Tag Archives: writing

Return of the Star Wars Figures

On a previous Saturday I admitted to the crime of using 12-inch action figures to play the Star Wars role-playing game.  The Dungeons and Dragons RPG world was horrified.  You are supposed to use scale-appropriate metal miniatures.  How can you simulate combat without small figures on a grid?  I have to confess.  It was via x’s and dots on graph paper.  But we didn’t use the action figures to represent ranges and lines of site in combat.  And one of my players was my niece, an actual girl.  So, I guess, to be honest, we were actually playing with dolls.

But it helps to have a lot of dolls.

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Emperor Palpatine, Snow Trooper, Obi-Wan, Jar Jar, Quigon, Droid Soldier, and home-made Mace Windu

We started play after the first two movies in the Prequel Trilogy.

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Wicket, Imperial Walker, Astroboy (What’s he doing there?) Darth Vader, Little Anakin, and Boba Fett.

We got creative with stories.

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Jango Fett, General Grievous, and Admiral Akbar

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Anakin Skywalker

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Robot from Lost in Space, R2D2, Slave Girl Leia, and a Green Orion Slave Girl Dancer from Star Trek

So there is evidence available to my offspring to help them have me committed to an institution.  The truth is, these are not even all of my Star Wars Dolls.  So this morning’s confession session is now at an end, though all of the horrible truth is not yet revealed.

 

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Filed under action figures, autobiography, doll collecting, Dungeons and Dragons, goofiness, humor, photo paffoonies

How To Write A Mickian Essay

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I know the last thing you would ever consider doing is to take up writing essays like these.  What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?

But I was a writing teacher for many years.  And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.

So, here goes…

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Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead.  A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay.  In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a  “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what.  The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order.  It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.

Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs.  This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing.  If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”.  And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time.  The three main rooms in this example idea house are beginning, middle, and end.  You could also call them introduction, body, and conclusion.  These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).

Teacher

The last thing you have to do is the concluding paragraph.  (Of course, you have to realize that we are not actually there yet in this essay.  This is Room C in the smelly chickenhouse of this essay, the third body paragraph.)  The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process.  This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later.  The last thing that you say in the essay is the thing they are the most likely to remember.  So you need to save the best for last.

So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay.  It is a simple, and straightforward structure.  The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea.  And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.

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An Autobiography of Mickey

 

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Last night I watched again Part I of Ken Burns’ Mark Twain.   I think it reminds me of who I am as a writer.  No, I am not being all big-head arrogant and full of myself.  I devoured certain writers as a youth, consumed them whole.  Charles Dickens was my first passion, followed by J.R.R. Tolkien, and then Mark Twain.  Of all of them, Samuel Clemens is the most like me.  He was from the Midwest, born and raised in Missouri along the Mississippi River.  I am from the Midwest, born and raised in Iowa along the Iowa River.  He endured hardship and tragedy as a youth, losing his little brother in a riverboat accident, and he dealt with it by humor.  I endured a sexual assault from an older boy, and dealt with it by… well, you get the picture.  We are alike, him and I.  We both draw upon the place we grew up, the people we have known, and the events of our youth to create stories.

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It is a pretty big responsibility to follow in his footsteps, and I will probably never live to see the success and the wealth that came to him.  But I have a responsibility to the people I knew and the time that gave rise to me to tell their story.  I need to build a network of stories that resonate the truth of existence that I have been witness to.  A big responsibility… and I probably will not live up to it.  But I have to try.

Being a writer is somewhat like being cursed.  The words burn inside, needing to get out, needing to be heard.   I have stories that need to be told, and they will be told, even if only to file away in the closet again.  Like Mark Twain, I am good at feeling sorry for myself.  And the Mickey part of me, the writer part of me, is just like Mark Twain, a writer persona, and not the real man himself.  I am simply the container for something that has to exist and has to tell stories.  It is not a bad thing to be.  But the more I get to know it, the more I would not wish the destiny on others.

Forgive how sad and bunglingly boorish this post is.  But sometimes there are thoughts I simply have to think.  And as a writer, I am bound to write down the silly things that I think.

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Exploring the Mind of Mickey

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One really weird thing that teachers do is think about thinking.  I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes?  Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least.  Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?

This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns.  Don’t worry, though.  I didn’t actually cut Mickey’s head in half to be able to make this map.  I used the magical tool of imagination.  Some folks might call it story-telling… or bald-face lying.

