Dancing With Alan Watts

It seems sometimes, in a Judaeo-Christian society, that we are a constantly being scrutinized by a rather harsh all-knowing God who rewards getting the faith-words accurately correct, to the letter, and the faith-based actions perfect, without a single mistake. And He punishes missteps of word or deed with pain and suffering and the potential of an eternity in Sheol or Hell. And that is a tough God to live with. He is like a teacher who uses his or her God-like powers to reward or punish to lead his students all down an exacting, narrow path to a destination that does not have room for everyone when they arrive.

It doesn’t take long in childhood for a highly intelligent person to realize before childhood is over that this cosmology is actually a load of horse pucky. It didn’t even take long for somebody as semi-stupid as me.

What I like about listening on YouTube to Alan Watts’s wisdom is that he gives us an alternative way of seeing the universe and ourselves. This he can offer through his studies of Eastern and Buddhist philosophies. Everything appealing in John Lennon’s signature song, “Imagine,” comes from Lennon’s love of listening to Alan Watts’ lectures. He is obviously a wise guy.

Alan Watts teaches us the pathways that lead to finding yourself, who you truly are, and how you fit into the universe as a whole. When Carl Sagan says that we are all made of star-stuff, he is not only telling us what is literally true, as the elements our bodies were formed from were literally made in the nuclear forges at the centers of stars that later exploded in nova bursts to scatter the elements across the skies of everywhere. He is also telling us that what Alan Watts says is metaphorically true, that everything in the universe is part of the same thing and we are all one in this way.

There is plenty to worry about in my little life. I could easily drop dead at any time from any one of my six incurable diseases or even the return of the skin cancer I beat in 1983. I suffer from the consequences of disease daily, as I have for many years now. My sins are many. I broke my promise the other day to never show you the horrors of my naked body on this blog. I constantly eat the wrong thing and continue to do things that I know are bad for the environment and the health of my body. I am prejudiced against racists, stupidity, and the actions of dedicated Trump-lovers. In many ways I deserve God’s wrath and brutal correction. I have come to truly believe that climate change is going to end life on Earth. I am horrible.

But I have learned from Alan Watts that all of those concerns mean nothing. I don’t believe in Heaven or an afterlife. But I do not fear death. I am one with the universe. And the universe goes on even if I do not. And I will always be a part of it, even after I am no longer alive. The universe has a mind and is intelligent And I take part in that because one small part of that intelligence is me, and lives in my head.

There is comfort to be found in the words of Alan Watts. And living in pain as I do, I really need that comfort most of the time. That is why I have attempted to share a bit of that comfort with you.

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New Pix…

I have not been able to write every day in 2025 and now into 2026. However, I have been drawing whenever I can. And I am posting art on Instagram,

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Wake Up Sunday Morning!

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As weekly rituals go, one of the most important ones came every Sunday morning when I was a kid.  My parents were 50’s people.  By that I mean they were teenagers and young adults during the post war boom of the 1950’s when everything seemed hopeful and bright and alive with wonderful possibilities.  As a kid in the 1960’s the Sunday morning routine was this;

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  • Wake up grouchy from staying up too late to sneak a look at the late-night monster movie on Saturday.
  • Read the funny papers.
  • Learn life lessons from Family Circus, Dagwood Bumstead, Pogo, Lil’ Abner, and Steve Canyon.
  • Eat scrambled eggs and toast for breakfast.
  • Complain about having to go to church and Sunday school.
  • Go to Sunday School and church at the Methodist Church in Rowan, Iowa.
  • Complain about having to go to church every Sunday on the way home from church.
  • Pray over Sunday dinner and be really, actually thankful for all the positive good things in life.

Obviously the most important thing in that routine was complaining, because I listed it twice.  But when it got down to it, we were thankful for all the good things about life.  We were positive people.  We sometimes listened to Norman Vincent Peale on the radio.  We knew we ought to be positive and thankful and love goodness and be kind.

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Somewhere along the way, though, the world forgot the life lessons of Family Circus.

Somehow we managed to screw things up.

Environmental scientists like Paul Ehrlich, who wrote The Population Bomb, warned us that the world could soon be ending.  And we ignored them.

