Candle-lit nightmares become stories and keep me awake late at night.
I am now closing in on the publication of The Baby Werewolf, a novel whose story began with a nightmare in 1978. It was a dream I had about being a monster. I woke up in a cold sweat and realized, to my complete horror, that I had been repressing the memory of being sexually assaulted for twelve years, the thing that almost brought me to suicide in 1973 and that I couldn’t put into words when I talked to counselors and ministers and friends who tried to keep me alive without even knowing that that was what the dark black words were about.
I don’t normally write horror stories. Yes, it is true, a character of some sort dies at the end of practically every novel I have ever written, but those are comedies. I am sort of the anti-Shakespeare in that sense. The Bard wrote comedies that ended with weddings and tragedies that end in death. So, since my comedies all seem to end in death, I guess if I ever write a tragedy, it will have to end with a wedding.
Torrie Brownfield
But writing this horror story is no joke for me, though I admit to using humor in it liberally. It is a necessary act of confession and redemption for me to put all those dark and terrible feelings into words.
The main theme of the story is coming to grips with feeling like you are a monster when it is actually someone else’s fault that you feel that way. Torrie, the main character, is not the real werewolf of the story. He is merely a boy with hypertrichosis, the werewolf-hair disorder. He has been made to feel like a monster because of the psychological and physical abuse heaped upon him by the real werewolf of the story, an unhappy child pornographer and abuser who is enabled by other adults who should know better and who should not be so easily fooled. The basis of the tale is the suffering I myself experienced as a child victim.
It is not easy to write a story like this, draining pain from scars on my own soul to paint a portrait of something that still terrifies me to this day, even though I am more than sixty years old and my abuser is now dead. But as I continue to reread and edit this book, I can’t help but feel like it has been worth the pain and the striving. No one else in the entire world may ever want to read this book, but I am proud of it. It allowed me to put a silver bullet in the heart of a werewolf who has been chasing me for fifty-two years. And that’s how the monster movie in my head is supposed to end, with the monster dead, even though I know the possibility of more monsters in the darkness still exists.
This post originally appeared here on April 21st, 2015, the anniversary of Mark Twain’s expiration date.
If it is inevitable that I will surely drop dead some day, and if it is likely that it will come sooner rather than later, then I hope to go out with a bit of style and leave something behind that speaks not only to my own children, but to anybody searching for truth and beauty, people of the future that I will never know who are living beyond the confines of my little life. What makes me think that I can do it? Well, I’m a writer… and Mark Twain did it… and I don’t have to be vain or loopy or maniacal or delusional to make the same thing happen.
On this day one-hundred-and-five years ago, April 21, 1910, Mark Twain left the world of the living. He caught a ride on Halley’s Comet (It deposited him on Earth in 1835, appearing in the sky when he was born, and took him away when it appeared in the sky again in 1910… He didn’t have to be some kind of suicidal Heaven’s Gate nut to manage that.) But it wasn’t the comet that showed me the truth… it was his books. I learned to take a wry view of a complex world that I could do nothing to change and tweak it with intelligence and understanding from the story of racism and justice he left behind in Pudd’nhead Wilson. I learned the value of ingenuity and opportunity and how to use them properly from A Connecticut Yankee in King Arthur’s Court. I also learned a profound love and understanding for small town people like me and the people of my little hometown in both The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. Samuel Clemens, Mr. Mark Twain, left himself behind in stories to speak to the ages. He spoke to me… directly to my heart, and he had been dead for 46 years before I was even born. If that’s not magic, I don’t know what is.
media.npr.org
Now, I am not a fool (wait a minute! I know you have proof to the contrary if you read my blog posts, but I am not an UNINTENTIONAL fool), so I do not think that my words and wisdom are ever going to have any sort of effect on the entire world the way Mark Twain’s have. I can accept reality. This whole world is dying and may not long outlive me. There are a large number of talented fools… er, I mean writers, out there who have put out a number of published good books, and have, like me, made diddly-zero-bupkiss in dollars on the deal. I have no delusions. My work is good enough to turn into a best-seller or maybe two, but I do not have the time or the backing to make it happen. If anything other than obscurity embraces my books, I won’t live to see it. Only eleven per cent of published authors make a livable wage from writing and I will never be one of them. But I have ideas that resonate. I can write in ways that touch the heart (as you may have seen if you have read my post “When Compassion Fails” that was a minor hit with the 1000 Voices Speak For Compassion group).
