Fargo who was headed towards anything but an art career until he decided to make a leap of faith in 1930. He started as an illustrator for Street and Smith pulp fiction, and soon caught the notice of the big-time magazine markets for his art. He published art for Saturday Evening Post, Country Gentlemen Magazine, and Women’s Day.
Like Rockwell, he was able to find the funny in everyday scenes, like the dance party to the right. That young man at center stage is trying so hard not to step on the feet of the red-headed girl, that you want to laugh, but can’t because it’s obvious how embarrassed he would be, and the charm of the picture leads you to shun the thought of interrupting. The scene is so real the boy would hear you laughing as you looked at the Post cover.
More expert on this kind of art than I am is the Facebook site that I first got turned on to Sewell by. Children in Art History
They can also be found on WordPress. Children in Art History (WordPress)
There is no doubt that Amos Sewell belongs in the same pantheon of artists as Norman Rockwell, Thomas Kinkade, or Paul Detlafsen. They are all artists who achieve in their work exactly what I have always striven for. I want to be able to hold the mirror up to our world the way they did. I want to capture both the fantasy and the reality in the subject of everyday family life. I also want to share this work with you because I cannot stand the idea that such artistic ambrosia could one day be forgotten in archives where no one ever looks at it and feels the message in their heart.






































Fascination
I am falling apart. My health is poor and continuing to fail. My memory is suffering from an inability to remember the names of things. I find myself in the kitchen having gone in for a specific purpose, and not being able to remember what that purpose was. That is not to say I am not coping. I have quite a lot of adaptability and significant problem-solving skills. But that will eventually become a losing battle. Especially if I get the virus… any virus. So, what am I going to talk about with a dissolving brain and an hourglass of lifeforce swiftly running out? Fascination. I am fascinated by the details of the process. Like Mr. Spock, I find practically everything, “Fascinating!”
Birds and butterflies
My childhood fascinations turned into obsession first around natural things. When my mother would go to Vey Osier’s Beauty Salon, Vey had this fascinating parrot that was probably a hundred years old and knew how to swear really, really foully. I remember that being the only reason I was willing to go there and wait for Mom to get her hair fussed up (What my Grandpa Aldrich, her father, used to call it.)
I remember waiting for hours to hear that bird say the magic F-word or the horrible S-word. Or even the zillion other bad words I didn’t know anything about when I was seven. And, of course, I never did. The bird was mute the whole time during who-knows-how-many visits. But I did get to look endlessly at that green parrot’s amazing nutcracker bill that Vey always assured us would snap our fingers off like biting a salted pretzel if we got them anywhere close to the bill.
And when I was nine I was given as a present a plastic model kit of a Golden-Crowned Kinglet (the bird in that first picture). My relatives knew I was a burgeoning artist since my teachers constantly complained about all the skeletons, crocodiles, and monsters I drew in the margins of my school workbooks. So, I had a plastic bird to paint with all the necessary paints, but no idea what the bird looked like. We had to go all the way to Mason City to Grandma Beyer’s house because we called up there and checked, and, sure enough, there was a colored picture in the K volume of her Collier’s Encyclopedia. I painted it so accurately, the danged thing looked almost alive.
And if you have ever seen any of my butterfly posts, you know I became a butterfly hunter before ever entering junior high school, where Miss Rubelmacher, the rabid seventh-grade science teacher, made that obsession a hundred times worse. (She didn’t actually have rabies, just a reputation of requiring excessively hard-to-find life-science specimens like a nasturtium that bloomed in October in Iowa, or a Mourning Cloak butterfly.
I was able to find for her numerous Red-Spotted Purples like the one in the picture. I got them off the grill of Dad’s Ford, as well as in Grandpa Aldrich’s grove. And I eventually caught a pair of Mourning Cloaks as well on Grandpa Aldrich’s apple trees, though not until summer after seventh grade was over for me. I could tell you about my quest to catch a Tiger Swallowtail, too. But that’s an entirely different essay, written for an entirely different thematic reason.
Needless to say, my bird fascination led me to become an amateur bird-watcher with a great deal of useless naturalist information crammed into my juvenile bird-brain about birds. Especially Cardinals. And my fascination with butterflies opened my eyes to a previously invisible world of fascinating and ornately-decorated bugs. (Of course, I should’ve said “insects” instead of “bugs” since I absolutely did learn the difference.) And I still to this day know what a Hairstreak Butterfly looks like, what a Luna Moth is (Think Lunesta Commercials,) and how you have to look at the underside of the lower wings to correctly identify a Moonglow Fritillary Butterfly.
During my lifetime, my fascinations have become legion. I became obsessed with the comic books done by artist Wally Wood, especially Daredevil. I became obsessed with Disney movies, especially the animated ones like The Rescuers, The Jungle Book, Pinocchio, and Fantasia. I rode the bucking bronco of a fascination with the Roswell Crash (and the actual alien space ships I am almost certain the U.S. Army recovered there.) And so many other things that it would make this essay too long, and would probably bore you into a death-like coma. So, here’s what I have learned by being fascinated with my own fascinations;
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