Richard Nixon taught us not to trust politicians any more.

We stopped believing in things like the wholesome goodness of scrambled eggs.

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We let corruption in our government and inequality in the economic sphere become the norm.  The greedy people who were cynical and had no empathy for the rest of us took over.  That is how we ended up with someone like Donald Trump.  Racism, fear, and complaining now rule the emotional landscape in America and most of the world.

So, what is the answer?  What do we do?

Well, The Family Circus is still out there.  We can learn from it, laugh a little, and apply some of those life lessons.  Especially this one;

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Oxfordian Rationalizations

Yes, I am, perhaps, a bit of a fool for believing Edward de Vere, the 17th Earl of Oxford, is the writer behind the works of William Shakespeare.  How do you prove something is true when it is so obvious that someone worked really hard to keep it a secret for all this time?  Is it a betrayal of the man to go against his apparent wishes and try to out him for his incredible secret?  It is hard for me to judge.  After all, I know I am a fool.

But even if he is not Shakespeare, and just sits at the apex of a mountain of coincidences, I am fascinated by the historical character of Edward de Vere.

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The keep at Hedingham Castle, the de Vere family seat in Essex (photo by David Phillips)

He was born the only son of John de Vere, the 16th Earl of Oxford, and heir to the second oldest title among English nobility.  His father stood by Elizabeth when she was under house arrest under the reign of Bloody Mary, and went with her as a court favorite to the throne of England when she survived the ordeal.  So naturally Edward was a favorite of Elizabeth’s since childhood.  Later stories would suggest he became the Queen’s secret lover, but the rumors of the Virgin Queen’s harlotry were most likely the invention of Philip of Spain and other nobility in Catholic Europe who plotted endlessly against her because she chose to adopt her father’s protestant Anglican religion instead of returning England to Catholicism like her half-sister Mary before her.  Elizabeth’s personal integrity may not have been perfect. Still, the love she bore for young Edward was probably not the improper kind that the movie Anonymous, directed by Roland Emmerich, suggested.

But even though de Vere was born lucky, I would not say he was particularly lucky in life.  He was only twelve when his father (though having completed his will) died.  The result being that he was made ward to Queen Elizabeth herself.  She was not exactly the foster-mother type, however.  She sent the boy to be raised in the home of her Secretary of State and chief adviser, William Cecil (later made Lord Baron Burghley).  Meanwhile, Elizabeth took possession of some of his estates in payment for the wardship and bestowed them on Robert Dudley (her childhood friend and probable one true love, though he was married to someone else).  Young Edward was a difficult student.  His tutor, the famous scholar Laurence Nowell, resigned in frustration, probably because the boy was too bright and far-reaching for the antiquarian scholar to deal with, possibly himself being a bit dumber than advertised.   Edward quickly developed a reputation for love poetry at Elizabeth’s royal court.  He was a gifted, though somewhat conflicted, prodigy.

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William Cecil, 1st Baron Burghley

And here is what I find most fascinating about his life story.  As you reread it, keeping the works of Shakespeare in mind, you begin to see Shakespeare’s source material coming to life.  Edward would end up marrying Cecil’s young daughter Anne, so that Lord Burghley was not only a man who raised him, but also his father-in-law.  But marrying off your offspring to nobility was an accepted manner of social climbing, and Cecil wasn’t entirely sure he couldn’t do better for his daughter.  And the meddlesome, lecturing, and self-righteous nature of the man comes out in Shakespearean characters like Polonius in Hamlet who spies upon the suicidal prince because he fears the effect Hamlet’s love for his daughter Ophelia might have on her reputation, causing him to spout all manner of cliches and stuffy, self-important advice.

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Robert Cecil, Lord Salisbury

Cecil’s son Robert, the hunchbacked boy who grows up to take over his father’s office as adviser to both Elizabeth and James I, is a crafty statesman and plotter who is the undoing of the Earl of Essex in a real-life plot against the throne of Elizabeth.  It is hard not to read about his real-life exploits without seeing the connections to Iago in Othello and the conniving hunchback Richard III.