So, I am satisfied to confess my girly addiction to Barbie Dolls and My Little Pony… talk about cartoons and cartoonists on WordPress… make people giggle a bit… or even guffaw, and put together books that my family will read, and only be mildly embarrassed by, and maybe one day will reach and touch the heart of some boy or girl who really needs to read what I wrote at a time in their lives when it can actually help… the way so many other philosophers, wits, and word-wizards have helped me. (How’s that for some prime purple-paisley prose?)
I have made up my mind to risk investing more money in getting another book published. Being an author, especially an unknown Indie author, is really just an expensive hobby. Even investing in professional editorial services and print-on-demand publishers can’t help you make any money at it, even if you are talented and good at story-telling. The best I can really hope for is to get my books in print and pray that people will discover them and like them after I die, beaten to death for a crust of bread in debtor’s prison.
So, why would anyone in their right mind want to be a writer?
It is entirely possible that I was simply born that way. I have been drawing cartoons and telling stories since I was about five years old. Maybe even before that. I don’t have many clear memories of my pre-school years. It is possible that I was lost in a library once… or dropped on my head… or in a library and having a book dropped on my head… something set it off if it wasn’t simply in my genes.
I am planning to publish Magical Miss Morgan with Page Publishing. They are a pay-to-print publisher who are slightly more affordable than I-Universe that I used to get Catch a Falling Star into print. I feel like I have to get it published before I die because it is the distillation of my entire life as a classroom teacher. Books like this are important to me. In the Bible, there are prophets and holy men who are filled with the Word of God, men like Jeremiah, that claim the Word is burning within them, and will burn its way out of them if they don’t speak it. My stories that I am working at turning into books are like that. They are consuming me from the inside out. I have to get them written and printed if I possibly can.
I have recently tried and failed to get novels like Snow Babies, Magical Miss Morgan, and Superchicken published with publishers that don’t charge for their services. I got several rejections and one contract that came to nothing because of the economic failings of the publisher. I have tried being infinitely patient. It doesn’t work.
I will try to bargain for the most affordable deal I can to get Magical Miss Morgan into print. They will apparently let me input artwork into the final cover. I understand that successful writers tend to starve for at least fifteen years before they see any success and profit. At best, I have six more years of that to go. But this, after all, is my life now. I need to write books and I need to get them published. I am, unfortunately, a Writer.
This being an old post reposted, I now have this book available on Amazon.
What does that even mean, that silly little two-line poem I wrote twenty years ago? Am I not old enough to know better than to create a snippet loaded with goofy contradictions? Apparently not. But I am old enough to deliver the past. I have been around long enough that I remember when President Kennedy was assassinated. I saw Neil Armstrong take that “small step for man” on the surface of the moon. I have learned a number of lessons from the past. And as a writer, I can deliver those lessons in the form of stories. I was born in a different century. I have been around for more than half of one… approaching two thirds. I have collected all kinds of wonderful things in my goofy old brain. And make no doubt about it, with six incurable diseases and being a cancer survivor since 1983, my Sun is about the set. So, I have a mission, to open the eyes of people who are too foolish to avoid listening to what I have to say, or to read what I have written.
I saw The Sound of Music starring Julie Andrews in the Cecil Theater in Mason City, Iowa in 1965 when I was not yet ten years old. I heard the song My Favorite Things for the very first time on the old black and white Motorola TV set in the clip I posted at the start of this post. Kukla, Fran, and Ollie was a puppet show I never missed on Saturdays if I could help it. In a world before video games and computers and even color TV, kids still had priorities. And my world was definitely a world of imagination.
