I admit it. Even though I collect pictures of sunrises to glory in the fact that I still have another day of life in this world, I rarely snap a picture of the cloudless sunrise. It is very possible that this has something to do with what ultimately gives life value and makes it worthwhile to live one more day.
If there is no pattern, no color-changes, no contrast, no variation… then why bother? And this doesn’t only apply to living your life. It applies to taking pictures of the sky too. Solid blue or solid yellow are about as interesting as a minimalist painting. (Have you ever seen the big beige squares and red squares that fill entire walls of the Dallas Art Museum? Like a picture of a polar bear in a fierce blizzard or an extreme close-up of the side of a tomato.)
Yes, sunshine and happiness are all well and good… but you don’t get a satisfactory skyscape without some clouds in it. In fact, rain clouds provide the most fascinating patterns and colors. What would the picture be without a little drama splashed here and there to make a center of interest or a counterpoint to the happy ending? They say that variety is the spice of life. And when they say that they probably mean cayenne pepper rather than parsley or oregano. If that’s not what they mean, then why the hell did we bring food into the discussion?
So, I am thinking, there have to be clouds. (Notice, I said “clouds”, not “clowns”, because… according to the song, there “oughtto be clowns”, not “have to be clowns”.)
It is true that clouds can mean sadness… that the rain is coming, that your vision is obscured, that something has come between you and God’s eye. But without clouds, the sky would be plain and boring. Better to burn bright and explode in a short amount of time than to linger over a plain pale blue.
Toonerville is really all about creating art with my HO model railroad toys. So, here’s a picture of the newest arrangement of the downtown as it now sits in my bedroom/studio.
The buildings are a combination of models I put together and plaster buildings that I bought unpainted and then painted them.
The Ghost Busters van in front of Mike’s Farmer’s Market was recently bought for less than a dollar and added to collection. Just in time too. There is apparently a ghost in Mike’s clock tower.
The two Thomas the Tank Engine toys were recently added after they were recovered from a junk pile in the garage.
Here’s a shot of the Toonerville Trolley that was the first trolley added to my HO train layout back in the early 70’s.
So, this is a small bit of insight into the workings of a toy collector and artist with excessive amounts of hoarding disorder. And I am sharing with you the most recent pictures I have made of the things in my collection.
I woke this morning in excessive amounts of arthritis pain. My left elbow has not been working well for a month. My lower back is always painful after a restless night’s sleep. Neither of my knees is willing to do the basic job required of knees in the early morning when you first wake up. So I had to work joints back and forth to loosen them up despite the pain. I had to stretch parts where muscles were knotted up in protest to stretching. And it took me a half hour of painful work to get on my feet.
I have been psychologically in pain of late as well. Being a school teacher who dedicated his life to getting young people to work together and grow up and mature, I have been deeply distressed by both the police shootings of innocent black men and the massacre of policemen here in Dallas. My publishing goals have also hit a brick wall with recent rejections and cancelling of contracts. I need to curl up in a corner and lick my wounds.
When I was a child I relied on stuffed animals to make me feel better when I was sick and in pain. I had a toy tiger that was my constant companion. I had a couple of teddy bears, one a panda, the other Smokey the Bear. And there was a terrycloth pink elephant that I shared with my sisters. Like many children, I talked to the stuffed animals. Like a strange few other children, the stuffed animals would answer back. I think that plays a large part in explaining why I am a writer of fiction stories. I medicate my mind not with drugs, but by talking things out with imaginary people.
At this moment in time, when I am on the verge of being overwhelmed, it is a good thing that my hoarding disorder has caused me to collect stuffed toys. I have more than one magical teddy bear to turn to. Everything will be all right in the end.
I have had a practically life-long fascination with trains. Where did that come from? It came from a Methodist minister who once upon a time saved my life.
Reverend Louis Aiken (in the cowboy hat) was a lover of HO model trains, as well as country music… and, of course, God.