So, once again I have overshot my target length in this essay because I get so wound up in the details of my discoveries.  There are numerous things written and published about the connections between de Vere and the Bard himself.  I have only begun to scratch the surface in this telling of it.  But I am just a fool with a humor blog.  If it interests you at all, I encourage you to go to as many of the available sources as you can possibly Google.  I haven’t yet finished doing that myself.  And I do hope I haven’t told anything here that makes Shakespeare turn over in his grave (if, indeed, a grave could ever really hold him.)

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Rereading Me

If the two girls up above are Sherry and Shelly Cobble, the twins from several of my novels, they are wearing too many clothes. These two fictional characters are true nudists and go naked whenever possible. (The twins they are based on in real life were probably lying to me about going to nude beaches to embarrass their English teacher (me).)

I have often thought that the reason my novels are so rarely read by anyone (except nudists, of course) is that I use ridiculous situations and purple paisley prose to tell improbable stories. It is entirely possible that I am a lousy writer.

So, I spent the recent holidays rereading what I believe is my best book, Snow Babies. It is a comedy about a small town coming together to survive a severe blizzard. In other words, it is a humorous story about bus passengers, runaway orphans, and farm town citizens being harassed by snow ghosts and some of them freezing to death. It has many intense moments. There are witches, a mysterious stranger, a group of kids in a liars’ club, a couple of orphans with severe medical problems, and a clown or two to become vivid characters that someone somewhere will identify with. (After all, most of them are based on real people I was related to or met sometime in my nonfictional past life.) There are hauntings and magic and near-death experiences. And rereading it gave me chills down my spine as well as moments of loud laughter and a few spots where I shed a few tears. Maybe it isn’t so terrible. I found it fascinating in spite of having read it ten times or more, on top of writing it and editing it.

I am now rereading this book, The Bicycle-Wheel Genius. It is a story about friendship, losing friends, and renewing friendships. It is also about family, losing family, finding a new family, and learning to properly love the family you are stuck with. Besides having some serious themes, it is also a rollicking adventure about time-travelling, fighting a dogfight in World War I biplanes, killer alien robots, man-eating chinchillas, and rabbits who become human. And a girl with special problems to overcome gets to turn a boy into a girl for a while with an alien ray gun to exact the perfect revenge. You know, all very sensible, realistic stuff. And it makes me laugh in some parts, and cry in some parts, and even feel the tension in parts where good characters face terrible consequences. I am finding again that I enjoy my own writing when I go back to things I have already written and published.

Maybe I am not a bad writer. There is a good chance you will like them too if you try them.

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This is the book to read to find out about the Cobble Sisters. Recipes for Gingerbread Children. It is the one I plan to reread next.

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How To Write A Mickian Essay

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I know the last thing you would ever consider doing is to take up writing essays like these.  What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?

But I was a writing teacher for many years.  And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.

So, here goes…

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Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead.  A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay.  In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a  “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what.  The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order.  It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.

Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs.  This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing.  If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”.  And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time.  The three main rooms in this example idea house are beginning, middle, and end.  You could also call them introduction, body, and conclusion.  These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).

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The last thing you have to do is the concluding paragraph.  (Of course, you have to realize that we are not actually there yet in this essay.  This is Room C in the smelly chickenhouse of this essay, the third body paragraph.)  The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process.  This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later.  The last thing that you say in the essay is the thing they are the most likely to remember.  So you need to save the best for last.

So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay.  It is a simple, and straightforward structure.  The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea.  And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.

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Malevolent Marx Brothers’ Movies

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“I wanna thank you for meeting with me in this super-secret high-level meeting in the White House (and broadcast on Truth Social), okay.  I brought you here… I am really good at bringing people and stuff together, by the way… I brought you here so we could make the Marx Brothers great again, okay?  We are going to make a new Marx Brothers movie.  It’s going to be great… bigly tremendous.”

“Wotta you sayin’, boss?  The Marx Brothers is dead.  How you gonna make a movie with dead guys?  You gonna dig ’em all up and do a Frankenstein number on ’em, or what?”

“No, no…  We will play the roles ourselves.  I’ll be Groucho, you know… the really smart one… the one with an amazing mind.  I really am very smart, you know.  Everyone says so.”

“And who am I gonna play?”