Captain Kangaroo and Mr. Moose
Fess Parker as Davy Crockett, and then as Daniel Boone
Paul Winchell with Jerry Mahoney and Knucklehead Smiff
So, what kind of knucklehead must I be to think younger folks would want to know about any of this stuff from the time of dinosaurs and black-and-white TV? I write books that are basically genre-breakers and about way too many different things to make sense to adults. As a result, I classify myself as a Young Adult novelist, a writer for children… but not the beginning reader kind, or the early chapter-book kind… the kind like Huckleberry Finn, To Kill a Mockingbird, Light in the Forest, or Dicey’s Song. I write books about what it was like to be a kid in the past… the 1960’s, 70’s, 80’s, and 90’s… last century. And I have some knowledge and expertise in this area because I was one of those teachers during that time period that got to know the kids in my classes. I made the horrifying mistake of actually talking to kids, asking them about their lives, and listening to their answers. I talked about all manner of things with all manner of kids… brilliant things and stupid things… with dumb kids, smart kids, smelly kids, charming kids, and the kids everybody else hated. You know… I did all the stupid mistakes that teachers who have no earthly idea how to do discipline would do, and got those kids to learn to behave at least halfway like human beings by being somebody they trusted and respected and… on rare occasions… believed. Right now I am working on Snow Babies. It is set in 1984. And I hope to be good enough of a Sunset Man to be able to deliver it to the future.
I firmly believe that I would never have succeeded as a teacher and never gotten my resolve wrapped around the whole nonsense package of being a published author if I hadn’t picked up a copy of Mort, the first Discworld novel by Terry Pratchett that I ever encountered. I started reading the book as a veteran dungeon-master at D&D role-playing games and also as a novice teacher, having a world of difficulty trying to swim up the waterfalls of Texas education fast enough to avoid the jagged rocks of failure at the bottom. I was drinking ice tea when I started reading it. More of that iced tea shot out my nose while reading and laughing than went down my gullet. I almost put myself in the hospital with goofy guffaws over Death’s apprentice and his comic adventures on a flat world riding through space and time on the backs of four gigantic elephants standing on the back of a gigantic-er turtle swimming through the stars. Now, I know you have no earthly idea what this paragraph even means, unless you read Terry Pratchett. And believe me, if you don’t, you have to start. If you don’t die laughing, you will have discovered what may well be the best humorist to ever put quill pen to scroll and write. And if you do die laughing, well, there are worse ways to go, believe me.
Discworld novels are fantasy-satire that make fun of Tolkien and Conan the Barbarian (written by Robert E. Howard, not the barbarian himself) and the whole world of elves and dwarves and heroes and dragons and such. You don’t even have to love fantasy to like this stuff. It skewers fantasy with spears of ridiculousness (a fourth level spell from the Dungeons of Comedic Magic for those fellow dungeon masters out there who obsessively keep track of such things). The humor bleeds over into the realms of high finance, education, theater, English and American politics, and the world as we know it (but failed to see from this angle before… a stand-on-your-head-and-balance-over-a-pit-of-man-eating-goldfish sort of angle).
Terry Pratchett’s many wonderful books helped me to love what is ugly, because ugly is funny, and if you love something funny for long enough, you understand that there is a place in the world even for goblins and trolls and ogres. Believe me, that was a critical lesson for a teacher of seventh graders to learn. I became quite fond of a number of twelve and thirteen year old goblins and trolls because I was able see through the funny parts of their inherent ugliness to the hidden beauty that lies within (yes, I know that sounds like I am still talking about yesterday’s post, but that’s because I am… I never stop blithering about that sort of blather when it comes to the value hidden inside kids).
I have made it a personal goal to read every book ever written by Terry Pratchett. And that goal is now within reach because even though he is an incredibly prolific writer, he has passed on withing the last year. He now only has one novel left that hasn’t reached bookstores. Soon I will only need to read a dozen more of his books to finish his entire catalog of published works. And I am confident I will learn more lessons about life and love and laughter by reading what is left, and re-reading some of the books in my treasured Terry Pratchett paperback collection. Talk about your dog-eared tomes of magical mirth-making lore! I know I will never be the writer he was. But I can imitate and praise him and maybe extend the wonderful work that he did in life. This word-wizard is definitely worth any amount of work to acquire and internalize. Don’t take my convoluted word for it. Try it yourself.