My best friend growing up was a PK, a preacher’s kid. And as we hung out and played games and got into imaginatively horrible trouble, we invariably wound up in the basement of the parsonage where his father kept his HO train layout. I learned lessons of life in that basement in more than one way. I have to explain all of that somewhere down line. But for now, I have to limit the topic to what I learned about trains. They are a link to our past. They are everywhere. And they do far more for us than merely make us cuss while sitting and endlessly waiting at the railroad crossing.
When visiting Dows, we absolutely had to stop and take pictures at the train station.
This is, by my best guess, an SD40 locomotive parked at the restored train station in Dows, Iowa.
Spotting trains to take pictures of, gawk at, and totally make cow-eyes over has become a way of life to me. When visiting Iowa, especially Mason City, Iowa, we always have to stop at the engine on display in East Park.
When I was a kid, this old iron horse was not fenced in to protect it from kids, weather, and other destructive forces. Now, however, it is fully restored and given its own roof. This is a 2-8-2 steam engine with two little wheels in front, eight big wheels in the middle, and two little wheels at the back (not counting wheels on the coal tender). I have ridden on trains pulled by such a behemoth. I love to watch the monkey gears grind on the sides of the wheels forcing steam power into the surge down the tracks. And I can’t help being a total train nut. Of course I don’t deny being more than one kind of nut. But being a mixed nut is another post for another day.
In 1927 in the mythical land of Austria, where they seem to know how to make candy… a condensed form of peppermint was created in a lozenge form and then placed into a plastic toy dispenser. The spells that were cast to make this magical item probably had nothing to do with toad warts and bat wings and eye of newt. It has more to do with Mickey Mouse, then Katzenjammer Kids, and Marvel Super Heroes. I have been caught under the spells of a PEZ fixation since childhood. I remember begging for a Bugs Bunny dispenser in Merle Hay Mall in Des Moines when I was probably six years old. My parents wisely said no hundreds of times when I was a kid. Who wanted to spend a nickel on a penny’s worth of candy? Just for a Pez dispenser. If they ever caved to my begging, even once, I don’t still have the dispenser. But now I am supposedly a responsible adult. I have money. Well, I used to have money before I spent it on collecting PEZ dispensers. I can’t even eat the the stupid candy. I have diabetes. So I feed the candy to my kids and risk giving them diabetes.
Here, my minion Stuart is showing off my Avengers collection. It took him nearly thirty minutes to line these six dispensers up so that they were all standing at once. The Hulk kept falling on him repeatedly.
I am proud of my Toy Story collection. I had to go to some lengths to find some of these (particularly Slinky Dog and Rex).
Disney Princesses were easy. Both at Walmart and Toys R Us they were all grouped together on the Disney hooks.
The Muppets were also grouped together with the Disney Pez.
Winnie the Pooh is Disney, too. I got some of these on discount at Toys R Us. I still need Piglet and Owl… and Christopher Robin. I don’t have an unbroken Minnie Mouse either. I had small children when I first started collecting these, and now I have fat children and a lot of empty Pez dispensers.
My Star Wars collection seems to be evil Pez dispensers and Yoda.
And poor Stuart is getting tired of standing up Pez dispensers, so I will end here without having shown you all of my PEZ dispensers. Besides, I have reason to keep the newest dispensers a secret from my minion.
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
My best novel is free to own in ebook form for today and tomorrow. Buy it now with the link above. The offer is good until the end of the day on 12/14/2021.
When I was but a young teacher, unmarried, and using what free time I had to play role-playing games like Dungeons & Dragons and Traveller with students and former students and fatherless boys, I came across a game that really creeped me out. And it was quite popular with the kids who relied on me to fill their Saturday afternoons with adventure. It led me on a journey through the darkness to find a fascination with the gruesome, the macabre, and the monstrous. The Call of Cthulhu game brought me to the doorsteps of Miskatonic University and the perilous portals of the infected fishing village of Innsmouth. It introduced me to the nightmare world of Howard Phillips Lovecraft.