“Steve Miller, you get to be Chico.  You know, the fast-talking Wop guy.  You think of the greatest plans.  They are really great, you know.”

“Okay, boss, I got one already.”

“Really?  What is it?”

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“I think we gotta do an executive order.”

“Executive order?  What’s that?”

“It’s a order you give like Obama did, you know?  You take a pen and phone and say something in writing that everybody’s gotta do, and then, because it’s an executive order and you signed your name to it, you gotta execute somebody.”

“Ooh!  I like the sound of that.  We’ll call the movie Horsefeather Soup.  It’ll be tremendous.  The most tremendous thing people have ever seen.”

“Yeah, and the executive order will say we are banning Mexicans that come from places like Venezuela, Colombia, and Somalia.  That kind of Mexican has to be sent back to where they came from.  You know, just the ones where they might want to vote for Democrats.  And we can say we are doing extreme vetting so we are keeping America safe from terrorists.  And WOKE Mexicans.”

“Ooh!  Yeah!  Extreme vetting rhymes with bed-wetting.  Tremendous.   But what if people say I’m being racist again?”

“We say we intend to protect Americans from those really bad people you keep talking about, you know, the ones that eat the cats and dogs?  We’ll claim that nobody who’s innocent will get hurt.  And the good thing is, the immigration people will just know that anybody who is a Mexican is a bad person.  No matter where they’re from.  We’ll get everybody that way.”

“Good one, Steve, I mean… Chico.”

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In the Homeland Security camps after the executive order.  (Possibly people waiting to be executed in Alligator Alcatraz.)

“Wait a minute, boss, who do I get to be in this movie?”

“Hogsweat, you get to be Harpo, okay?”

“My name is Hegseth, boss.”

“Oh, yeah, sorry, Heegsop.”

“HEGSETH!”

“Okay, Harpo doesn’t talk, so shut up, Hogsbreath!  Here, take this bicycle horn and, when you go on George Stefenopolis’s show and he doesn’t let you talk either, just honk it at him.  It will be really great.”

“And me, boss?”

“Oh, JD, I almost forgot about you.  What’s the name of that other brother?  Dumbo?  You get to be that one.”

“Hey boss, we gotta get goin’ on this executive order crap.  Somebody needs to get executed in the worst way.”

“Oh, yeah!  The worst way to execute is the best way.  I feel the need to tweet a truth about it.  This new Marx Brothers’ movie will be the best, just the best.  It will be so bestest that America will get tired of bestiness.”

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Trump, Hogsbreath, and Steven Miller, ready for Woke Mexicans and protesters.

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Unpleasantness

I learned from the urologist today that I am going to have to have surgery on my prostate. It is not cancer (hopefully), but it will have to cut a new channel for emptying my bladder, a procedure eerily nicknamed “a Rotor Rooter job.”

I learned from YouTube today that an ICE agent in Minnesota murdered a woman in her car, and the government is lying about what clearly happened, according to bystanders’ videos.

Today was not the best day for Michael. And Mickey isn’t happy either.

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RumikoTakahashi

Yesterday I used a Paffooney I had stolen to illustrate my gymnasium adventures, and in the caption I gave credit to the wonderful comic artist I shamelessly copied it from.  The second imitation Takahashi that I did yesterday is now displayed next to it above.  I am now compelled to explain about my goofy, sideways obsession with Anime and Manga, the cartoons from Japan.  I love the art style.  I have since I fell in love with Astroboy Anime as a child in Iowa.  Rumiko Takahashi is almost exactly one year younger than me.  As a cartoonist she is light years more successful than me.  She has been crafting pen and ink masterpieces of goofy story-telling longer than I have been a teacher.

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Her artwork is a primary reason I have been so overly-enamored of the Japanese Manga-cartoon style.  I love the big eyes, the child-like features of even adult characters, the weird poses and still-weirder comic art conventions of this culture from practically a different planet.  She has created comic series that are immensely popular in Japan, and have even put down sturdy roots in this country, especially with young adults since the 80’s.  She is the world’s number one best-selling female comics artist.