Now, a brain surgeon would be concerned that my brain maps out in boxes.  He would identify it as a seriously deformed brain.  It is not supposed to be all rectangular spaces and stairs.  It probably indicates a severe medical need for corrective surgery… or possibly complete amputation.  But we are not going to concern ourselves with trying to save Mickey from himself right now.  That is far too complex a topic to tackle in a 500-word daily post.  We are just discussing the basics of operation.

You see the three little guys in the control room?  They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version.  (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years.  Seriously, that job can do a bit of damage.)  The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy.  They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these).  They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.

I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic.  I have no earthly idea how either of them function, or what in the heck they are supposed to do.  But there they are.  The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind.  They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times.  It is also a good idea for them to avoid the lizard brain of the limbic system in the basement.  It is easily angered and might eat them.

So now you should be able to fully understand how Mickey thinks.  (Or not… a qualifier I was forced to put in by Checkerbob.)

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What Dreams Will Reveal

Dorin, Me, My Wife, the Princess, and Henry

I respond to dreaming in ways that make sense in my stupid head, though the responses probably seem crazy to others.

The picture above was painted in oils in the early 1990’s before I met my wife. It was in response to a Bambi dream that seemed to be about my family as a family of deer. This was not about my family from childhood. It was, at the time, about my family in the future. Somehow I got it right. Two boys and a girl. Together for 30 years next month.

This picture is called, “The Boy Who Saw the Colors”,

Some pictures are dream images that can only be interpreted metaphorically. This one is about me being creative and artistical… or autistical as the case may be. It is also about being a synesthete with pronounced synesthesia.

This dream was a dream about being a Native American during a thunderstorm. It is called “the Magic-Man’s Daughter” because the Dakota Sioux tribe held the belief that dreams about lightning reveal you as a Shaman or Magic Man. Wakȟáŋ Tȟáŋka is the Lakotah word for “the Great Mystery”. That was a dream that sent me to the library to look things up.

I have dreams with clowns in them that are not nightmares. Here the clown known as Mr. Disney is encouraging me to sing sad songs.

I wrote an entire novel about that whopper of a dream.

This dream had me trapped in a tomb with a Mummy who wouldn’t stay in his nice warm sarcophagus.

It is not uncommon to dream about death and mortality. More than once I have dreamed about my own death. None of them have yet proved prophetic, but you never know.

I dreamed about my eldest son 14 years before he was born.

I think dreams can be prophetic because they are not bound by our perceptions of time in the physical universe. You can look ahead in a dream to that which has not yet happened. You can also look backward into the past beyond the boundary of your own birth. I often think some of my most vivid dreams are about peering into past lives and a very different me.

I know I sound crazy when I talk about my dreams. But they are a significant source for my artwork and creative endeavors. And dreams have a logic that doesn’t work by the rules of the world we know. Rather, it is a world of wonder.

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The Art of Being Mickey

I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.

But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’

So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.

I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))

—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.

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Writing About Nothing and Nobody Being Nowhere

Charles Dickens, William Shakespeare, Walt Disney, and Edgar Allen Poe (the four clowns depicted above) all probably had times in their writing life when they didn’t really have anything to write about. Charles Dickens couldn’t think of anything but his time in the boot-black factory and the misery he felt as a child raised in poverty. So, what did he do? He created Wilkins Micawber as a stand-in for his ne’er-do-well father who always believed, “Something will presently turn up.” And he wrote the semi-autobiographical novel David Copperfield.

William Shakespeare didn’t actually write anything with his grade-school education and limited knowledge of the world. But when the Earl of Oxford who used his name as a nom de plume could think of nothing, he thought of ending it all, and the “To-be-or-not-to-be…” play, Hamlet, poured out of his quill pen onto paper.

And when Walt Disney rode the train in defeat, having lost his best comic character for cartoons, Oswald the Rabbit, to his old boss, he doodled a mouse and named him Mickey, even providing Mickey’s falsetto voice for decades on the silver screen. Oh, and claiming the rights to any further characters his studios produced… to this day.

Poe looked at the bust over his chamber door… and saw a raven. Instantly, NEVERMORE.

