
The gentleman writer pictured above is a successful creator of innovative and engaging fiction. As a 1979 vintage, he was still a toddler when I began my teaching career in 1981. Like John Green, another author I admire who was only a small child when I began teaching, he cut his writer’s teeth by writing for Mental Floss the humor-centric publisher of puzzles, facts, and trivia. While I do, in fact, envy his success, I do not in any way take it lightly. He is a capable, highly-intelligent story-teller whose books I have grown to dearly love.

The first book in the peculiar series, also the first book I snagged at Half-Price Books and then devoured in a week (I bought a second copy to read after foolishly eating the first), is the peculiar tome pictured above. In these stories, the peculiar author presents numerous old black-and-white photographs from the days when stereopticons stood in for televisions because the so-called boob-tubes hadn’t had the decency to be invented yet. Most of these photos are bizarre in some way like the one used on his first cover. And the pictures become the story. The girl on the cover of Miss Peregrine’s Home for Peculiar Children becomes Olive, a young girl whose peculiar power is to float in the air. In fact, she has to wear lead shoes to keep from floating off into the sky.

Peculiars are menaced by, and have to be protected from wights, former peculiars who eat the souls of their own kind to become white-eyed powerful villains who wish to rule and eat all peculiar people.
The peculiar children have to be protected by creatures called Ymbrynes, women who were originally peculiar birds that found they could turn into human women, and not only that, could loop time in ways that provided pockets of protection from those who would persecute them where time never passed.

The protagonist-narrator of the entire trilogy is Jacob Portman, a Florida boy who learns that he has inherited a one-of-a-kind peculiar power from his grandfather (turning it into a two-of–kind thing). And when his grandfather is killed by wights, he learns of a place he must go to take his grandfather’s former place guarding Miss Peregrine’s troop of peculiat children, including Emma, pictured here, (a hot chick in more than one way).

I will not tell you any more of the story of the trilogy. I hate to spoil anything from another author’s work. I found that the discovery of every delicious detail and oddity along the way was the tastiest feature of the fiction. (I do have to break that bad habit of eating books. Gustatory learning, my peculiar ability and my curse.) I will, rather, merely recommend that you discover the peculiar charms of these peculiar books for yourself. (And try not to discover them by eating them. Books have too much fiber and too little protein to be used like that.)
















































The Art of Being Mickey
I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.
But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’
So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.
I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))
—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.
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