Just as we Westerners have to accept numerous ridiculous things to appreciate the stories told in American comics (for instance, brawny heroes running around in tights with their underwear on the outside of their pants, nearly naked ladies with super powers diving into battle next to men encased in armored suits, and talking animals), the Manga-minded must also practice a bizarre form of the willing suspension of disbelief.  In Ranma 1/2, the main character is a boy marshal artist who turns into a girl when splashed with cold water.  Much of the romantic comedy of that work revolves around boys and old men finding themselves in the bath house next to naked young girls.  For some reason that sort of naked surprise causes the boys to spout fountain-like nosebleeds.  In Inu-Yasha the whole thing is about fighting demons with swords.  Inu-Yasha himself is part demon.  Apparently part-demon is a good thing to be.  Japanese villains are spectacularly susceptible to fits of crying rage and tantrums.  And everybody looks more like American white people than orientals.  Oh, and there are talking animals.

Rumiko is a master of pen and ink.  Here is a sample of of her black and white work.

And she does color well too.

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The little people are a special style of Manga character called a Chibi, and all regular Manga characters can turn into one at any moment.

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And, of course, to read actual Manga you have to master reading backwards.  Americans read left to right.  The Japanese read right to left.  You have to open a Japanese book in a manner that seems both backwards and upside down.

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This illustration shows how American publishers flip Japanese comics to make them more accessible to American audiences.

So now, by uncovering the fact that I am addicted to and seriously affected by Japanese cartoons, you have one more bit of evidence to present to a jury in case you decide Mickey needs to be locked up and medicated for a while.  Japanese comics are a world of great beauty, but also a world unto themselves.  It is an acquired taste that has to be considered carefully.  And of all the many marvelous Manga makers, Rumiko Takahashi is the one I love the best.

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What You Should Know About Filipino Families

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Not everyone pictured in this post is actually a family member by marriage, but my wife has a big family and everyone who is even remotely related to a Filipino family… or even imagines that they are… is family.

I am about as much of a white-guy WASP-type as you can find in Middle America, having grown up in Iowa and teaching for my entire career in Texas.  But I know a thing or two… or three about other cultures.   I taught in South Texas for 23 years with students who were over 85% Spanish-speaking.  And then, in 1995, I married into the Pinoy culture of the Philippine Islands.

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Me and my Filipino-American familia… circa 2003.

There are some things I have learned about this other culture that you should probably be aware of.

#1.  The United States is being invaded and colonized by the Philippines.  They are coming here in waves, getting jobs in education and medicine that not enough of home-grown America are willing to take up.  My wife came here with a placement company as a teacher.  Three of her group of Filipino teachers landed in our little Cotulla school district.  When she got here, she was met by her cousin and her cousin’s family.  There was a Filipina woman and her young son in the Valley that also took an interest in helping her get settled in Texas.  All of these people… and all of their friends and relatives are still a part of our lives.  My wife’s sister and her family lived in California where dozens of cousins also lived.  They and my wife’s parents have since moved to Texas, along with two other sisters and their families.  You get the idea.  They are taking over.

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#2. As you can see, Filipinos love to take pictures.  Above is a picture from class where my niece goes to school back in Floridablanca in the Philippines.  People complain about pictures of food on Facebook.  My Filipino family puts the Food Network to shame.  Sometimes I can’t tell if they are eating another exotic Filipino dish with rice and meat or they’ve been putting firecrackers into fish and exploding them.  And the fish eyes are a delicacy.  Eeuw! My sisters in Iowa won’t even let me talk about the food at Filipino gatherings.  I have to be extremely careful of what I share on Facebook.

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 #3.  To know about Filipino culture, you have to understand what Jollibee is all about.  Jollibee is the Filipino MacDonald’s.  Of course, it is cheaper… and better tasting.  There are a  few of them around the country here.  California has more than Texas.  They are like a giant Filipino magnet.  You go there to find the Filipino community in any American city.  But other people love the food too.  You have to sort the Filipinos from the Hispanics and white folks that are not too proud to eat cheap and delicious.

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Well, those are only about three things that you should probably know about Filipinos and Pinoy culture.  I haven’t even gotten into the thing about Matrilineal social orders or the evils of Karaoke addiction… but enough is enough for one day.  I have no idea how much trouble I am now in for revealing cultural secrets.  It could be a long cold night in the dog house.

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