Now it’s Mickey’s turn to write about nothing, and try to live up to the nothing-masters’ artistic masterpieces of yore. For instance, the boy in the picture. I drew him from a nude model in a black-and-white photo. Nobody in class, not even the one who brought the picture, ever told me his name. And the class was forty-four years ago now. So, assuming the picture wasn’t old back then, the boy is now older than fifty-four, and possibly significantly older than that now. So it is a picture of a nude nobody in front of an abandoned house in the snow however-many years ago in a place that is probably nowhere now. And I won’t even mention the imaginary puzzle pieces floating through the air for nobody to put together. What’s that? I just mentioned them? What did I mention? They are really just nothing.

So, there is a time and a place for writing about everything. Even if that everything includes nothing… and that nothing is nowhere… and is about nobody.

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Filed under artwork, autobiography, clowns, humor, nudes, Paffooney

The Interstellar Bad Poetry Challenge

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The Ixcanixian Cultural Ambassador from the Squeelix Sector of the Planet Ixcanix sent me an e-mail about his planet’s newest idea for a cultural exchange.  He calls it the “Ixcanixian Spleegle Gorn Vorpaloop” which translates to the “Ixcanixian Interstellar Bad Poetry Challenge”.  At least, it does if I am conjugating the verb “Vorpaloop” correctly.  It is difficult because you have to drop the silent “y” before adding the “aloop” without causing it to explode.  I know it is probably a very bad idea to present it here on this planet, but he talked me into it by promising to promote my novel Catch a Falling Star on his homeworld and at least two other planets in the Bugeye Federation.

Here are the rules for the alien poetry contest;

  1. Entries can only come from planets in the Orion Spur of the Sagittarius  Spiral Arm of the Milky Way Galaxy.  (So, for you non-astronomers out there, we on Earth do qualify.)
  2. All poets must be less intelligent than the Mud-Eaters of Paralaxos IV as they will be employed as judges of what poetry is truly bad.  (Again, Earth qualifies as we have recently elected Trump and also allow Nigel Farage of Great Britain to continue to exist.)
  3. Entries must not be so long that the total weight of letters exceed critical mass and form black holes in the intergalactic servers when uploaded.
  4. Vogons need not apply.  Their poetry is so bad, they would automatically win, causing the death of trillions of bad poetry readers in the galaxy.
  5. Entries must not cause thermonuclear reactions with cesium.
  6. Please refrain from confusing good poetry with bad poetry.  The Vornloos of Talos XII are looking for poetry they can weaponize, and no one wants a poetry contest winner to suddenly create World Peace on Talos XII.  That would be bad for the galaxy as a whole in ways that are very difficult to explain.

A sample of interstellar bad poetry is included here to inspire the kind of poetry we seek.

Ratzen Bargle’s Bisketoon  (a love poem by Touperary Kloob, Poet Laureate of Antares VI)

Ratzen Bargle was a Doofus,

From the planet Rufus-Ploofiss,

And he had a lovely bride,

With a head not tall, but twice as wide.

She had three eyes and two were green.

She had the loveliest fleen you’ve ever seen.

And as they sat ‘neath a wayward moon,

He kissed his lovely bisketoon.

Immediately before naught was said,

She bit off his tiny three-eyed head.

And then she ate him bones and all

With sauce that really becomes the fall.

And so it is on Rufus-Ploofiss,

That  males all die with one last roof-kiss.

Because they sit under wayward moons

With their lovely, hungry bisketoons.
 

 

Should you have the unfortunate urge to participate in this senseless and probably suicidal poetry contest, you are welcome to offer four-line poems in the comment section, or email longer poems to Mickey at mbeyer51@gmail.com.  I will attempt to transmit the worst offers to the Ixcanixians as soon as I get my interstellar flooglebeeder transmitting again.  I will also post winners in a future alien poetry blog.

I have been warned that prizes range from instant execution by the Lizard Lords of Galtorr Prime to a beat up copy of Mickey’s 2012 novel Catch a Falling Star.  So, good luck with the bad poetry.

 

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Filed under aliens, goofiness, humor, Paffooney, pen and ink, poem, poetry, satire, science fiction

Really Bad Jokes

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If you have the bad habit of reading this particular blog more than once, then you are probably aware that I used to be a public school teacher.  Even worse, I used to be a middle school English teacher.  Aagh!  Seventh graders!  It explains a lot about how life has warped my intelligence, personality, and world view.  It also explains somewhat where I found such a fountain-like source for some of the worst jokes you ever heard.

Now, as to the question of why I have chosen in my retirement early-onset senility to become a humor-blogger… well, that is simply not something I can answer in one post… or even a thousand.  But kids are the source of my goofball clown-brain joking around.

