
The Ixcanixian Cultural Ambassador from the Squeelix Sector of the Planet Ixcanix sent me an e-mail about his planet’s newest idea for a cultural exchange. He calls it the “Ixcanixian Spleegle Gorn Vorpaloop” which translates to the “Ixcanixian Interstellar Bad Poetry Challenge”. At least, it does if I am conjugating the verb “Vorpaloop” correctly. It is difficult because you have to drop the silent “y” before adding the “aloop” without causing it to explode. I know it is probably a very bad idea to present it here on this planet, but he talked me into it by promising to promote my novel Catch a Falling Star on his homeworld and at least two other planets in the Bugeye Federation.
Here are the rules for the alien poetry contest;
- Entries can only come from planets in the Orion Spur of the Sagittarius Spiral Arm of the Milky Way Galaxy. (So, for you non-astronomers out there, we on Earth do qualify.)
- All poets must be less intelligent than the Mud-Eaters of Paralaxos IV as they will be employed as judges of what poetry is truly bad. (Again, Earth qualifies as we have recently re-elected Trump and also allow Nigel Farage of Great Britain to continue to exist.)
- Entries must not be so long that the total weight of letters exceed critical mass and form black holes in the intergalactic servers when uploaded.
- Vogons need not apply. Their poetry is so bad that they would automatically win, causing the death of trillions of bad poetry readers in the galaxy.
- Entries must not cause thermonuclear reactions with cesium.
- Please refrain from confusing good poetry with bad poetry. The Vornloos of Talos XII are looking for poetry they can weaponize, and no one wants a poetry contest winner to suddenly create World Peace on Talos XII. That would be bad for the galaxy as a whole in ways that are very difficult to explain.
A sample of interstellar bad poetry is included here to inspire the kind of poetry we seek.
Ratzen Bargle’s Bisketoon (a love poem by Touperary Kloob, Poet Laureate of Antares VI)
Ratzen Bargle was a Doofus,
From the planet Rufus-Ploofiss,
And he had a lovely bride,
With a head not tall, but twice as wide.
She had three eyes, and two were green.
She had the loveliest fleen you’ve ever seen.
And as they sat ‘neath a wayward moon,
He kissed his lovely bisketoon.
Immediately before naught was said,
She bit off his tiny three-eyed head.
And then she ate him bones and all
With sauce that really becomes the fall.
And so it is on Rufus-Ploofiss,
That males all die with one last roof-kiss.
Because they sit under wayward moons
With their lovely, hungry bisketoons.
Should you have the unfortunate urge to participate in this senseless and probably suicidal poetry contest, you are welcome to offer four-line poems in the comment section, or email longer poems to Mickey at mbeyer51@gmail.com. I will attempt to transmit the worst offers to the Ixcanixians as soon as I get my interstellar flooglebeeder transmitting again. I will also post winners in a future alien poetry blog.
I have been warned that prizes range from instant execution by the Lizard Lords of Galtorr Prime to a beat up copy of Mickey’s 2012 novel Catch a Falling Star. So, good luck with the bad poetry.
I must confess, I did not submit any of my terrible poetry as I don’t want any of the prizes.












































The Art of Being Mickey
I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.
But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’
So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.
I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))
—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.
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