I am reposting this old post from 2015 because I am in the same situation of not being able to write 500 words today.
Okay, I am justifying and vilifying today because yesterday I didn’t write 500 words… the first time in 2015… not in my blog, not in my novels, not even counting text messages. I had extenuating circumstances. I went to a movie, Disney’s Inside Out which made me laugh and made me cry like any good Disney/Pixar movie always does. Then I got a message that one of my children went into the hospital in Florida. And I have been down and out with a bad back, so I missed the Florida trip all together… (the child is fine, by the way, thanks for asking that in your head while reading this). But all of that stuff and nonsense is really just an excuse for a dastardly act of cowardice. I didn’t write a full 500 words. How dare I? This writing thing has now become my sacred mission from God. After all, I retired from the first sacred mission because poor health was God’s way of telling me, “MICKEY, IT IS TIME TO BE A WRITER.” Really! He talks to me in all capital letters just like that.
And you have probably noticed already that I am doing stream-of-consciousness writing for today’s post, a useful form of pre-writing that is known for producing lots of garbage to go along with the gemstones-in-the-rough. My mind is still boiling with emotional turmoil and upset and less-than-critical thinking… The reasons for that are understandable… I am guessing. … But I think the point is (if points are possible in this no-win game I am playing, and losing, called Old Age) that I am never really not writing. I have two novels in rough drafting at the same time. Both When the Captain Came Calling and Stardusters and Space Lizards are both on my task bar at this very moment. I add new inspirations for the next canto every time a new light bulb clicks on over my little furry head.
So the ideas are already there for several pieces of writing that I simply have to sit down and knock out on the keyboard. Potentially I have way more than a mere 500 words waiting to blossom and unfold like flowers into paragraphs of purple paisley prose. (Since this is as close as a writer can come to showing how he actually thinks, I guess I have also answered a question that many who try to read my writing have been wondering about… I really do think in loopty-loops with streamers attached and a knot in the tail.) Writing is not something I can ever be accused of not doing because writing and thinking are the same thing… the only difference between the 500 per day and the leventie-leven trillion in my head is your access to it in a form that is written down and edited (well, at least re-read for typos… I kinda like leaving the stuff and nonsense… and moldy bananas… in the final product because I can pass that particular form of goofiness off as humor). (And, yes, it just helped me pass 500 for today.)
I decided I wanted to be a novelist because of Charles Dickens. I loved the way he told a story with vivid characters, rising and falling crises, and story arcs that arrive at a happily-ever-after, or a how-sad-but-sweet-the-world-is ultimate goal. Sometimes he reached both destinations with the same story, like in David Copperfield or The Old Curiosity Shop. I have wanted to write like that since I read The Old Curiosity Shop in 9th Grade.
Thomas Hardy has a lot in common with Chuck. I mean, more than just being old Victorian coots. Hardy knows the Wessex countryside, Blackmoor and Casterbridge with the depth and understanding that Dickens bestows on London. Hardy can delineate a character as clearly and as keenly as Dickens, as shown by Diggory Venn, the Reddleman in Return of the Native, or Tess Durbyfield in the novel I am reading at the moment. These characters present us with an archetypal image and weave a story around it that speaks to themes with soul-shaking depth. Whereas Dickens will amuse and make us laugh at the antics of the Artful Dodger or Mr. Dick or Jerry Cruncher from a Tale of Two Cities, Hardy makes us feel the ache and the sadness of love wrecked by conflict with the corrupt and selfish modern world. Today I read a gem of a scene with the three milkmaids, Izz, Retty, and Marian looking longingly out the window at the young gentleman Angel Clare. Each wants the young man to notice her and fall in love with her. Sad-faced Izz is a dark-haired and brooding personality. Round-faced Marian is more jolly and happy-go-lucky. Young Retty is entirely bound up by shyness and the uncertainty of youth. Yet each admits to her crush and secret hopes. Tess, meanwhile, overhears all of it, all the time knowing that Angel is falling in love with her. And worse yet, she has sworn to herself never to let another man fall in love with her because of the shameful way Alec D’Urberville took advantage of her, a quaint old phrase that in our time would mean date rape. There is such bittersweet nectar to be had in the characterizations and plots of these old Victorian novels. They are more than a hundred years old, and thus, not easy to read, but worth every grain of effort you sprinkle upon it. I am determined now to finish rereading Tess of the Durbervilles, and further determined to learn from it, even if it kills me.