“H. P. Lovecraft, June 1934” by Lucius B. Truesdell
Old H.P. is as fascinating a character as any of the people who inhabit his deeply disturbing horror tales. He was a loner and a “nightbird” but with little social contact in the real world. He lived a reclusive life that included a rather unsuccessful “contract” marriage to an older woman and supporting himself mostly by burning through his modest inheritance. As a writer, he got his start by so irritating pulp fiction publishers with his letters-page rants that he was challenged to write something for a contest article, and won a job as a regular contributor to “Weird Tales” pulp magazine. He was so good that he was offered the editorship of the magazine, but true to form, he turned it down. He resembled most the dreamer characters who accessed the Dreamlands in various ways, but let their mortal lives wither as they explored unknown continents in the Dreamlands and the Mountains of the Moon. He created a detailed mythos in his stories about Cthulhu and Deep Ones and the Elder Gods. He died a pauper, well before his stories received the acclaim they have today.
I have to say that I was so enamored of his stories that I had to read them as fast as I could acquire them from bookstores and libraries all over Texas. My favorites include, The Shadow Over Innsmouth, The Dunwich Horror, and At the Mountains of Madness. But reading these stories lost me hour upon hour of sleep, and developed in me a habit of sleeping with the lights on. In Lovecraft’s fiction, sins of your ancestors hang like thunderheads over your life, and we are punished for original sin. A man’s fate can be determined before he is born, and events hurl him along towards his appointed doom. H.P. makes you feel guilty about being alive, and he shakes you to the core with unease about the greater universe we live in, a cold, unfeeling universe that has no love for mankind, and offers no shelter from the horrors of what really goes on beyond the knowing of mortal men.
Loving the stories of H.P. Lovecraft is about deeper things than just loving a good scare. If you are looking for that in a book, read something by Stephen King. H.P. will twist the corners of your soul, and make you think deep thoughts to keep your head above water in deep pools of insanity. I know some of his books belong in yesterday’s post, but we are not talking about happy craziness today. This is the insanity of catharsis and redemption.
I was an aficionado of HO model trains as a kid. I continued that horrendous fixation with 1/78th scale worlds long into my extended juvenile immaturity (I was an unmarried teacher of middle school students until 1995.) Even after I was married, my wife allowed me, to a very limited degree, to continue to be a train man.
I spent a good deal of time over the years building plastic model kits of buildings, painting and repainting plaster model buildings, and collecting engines, rolling stock, and trackside details. Painting little 1/78th scale people is definitely an exercise for steady hands and a zen-like, highly focused mind.
But that all reached an impasse when we moved to the Dallas area. I had to tear down my train layout, box up my trains, and put everything on hold until I had another place to build and create my HO model-train world. So, while it was all boxed up and transported to first, a house that we rented from my brother-in-law, and then a house that we bought, it got shifted around and stacked inappropriately, and grandma put some really heavy items on top to crush and mangle my treasures. It also spent a night outside in the rain when my brother-in-law’s water heater had to be replaced in the garage where everything was stored. I was not a happy camper for a while.
Now, a decade later, I am still taking the tiny items and trying to glue the pieces back together. I have basically given up trying to get the trains to run again. But I can use the bits and pieces of Toonerville to make pictures like these. It makes the art-parts of my psyche and soul a little happier.
Old number 99 had to have the front part where the headlamp is located reattached and restored. It gave me something to do this weekend while I was down with a bad back and breathing difficulties. It would be neat to put the train table back together and get things set up once again, but there is no space, and no unlimited funds, and less and less time. So for now, the train man comes back to me to rebuild in photographs and in my imagination.
Cleaning in the library led me to rediscover an old project. Roy Rogers and Trigger had been sitting next to the TV in the library. I found them both on the floor between the TV and a book stack. Time to pick them up and put them back in shape.