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Kid-humor, you see, is stunted and warped in weird ways by the time period you are talking about.  The eighties, nineties, two thousands, and the tens are all very different.  And those are the various sets of students that I attempted to learn moose bowling from by teaching them English.

Still, there are certain universal constants.

Potty humor really kills.  If you want to make a thirteen-year-old crack up with laughter, roll around on the floor, and maybe wet his or her pants, then you only need to work the “poop” word, or the “nickname for Richard” word, or the “Biblical word for donkey” word into the conversation.  Of course the actual words, even though we all know what they actually are, are magical words.  If you actually say them to kids in school as their teacher, those words can actually make you magically and permanently disappear from the front of the classroom.  All kids are big fans of George Carlin and his seven words, even though most of them have never heard of him.

And violent humor is popular with kids from all decades.  The most common punch line in the boys’ bathroom is, “… and then he kicked him in the Biblical word for donkey!” followed closely in second place by, “… and then she kicked him in the Biblical word for donkey!”  I am told (for I don’t actually go in such scary places myself) that in the girls’ bathroom the most popular punch line is, “…so I kicked him right in the soccer balls, and he deserved it!”   Why girls are apparently obsessed with soccer, I don’t know… or particularly care.sweet-thing

So my education in humor began with bad-word jokes, slapstick humor, put-downs, and rude noises coming from unfortunate places.  Humor in the classroom is actually a metaphorical mine field laced with tiger traps, dead-falls that end with an anvil hitting you on the head, or being challenged to a life-or-death game of moose bowling.  (Don’t know what moose bowling is?  Moose bowling is a very difficult game that, in order to knock down all the pins and win, you have to learn to roll a moose down the alley.)  Sounds like I spend too much time watching cartoons and playing video games, doesn’t it?  Well, there’s more.  And it gets worse from here.  But I will spare you that until the next time I am foolish enough to try making excuses for my really bad jokes.

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Filed under autobiography, humor, irony, kids, satire, strange and wonderful ideas about life, teaching, word games, wordplay, writing humor

What I am Thankful For

I am grateful for the fact that I have never killed anyone in my life so far. When I turned 18 in 1974, I signed up for the draft as was required by the law, and I received a draft number that had a high likelihood of being called up. I had to think about joining the Navy as my father did in the 1950s during the Korean Conflict. Or possibly resign myself to going to jail for refusing to be called up. I was a confirmed pacifist from early on in my life (a result of the trauma caused by being secretly a victim of a sexual assault at the age of ten.) So, I lucked out and the draft was suspended before the government would’ve decided to draft me in 1975.

I also did not ever cause the death of anyone by a traffic accident, household accident, or any other accidental way. As long as I am still driving, I have to use the caveat that I have not killed anyone yet.

I am also grateful for pessimism. I have been accused of being optimistic about many things. But I would argue it is a tactical advantage to be firmly pessimistic. I look at every possible outcome of any and all undertakings. I plan on things going wrong, including serious thought being given to how I will deal with huge roadblocks to my goals, concocting workable plans B, C, D, and even all the way to Z. Being a pessimist means you will not put all the Easter eggs in one basket, especially the basket the drunken Easter bunny plans on hiding at the bottom of the river in a bag full of stones. I am not deterred in my quests by the first, second, or third obstacle. I am willing to rent scuba equipment to deal with the drunken bunny thing. I do not get downhearted because I expected the worst to happen. And I deal with it for as long as it is possible. Persistence and preparedness are worth far more than luck and chance. And this is where I have to endure the inevitable claim that I am secretly an optimist. I confess. I do believe I can wear down and conquer anything. If that’s optimism, then I have to insist that I have renamed it the “Fruits of Pessimism.”

And I am also grateful for the chance to become a nudist, even though not until late in life because it represents a victory over the monster that abused me when I was ten. He left me with a lifelong fear of being naked in the presence of others, extreme difficulty with having a sex life, including self-harm to my private parts, a fear of becoming a homosexual or a child molester, and deep depression about all this stuff I felt I had to keep secret. My mother and father both died without knowing it happened. But my wife and children know. My sisters both know. And I was able to spend last Memorial Day weekend with nudists at the Bluebonnet Nudist Park. I am now liberated of all the things that once made me feel like a monster and made me hate myself. His ghost has no further power over me. And I am grateful.

I know I am probably the only person in the US grateful for these three things all at the same time. But I think the most important things to be grateful for in life are the things you have overcome, and the means you have for overcoming them.

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