The organic thing clinging to Cissy’s skin looked like a space suit, but felt like a herd of plooberbeasts was sucking on her body with their oily tongues. She pulled at the armpits and crotch to try to adjust out the discomfort.
“I am told that if you pinch the Danjer suit too often, it turns your skin a darker blue,” Suki said.
Cissy looked down at herself and consciously tried to quell the urge to pinch it furiously.
They moved upward into the massive headspace of the space whale, following quietly as the head warrior led them to meet the prince.
Prince Porodor was standing in front of the inside wall of a space-whale eye. The eyes functioned like windows on a spaceship. You could look through it and see out into space. But the whale could see through it because of a wide web of optic nerves that colored the skull walls around it with a spiderweb of nerve ganglia. There was a transparent panel in the middle of the eye that picked up images from outside and inside the whale simultaneously. It also framed the imperious-looking Nebulon leader like a halo. He stared down at Cissy and her two companions like an angry king.
“We must decide if the Earther Humaniti lives or dies here. The Lupin Stardog as well, though their fates may not match,” the prince said.
“Captain Cissy Moonskipper saved a large number of our clan members from slavery to a planet of Stardog pirates. We owe her our lives and freedom.” Suki’s expression was defiant, though her voice was calm and reasonable.
“We are at war with the Earthers and the Galtorr Fusions of the Imperium. They owe us our freedom for violating our rights as star-farers.” The prince gave a thumb-down gesture with his right hand.
“It is true they treat us unfairly, but they are not all the same, just as Nebulons are not all the same. This one is different. She is good and caring. If we kill her after what she has done for us, we are being no better than the evil Earthers we war against.”
“True, Sister Suki. But Nebulon Law will decide. And who is Nebulon Law?”
“You are my prince.”
“We shall test her, then. If she passes, she will live. But the Lupin must be rendered into whale food. We will tolerate no such vermin on this space whale.”
“This Lupin child is different, my prince. She is the loyal pet of Cissy Moonskipper. Without her to lead the way, we would not have been able to make our way out of Stardog slave pens.”
“Very well then. The pet’s fate will be a sharing of the master’s fate. They both die… or both will live.”
“Know this, then, my prince. If Cissy is fated to die, you must kill me too. I owe her a life debt that cannot be repaid if I allow her to die.”
The prince’s face looked disgusted and angry to Cissy. But he nodded his agreement with Suki’s conditions.
“Suki, why is he saying everything in Galactic English? He must know that both Friday and I understand what he’s saying.”
Cissy indicated Friday, quaking and shaking like she was standing on a machine for mixing sand and ferrous particles to make ferrocrete.
“He wants you to understand. He wants you to be afraid.”
“I don’t fear him. I’m almost as tall as he is. And I’m better looking too.”
“He can hear you. But, in this case, that probably helps you.”
The prince snapped his fingers repeatedly. “The racial testing! Here and now. Bring me the twins!”
The people watching this unfold, blue-skinned all, moved about to get out of the way. A group of what were obviously Vorran women dressed in the orange gear of the Vorranac Clan led two naked male children into the headspace of the whale. One was obviously a Nebulon with blue skin and yellow hair with the two red cheek spots on his face. The other one was very peachy-pink colored, and looked for all the world like he was the same race as Cissy. Though his hair was also blond.