The doll is a random military action figure rescued naked from a thrift store. I thought the face looked enough like Roy Rogers to turn him into that particular hero. The horse is from Mattel, and probably is part of a Barbie play-set. It was given to me by a relative. I dressed Roy in a Lone Ranger Captain Action uniform with a Tonto gun belt, both created by Playing Mantis Toy Company in the late 1990’s. The hat is actually from a Cowgirl Barbie because I wanted a Roy Rogers-style, almost-white hat. The Lone Ranger hat is too flat-brimmed to look right and way too large to fit on Roy’s smaller head, and the only other cowboy hat I have for it is a Johnny West hat from Marx Toys in the 1960s, and that is dark brown.
Everything Johnny West that I still have was salvaged from the house where I grew up back in the 1980s. They belonged to my little brother but ended up in my collection because he outgrew dolls and action figures long before I did. I wish I still had the doll himself, but I think Dabney blew him up with a firecracker when he was a teenager.
So, I have to be happy with only having Roy and Cowgirl Barbie to play with.
It is difficult to look at the sky and not feel that the power of Heaven is real. As I approach the halfway point of my sixty-eighth year, and the darkness of the future draws ever nearer, I am forced to think about what I really believe. Being smarter than the average bear has its drawbacks. I understand why most of the writers I most admire were atheists, and all of the philosophers I have read and found agreement with are decidedly atheist. Science, rationality, and reason all suggest that there is nothing beyond the physical realm. Should that matter? Faith, according to Mark Twain, is fervently believing in your heart what your mind tells you ain’t so. In fact, Hebrews 11:1 says, “Faith is the assured expectation of things hoped for, the evident demonstration of realities though not beheld.” Even the Bible is saying you have to believe it even though you shouldn’t believe it.
So, will I go to Heaven when I die? For me, the question is meaningless. I look up at the miracle of a blue sky on a partly cloudy day and see the life-giving sun. I am alive… here and now… and nothing else is really relevant. I am a part of the great, vast universe of reality. My existence is real and cannot be unmade… even by God, if He were inclined to do such a thing. I am a small, insignificant part of reality, and I can be gone in the next instant like a puff of smoke in the wind. But I am here and I am alive and I took the Paffooney picture that I used to illustrate this post. And I face whatever comes with a smile on my face. I am alive… and life is good.
Skyscapes of the Cloudy Mind
I admit it. Even though I collect pictures of sunrises to glory in the fact that I still have another day of life in this world, I rarely snap a picture of the cloudless sunrise. It is very possible that this has something to do with what ultimately gives life value and makes it worthwhile to live one more day.
If there is no pattern, no color-changes, no contrast, no variation… then why bother? And this doesn’t only apply to living your life. It applies to taking pictures of the sky too. Solid blue or solid yellow are about as interesting as a minimalist painting. (Have you ever seen the big beige squares and red squares that fill entire walls of the Dallas Art Museum? Like a picture of a polar bear in a fierce blizzard or an extreme close-up of the side of a tomato.)
Yes, sunshine and happiness are all well and good… but you don’t get a satisfactory skyscape without some clouds in it. In fact, rain clouds provide the most fascinating patterns and colors. What would the picture be without a little drama splashed here and there to make a center of interest or a counterpoint to the happy ending? They say that variety is the spice of life. And when they say that they probably mean cayenne pepper rather than parsley or oregano. If that’s not what they mean, then why the hell did we bring food into the discussion?
So, I am thinking, there have to be clouds. (Notice, I said “clouds”, not “clowns”, because… according to the song, there “ought to be clowns”, not “have to be clowns”.)
It is true that clouds can mean sadness… that the rain is coming, that your vision is obscured, that something has come between you and God’s eye. But without clouds, the sky would be plain and boring. Better to burn bright and explode in a short amount of time than to linger over a plain pale blue.
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Filed under clowns, commentary, foolishness, humor, photo paffoonies
Tagged as clouds, humor, metaphor, photography, sunrises, weather, writing