“Hear this, Cissy Moonskipper, would-be savior of Nebulon slaves, these two children are alike in almost every way. Tell, me… for the sake of your life and life of your pet… How are these two children different?”
Cissy looked at the two naked boys. Same height. Same basic facial features. Same haircuts. Same taciturn expressions. She hadn’t failed to notice that the prince had called for twins.
“They are not different. They are the same.”
The prince chuckled in a way that reminded Cissy of villains in holodramas. “You are quite wrong, Cissy Moonskipper. Look at these two brothers. They are both the children of two Nebulons born in captivity and sired by a slave owner who was a white male Earther. One, whose skin is blue and has the red radiation-absorbing organs on his face, bears the dominant genetic codes of the Nebulon race. The other, his Earther-like brother, has only the recessive genes of his slave-owning Imperial father.”
“So, what does this mean?” Suki challenged.
“The test has been failed.”
“Why is this so?” Cissy demanded. “Surely if they are twin brothers, they are equal in the sight of Nebulon lawmakers.”
“No,” growled the prince. “Neither one is a citizen of this space whale because of their tainted blood. But the one with the dominant Nebulon genes can live among us and serve us for his long Nebulonin lifetime. The other one, even with the protections of a Danjer suit, will eventually sicken and die from the exotic radiations generated by the interior environments of a space whale. We may as well subject him to the same sacrificial ritual that will be used to dispose of all of you.”
Cissy was stunned.
The head warrior stood before them. “I will now take you to the place of feasting and leisure. You will have stentoriac sekktons of time to eat, drink, and be happy. Then we will assemble in the bowels to dissect and render you into food for the whale.”
“Stentoriac sekktons?” Cissy asked.
“You might want to think of it as three Earth days. Seventy-two hours,” Suki said.
Friday buried her puppy face in Cissy’s side and let the tears flow.
Suki, as a Nebulon herself, led the way out of the spaceship into the oral cavity of the great space whale. Cissy, an Earther humanoid, and Friday, a Lupin child, both came tentatively after, fully aware that they were probably the reasons why there was an air of suspicion and dislike among the Clan Vorranac Nebulons. Crocodile Guy wisely stayed invisible and inside the spaceship, an option open to him alone as an artificially intelligent hologram made of light and computer data.
“So, are you going to welcome us? Cissy saved a large number of our clan brothers and sisters from Lupin pirates. And the Lupin child was saved and adopted by her as well. (This is translated from the Nebulonin Language to save you from having to learn Nebulonin.)” Suki glared angrily at the completely expressionless Nebulon warriors.
“The xenomorphs must be put into Danjer suits immediately,” said the lead warrior with no significant expression on his blue face.
“He says that we must dress you in Danjer suits immediately. It is for your protection.”
“Explain, please,” Cissy said.
“You see these two special organs that all Nebulons have?” Suki said, pointing to the two red spots on her otherwise blue cheeks. “These special skin organs allow the absorption and dispersing of exotic radiations that are part of a space whale’s internal functions. Without them, living inside a space whale can kill you. Danjer suits will prevent that from happening to the two of you so you don’t die.”
“Well, that does seem important.” Cissy smiled at Suki. A smile that would later seem inappropriate.
The three crewmen of the Happy Luck followed the warriors into a smaller enclosure.
“Paskuah sah fonatouh auol tanac.” The lead warrior pointed at a bench with three piles of quivering sludge on it, one blue, one gold, and one pink.
“He says we should disrobe and put these on.” Suki smiled as she picked up the blue sludge. In her hand, it transformed into a reasonable facsimile of a space suit.
“Euw, dat is ay-live!” Friday said with her muzzle curled up in a snarl.
“It is a living creature. It functions as a space suit. It feeds on the dirt, sweat, and oil from your body, automatically keeps you clean, and provides force fields, proper pressure levels, and an atmosphere for you to breath. It also processes and protects you from radiation.” Suki demonstrated how easily it went on her body and turned into what looked like a high-tech space suit. It was alive, but you couldn’t tell that by looking at it.
Cissy shucked off the suit she had been wearing. She stood there naked for a few moments, staring at the golden quivering mass. She knew that some of the warriors had to be males, watching her with who knows what in their hearts. But she wasn’t sure about the whole thing.
Friday was only wearing her Lupin fur, so when she picked up the pink mass, it quickly swooped onto her small body and fairly sizzled as it changed. It turned into a rather cute outfit that fit a Lupin child perfectly. “I iz purtee nowz!” Friday giggled. “Ann it teekulls!”
So, Cissy put the golden one on too. And it swiftly turned into an admirable starship uniform worthy of a captain. She also felt surprisingly pleased.
Then the lead warrior said, “Now we will go before the Prince to decide who lives and who dies. (Translated for you again so you don’t have to work at it… free of charge.)”
Cissy had changed the name of the family starship. Dark Moon’s Dreaded Luck was now Heart Moon’s Happy Luck. Of course, it was only changed on the log book. On the ship’s hull outside, the ship’s name still read Dark Moon’s Dreaded Luck FT-645-00-X5015-A606. But in creepy Imperium-style letters. She carefully copied Crocodile Guy’s heading coordinates into the log book of the Happy Luck.
“Captain Cissy, scanners are picking up a large group of objects just coming into scanner range.” The glowing holographic form of Steve Irwin, Crocodile Guy, stood beside the Captain’s Chair with a concerned look on his face. He was basically an AI education program, but his AI addiction to absorbing new knowledge had changed him into the far-trader starship’s science officer, engineer, translator, and all-around indispensible right-hand man for Captain Cissy. He even stood in for the ship’s computer, David, who became deceased in the escape from the Stardog pirates.
“Are they hostile? Do you think?” Cissy looked up at the viewing screen. Little red blips were swarming in the upper right corner of the screen.
“Dey maybee bee Pie-rats! Maybee dem Stardogs again!” said the terrified voice of little Friday, the Lupin child that had become more like a little sister to twelve-year-old Cissy than the family dog she distinctly resembled. Friday was out of sight at that moment, hiding behind Cissy’s Captain’s Chair.
“What course do I set, Captain?” asked Suki, the blue-skinned Nebulon pilot.
“They are currently in a position where, if they are indeed starships, they can scan us just as clearly as we can scan them. If they are are space buccaneers, they will make for us any moment now.” Crocodile Guy sounded more calm than any of the rest of the crew. Of course, being a hologram AI program, he was also not as easily killed as the rest of the crew.
“Well, if they are coming to get us, we are way outnumbered. We might as well meet them head on and see for ourselves what they are going to do.” Cissy’s expression was one of stiff-lipped defiance.
“Well, they could be space debris or a group of deep-space asteroids going nowhere,” said Suki. setting the controls on an intercept-course heading. Cissy marveled again at how fast Suki had picked up Galactic English from Crocodile Guy’s tutorials. She sounded like a spacer from the Imperium now. No trace of a Nebulonin accent remained.
The Happy Luck closed the distance rapidly. The red dots did seem to be headed towards them as well.
“I can put the image on screen now,” said Suki. “Do you want to see them now, Captain?”
“Yes, please.”
Friday peered out at the screen from behind Cissy. “Wowz! They iz space fishes! Reelie big space fishes,” said Friday.
“Yes, they are big. In fact, five hundred to a thousand meters in length each. Those are space whales.” Suki was grinning as if she were immensely pleased. “And not just any space whales. Clan Vorannac space whales. My clan.”
“Those are what your people use as starships?” Cissy gasped. They were easily as immense as Imperial dreadnoughts.
“Yes. Those big space fish are hollow and contain entire ecosystems inside them… entire worlds.”
“So, they are friendly?” Cissy hoped aloud.
“If we are lucky and have found a good warlord… rather than a bad one.”
“We iz aboutta fine out,” declared Friday. Her canine eyes grew larger as the looming space whales came towards them, swimming stately and regally amongst the stars.
Catch a Falling Star 